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The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-9-1995 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1995). The George-Anne. 1350. https://digitalcommons.georgiasouthern.edu/george-anne/1350 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ■ ■:■ v.:'.:; :.:■::-:.:>:"■ fy- ■-;■,:-■:.. ->-■-■, ■,:■■■.■■;:■<:■>: ■-:■■■ ■ ■:■:■■<■;■■■■.■■/?, -.- - -■- GOLD EDITION Thursday, February 9,1995 Vol. 67, No. 47 The 67 years of journalism Read about how The George-Anne f got started back in ^1927, and how it Georgia Southern University's Official Student Newspaper ended up with one Statesboro, Georgia 30460 Founded 1927 .of the strangest names in the Pizza delivery robbed of money, food collegiate press... Please see "Q & A," page 3 the money ($218.20) and then ran." Attack in Stadium After the incident, the driver left Club brings up and noticed two policemen parked at BRIEFLY... Reuben and Ed's, so he drove into the questions of safety parking lot and informed the officers .. ::..,.:. ,. of the situation. They then rushed to AIDS now the leading killer for delivery drivers; the site of the crime in the police car, and then he called his manager to of young adults, experts say victim says he's report the incident. -
Treball De Fi De Grau Títol
Facultat de Ciències de la Comunicació Treball de fi de grau Títol Autor/a Tutor/a Departament Grau Tipus de TFG Data Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: Castellà: Anglès: Autor/a: Tutor/a: Curs: Grau: Paraules clau (mínim 3) Català: Castellà: Anglès: Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Castellà: Anglès: Universitat Autònoma de Barcelona AGRADECIMIENTOS - En primer lugar a mi familia, por aguantar mis arrebatos de locura pasajera y no tan pasajera durante la confección del trabajo en casa. A mis padres Jordi y Susana y a mi hermano Nil, que han hecho gala de una paciencia sin igual. - A Eric, Roc, Aitor i Pau, por abrir camino juntos en esto del punk siendo unos inexpertos totales. Por las muchas horas pasándolo genial juntos versionando a los más grandes y haciendo música, que es lo que nos apasiona. - A Pau V., por nuestras aventuras juntos por el mundo con las guitarras a cuestas con callos en los dedos y las cuerdas vocales destrozadas. Por muchas más. - A Ru y María, por su ayuda con el tema de los videoclips, gracias por estar allí cuando me ha faltado luz y fuerza. - A toda la gente de las plazas de Gracia, por las noches eternas jugando al gato y al ratón con la policía. A toda la gente del Banc Expropiat, que de forma totalmente altruista llevaba a cabo una función muy importante en el barrio ayudando a los más desfavorecidos y se ha visto injustamente envuelta en un espiral de altercados y violencia policial, ordenada desde arriba. -
Megan Robinson
MEMOIR AS SIGNPOST: WRITING AT THE INTERSECTION OF ANCIENT FAITH AND CONTEMPORARY CULTURE Research and Analysis Supporting the Creation of BACK TO CANAAN: A PARABLE BY MEGAN J. ROBINSON SENIOR CREATIVE PROJECT submitted to the Individualized Studies Program in fulfillment of the requirements for the degree BACHELOR OF INDIVIDUALIZED STUDIES in RELIGIOUS AND CULTURAL STUDIES COMMITTEE MEMBERS: Dr. Catherine E. Saunders, Faculty Advisor Ms. Andrea B. Ruffner, Reader GEORGE MASON UNIVERSITY FAIRFAX, VIRGINIA DECEMBER 2006 ©2006 MEGAN J. ROBINSON ALL RIGHTS RESERVED PLEASE DIRECT ALL CORRESPONDENCE TO: [email protected] TABLE OF CONTENTS MEMOIR AS SIGNPOST Introduction 5 Rumors 8 Foreshadows: Evangelicalism as Clue Evangelical Publishing: A Blueprint for Faith Glimpses 14 Elements: Seeing a Story Elements: Reaching Into a Story Elements: Transformed By a Story Epiphanies 18 Theology: Foundation and Structure Wonder: The Open Door Narrative: Exploring the Cathedral Parable: Room to Grow Conclusion 28 Works Cited 30 Appendix A: Two Literary Models or Approaches 34 BACK TO CANAAN: A PARABLE Ur – Haran – Egypt 38 Barrenness Illumination Other Gods Altars and Plagues Long Day’s Journey Notes 62 INTRODUCTION Blueprints and cathedrals, at first glance, have little to do with creative writing. Yet, the word “cathedral” evokes spirituality, and thus provides an image that enables a discussion of how to approach writing on spiritual issues. In his analysis of the contemporary evangelical publishing industry, scholar Abram Van Engen explores how a writer should, or can, approach and produce literature from a Christian perspective. He proposes that, in the current market niche occupied by the evangelical publishing industry, audience and market demands have created a narrowly delineated “blueprint” model shaping a specific style and content of acceptable religious/spiritual literature, a model to which others less “mainstream” within the evangelical sub-culture react. -
The Life & Near Death Story of Patty Schemel
REVIEWS "Describing the parabolic ups and downs of the career of Hole drummer Patty Schemel, tricked-up docu Hit So Hard features never-before-witnessed tour documentation recorded on Schemel's own Hi-8 camera, including her extended stay at the digs of band frontwoman Courtney Love just before Kurt Cobain's suicide. This recently recovered ace-in-the-Hole footage is supplemented by helmer P. David Ebersole's newly shot interviews, presented in split-screen or apportioned in brief bursts. Pic benefits from the percussionist's plainspokenness, and should attract grunge curiosity-seekers in theatrical and tube play." VARIETY "A raw, unflinching look at Schemel's hard-knock life." WALL STREET JOURNAL "Necessary viewing for any Hole fan. The footage was ample and intimate -- scenes of Schemel passed out in her hotel room after shooting heroin, Love moshing backstage at Lollapalooza with the Offspring's Dexter Holland and, most eerily, Love at home with Kurt Cobain and Frances Bean. It's heartbreaking." SPIN MAGAZINE "Hit So Hard links one milestone of Schemel’s survival to another with a caustic grace lent by the subject herself: Alcoholic at age 12. Out, tormented lesbian at 17. Junkie by her early 20s. On and off the wagon numerous times by her late 20s. A homeless, crack-addicted, music-industry exile by the end of the ’90s. It’s all there in the open, backed up with fascinating, never-before-seen archival footage featuring Love and her husband Kurt Cobain." MOVIELINE "This pull-no-punches portrait of the hell-and-back life of Patty Schemel is no ordinary rockumentary. -
Chanticleer| Vol 42, Issue 22
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 1995-03-09 Chanticleer | Vol 42, Issue 22 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 42, Issue 22" (1995). Chanticleer. 1142. https://digitalcommons.jsu.edu/lib_ac_chanty/1142 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. FEATURES: The two sides of Michael Franti, page 8 SPORTS: Rijle team places sixth in nation, page 14 1 I 1 Fz THE CHANTICLEER 4 v By Jamie Cole sented to the grandjury, only that an indict- Editor in Chief Case timeline ment was filed. "In this case, there's enough Heather under More than two months after an alleged Nov. 9, 1994: Rape is reported at evidence to go to trial," said Nichols. He rape was reported in Fitzpatrick Hall, a Fitzpatrick Hall. said he has "been in this business long criticism from grand jury indicted Daniel Brian Godwin, Jan. 13, 1995: Grand jury files indict- enough not to speculate" about anything 21, of Oxford, in connection with the al- ment charging Daniel Brian Godwin, 21, else. with first degree rape. deaf community leged crime. Wood said the case is still in its "infancy Jan. 30, 1995: Godwin is arrested and According to University Police Depart- released on bond. stages." A rather _laid-back Heather ment records, on Nov. -
Euromosaic III Touches Upon Vital Interests of Individuals and Their Living Conditions
Research Centre on Multilingualism at the KU Brussel E U R O M O S A I C III Presence of Regional and Minority Language Groups in the New Member States * * * * * C O N T E N T S Preface INTRODUCTION 1. Methodology 1.1 Data sources 5 1.2 Structure 5 1.3 Inclusion of languages 6 1.4 Working languages and translation 7 2. Regional or Minority Languages in the New Member States 2.1 Linguistic overview 8 2.2 Statistic and language use 9 2.3 Historical and geographical aspects 11 2.4 Statehood and beyond 12 INDIVIDUAL REPORTS Cyprus Country profile and languages 16 Bibliography 28 The Czech Republic Country profile 30 German 37 Polish 44 Romani 51 Slovak 59 Other languages 65 Bibliography 73 Estonia Country profile 79 Russian 88 Other languages 99 Bibliography 108 Hungary Country profile 111 Croatian 127 German 132 Romani 138 Romanian 143 Serbian 148 Slovak 152 Slovenian 156 Other languages 160 Bibliography 164 i Latvia Country profile 167 Belorussian 176 Polish 180 Russian 184 Ukrainian 189 Other languages 193 Bibliography 198 Lithuania Country profile 200 Polish 207 Russian 212 Other languages 217 Bibliography 225 Malta Country profile and linguistic situation 227 Poland Country profile 237 Belorussian 244 German 248 Kashubian 255 Lithuanian 261 Ruthenian/Lemkish 264 Ukrainian 268 Other languages 273 Bibliography 277 Slovakia Country profile 278 German 285 Hungarian 290 Romani 298 Other languages 305 Bibliography 313 Slovenia Country profile 316 Hungarian 323 Italian 328 Romani 334 Other languages 337 Bibliography 339 ii PREFACE i The European Union has been called the “modern Babel”, a statement that bears witness to the multitude of languages and cultures whose number has remarkably increased after the enlargement of the Union in May of 2004. -
Popular Music and Violence This Page Has Been Left Blank Intentionally Dark Side of the Tune: Popular Music and Violence
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE This page has been left blank intentionally Dark Side of the Tune: Popular Music and Violence BRUCE JOHNSON University of Turku, Finland Macquarie University, Australia University of Glasgow, UK MARTIN CLOONAN University of Glasgow, UK © Bruce Johnson and Martin Cloonan 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Bruce Johnson and Martin Cloonan have asserted their moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the authors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington, VT 05401-4405 Surrey GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data Johnson, Bruce, 1943– Dark side of the tune : popular music and violence. – (Ashgate popular and folk music series) 1. Music and violence 2. Popular music – Social aspects I. Title II. Cloonan, Martin 781.6'4 Library of Congress Cataloging-in-Publication Data Johnson, Bruce, 1943– Dark side of the tune : popular music and violence / Bruce Johnson and Martin Cloonan. p. cm.—(Ashgate popular and folk music series) Includes bibliographical references. ISBN 978-0-7546-5872-6 (alk. paper) 1. Music and violence. 2. Popular music—Social aspects. I. Cloonan, Martin. II. Title. -
Oman's Foreign Policy : Foundations and Practice
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-7-2005 Oman's foreign policy : foundations and practice Majid Al-Khalili Florida International University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Other International and Area Studies Commons Recommended Citation Al-Khalili, Majid, "Oman's foreign policy : foundations and practice" (2005). FIU Electronic Theses and Dissertations. 1045. https://digitalcommons.fiu.edu/etd/1045 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida OMAN'S FOREIGN POLICY: FOUNDATIONS AND PRACTICE A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in INTERNATIONAL RELATIONS by Majid Al-Khalili 2005 To: Interim Dean Mark Szuchman College of Arts and Sciences This dissertation, written by Majid Al-Khalili, and entitled Oman's Foreign Policy: Foundations and Practice, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. Dr. Nicholas Onuf Dr. Charles MacDonald Dr. Richard Olson Dr. 1Mohiaddin Mesbahi, Major Professor Date of Defense: November 7, 2005 The dissertation of Majid Al-Khalili is approved. Interim Dean Mark Szuchman C lege of Arts and Scenps Dean ouglas Wartzok University Graduate School Florida International University, 2005 ii @ Copyright 2005 by Majid Al-Khalili All rights reserved. -
Towards a Holistic Interpretation of Musical Genre Analysis Thesis
1 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄN YLIOPISTO 1 2 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 2 3 Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄ STUDIES IN HUMANITIES 3 4 Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 4 5 ABSTRACT Kemp, Chris Towards a holistic interpretation of musical genre analysis Jyväskylä: University of Jyväskylä, 2004 ? (Jyväskylä Studies in Humanities ISSN ISBN Diss In the past, exploration of music has focused on analysis by formalists, refferentialists and through social, semiotic and anthropological viewpoints including Schenkerian-Yeston (1977), Semiotic-Eco (1977), and Motivic-Ruwet (1987). Although each has its merits in the formal analysis of music, few explore genre identification. In musical genre studies the exploration of musical, paramusical (extramusical) and perceptual elements are essential to facilitate a full understanding of the subject area. Johnson in Zorn supports such a perspective in his argument for a holistic approach to musical analysis (Zorn 2000:29). The multidisciplinary nature of music and the discourses embodied in its creation, development and dissemination utilise a range of signifiers for identification advocating the utilisation of a “hybrid” (Wickens 1999) methodology combining quantitative and qualitative analysis. -
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311 and the Offspring Announce Co-Headline ‘Never-Ending Summer Tour’ with Special Guests Gym Class Heroes
311 AND THE OFFSPRING ANNOUNCE CO-HEADLINE ‘NEVER-ENDING SUMMER TOUR’ WITH SPECIAL GUESTS GYM CLASS HEROES Tickets On Sale to General Public Starting Friday, April 13 at LiveNation.com LOS ANGELES (April 9, 2018) – Two of rock’s most notable live bands, 311 and The Offspring, announced they are teaming up for the Never-Ending Summer Tour, a fun-filled summer amphitheater outing with special guests Gym Class Heroes. The tour will also make stops at select regional events throughout the summer. See below for itinerary. The feel good tour of the summer, produced by Live Nation, will kick off July 25 at Shoreline Amphitheatre in Mountain View, CA and hit 29 cities across North America before wrapping September 9 in Wichita, KS. Fans can expect an amazing night of music with countless hits from all three bands making for a can’t miss event this summer. Citi® is the official presale credit card for the 311 and The Offspring tour. As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Tuesday, April 10 at 12pm local time until Thursday, April 12 at 10pm local time through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Tickets will go on sale to the general public beginning Friday, April 13 at 10am local time at LiveNation.com. Never-Ending Summer Tour Dates: Wednesday, July 25 Mountain View, CA Shoreline Amphitheatre Friday, July 27 Salt Lake City, UT USANA Amphitheatre Saturday, July 28 Las Vegas, NV* Downtown Las Vegas Events Center Sunday, July 29 Chula Vista, CA Mattress -
Face to Face How to Ruin Everything Mp3, Flac, Wma
Face To Face How To Ruin Everything mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: How To Ruin Everything Country: Japan Released: 2002 Style: Punk MP3 version RAR size: 1154 mb FLAC version RAR size: 1912 mb WMA version RAR size: 1473 mb Rating: 4.6 Votes: 189 Other Formats: MP4 APE DTS MMF DTS WAV AHX Tracklist 1 Bill Of Goods 2 The Take-Away 3 14 Hours 4 A Wolf In Sheep's Clothing 5 The New Way 6 The World In Front Of You 7 Why Would I Lie? 8 Unconditional 9 Shoot The Moon 10 Graded On A Curve 11 Fight Or Flight 12 Waiting To Be Saved 13 Double Standard 14 The Compromise 15 How To Ruin Everything Bonus Tracks 16 Nothing Succeeds Like Success 17 Anybody Listening? Companies, etc. Phonographic Copyright (p) – Lady Luck Records Copyright (c) – Vagrant Records Manufactured By – Victor Entertainment, Inc. Distributed By – Victor Entertainment, Inc. Credits Art Direction – Kalynn Campbell Bass, Vocals – Scott Shiflett Drums – Pete Parada Mastered By – Ramon Breton* Mixed By – Chad Blinman Producer – Chad Blinman, Scott Shiflett, Trever Keith Vocals, Guitar, Written-By – Trever Keith Written-By – Pete Parada (tracks: 8), Scott Shiflett (tracks: 2, 5, 7, 8, 10 to 13) Notes Manufactured and distributed by Victor Entertainment , Inc., Japan. Barcode and Other Identifiers Barcode: 4 988002 426430 Other versions Category Artist Title (Format) Label Category Country Year Face To How To Ruin Everything VR366 Vagrant Records VR366 US 2002 Face (CD, Album, Dig) Face To How To Ruin Everything VR366-1 Vagrant Records VR366-1 US Unknown