DOCSLIB.ORG

Bibliographiae

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliographiae BIBLIOGRAPHIAE Keilschriftbibliographie.65 2006 (Mit Nachträgen aus früheren Jahren) Hans Neumann Die vorliegende Folge 65 der KeiBi umfaßt die Publikationen des Jahres 2006 (unter Berücksichtigung von Nachträgen aus früheren Jahren). Bei der Literaturrecherche half mir Frau Susanne Paulus, M.A. (Münster), die mich darüber hinaus beim Korrekturlesen unterstützte. In technischen Fragen der Manuskriptgestaltung stand mir Herr Georg Neumann, M.A. (Münster) zur Seite. Beiden sei ftir ihre engagierte Mitarbeit gedankt. In den Dank eingeschlossen sind wiederum alle Kollegen, die mir einschlägige bibliographische Hinweise zu eigenen Publikationen bzw. zu Beiträgen anderer Fachkollegen zukommen ließen. Anschrift des Autors: Prof. Dr. Hans Neumann, Westfälische Wilhelms-Universität, Institut flir Altorientalische Philologie und Vorderasiatische Altertumskunde, Rosenstraße 9, D-48143 Münster. e-mail: [email protected] Abkürzungen AASOR = The Annual of the American Schools of Oriental Research (Boston); AfO = Archiv ftir Orientforschung (Wien); AJA = American Journal of Archaeology (Princeton); AMD Ancient Magie and Divination (Leiden/Boston/Köln); AMIT = Archäologische Mitteilungen aus Iran und Turan (Berlin); ANES = Ancient Near Eastern Sturlies (Louvain!Paris/Sterling); AOAT = Alter Orient und Altes Testament. Veröffentlichungen zur Kultur und Geschichte des Alten Orients ([Kevelaer/Neukirchen-VIuyn]; Münster); AoF Altorientalische Forschungen (Berlin); AOS = American Oriental Series (New Haven); ArAnz = Archäologischer Anzeiger (Mainz); ARET = Archivi Reali di Ebla. Testi (Roma); ARG = Archiv für Religionsgeschichte (Stuttgart/Leipzig); ArOr = Archiv Orientalni (Praha); ASOR = American Schools of Oriental Research (Boston); ASJ = Acta Sumerologica (Tokyo ); A TU = Archaische Texte aus Uruk (Berlin); AuOr = Aula Orientalis. Revista de estudios del Pr6ximo Oriente Antigua (Barcelona); AUWE = Ausgrabungen in Uruk-Warka. Endberichte (Mainz); A W = Antike Welt. Zeitschrift flir Archäologie und Kunstgeschichte (Mainz). Orit'lllll!ia - II 2* H. Neumann BAAL = Bulletin d' Archeologie et d' Architecture Libanaises (Beirut); BaF = Baghdader Forschungen (Mainz); BAM = Die babylonisch-assyrische Medizin in Texten und Untersuchungen (Berlin/New York); BaM = Baghdader Mitteilungen (Mainz); BAR = British Archaeological Reports (Oxford); BASOR = Bulletin of the American Schools of Griental Research (Atlanta); BCSMS = Bulletin of the Canadian Society for Mesopotamian Studies (Quebec); BibMes = Bibliotheca Mesopotamica (Malibu); BN = Biblische Notizen (Bamberg); BO = Bibliotheca Orientalis (Leiden); BPOA = Biblioteca del Pr6ximo Griente Antiguo (Madrid); BSOAS = Bulletin of the School of Oriental and African Studies (Oxford); BZAR = Beihefte zur Zeitschrift ftir Altorientalische und Biblische Rechtsgeschichte (Wiesbaden); BZA W = Beihefte zur Zeitschrift ftir die alttestamentliche Wissenschaft (Berlin/New York). CAJ = Cambridge Archaeological Journal (Cambridge); CBQ = Catholic Biblical Quarterly (Washington D.C.); CDLB = Cuneiform Digital Library Bulletin (Los Angeles); CDLJ = Cuneiform Digital Library Journal (Los Angeles); CDLN = Cuneiform Digital Library Notes (Los Angeles); CHANE= Culture and History of the Ancient Near East (Leiden/Boston/Köln); ChS = Corpus der hurritischen Sprachdenkmäler (Roma); CM Cuneiform Monographs ([Groningen]; Leiden/Boston); CPOH = Civilisations du Proehe Orient Histoire­ Essais (Neuchätel/Paris); CPO HS = Civilisations du Proehe Orient Hors Serie (Neuchätel); CSMSJ = The Canadian Society for Mesopotamian Studies. Journal (Toronto); CTMMA = Cuneiform Texts in the Metropolitan Museum of Art (New York/Tournhout); CTN = Cuneiform Texts from N imrud (London). DBH =Dresdner Beiträge zur Hethitologie ([Dresden]; Wiesbaden). ELO = Eiementa Linguarum Orientis ([Münster]; Wiesbaden). F ARG =Forschungen zur Anthropologie und Religionsgeschichte (Münster). GMTR = Guides to the Mesopotamian Textual Record (Münster); GY A Grazer Vergleichende Arbeiten (Graz). HANE/M = History of the Ancient Near East/Monographs (Padova); HANE/S = History of the Ancient Near East/Studies (Padova); HdO = Handbuch der Orientalistik (Leiden/Boston); HSAO = Heidelberger Studien zum Alten Orient (Heidelberg); HSM = Harvard Semitic Monographs (Atlanta). IBS = Innsbrucker Beiträge zur Sprachwissenschaft (Innsbruck); IEJ = Israel Exploration Journal (Jerusalem); IrAnt = Iranica Antiqua (Ghent)). JA = Journal Asiatique (Paris); JAC = Journal of Ancient Civilizations (Changchun); JANER = Journal of Ancient Near Eastern Religions (Leiden/Boston/Köln); JANES = Journal of the Ancient Near Eastern Society of Columbia University (New York); JAOS = Journal of the American Griental Society (Ann Arbor); JBL = Journal of Biblical Literature (Boston/Philadelphia/ New York/New Haven); JCS = Journal of Cuneiform Studies (Atlanta); JEOL = Jaarbericht van het Vooraziatisch-Egyptisch Genootschap Ex Griente Lux (Leiden); JESHO = Journal of the Economic and Social History of the Orient (Leiden); JMS = Journal of Magan Studies (Ravenna); JNES = Journal of Near Eastern Studies (Chicago); JSOT (SS) = Journal for the Study of the Old Testament (Supplement Series) (Sheffield); JSS = Journal for Semitic Studies (Manchester). KBo = Keilschrifttexte aus Boghazköi (Berlin). Keilschriftbibliographie.65 3* MC = Mesopotamian Civilizations (Winona Lake); MDOG = Mitteilungen der Deutschen Orient-Gesellschaft (Berlin); MDP = Memoires de Ia Delegation Archeologique en Iran (Ghent); MVN = Materiali per il Vocabolario Neosumerico (Roma). NABU = N.A.B.U. Nouvelles Assyriologiques Breves et Utilitaires (Paris); NSAM = Nisaba. Studi Assiriologici Messinesi (Messina). OBC = Orientalia Biblica et Christiana (Wiesbaden); 080 = Orbis Biblicus et Orientalis (Fribourg (CH)/Göttingen); OJP = Griental Institute Publications (Chicago); OIS = Griental Institute Seminars (Chicago); OLA = OrientaHa Lovaniensia Analeeta (Leuven/Paris/[Sterlin]/Dudley); OLZ = Orientalistische Literaturzeitung (Berlin); Or = Orientalia. Nova Series (Roma). PIHANS = Uitgaven van het Nederlands Historisch-Archaeologisch lnstituut te Istanbul. Publications de !'Institut historique-archeologique neerlandais de Stamboul (Istanbui/Leiden). QGS = Quaderni di Geografia Storica (Roma); QuSem = Quaderni di Semitistica (Firenze). RA = Revue d'Assyriologie et d'Archeologie Orientale (Paris); RA! = Rencontre Assyriologique Internationale; RANT = Res Antiquae (Bruxelles); RB = Revue Biblique (Paris); RHDFE = Revue Historique du Droit Fran.yais et Etranger (Paris); RO = Rocznik Orientalistyczny (Warszawa). SAA = State Archives of Assyria (Helsinki); SAAB = State Archives of Assyria. Bulletin (Padova); SAAS = State Archives of Assyria Studies (Helsinki); SBL = Society of Biblical Literature (Atlanta); SCCNH = Studies on the Civilization and Culture of Nuzi and the Hurrians ([Winona Lake]; Bethesda); SDOG = Sendschriften der Deutschen Orient-Gesellschaft (Münsterschwarzach Abtei); SEL = Studi Epigraflei e Linguistici sul Vicino Oriente Antico (Verona); StA T = Studien zu den Assur-Texten (Saarbrücken); StBoT = Studien zu den Bogazköy• Texten (Wiesbaden). TA VO = Tübinger Atlas des Vorderen Orients (Wiesbaden); THeth = Texte der Hethiter (Heidelberg); ThLZ = Theologische Literaturzeitung (Berlin); TMH = Texte und Materialien der Frau Professor Hilprecht Collection of Babylonian Antiquities im Eigentum der Friedrich Schiller-Universität Jena (Wiesbaden); TUAT(.NF) = Texte aus der Umwelt des Alten Testaments (Neue Folge) (Gütersloh). UET =Ur Excavations Texts (London); UF = Ugarit-Forschungen (Münster). VS = Vorderasiatische Schriftdenkmäler der Staatlichen Museen zu Berlin (Mainz); VT = Vetus Testamenturn (Leiden/Boston). WO = Die Welt des Orients (Göttingen); WOO = Wiener Offene Orientalistik (Wien); WVDOG = Wissenschaftliche Veröffentlichung der Deutschen Orient­ Gesellschaft ([Saarbrücken]; Saarwellingen); WZKM = Wiener Zeitschrift ftir die Kunde des Morgenlandes (Wien). ZA =Zeitschrift ftir Assyriologie und Vorderasiatische Archäologie (Berlin/New York); ZAR = Zeitschrift ftir Altorientalische und Biblische Rechtsgeschichte (Wiesbaden); ZA W = Zeitschrift ftir die Alttestamentliche Wissenschaft (Berlin/New York); ZDMG = Zeitschrift der Deutschen Morgenländischen Gesellschaft (Wiesbaden); ZSSR = Zeitschrift der Savigny-Stiftung flir Rechtsgeschichte, romanistische Abteilung (Wien/Köln/Graz). 4* H. Neumann Bibliographie 1. Aartun, Kjell, Studien zur ugaritischen Lexikographie. Mit kultur- und religionsgeschichtlichen Parallelen. Teil II: Beamte, Götternamen, Götterepitheta, Kultbegriffe, Metalle, Tiere, Verbalbegriffe. Neue vergleichbare Inschriften. 2 Bde. (A+B). Wiesbaden 2006. XIII+ 1409 S. 2. Abraham, K., Business and Politics under the Persian Empire (2004) [63:2]: JAOS 126 (2006) 123-125 (R. Da Riva); Topoi 14/2 (2006) 399-403 (F. Joannes); cf 64:1. 3. Abraham, Kathleen, West Semitic and Judean Brides in Cuneiform Cources from the Sixth Century BCE. New Evidence from a Marriage Contract from ÄI-Yahudu: AfO 51 (2005-2006) 198-219. 4. Abrahami, Philippe, Le cochon dans les collections d'oracles de Ia Mesopotamie: Lion, B. - Michel, C. (Hg.), De Ia domestication au tabou. Le cas des suides au Proehe-Grient ancien (Ttaveaux de Ia Maison Rene­ Ginouves 1. 2006) [65:676] 267-282. 5. Abusch, Tzvi, Lists of Therapeutic Plants: An Observation: Fs Leichty (2006) [65:661] 1-3. 6. Ackerman, Susan, When Heroes Love. The Ambiguity of Eros in the Stories of Gilgamesh and David. New York 2005. XVI+353 S.: CBQ 68 (2006) 293-294 (P.D. Miscall);
Load more

Recommended publications
  • Happily Ever After and Other Lies My Childhood Told Me Rachel Anna Neff University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2016-01-01 Happily Ever After And Other Lies My Childhood Told Me Rachel Anna Neff University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons, Gender and Sexuality Commons, and the Women's Studies Commons Recommended Citation Neff, Rachel Anna, "Happily Ever After And Other Lies My Childhood Told Me" (2016). Open Access Theses & Dissertations. 708. https://digitalcommons.utep.edu/open_etd/708 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. HAPPILY EVER AFTER AND OTHER LIES MY CHILDHOOD TOLD ME RACHEL ANNA NEFF Master’s Program in Creative Writing APPROVED: Andrea Cote-Botero, Ph.D., Chair Sasha Pimentel Cheryl Torsney, Ph.D. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Rachel Anna Neff 2016 Dedication To all the domesticated, feral, and wild hearts in my life who have shaped, challenged, and inspired me to become who I am today: these poems are for you. HAPPILY EVER AFTER AND OTHER LIES MY CHILDHOOD TOLD ME by RACHEL ANNA NEFF, BA English (2007), BA Spanish (2007), MA Spanish (2009), Ph.D. Spanish (2013) THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the
    [Show full text]
  • Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs.
    [Show full text]
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
    [Show full text]
  • Human Condition, the Prime Directive, and the Bardâ•Žs
    Smith 1 Leah Smith Dr. Gideon Burton ENG 395 20 November 2016 Human Condition, the Prime Directive, and the Bard’s Connection with Star Trek The writings of William Shakespeare have been considered some of the best writing in human history and are often associated with high culture. Star Trek in contrast has been derided as a cult following group within pop culture portrayed on mass media television. However, throughout the period of time Star Trek has aired, there have been many episodes with both blatant and covert references to Shakespeare’s writings. Although Shakespeare may seem like a high culture phenomenon that has no place in a pop culture venue such as Star Trek, the connection between the two lies in the portrayal of the human condition and the hope for humanity that comes in recognizing ourselves in others. The year 2016 marks the 400th anniversary of Shakespeare’s death and this has created an even more overwhelming celebration of his work through performance and dramatization. 2016 also marks the 50th anniversary of the creation of the Star Trek series. The alignment of these anniversaries is a coincidence but points to the significant connection that exists between the two. Shakespeare has always been a part of Star Trek and there are many episodes that contain references to plays, sonnets, characters, and Shakespeare in general. Many of these stem from the fact that many of the actors in Star Trek such as William Shatner, Patrick Stewart, Brent Spiner, and Christopher Plummer, were all Shakespearean actors in the theatre before they played these roles on the screen.
    [Show full text]
  • The Planetary Turn
    The Planetary Turn The Planetary Turn Relationality and Geoaesthetics in the Twenty- First Century Edited by Amy J. Elias and Christian Moraru northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2015 by Northwestern University Press. Published 2015. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data The planetary turn : relationality and geoaesthetics in the twenty-first century / edited by Amy J. Elias and Christian Moraru. pages cm Includes bibliographical references. ISBN 978-0-8101-3073-9 (cloth : alk. paper) — ISBN 978-0-8101-3075-3 (pbk. : alk. paper) — ISBN 978-0-8101-3074-6 (ebook) 1. Space and time in literature. 2. Space and time in motion pictures. 3. Globalization in literature. 4. Aesthetics. I. Elias, Amy J., 1961– editor of compilation. II. Moraru, Christian, editor of compilation. PN56.S667P57 2015 809.9338—dc23 2014042757 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Elias, Amy J., and Christian Moraru. The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century. Evanston: Northwestern University Press, 2015. The following material is excluded from the license: Illustrations and an earlier version of “Gilgamesh’s Planetary Turns” by Wai Chee Dimock as outlined in the acknowledgments. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/.
    [Show full text]
  • DARMOK Science Fiction Teaching That Language Is More Than Words and Grammar by Bryce Hedstrom
    DARMOK Science Fiction Teaching that Language is More than Words and Grammar By Bryce Hedstrom "Darmok" is an episode from the fifth season of Star Trek: The Next Generation (episode #202) that is well known and admired by foreign language teachers because it makes us think about the nature of language and cultural literacy. In this episode the starship Enterprise encounters an alien race, the Children of Tama, whose language is not comprehensible to humans. The Tamarian language is based on shared cultural stories and metaphors as much as it is on words and grammar. The Tamarians communicate by citing examples or similar situations from their mythology, so even though the humans can understand many of the individual words, it is impossible to communicate without knowing something of the Tamarian culture, mythology and history that is incorporated into every sentence. And our actual human languages are not all that different. The fictitious Tamarian language is actually similar, in some respects, to languages here on Earth. In classical written Chinese, for example, ideas are represented by pictographs. Each pictograph is a little symbolical picture laden with history and culture that conveys a thought. In mathematics a simple symbol can represent a complex idea. The entire episode is available on YouTube (just type in “Darmok”). It can also be purchased as a download or on DVD. Below is a list of some key phrases in the episode. As you watch, listen for these odd sayings and figure out what they mean: 1. ___ The river Tamak, in winter a. An understanding, an epiphany.
    [Show full text]
  • Odyssey Convention 2011 April 88----10,10, 2011, Madison, Wisconsin Guests of Honorhonor:::: J
    Odyssey Convention 2011 April 88----10,10, 2011, Madison, Wisconsin Guests of HonorHonor:::: J. V. Jones Sarah Monette Robin D. Laws Author: AuthorAuthor:: GGGameGame designer &&& AAAuthorAuthor Sword of Shadows series Doctrine of Labyrinths series Robin's Laws of Good Gamemastering ODYSSEY CONVENTION 2011 PROGRAM & SCHEDULE ELCOME to Odyssey Con 2011! Inside this full-sized program book, you will find the program and W gaming schedule grid, as well as descriptions for the programs, and even a (very) basic hotel map. Biographies for the panelists, gamemasters and Guests of Honor (GoH) can be found in here, too. Have fun, but please keep the con safe and pleasant (see the policies and terms)! -The Con Com CONTENTS The View from the Co-Chairs......................................................................................................................2 Janet Lewis and Brian Curley People We Have Lost...................................................................................................................................2 RIP Pat Pagel and Dave Arneson The Con Com...............................................................................................................................................3 Cowthulhu Needs You!................................................................................................................................3 Please consider volunteering for Oddcon Guests of Honor ...........................................................................................................................................4
    [Show full text]
  • Myth and Culture Dagni Bredesen Eastern Illinois University
    Eastern Illinois University The Keep Spring 2018 2018 Spring 1-15-2018 ENG 3009G-001: Myth and Culture Dagni Bredesen Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_spring2018 Part of the English Language and Literature Commons Recommended Citation Bredesen, Dagni, "ENG 3009G-001: Myth and Culture" (2018). Spring 2018. 36. http://thekeep.eiu.edu/english_syllabi_spring2018/36 This Article is brought to you for free and open access by the 2018 at The Keep. It has been accepted for inclusion in Spring 2018 by an authorized administrator of The Keep. For more information, please contact [email protected]. Engl 3009: Myth and Culture Spring Semester 2018 Dr.DagniBredesen Email: lli!]~~~t@.!~fil~l!!(Best Way to Reach Me) Office: CH 3751 Office Hours: Mon: 10-10:50am, Tu 2·3pm, or by appointment COURSE DESCRIPTION: Modern society sometimes uses "myth" as another word for "lie" ("the Five Myths of Weight-Loss Exploded!"). But cultures and literary masterpieces have developed myths as a way to deeper truths. Myths help structure our thought; we live by certain myths. Rather than a chronological look at the myths of different civilizations, this course juxtaposes Classic mythic stories of different cultures with modern ones. Themes of this course will begin with "Origins," and end with "Collisions." TEXTS: Achebe, Chinua. Things Fall Apart. Adichie, Chimamanda Ngozi. Purple Hibiscus. Conrad, Joseph. Heart of Darkness. Euripides. Medea Rosenberg, Donna. World Mythology: an Anthology of Great Myths and Epics. Sophocles, Oedipus the King Yahgulanaas, Michael Nicoll. Red: A /laida Manga. LEARNING OBJECTIVES: Students will read, compare, discuss, and write about myths and their diverse intersections with and impacts upon other myths and cultures, including their own.
    [Show full text]
  • The Imaginative Nature National Council of Teachers of En
    DOCUMENT RESUME ED 404 675 CS 215 781 AUTHOR Pugh, Sharon L.; And Others TITLE Metaphorical Ways of Knowing: The Imaginative Nature of Thought and Expression. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-3151-4 PUB DATE 97 NOTE 225p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (NCTE Stock No. 31514-3050: $12.95 members, $16.95 nonmembers). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Books (010) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Class Activities; *English; *Imagination; Interdisciplinary Approach; Intermediate Grades; Language Arts; *Language Role; *Metaphors; *Multicultural Education; Rhetoric; Secondary Education IDENTIFIERS *Metaphorical Thought ABSTRACT This book explores the subject of metaphor, using the imagery of cartography to set a course. It explores the creative aspects of thinking and learning through literature, writing, and word play, drawing connections between English and other content areas. Theory and practical applications meet in the book, linking activities and resources to current classroom concerns--to multiculturalism, imagination in reading and writing, critical thinking, and expanding language experiences. The first part of the book examines the uses of metaphor in constructing meaning. The second part takes up issues related to multiple perspectives--using metaphors to experience other lives, and exploring cultures through traditions. The third part of the book is devoted to a consideration of the history and current status of the English language and focuses on using cross-cultural stories in the English classroom, offering a number of resources for teaching multicultural literature in English. The fourth part examines the sensory Ixperience of metaphors by seeing, hearing, tasting, smelling, and touching with the imagination.
    [Show full text]
  • SPJ 2021Q1 Spring Issue
    2021 ♦ 1 Barnicle Lau Clarke Lechner Gerencsér Lugones Goldberg Martín Hancock Rodríguez Herzog Mina Hilton Piñero King González Roth Jones www.sciphijournal.org ♦ [email protected] 1 CONTENTS CREW Co-editors: Ádám Gerencsér 3 Editorial Mariano Martín Rodríguez 4 « The Curriculum Vitae Of Simon» Communications: Gina Adela Ding Richard Lau Webmaster: 6 « The Furry And The Damned» Ismael Osorio Martín E.E. King Illustrations: Gordon Johnson; Pixabay.com; Alex 8 « The Minotaur’s Rebellion» Antropov (cover) Ben Roth Contact: [email protected] 10 « Sokath, His Eyes Uncovered!”, or, Is The Universal Translator A Myth?» Twitter: @sciphijournal Mina Editorial office: Brussels, Belgium 15 « The Existence Of God» Leopoldo Lugones We are deeply grateful for the support of Translation by Álvaro Piñero González our part-time and ad hoc volunteers, both in Belgium and abroad. Introductory note by Mariano Martín Rodríguez 18 « Some Facts Regarding The Temple Of The Bearded Man At Chichen Itza » Paul Goldberg 22 « Sailing The Seas Of Time: What If We Took Alternative History Seriously?» Jim Clarke 29 « Should Murder Be Legalized?» Carlton Herzog 35 « Infinity Child» James Hancock 39 « A First Look At Post-National Olympics In Science Fiction» Madeline Barnicle 42 « Until The Bubble Pops» Robert L. Jones III 46 « The Rise And Fall Of Collective Consciousness» Anthony Lechner 49 « Black Hole» Alicia Hilton 51 « Yesterearth’s Morrow» Ádám Gerencsér 2 Editorial Lectori salutem. Science-fiction, like any drama with existential issue of the year, the line-up closes with a story implications, is better read from the safety of a couch penned by our co-editor Ádám reflecting, as usual, on than ‘lived’.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Web Science Centre for Doctoral Training Volume 1 of 1 Telling Ancient Tales to Modern Machines: Ontological Representation of Sumerian Literary Narratives by Terhi Maija Tuulia Nurmikko-Fuller Thesis for the degree of Doctor of Philosophy May 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Web Science Thesis for the degree of Doctor of Philosophy TELLING ANCIENT TALES TO MODERN MACHINES: ONTOLOGICAL REPRESENTATION OF SUMERIAN LITERARY NARRATIVES Terhi Nurmikko-Fuller This thesis examines the potential of semantic web technologies to support and complement scholarship in Assyriology. Building on prior research, it is unique in its assessment of the suitability of three existing OWL ontologies (CIDOC Conceptual Reference Model, FRBRoo and Ontomedia) to adequately capture and represent the heterogeneous and incomplete narratives published as composites by the Electronic Text Corpus of Sumerian Literature.
    [Show full text]
  • Nicole Valeria Companiytsev
    Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”.
    [Show full text]