Wlatioia AUG 12195 7 a STUDY of the TYPOGRAPHIC
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Supreme Court of the State of New York Appellate Division: Second Judicial Department
Supreme Court of the State of New York Appellate Division: Second Judicial Department A GLOSSARY OF TERMS FOR FORMATTING COMPUTER-GENERATED BRIEFS, WITH EXAMPLES The rules concerning the formatting of briefs are contained in CPLR 5529 and in § 1250.8 of the Practice Rules of the Appellate Division. Those rules cover technical matters and therefore use certain technical terms which may be unfamiliar to attorneys and litigants. The following glossary is offered as an aid to the understanding of the rules. Typeface: A typeface is a complete set of characters of a particular and consistent design for the composition of text, and is also called a font. Typefaces often come in sets which usually include a bold and an italic version in addition to the basic design. Proportionally Spaced Typeface: Proportionally spaced type is designed so that the amount of horizontal space each letter occupies on a line of text is proportional to the design of each letter, the letter i, for example, being narrower than the letter w. More text of the same type size fits on a horizontal line of proportionally spaced type than a horizontal line of the same length of monospaced type. This sentence is set in Times New Roman, which is a proportionally spaced typeface. Monospaced Typeface: In a monospaced typeface, each letter occupies the same amount of space on a horizontal line of text. This sentence is set in Courier, which is a monospaced typeface. Point Size: A point is a unit of measurement used by printers equal to approximately 1/72 of an inch. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
Underscore: Musical Underlays for Audio Stories
UnderScore: Musical Underlays for Audio Stories Steve Rubin∗ Floraine Berthouzoz∗ Gautham J. Mysorey Wilmot Liy Maneesh Agrawala∗ ∗University of California, Berkeley yAdvanced Technology Labs, Adobe fsrubin,floraine,[email protected] fgmysore,[email protected] ABSTRACT volume Audio producers often use musical underlays to emphasize emphasis point key moments in spoken content and give listeners time to re- speech ...they were nice grand words to say. Presently she began again: ‘I wonder... flect on what was said. Yet, creating such underlays is time- change point consuming as producers must carefully (1) mark an emphasis point in the speech (2) select music with the appropriate style, (3) align the music with the emphasis point, and (4) adjust music dynamics to produce a harmonious composition. We present music pre-solo music solo music post-solo UnderScore, a set of semi-automated tools designed to fa- Figure 1. A musical underlay highlights an emphasis point in an audio cilitate the creation of such underlays. The producer simply story. The music track contains three segments; (1) a music pre-solo marks an emphasis point in the speech and selects a music that fades in before the emphasis point, (2) a music solo that starts at track. UnderScore automatically refines, aligns and adjusts the emphasis point and plays at full volume while the speech is paused, the speech and music to generate a high-quality underlay. Un- and (3) a music post-solo that fades down as the speech resumes. At the beginning of the solo, the music often changes in some significant way derScore allows producers to focus on the high-level design (e.g. -
1340038W CIA Dayton Legal Blank-4 8/30/13 11:21 AM Page 1
See Instructions on Page 2 To Become a Qualified Bidder on the Internet Plant Closed 1340038W CIA Dayton LegalLARGELARGE Blank-4 BALLOTBALLOT 8/30/13 11:21ANDAND AM TICKETINGTICKETING Page 1 PRINTERPRINTER // NUMBERINGNUMBERING FACILITYFACILITY INCLUDINGINCLUDING XIEKONXIEKON DIGITALDIGITAL WEBWEB PRESSES,PRESSES, OFFSETOFFSET PRESSES,PRESSES, FINISHINGFINISHING ANDAND SUPPORTSUPPORT EQUIPMENTEQUIPMENT DAYTONDAYTON LEGALLEGAL BLANK,BLANK, INC.INC. 875 Congress Park Drive – Dayton, Ohio 45459 On The Southside of Downtown Dayton INSPECTION: TUESDAY, SEPT. 17TH, FROM 10:00 AM TO 4:00 PM SALESALE DATE:DATE: WEDNESDAY,WEDNESDAY, SEPT.SEPT. 18TH,18TH, STARTINGSTARTING ATAT 9:009:00 AMAM AUCTIONEERS| [email protected] | cia-auction.com INDUSTRIAL | since 1961 | appraisers Sale Under The Management Of CINCINNATI auctioneers 2020 Dunlap St., Cincinnati, Ohio 45214 Phone 513-241-9701 Fax 513-241-6760 1340038W CIA Dayton Legal Blank-4 8/30/13 11:22 AM Page 2 WEDNESDAY, SEPT. 18TH – 9:00 AM NEW NEW 1998 NEW 1998 2005 17.75” X 22.75” Sakurai Model Oliver-258EP2Z Two- 20.5” X 28.75” Sakurai Model Oliver-272EP2 Two- (2) Xeikon Model 5000 5/5 Five Color Web Digital Color Offset Printing Press w/ Perforating, Scoring Color Offset Printing Press w/ Perforating, Presses and Numbering Attachment Scoring and Numbering Attachment DIGITAL PRESSES HB408998, Sakurai Digital Control, DIE CUT, PERF, SCORE, Width, 19.68”-78.74” Min. (2) Xeikon Model 5000 5/5 4,000 - 12,000 IPH Printing Speed, & NUMBERING Processing Speed (New 2008) Five Color Web Digital Presses; -
Typestyle Chart.Pub
TYPESTYLE CHART This is an abbreviated list of the typestyles available from 2/90. ADA fonts are designated with either one or two asterisks. Those with two asterisks comply with ANSI A.117.1 standards for enhanced readability of tactile signage elements. Use typestyle abbreviations in parentheses when placing an order. For additional fonts not on this list, contact Customer Service at 800.777.4310. Albertus (ALC) Commercial Script Connected (CSC) Americana Bold (ABC) *Compacta Bold®2 (CBL) Anglaise Fine Point (AFP) Engineering Standard (ESC) *Antique Olive Nord (AON) *ITC Eras Medium®2 (EMC) *Avant Extra Bold (AXB) *Eurostile Bold (EBC) **Avant Garde (AGM) *Eurostile Bold Extended (EBE) *BemboTM1 (BEC) **Folio Light (FLC) Berling Italic (BIC) *Franklin Gothic (FGC) Bodoni Bold (BBC) *Franklin Gothic Extra Condensed (FGE) Breeze Script Connecting (BSC) ITC Friz Quadrata®2 (FQC) Caslon Adbold (CAC) **Frutiger 55 (F55) Caslon Bold Condensed (CBO) Full Block (FBC) Century Bold (CBC) *Futura Medium (FMC) Charter Oak (COC) ITC Garamond Bold®2 (GBC) City Medium (CME) Garth GraphicTM3 (GGC) Clarendon Medium (CMC) **Gill SansTM1 (GSC) TYPESTYLE CHART (CON’T) Goudy Bold (GBO) *Optima Semi Bold (OSB) Goudy Extra Bold (GEB) Palatino (PAC) *Helvetica Bold (HBO) Palatino Italic (PAI) *Helvetica Bold Condensed (HBC) Radiant Bold Condensed (RBC) *Helvetica Medium (HMC) Rockwell BoldTM1 (RBO) **Helvetica Regular (HRC) Rockwell MediumTM1 (RMC) Highway Gothic B (HGC) Sabon Bold (SBC) ITC Isbell Bold®2 (IBC) *Standard Extended Medium (SEM) Jenson Medium (JMC) Stencil Gothic (SGC) Kestral Connected (KCC) Times Bold (TBC) Koloss (KOC) Time New Roman (TNR) Lectura Bold (LBC) *Transport Heavy (THC) Marker (MAC) Univers 57 (UN5) Melior Semi Bold (MSB) *Univers 65 (UNC) *Monument Block (MBC) *Univers 67 (UN6) Narrow Full Block (NFB) *V.A.G. -
INTERNATIONAL TYPEFACE CORPORATION, to an Insightful 866 SECOND AVENUE, 18 Editorial Mix
INTERNATIONAL CORPORATION TYPEFACE UPPER AND LOWER CASE , THE INTERNATIONAL JOURNAL OF T YPE AND GRAPHI C DESIGN , PUBLI SHED BY I NTE RN ATIONAL TYPEFAC E CORPORATION . VO LUME 2 0 , NUMBER 4 , SPRING 1994 . $5 .00 U .S . $9 .90 AUD Adobe, Bitstream &AutologicTogether On One CD-ROM. C5tta 15000L Juniper, Wm Utopia, A d a, :Viabe Fort Collection. Birc , Btarkaok, On, Pcetita Nadel-ma, Poplar. Telma, Willow are tradmarks of Adobe System 1 *animated oh. • be oglitered nt certain Mrisdictions. Agfa, Boris and Cali Graphic ate registered te a Ten fonts non is a trademark of AGFA Elaision Miles in Womb* is a ma alkali of Alpha lanida is a registered trademark of Bigelow and Holmes. Charm. Ea ha Fowl Is. sent With the purchase of the Autologic APS- Stempel Schnei Ilk and Weiss are registimi trademarks afF mdi riot 11 atea hmthille TypeScriber CD from FontHaus, you can - Berthold Easkertille Rook, Berthold Bodoni. Berthold Coy, Bertha', d i i Book, Chottiana. Colas Larger. Fermata, Berthold Garauannt, Berthold Imago a nd Noire! end tradematts of Bern select 10 FREE FONTS from the over 130 outs Berthold Bodoni Old Face. AG Book Rounded, Imaleaa rd, forma* a. Comas. AG Old Face, Poppl Autologic typefaces available. Below is Post liedimiti, AG Sitoploal, Berthold Sr tapt sad Berthold IS albami Book art tr just a sampling of this range. Itt, .11, Armed is a trademark of Haas. ITC American T}pewmer ITi A, 31n. Garde at. Bantam, ITC Reogutat. Bmigmat Buick Cad Malt, HY Bis.5155a5, ITC Caslot '2114, (11 imam. -
2.1 Typography
Working With Type FUN ROB MELTON BENSON POLYTECHNIC HIGH SCHOOL WITH PORTLAND, OREGON TYPE Points and picas If you are trying to measure something very short or very thin, then inches are not precise enough. Originally English printers devised picas to precisely measure the width of type and points to precise- ly measure the height of type. Now those terms are used interchangeably. There are 12 points in one pica, 6 picas in one inch — or 72 points in one inch. This is a 1-point line (or rule). 72 of these would be one inch thick. This is a 12-point rule. It is 1 pica thick. Six of these would be one inch thick. POINTS PICAS INCHES Thickness of rules I Lengths of rules Lengths of stories I Sizes of type (headlines, text, IWidths of text, photos, cutlines, IDepths of photos and ads cutlines, etc.) gutters, etc. (though some publications use IAll measurements smaller than picas for photo depths) a pica. Type sizes Type is measured in points. Body type is 7–12 point type, while display type starts at 14 point and goes to 127 point type. Traditionally, standard point sizes are 14, 18, 24, 30, 36, 42, 48, 54, 60 and 72. Using a personal computer, you can create headlines in one-point increments beginning at 4 point and going up to 650 point. Most page designers still begin with these standard sizes. The biggest headline you are likely to see is a 72 pt. head and it is generally reserved for big stories on broadsheet newspapers. -
Utah Code Examples of Hyphenation the Office of Legislative Research and General Counsel Has Not Adopted Rigid Rules Regarding Hyphenation
Utah Code Examples of Hyphenation The Office of Legislative Research and General Counsel has not adopted rigid rules regarding hyphenation. The decision of whether or not to hyphenate rests with the drafter. However, a drafter should be as consistent as possible with the general practices in the Utah Code. The following are guidelines to assist the drafter in knowing when hyphens are used in the Utah Code as of 2012. For further guidance, see The Chicago Manual of Style (16th ed. 2010) and the Webster's Third New International Dictionary, or Merriam-Webster's Collegiate Dictionary. In general, if no suitable example or analogy can be found either in the code or the dictionary, hyphenate only if doing so will aid readability. GENERALLY NOT HYPHENATED go all out (adverb) "inter" words: intercounty "post" words: postaudit attorney in fact interdepartmental postgraduate "bi" words: biannually interhospital postmortem bimonthly interlocal agreement postsecondary bipartisan interstate post office biweekly "intra" words: intradepartmental "pre" words: preemptive "by" words: bylaws intragovernmental preexisting bypass intrastate preplan byroad last known address preschool car pool (noun) low income housing privately owned carpool (verb) "micro" words: microchip "pro" words: pro rata checkoff microorganisms prorate "co" words: "multi" words: multicar "re" words: reelect *With few exceptions, when the prefix multipurpose reemploy is "co" and the base word begins with multiunit nameplate reentered an "o," use a hyphen: nationwide reexamined co-owner -
The Private Press Tradition in Lexington, Kentucky
The Kentucky Review Volume 11 | Number 3 Article 2 Fall 1992 The rP ivate Press Tradition in Lexington, Kentucky Burton Milward Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the United States History Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Milward, Burton (1992) "The rP ivate Press Tradition in Lexington, Kentucky," The Kentucky Review: Vol. 11 : No. 3 , Article 2. Available at: https://uknowledge.uky.edu/kentucky-review/vol11/iss3/2 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Private Press Tradition in Lexington, Kentucky Burton Milward The history of printing extends far into Lexington's past, beginning on 11 August 1787 when John Bradford, a versatile man with no previous printing experience, produced the first issue of The Kentucke Gazette.1 Kentucky then was a part of Virginia and would not become a state for five years. The town of Lexington was but eight years old, and it had fewer than 500 residents. Nevertheless, the people of Lexington and of Kentucky were hungry for news and for books. In January of the next year, 1788, Bradford advertised books for sale at the Gazette office-"Spelling books, ABC, books with the shorter catechism," and Poor Will's Almanac for 1788. In the fall and winter of that year, a half-dozen Lexington merchants advertised for sale extensive stocks of books, imported from Philadelphia, as were practically all the goods they sold. -
Introduction to Letterpress Printing 2/18/10 1:33 AM
Introduction to Letterpress Printing 2/18/10 1:33 AM Revision: October 1, 2005* INTRODUCTION TO LETTERPRESS PRINTING IN THE 21ST CENTURY by David S. Rose / Five Roses Press / New York, NY Welcome • Executive Summary • Letterpress Printing and Printers • Internet Mailing Lists • National and Local Printing Groups • Online Resources • Print Resources • Classes and Academic Programs • Printing Museums • Letterpress Printing Manuals • Design and Book Arts Manuals • Acquiring Books and Manuals • Letterpress Equipment • Choosing a Press • Letterpress Dealers • Accessories and Supplies • Letterpress Printing Suppliers • Paper and Papermaking • Bookbinding • Printing Type • Type Casting • Links • Copyright and Permissions Letterpress printing was featured earlier this year on ABC-TV's hit show Extreme Makeover: Home Edition. As part of the complete construction of a new home for a deserving family in only seven days, letterpress printers from across the country donated a complete letterpress studio to 12-year old Aariel Dore, and you can see clips from the show and read the whole story behind the show right here!. Welcome ...to the wonderful world of letterpress printing! To start you on your way in this exciting, challenging, rewarding and anachronistic avocation, what follows is an introduction, freshly prepared for the start of the new millennium and updated to 2005, to the people, places, and online resources that will save you a great deal of time as you embark upon your letterpress activities. At the end of the document are links to dozens of other sites, many of which themselves contain links to hundreds of additional sites related to letterpress printing. Executive Summary (for those who don't want to have to read this whole page) Read Crane's quick overview of letterpress printing. -
Apha Indesign
· Conference Report · APHA Newsletter 0 Winter 0 Lecture by On the Digital Brink P N APHA’ A C Cosponsored with BSA e editors thank the APHA members who have January , kindly allowed themselves to be strong-armed into See details under writing the accounts of the conference talks which Calendar follow, strung together with narrative by Jane Siegel. · — · A M Newsletter happy APHA members attended Number th January, the annual conference held this year in Rochester, Winter New York. e weather was quite beautiful, confounding in the Trustees Room those who expected to find winter weather and snows. of the Apparently, the “digital” in the title, while it worried New York Public Library some of the purer historical souls, encouraged a broad mix of attendees. e wide range of designers, typogra- phers, printers, professors, librarians and printing afici- Logo Competition onados encouraged a weekend crammed with intriguing I commend to members the following report on the logo conversation spurred by stimulating talks and exhibits. competition. It underscores the serendipitous joys of F, O finding printing history devotees of many backgrounds ‘e Voice in the Mirror’ In his keynote address in our midst. – Irene Tichenor Robert Bringhurst used as a recurring reference point A L A, of the Morgan Library, former editor three paintings by Vittore Carpaccio, done in the of Printing History, and Mark Batty, former head of beginning of the th century in a hall established by the Intertype Corporation, joined me in judging the entrants Slovenian enclave in Venice, the Scuola degli Schiavoni. in the APHA logo competition. -
Font Management Basic Terminology ∞ I
CS 175.21 Windsor Green Spring 2010 Font Management Basic Terminology ∞ I. Font Definition∞ A. Strictly speaking the contents of the two cases - upper and lower - in metal type (for one size) B. Nowadays, the word font means all the glyphs (symbols) for a font in all sizes. Examples; Century, Fritz Quadrata, Myriad, , Giddyup, Gill Sans Ultra Bold Bickham Script C. The term typeface is interchangeable with font in today’s modern computer world A. Myriad Italic D. All the variations for a font is called a font family — B. Myria Regular this includes different weights (thicknesses like bold and light) and glyph widths (condensed and extended). C. Myriad Light II. Acquiring Fonts D. Myriad Bold A. Computer fonts: postscript, True type and Open Type E. Myriad SemiboldCondesed B. Font foundries: companies that create fonts F. Myriad Semibold Italic C. Special system fonts: Microsoft has special TT fonts used in the Windows OS Apple has special TT fonts used in their OS and dfonts. D. Application fonts: Microsoft auto installs numerous True type fonts during Office installation Adobe auto installs numerous OpenType fonts during Adobe CS installation E. Purchased fonts 1. Adobe (no longer creates new PostScript fonts but supports them — the focus is now on Open Type fonts) 2. High end fonts for home use and professional printing: OpenType and PostScript 3. Be careful buying fonts! The same typeface is sometimes available from different foundries. 4. Some websites where you can purchase fonts and where foundries are listed. fonts.com myfonts.com philsfonts.com Page 1 5. Some Foundries linotype.com itcfonts.com bertholdtype.com adobe.com/type Licensing agreements for purchased fonts — how can you legally use a font? 6.