Amritavabodhini June 2015
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Numinous It Is Doubtful That Anyone Ever Came to Believe in God by Force of Philosophical Argument
Picton, T. W. (2013) Creature and Creator: Intersections between Science and Religion (pp. 238-244) Sense of the Numinous It is doubtful that anyone ever came to believe in God by force of philosophical argument. The leap of faith is not a rational process: For, honestly, all these arguments leave me cold. Even if they were sound – and none of them is watertight – they would only quiet my intellectual questionings. They would never motivate me to absolute dedication .... Arguments are devised subsequent to our deep conviction, not preceding our conviction. They bolster faith; they do not create it. … But there is a wholly different way of being sure that God is real. It is not an intellectual proof, a reasoned sequence of thoughts. It is the fact that men experience the presence of God.1 Those who believe in God’s existence often say that they directly experience God through a sense of the “numinous”. The word comes from the magical “nodding” (Greek neuein) of a divine idol when it approves of being worshipped or grants a wish. Confronted by God, we would feel wonder and a certain shrinking – a sense of inadequacy to cope with such a visitant and of prostration before it – an emotion which might be expressed in Shakespeare’s words “Under it my genius is rebuked.” This feeling may be described as awe, and the object which excites it as the Numinous.2 This concept goes back to Rudolf Otto’s 1917 book Das Heilige.3 The perception of the numinous or the mysterium tremendum can be considered “creature-feeling,” the sense of being in the presence of one’s creator. -
Kamandakiya Nitisara; Or, the Elements of Polity, in English;
^-v^lf - CAMANDAKIYA NITISARA OR THE ELEMENTS OF POLITY (IN ENGLISH.) -»r—8 6 £::^»» ^sjfl • EDITED AND PUBLISHED BY MANMATHA NATH DUTT, M.A., M.R.A.S. Rector, Keshub Academy ; ulhor of the English Translations of the Ramayana, S^rtniadbhagct' vatam, Vishnupuranam, Mahabharata, Bhagavai-Gita and other ivorks. > i . 1 J ,',''' U 3© I 3 t > « t , ^ -I > J J J I > ) > 3 ) ) 11 CA LCUTTA: Printed by H. C. Dass, Elysium Press, 65/2 Beadon Streei. 180O, CARPENTIER • • • • •« • • • • • • • • • • • • • • • I .« « _• t . • • • « • • «! C < C < C I < C ( t ( I < 4 • • • . INTRODUCTION. -:o:- ^HE superiority of the ancient Hindus in metaphysical and theological disquisitions has been established beyond all doubts. Our literature abounds in trca- Polity: its The science Of ^ ^^^^^^ for philosophical discus- sions, sound reasonings and subtle inferences regarding many momentous problems of existence, have not been beaten down by the modern age of culture and enlighten- ment. The world has all along been considered by the ancient Hindu writers as a flood-gate of miseries of existence, and the summum bonum of human existence is, in their view, the unification of the humanity with the divinity. The chief aim of all the ancient writers of India has been to solve the mighty problem, namely, the cessation of miseries of existence and the attainment of the God-head. Admitting their exalted superiority in matters of philosophical and theological speculation, some people of the present generation boldly launch the theory that our literature lacks in works which may serve as a guidance of practical life. To disabuse the popular mind of this perilous misconception, we might safely assert that Hindu writers paid no less attention to practical morals and politics. -
Arsha Vidya Newsletter Rs
Arsha Vidya Newsletter Rs. 15/- Vol. 18 September 2017 Issue 9 2 Arsha Vidya Newsletter - September 2017 1 Arsha Vidya Pitham Trustees: Dr.V.Prathikanti,G.S.Raman Swami Dayananda Ashram Ramesh Bhaurao Girde Dr.L.Mohan rao, Dr Bhagabat sahu, Sri Gangadhareswar Trust Avinash Narayanprasad Pande Rakesh Sharma,V.B.Somasundaram Purani Jhadi, Rishikesh Madhav Chintaman Kinkhede and Bhagubhai Tailor. Pin 249 201, Uttarakhanda Ramesh alias Nana Pandurang Ph.0135-2431769 Gawande Arsha Vidya Gurukulam Rajendra Wamanrao Korde Fax: 0135 2430769 Swamini Brahmaprakasananda Institute of Vedanta and Sanskrit Website: www.dayananda.org Sruti Seva Trust Email: [email protected] Arsha Vidya Gurukulam Anaikatti P.O., Coimbatore 641108 Institute of Vedanta and Sanskrit Tel. 0422-2657001 Board of Trustees: P.O. Box No.1059 Fax 91-0422-2657002 Saylorsburg, PA, 18353, USA Web Site http://www.arshavidya.in Founder : Tel: 570-992-2339 Email: [email protected] Brahmaleena Pujya Sri Fax: 570-992-7150 Swami Dayananda 570-992-9617 Board of Trustees: Saraswati Web Site : http://www.arshavidhya.org BooksDept:http://books.arshavidya.org Founder: Chairman & Brahmaleena Pujya Sri Managing Trustee: Board of Trustees: Swami Dayananda Saraswati Swami Suddhananda Saraswati Founder : Paramount Trustee: Brahmaleena Pujya Sri Vice Chairman: Swami Dayananda Swami Sadatmananda Saraswati Swami Tattvavidananda Saraswati Swami Shankarananda Saraswati Saraswati President: Trustee & Acharya: Swami Viditatmananda Saraswati Chairman: Swami Santatmananda R. Santharam Saraswati Vice Presidents: Swami Tattvavidananda Saras- Trustees: wati Trustees: Swami Jnanananda Swami Pratyagbodhanada Ravi Sam Saraswati Saraswati S. Pathi Sri M.G. Srinivasan Ravi Gupta Sri Rajinikanth Secretary: R. Kannan Sri M. Rajalingam Swami Jnanananda Saraswati Swami Parabrahmananda Saraswati Asst. -
Chapter 13.P65
CHAPTER 13 || THE FIELD AND THE KNOWER OF THE FIELD || I cherish God Ganesha, who is identical with my Self. Then I bow at the feet of my Master, who is the abode of all lores. Whoever thinks of him, masters the art of poetic composition and holds the lores at the tip of his tongue. He possesses such a sweet eloquence, that it surpasses nectar and the nine sentiments take recourse to all his words. The exegesis discloses its secrets and explains the different doctrines. When our mind meditates upon the feet of the Master, then their meaning dawns upon us, the lucky ones (1-5). Bowing to the feet of his Master, Jnanadeva says that the Lord of Lakshmi, father of god Brahma, spoke thus, The blessed Lord said: 1. This body, O son of Kunti (Arjuna) is called the Field, He who knows this - him the knowers thereof call the knower of the Field. O Partha, listen. This body is called the Field and he who knows this, is said to be the Knower of the Field. 2. Know Me as the knower of the Field in all the Fields, O Bharata. The knowledge of the Field and its knower is, in My view, true knowledge. Know ye definitely, that I am the Kshetrajna, who supports the Fields. To know the Field and the knower of the Field, I deem it as the true knowledge. 3. What that Field is, and of what sort, how it has evolved, and what evolves from it, and who (the knower) is and what his powers are, hear that from Me, in brief. -
Hindu Students Organization Sanātana Dharma Saṅgha
Hindu Students Organization Sanātana Dharma Saṅgha Table of Contents About HSO 1 Food for Thought 2 Pronunciation Guide 3 Opening Prayers 4 Gaṇesh Bhajans 6 Guru and Bhagavān Bhajans 9 Nārāyaṇa Bhajans 11 Krishṇa Bhajans 13 Rāma Bhajans 23 Devī Bhajans 27 Shiva Bhajans 32 Subramaṇyam Bhajans 37 Sarva Dharma Bhajans 38 Traditional Songs 40 Aartīs 53 Closing Prayers 58 Index 59 About HSO Columbia University’s Hindu Students Organization welcomes you. The Hindu Students Organization (HSO) is a faith-based group founded in 1992 with the intent of raising awareness of Hindu philosophies, customs, and traditions at Columbia University. HSO's major goals are to encourage dialogue about Hinduism and to provide a forum for students to practice the faith. HSO works with closely with other organizations to host joint events in an effort to educate the general public and the Columbia community. To pursue these goals, HSO engages in educational discussions, takes part in community service, and coordinates religious and cultural events including the following: Be the Change Day Navaratri Diwali Saraswati/Ganesh Puja Study Breaks Lecture Events Shruti: A Classical Night Holi Weekly Bhajans and Discussion Circle/Bhajans Workshop Interfaith Events Interviews to become a part of HSO’s planning board take place at the start of the fall semester. If you are interested in joining our mailing list or if you would like to get in touch with us, email us at [email protected] or visit us at http://www.columbia.edu/cu/hso/! 1 Food For Thought Om - “OM - This Imperishable Word is the whole of this visible universe. -
Shiva Nataraja Griot Content Outline
TDX ArtStories Content Outline Editorial Authored by Risha Lee Draft date 7/29/14 Edited by TG Edit date 8/25/2014 Reviewed by RL Final date 10/20/2014 ABOUT Tombstone Accession # 29.2 Title Shiva Nataraja (Lord of the Dance) Artist / Geo Near Pondicherry, Tamil Nadu, India Date Late 11th or early 12th century Additional Same as shown in TMS? Yes No Intro Text – 110 words He dances wildly, his left leg lifting in a powerful, graceful gesture and his arms swaying elegantly across his body. This is the god Shiva in his Nataraja form, the embodiment of his supreme powers. The sculpture is the MIA’s first donated work of Indian art and one of the cornerstones of the collection. Ancient texts speak of Shiva’s dance, ananda tandava (literally Risha Lee ! 9/24/2014 11:15 AM Deleted: was translated as “furious bliss”), as wreaking havoc and destruction—sending false prophets scampering and humiliating rival gods and goddesses. 1 TDX ArtStories Content Outline Can we put in a comparative image here? If so, I’d like to show the Nataraja from the Dallas Museum http://museum.dma.org:9090/emuseum/view/objects/asitem/2038/54/title- desc?t:state:flow=2fcca545-3705-49a8-8245-eefbd4f1a17b DETAILS Annotation 1 – 35 words Title (2-3 words) Demon or dwarf Text Shiva stands on the back of a fat, child-like creature clutching a snake. The creature’s identity is still debated. Some scholars believe it represents a Risha Lee ! 9/24/2014 10:22 AM Deleted: child- dwarf, which turns up in early texts as an assistant to Shiva’s dance. -
LORD SIVA NATARAJA : the COSMIC DANCER Sasanka Sekhar Panda
OHRJ, Vol. XLVII, No. 3 LORD SIVA NATARAJA : THE COSMIC DANCER Sasanka Sekhar Panda In Bharata's Natyasastra there is mention of one hundred and eight types of dances, which synchronise with the number of dances, stated in the Saivagamas. Lord Siva is the great master of dances, Nataraja, the Cosmic Dancer, who danced in one hundred and eight modes, as mentioned in the Saivagamas. According to the ancient text Amsumadbhedagama, the image of Nataraja is to be sculptured according to the Uttama- dasa-tala measurement, depicted as dancing by keeping the front left hand either in Gajahasta or Bhajangatrasita posture. The Apasmara Purusa should be trodden on by Lord Siva. Nataraja should be accompanied by His consort Parvati in His left side. We get description about Nataraja image in other texts like Uttara Kamikagama and Silparatna also.1 The significance of the mystic dance of Lord Siva has been elaborately discussed explaining the mystic nature of the dance by the noted art historian Dr. Ananda K. Coomaraswamy. 2 The earliest Nataraja image of the upper Mahanadi valley is found in a high relief at Vaidyanath, now lying in two pieces in the Kosalesvara temple precinct. It is of the height of around six feet and most probably fitted to the pillared Jagamohana in its original state. It is a ten-handed image of the Lord, depicted as dancing in the Chatura mode, by putting his left foot on the back of the Apasmara Purusa, which is lying below. He is holding a long Sarpa in both his upper-most hands over his head. -
JAY MANGALAMURTI (Aarti to Shri Ganesha)
Aartis 1 JAY MANGALAMURTI (Aarti to Shri Ganesha) Sukha Karta Dukha Harta Varta Vighnachi You are the One who offers happiness and removes sorrows at the time of danger. Nurvi Purvi Prem Krupa Jayachi You offer tender lots of love and blessings Sarvangi Sunder Uti Shendurachi You have red paste on Your body Kanthi Jhalke Mal Mukta Falanchi and wear a pearl necklace. Chorus: Jai Dev., Jai Dev., Jai Mangalamurti Victory to You, most auspicious One! Darshan Matre Mana Kamana Purti Even by Your glance You fulfill the desires in our minds. Jai Dev., Jai Dev. Victory, O God! Ratna Khachita Fara Tuza Gauri Kumara The Goddess Gauri is present by Your side Chandanachi Uti Kumkum Keshara Bedecked with gems and jewellery. Hire Jadita Muguta Shobhato Bara The diamond studded crown on Your head adds to Your gracefulness, Runjhunti Nupure Charni Ghagariya The anklets on Your feet make heavenly music. Lambodar Pitambar Fanivar Bandhana I always have in mind Your long belly, Your pitambar (silk dhoti), Kundalini on Your stomach Saral Sonda Vakratunda Trinayana Your straight trunk, Your innocent face with its three eyes. Das. Ramacha Vat. Pahe Sadana The servant of Shri Rama is waiting for You in this house (body). Sankashti Pavave Nirvani Rakshave Please protect us from calamities and sorrows. O Highest amongst Gods, we bow to You! Survar Vandana Aartis 2 ARATI NIRMALA MATA Chorus: Arati Nirmala Mata ) Aarti to Mother Nirmala > Charni Thevila Me Mata ) (x2) I have surrendered to You Arati Nirmala Mata Aarti to Mother Nirmala Adi Shakti Kundalini Oh Primordial power of the Kundalini who Sarva Vishwachi Janani is the Mother of the Universe Nirguna He Rupa Tuzhe Your form is beyond the Gunas and now Zahli Saguna Tu Ata You have become Saguna (of good qualities). -
Review Article
Singh Karam et al / IJRAP 3(5), Sep – Oct 2012 Review Article www.ijrap.net AN AYURVEDIC INSIGHT TOWARDS EPILEPSY Singh Karam1*, Verma Bhavna2 1Lecturer, Department of Kaumarbhritya/Balroga, Dayanand Ayurvedic College, Jalandhar, Punjab, India 2Lecturer, Department of Basic Principles, Dayanand Ayurvedic College, Jalandhar, Punjab, India Received on: 23/05/12 Revised on: 30/06/12 Accepted on: 23/08/12 *Corresponding author Dr. Karam Singh, Department of Kaumarbhritya/Balroga, Dayanand Ayurvedic College, Jalandhar, Punjab -144008 India E-mail: [email protected] DOI: 10.7897/2277-4343.03521 Published by Moksha Publishing House. Website www.mokshaph.com All rights reserved. ABSTRACT In Ayurveda, Mental disorders and psychological temperaments have been broadly described [e.g. vata vyadhi (nervous disorders), unmada (insanity), murccha, moha (loss of consciousness), vismriti (amnesia), apasmara (epilepsy) etc.]. In Ayurveda, Apasmara (or epilepsy) has been described among the maharoga (a group of eight diseases well-known for causing serious morbidity). In the Ayurvedic texts, Apasmara (Epilepsy) is defined as sudden abhorrent bodily activities (vibhatsa-cheshta) accompanied by momentary blackouts or loss of consciousness (tama-pravesha) owing to disturbance in mental faculties of dhi (intelligence), dhriti (retention) and smriti (memory). Epilepsy is a major public health problem all over world. The estimated proportion of the general population with active epilepsy (i.e. continuing seizures or the need for treatment) at a given time ranges from 4-10 per 1,000 people. Herbal remedies have been recommended in various medical treatises for the cure of different diseases. In this regard, there is great prospective for identifying excellent Ayurvedic components or its active principles, particularly in consideration of the fact that such substances may provide maximum advantage with cost effectiveness, least side effects, and improvement of patient compliance. -
Shiva Nataraja: a Study in Myth, Iconography, and the Meaning of a Sacred Symbol
Shiva Nataraja: A Study in Myth, Iconography, and the Meaning of a Sacred Symbol Richard Stromer, Ph.D. O you the creator, you the destroyer, you who sustain and make an end, Who in sunlight dance among the birds and the children at play, Who at midnight dance among the corpses in the burning grounds, You, Shiva, you dark and terrible Bhairava, You Suchness and Illusion, the Void and All Things, You are the lord of life, and therefore I have brought you flowers; You are the lord of death, and therefore I have brought you my heart— This heart that is now your burning ground. Ignorance there and self shall be consumed with fire. That you may dance, Bhairava, among the ashes. That you may dance, Lord Shiva, in a place of flowers, And I dance with you. (Huxley, 167) The image of the Hindu divinity Shiva dancing within a giant ring of fire is among the most beloved and awe-inspiring symbols of the Hindu conception of the nature of the cosmos. Indeed, at the heart of this powerful sacred image, we find a symbolic distillation of the essence of Hindu spiritual consciousness. In the introduction to his massive text on contemporary Hinduism, entitled Dancing with Siva, Satguru Sivaya Subramuniyaswami observes that “the Cosmic Dance describes the Hindu view of existence,” and that for Hindus “Dancing with Siva is everything we do, everything we think and say and feel, from our seeming birth to our so-called death. It is God and man forever engaged in sacred movement” (xviii). -
Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
Ramakatha Rasavahini II Stream of Sacred Sweetness Sathya Sai Baba Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5. -
Are These Statements About Hindu Mythology Fact Or Fiction?
EVENT GUIDE To prepare for your Pandava event, use the following tips to get your event prepped and ready. DECORATING varies based on the region of the country from where No Pandava party is complete without the right it developed, get partygoers up and moving with decor! The covers of the Pandava series can be your some step-by-step instructions on basic elements to inspiration; use its palette of the artwork to adorn Indian dance. your space. Embellish the art by creating images of mythological animals (such as the tiger, crocodile, ram, BOO’S NEWS three-headed elephant, peacock, swan, and seven-headed In Aru Shah and the End of Time, Boo serves as a horse that pledge themselves to serve Aru and Mini for messenger, teacher, and guide to Aru and Mini. Have their battle with the Sleeper). event attendees sit in a straight row and play a few rounds of Boo’s News (a variation of the game telephone) where Alternatively, for a simpler plan, decorate your the person at the end of the row quickly and quietly space with bright, vibrant colors (especially reds and shares a favorite fact about a chosen mythology or why golds) using bright fabric or butcher paper and adorn they are excited to read Aru Shah and the End of Time your space with an abundance of white twinkle lights. into the ear of the person sitting next to him or her. From there, each person repeats this process and passes the FOOD information down the line. Once it gets to the end, have The foods of India are as diverse as the people and the final person share what was said to them to see how culture; in that spirit, set up a feast for attendees that close to the original news the “fact” was.