pendulum discography download torrent Creedence Clearwater Revival – Discography (1968 – 2014) Creedence Clearwater Revival – Discography (1968 – 2014) EAC Rip | 45xCD | FLAC/APE Tracks & Image + Cue + Log | Full Scans Included Total Size: 17.9 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUM | COMPILATIONS | BOX SET Label: Various | Genre: Blues Rock. At a time when rock was evolving away from the forces that had made the music possible in the first place, Creedence Clearwater Revival brought things back to their roots with their concise synthesis of rockabilly, swamp pop, R&B, and country. Though the music of CCR was very much a group effort in their tight, punchy arrangements, their vision was very much singer, songwriter, guitarist, and leader John Fogerty’s. Fogerty’s classic compositions for Creedence both evoked enduring images of Americana and reflected burning social issues of the day. The band’s genius was their ability to accomplish this with the economic, primal power of a classic rockabilly ensemble. The key elements of Creedence had been woodshedding in bar bands for about a decade before their breakthrough to national success in the late ’60s. John’s older brother Tom formed the Blue Velvets in the late ’50s in El Cerrito, California, a tiny suburb across the bay from San Francisco. By the mid-’60s, with a few hopelessly obscure recordings under their belt, the band — including Tom and John with two high-school friends, drummer Doug Clifford and bassist Stu Cook — signed to Fantasy, releasing several singles as the Golliwogs that went nowhere. In fact, there’s little promise to be found on those early efforts; they were extremely derivative of the British Invasion and other R&B and rock trends of the day, with few hints of the swampy roots rock that would characterize CCR. The group only found themselves when John took firm reins over the band’s direction, singing and writing virtually all of their material. ― Allmusic. 1. STUDIO: 1968. Creedence Clearwater Revival (1987, Carrere, 98.501, France) 1968. Creedence Clearwater Revival (1987, Fantasy, FCD-4512-2, USA) 1969. Bayou Country (1987, Carrere, 98.502, France) 1969. Bayou Country (1987, Fantasy, FCD-4513-2, USA) 1969. Green River (1987, Carrere, 98.503, France) 1969. Green River (1987, Fantasy, FCD-4514-2, USA) 1969. Green River (1990, Fantasy, FCD 4514-2, F-8393, USA, Club Ed.) 1969. Green River (2009, Universal, UCCO-9195, Japan, SHM-CD, 40th Ann.) 1969. Willy And The Poor Boys (1987, Carrere, 98.504, France) 1969. Willy And The Poor Boys (1987, Fantasy, FCD-4515-2, USA) 1969. Willy And The Poor Boys (2009, Universal, UCCO-9196, Japan, SHM-CD, 40th Ann.) 1970. Cosmo’s Factory (1987, Carrere, 98.506, France) 1970. Cosmo’s Factory (1987, Fantasy, CDFE 505, UK) 1970. Cosmo’s Factory (1989, Fantasy, FCD-4516-2, USA) 1970. Cosmo’s Factory (2009, Universal, UCCO-9197, Japan, SHM-CD, 40th Ann.) 1970. Pendulum (1987, Carrere, 98.505, France) 1970. Pendulum (1987, Fantasy, FCD-4517-2, F-8410, USA) 1970. Pendulum (1987, Fantasy, FCD-8410-2, USA) 1972. Mardi Gras (1989, Fantasy, FCD-4518-2, USA) 2. LIVE: 1973. Live In Europe (1987, Carrere, 98.581, France) 1973. Live in Europe (1998, Fantasy, CCR-1, Italy) 3. COMPILATION: 1976. Chronicle (1984, Fantasy, FCD 623 CCR2, W.Germany, Black Label Ed.) 1976. Chronicle (1985, Carrere, CA 802 98.554, France, Pre-Emphasis) 1976. Chronicle (1987, Carrere, 98.554, France) 1976. Chronicle (1991 Fantasy, FCD-CCR2-2, USA) 1976. Chronicle (1995, Fantasy, CCGCD-22-2, USA, 24-karat Gold CD) 1982. Chooglin’ (1985, Carrere, CA 802 98.527, France, Pre-Emphasis) 1986. Chronicle. Volume Two (1987, Carrere, CA 801 98.567, France) 1986. Chronicle. Volume Two (1995, Fantasy, CCGCD-23-2, USA, 24-karat Gold CD) 1986. The Fantastic Creedence Clearwater Story (1986, Carrere, CA 802 91004, France, Pre-Emphasis) 1991. La Legende De Creedence (1991,Carrere, 9031-73655-2, France, 2CD) 1997. The Ultimate Collection (1997, Festival Records, TVD93335, Australia, 2CD, Anniversary Ed.) 2012. Ultimate CCR. Greatest Hits & All-Time Classics (2012, Fantasy, UMG, 0888072341623, Germany, 3CD) 2014. Greatest Hits (2014, Concord Music, FAN-35528-02, USA) 4. BOX SET: 2009. Creedence Clearwater Revival: 40th Anniversary (2009, Concord, 0888072315716, EU, 7CD, Box Set) DOWNLOAD FROM. Password: www.LosslessMA.net. If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. GERARD. Back to 1984, in the year that Yes conquers the world with the smooth progressive pop single Owner Of A Lonely Heart, Marillion rules with the Neo-prog from Fugazi, Rush embraces electronics on Grace Under Pressure and Dutch keyboard hero Ton Scherpenzeel shines on Stationary Traveller by Camel. On the other side of the world Japanese formation Gerard is scouting the borders between harder-edged symphonic rock and Heavy Prog, in a pretty exciting way on their eponymous debut album. Their story started when keyboard player Toshio Egawa (his mother was a piano teacher) decided to leave the popular Japanese Heavy Prog band Novela and found his own formation Gerard, including guitarist/singer Yukihiro Fujimura. The name is derived from a clothes store in Tokyo. After their highy acclaimed eponymous debut CD (1984) and successor Empty Lie, Empty Dream (1985) Yukihiro Fujimura left Gerard in order to found his own band Vienna. These first two Gerard albums are pretty original Heavy Prog, but then the music gradually turned into more and more ELP and UK influenced. During the years Gerard suffered from multiple line-up changes, with only prime mover Toshio Gerard as the constant factor. Between 1991 and 2011 Gerard has released 11 studio albums, the CD Live In Marseille (1999), the live DVD Chaos Live (2000) and the limited edition compilation box Meridian (1998). Their latest effort is entitled Visionary Dream, from 2011, according to Toshio Egawa (August 2018) the band Gerard is no longer active and nowadays he plays in other bands. During the years Toshio Egawa has been a very prolific musician and also joined Earthshaker (once Don Airey was a member ), Sheherazade and Fromage. And he contributed to the Bohemian Symphony Project (with former fellow Novela musician Terutsugu Hirayama) and Keyboard's Triangle I and II (the first edition with Ars Nova). Listening to the first Gerard album is an overwhelming musical experience: what an awesome blend of hardrock guitar and 'symphonic rock keyboards', what a tension between the mellow and bombastic parts, and what a dynamic interplay between the musicians! Prime mover Toshio Egawa turns out to be a Japanese answer to the legendary keyboard wizards from the UK: he has the the elegant virtuosity from Rick Wakeman, the ultra-bombastic approach from Keith Emerson and the androgyn looks from Eddie Jobson, 1. Meridian (2:57) : An intro with church bells, then an increasing sound of a powerful guitar riff, followed by cheerful synthesizer flights and a bombastic eruption with dazzling synthesizer runs. Then a slow rhythm featuring howling electric guitar leads and finally again those sensational 'presto and vivace' synthesizer runs, supported by a powerhouse rhythm-section. This instrumental track clocks only 3 minutes but so much happens, a very exciting start. 2. Orpheus: (8:51) I) I cry for help II) Decision III) Elysium : This long composition delivers lots of changing climates: from dreamy with strong interplay between piano and guitar to a mid-tempo with pleasant native vocals and bombastic outbursts with lush Hammond and fat synthesizer flights. Halfway a captivating break featuring an ominous climate, led by powerful guitar runs, first slow and then fiery. Strong points are also the variety, interplay and tension between the mellow and bombastis part. Like in final part, with first a bombastic eruption, then an accellaration and finally dreamy piano and vocals, Gerard takes you to every mood in the galaxy. 3. Incantation (9.09) : This other long composition contains a cascade of shifting moods and again a huge tension between the mellow and bombastic parts. Toshio Egawa shines with his fat synthesizer flights and majestic Mellotron violins. Halfway a strong build-up with powerful electric guitar and sparkling piano and a very dynamic rhythm-section. This culminates in a compelling and sumptuous grand finale with lush synthesizers, mighty Mellotron, Moog Taurus bass pedals and fiery electric guitar, it sounds like a heavy version of W&W Genesis, goose bumps! 4.Lasting Memory (5:13) : After a beautiful intro with classical piano arpeggio's the music alternates between dreamy and bombastic. The one moment a buzzing fretless bass and mellow piano work, the other moment sumptuous outbursts with Mellotron and bass pedals. The final part features glorious Mellotron violins, slowly fading away, again goose bumps. 5. Revenge (3:35) : This track is mostly inspired by Toshio Egawa his former band Novela, with an un-tempo beat and dazzling synthesizer flights, then a short part with propulsive drum beats and Mellotron violins. In the second part a spectucular duel between a biting electric guitar and flashy synthesizer work, Gerard their version of Lord and Blackmore, but made in Japan. 6. Melting Time (9:37) : This is one of the highlights on this album, what a varied and elaborate composition. It starts dreamy with wonderful native vocals, topped with subtle strings and piano. Then a slow rhythm, gradually the music turns into more lush, culminating in a spectacular break with powerful organ waves, sensational synthesizer flights and biting electric guitar runs.To me it sounds like 'Steve Vai meets UK', very exciting. The final part is breathtaking, after sumptuous eruptions the music slowly fades away, but then a crescendo and a final outburst with heavy guitar, bombastic keyboards and an excellent rhythm-section. Like a long and intense, extended 'eargasm', wow! 7. Visionary Dream (4:24) : A strongly build-up ballad with lots of delicate musical ideas. First dreamy with warm native vocals and piano, then a slow rhythm with passionate vocals, gradually turning into a mid-tempo with fiery electric guitar, flashy synthesizers and powerful drums. The final part sounds very subtle with soft twanging electric guitar, a wonderful conclusion. 8. Midnight dreamer (4.27) : This final track is a blend of melodic ' and symphonic rock featuring mainly native vocals but the title is sung in English. The structure is pretty simple but the colouring adds an extra dimension: a heavy guitar solo and bombastic eruptions with fat synthesizer flights and deep Moog Taurus bass pedals. A crafted song but to me it sounds a bit commercial, like an attempt to make a single. I had rather seen one of the other compositions as the final track. What a debut, it's so exciting, varied, dynamic and elaborate. And Egawa delivers floods of virtuosic keyboard work, topped with Fujimura his excellent powerful guitar play, in perfect balance.The pleasant Japanese vocals are a special flavour. Highly recommended to the fans of Heavy Prog (like Journey and Angel in their early years), harder- edged symphonic rock(like Kansas and Eighties Eloy) or keyboard extravaganza like ELP, Trace and UK. In 2002 the second edition was released, I own the 2010 remaster, all tracks are played by my first Japanese progrock love Gerard (I am a huge fan since I bought their first two album in the early Nineties). 1. 21st Century Schizoid Man (8:02) : What a captivating start, a King Crimson cover with organ and synthesizers (by Japanese keyboard wizard Toshio Egawa) but it sounds great. I even conclude that Gerard did an outstanding job by blending the typical Gerard elements (bombastic keyboards and a furious rhythm-section) and the heart of this dark and compelling song. The vocals by Simon Nakaji are OK, no more or less. 2. Danger Money (8:02) : A strong rendition with powerful drums and exciting keyboards, my only negative remark concerns the vocals, too powerless and too much a disturbing accent (I am sure former Gerard singer Robin Suchy would have done a way better job on this album). 3. Knife Edge (6:32) : Awesome Hammond organ work, a mindblowing rhythm-section and wonderful part featuring a church organ sound, for sure an extra dimension. But again the vocals are the weak point, too much a poor contrast with with powerful and bombastic atmospheres. Like a sparrow wants to overscream a bold eagle. 4. Alaska-Time To Kill (7:40) : This track starts with an impressive keyboard intro and a jawdropping imitation of Eddie Jobson his distorted electric violin sound, very spectacular, one of the highlights! 5. Lark's Tongues In Aspic Part Two (6:54) : The second King Crimson cover, also in this composition Gerard surprises us with swirling Hammond organ, supported by powerful and fluent bass play and propulsive drums, topped by wonderful violin work. As in the first King Crimson cover, Gerard succeed to show an own face without doing harm to the heart of the song. Although I in my opinion the instrumental first edition is superior to this second effort, I consider it as very interesting, mainly due to the awesome renditions of the two King Crimson compositions. Here we can enjoy how Japanese prog rises to the occasion, blending their distinctive vintage keyboards drive prog with Classic Prog! My rating: 3,5 star. Review by LearsFool Prog Reviewer. Review by apps79 Special Collaborator Honorary Collaborator. ''Dirty hunters'' is a total new track recorded by the band and among the most pompous pieces written by Egawa.A mix of Symphonic/Hard Rock, Pomp Rock and AOR with monster keyboard lines and rhythmic patterns, highlighted by Suchy's aggressive vocal performance and featuring a memorable chorus, great stuff, which however comes closer to the pompous works of YNGWIE MALMSTEEN.''Delirium'' was among the tracks of ''Pandora's box'', very E.L.P.-like Symphonic Rock with flashy twists on synthesizers and organ by Egawa and some pounding bass lines and drums, extremely bombastic and dense, very close to the dark offerings of compatriots ARS NOVA.''Evidence of true love'' was in the tracklist of ''Save knight by the night'', but this was re-recorded with English lyrics and Suchy behind the microphone.Typical long piece of the Gerard repertoire, containing this time evident Classical influences and smoother, more romantic sections, but the main game is again played around Egawa's powerful, grandiose keyboard fanfares, featuring extended instrumental workouts and a beautiful ending section with a pompous, haunting orchestral atmosphere and atmospheric choirs. Might be an excess to get this album, if you already own the basic albums of Gerard, but this is one of these works that you should appreciate if coming across.A great and enjoyable new piece along with two older cuts, among the best of Gerard's offerings.Recommended. Review by kev rowland Special Collaborator Honorary Reviewer. With no other melody instrument (not even a guest guitarist), it is very much in his hands to provide all of the musical styles necessary to drive the songs forward. In many ways this is music out of time as it belongs in the Seventies, long passages designed to keep the listener's jaw firmly on the floor as the speed and dexterity of Toshio is designed to amaze. It is not all frenetic stuff though, and there are dreamy interludes to counterpoint the more rampant excesses. Any fan of ELP will surely enjoy this release as much as I have. Originally released only in Japan, the Musea version contains a bonus track. Originally appeared in Feedback #69, Aug 02. Review by apps79 Special Collaborator Honorary Collaborator. From the opening self-titled number things are getting really serious.Toshio Egawa is in an absolute orgasm, performing an over-10-min. powerful Symphonic Rock suite with angualr synthesizers, bombastic Hammond organ and loads of Mellotron in a KING CRIMSON vein around the middle.The remaing three out of five tracks follow the same if not heavier lines.Very dense, keyboard-based Symphonic/Hard Rock with tons of virtuosic synth moves, dynamic pyrotechnics and a huge amount of tehnique in a bit abstract but very enegetic arrangements.''Siren in the Mysterious Sea'' is a different story.Based on sampled flutes, Mellotron and harsichord, this instrumental piece is closer to New Age/Symphonic Rock in a much needed interruption between the heavier ideas of Egawa.The closing ''Freedom'' is again on the softer side.It sounds like an AOR ballad with Suchy's vocal in the forefront with a more aggressive section clodsing it in a synth-drenched enviroment. Mostly instrumental and tremendously bombastic Symphonic Rock is the perfect style for Gerard and the band's leader Toshio Egawa knew this better than anyone else.Good album, maybe some more melodies could be included.Nevertheless, recommended. Review by b_olariu Prog Reviewer. The ruins of a glass fortress from 2000 is another worthy release from this japanese band. This time, I mean from previous 2 albums they optain for a distinct direction towards Triumvirat, UK and even Rick Wakeman influences here and there. The influences from the bands mentioned above are more evident here in contrast with early works, because the head of the band Toshio Egawa take out from the arrangements the guitar, no trace of this instrument here, and because of that the passages are keyboard driven prog. Not bad, really, but is not fantastic either, hardly original album and little flat in some parts, but the skills and talent of Egawa make from this album a real pleasent ride, not to mention that the rhythmic section is quite great and solid. Also in some moments I trace some fusion elements specilly in bass/drums category, where the instruments are complex and complicated, I like the bass lines very much. The opening track Labyrinth and Fall Into A Doze are the best from here, instrumental with complex moves, twist lots of layers, speedy keyboards and some dark atmosphere overall, but in the end really good I might say. All album is instrumental minus two pieces where features Jean-Luc "F. Nazaki", and to my opinion his voice is horrible at best, so I will not count this bad section from my rating system. So, even the arrangements and overall sound is more modern then let's say on Empty lie, empty dream from their early works, I prefer that 1985 album face this The ruins, because of the guitar who gives a more melodic , dynamic and overall better atmopshere to my ears. 3 stars rounded to 3.5 , excellent cover art, like on almost all Gerard albums, that romantic aproach very much in vein with the music offered. Good band, I like what I've heared so far from their catalogue, so for sure I will buy more of their albums. Review by b_olariu Prog Reviewer. Gerard were one of the leading progressive rock bands from the '80 in Japan together with Novela, Fromage, Pale Acute Moon, Outer Limits or Mugen. They offer a quite good symphonic prog very much in vein of UK or a harder version of Genesis (Trick of the tail era) but with their own twist and with that particular japanese flavour , musicaly speaking that many bands from '80 from this country had. I review so far two of their albums and I liked what I've heared so I've decided to check two more from their catalogue, one of them is Empty lie, empty dream, the second release from 1985. This is enjoyble to me for sure, is to low rated for such music, really. Symphonic prog well played and well performed. The album is mainly instrumental and the keyboards and guitar are great. In their first phase they sounded not very much a la ELP like their later releases, because of the guitar arrangements, this instrument being left aside from Pendulum onwards. So, , forte pieces are the opening instrumental The acts of the Apostles , really awesome pieces where the talent of Toshio Egawa on keyboards and of Fujimura on guitar is obvious. In that darker days of prog mid 80s only japanese school of prog counted on market and the british neo prog who just exploded in Europe around that time, and of course do not forget Rush, the rest of the world were in shadow and the rest of the movement in aderground for sure. So, this release keeps the flag as high as possible for that period, no weak moment but in same time nothing is close to masterpieces status, still enjoyble and good from start to finish. Review by apps79 Special Collaborator Honorary Collaborator. Pendulum discography download torrent. The group consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother and rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. Their musical style encompassed rock and roll and swamp rock genres. Despite their San Francisco Bay Area origins, they are sometimes also cited as southern rock stylists. Creedence Clearwater Revival (1968) Bayou Country (1969) Green River (1969) Willy and the Poor Boys (1969) Cosmo's Factory (1970) Pendulum (1970) Mardi Gras (1972) Pendulum discography download torrent. Candlemass was formed in Stockholm, Sweden in 1984 by bassist Leif Edling. Candlemass saw its first days under another name, Nemesis.They went through numerous break ups and lineup changes, and released 12 studio albums, several EPs and live albums, compilations and singles. Nemesis was formed in 1982 by Leif Edling. The band changed its name to Candlemass in 1984 due to copyright reasons. Leif Edling recruited some other musicians, except Matz Ekstr�m that played the drums in Nemesis and stayed in the band. The lineup recorded 2 demos, and their first full length album finally came in 1986. While it's considered as a Doom masterpiece and a milestone for the genre, Epicus Doomicus Metallicus was failing in terms of album sales, which led the band to be kicked from the label (Black Dragon Records). But in fact this album represented a big change in his time, when most of the bands wanted to be the most aggressive and fastest band of them all, Candlemass came in the business with its slow paced music and operatic baritone vocals. Johan L�ngqvist being having only recorded the vocals for the album (without even being aware of the songs before), Candlemass went in search of a new singer, being the well known and popular Candlemass singer Messiah Marcolin. With Marcolin, the band recorded 3 albums between 1987 and 1991, plus a live album in 1990. Messiah then left the band in 1991, after an inner fight between band members. Messiah brought even more power and majesty to Candlemass music, having a deeper voice than Johan L�ngqvist. He participated in really defining the Candlemass sound, especially with the Nightfall album. That record became even more popular than their debut, making of Candlemass a pillar of Doom metal. After the departure of Messiah Marcolin, they recruited Thomas Vikstr�m and released their last album before breaking up in 1994.Due to unsuccessful sales, and because Leif Edling created a parallel project, Candlemass disbanded. But in 1998, as his side band wasn't very successful, Edling suddenly resuscitated Candlemass with yet another singer in the person of Bj�rn Flodkvist, and with Michael Amott on guitar. In 2002, Candlemass reunited with past members, including Marcolin and did a few shows that would end up as a DVD.With some differences between the members rising again, the band disbanded for the second time.They reunited 2 years later and released their self titled album the next year, with Marcolin on vocals. Messiah left the band again, and Candlemass recruited Robert Lowe, also singer of another influencial Epic doom band called Solitude Aeturnus. With Lowe, Candlemass released 3 albums between 2007 and 2012. The band claimed that Psalms For The Dead would be their final album, and that they would just continue touring. Robert Lowe left the band in 2012, because his live performances weren't as good as the band would want them to be.He was replaced by Mats Lev�n, long time friend of Leif Edling. Despite saying they wouldn't release anything new, Edling stated he wouldn't mind recording new stuff with the band, so they released an EP in 2016, coinciding with Epicus Doomicus Metallicus' 30th anniversary. Country of origin:Sweden Location:Stockholm Status:Active Formed in:1984 Genre:Epic Doom Metal Lyrical themes: Dark fantasy, Religion, Doom, Life, Death, Hell Current label:Napalm Records Years active:1982-1984 (as Nemesis), 1984-1994, 1997-2002, 2004-present. Current lineup: Leif Edling-Bass (1984-1994, 1997-2002, 2004-present), Vocals (1984-1986) See also: Leif Edling, The Doomsday Kingdom, ex-Abstrakt Algebra, ex-Witchcraft, ex-Krux, ex-Nemesis, ex-Avatarium, ex-Trilogy Mats "Mappe" Bj�rkman-Guitars (rhythm) (1985-1994, 2001-2002, 2004-present) See also: ex-ATC, ex-Zoic Jan Lindh-Drums (1987-1994, 2001-2002, 2004-present) See also: ex-Creozoth, ex- Zoic, ex-Warning Lars "Lasse" Johansson-Guitars (lead) (1987-1994, 2001-2002, 2004-present) See also: ex-Creozoth, ex-Zoic, FAT.MO.MAC, ex-Shock Tilt, ex-Hexagon, ex-Macbeth Johan L�ngquist-Vocals (2018-present) See also: ex-Jonah Quizz, Impulsia, ex-D- Project. Candlemass - Discography (1984-2020) 1984 - The Day of Retribution (Demo) (as Nemesis) 1984 - Witchcraft (Demo) 160 1985 - Tales Of Creation (Demo) (as Nemesis) 192 1986 - Epicus Doomicus Metallicus 1987 - Demo Marcolin 160 1987 - Nightfall 1988 - Ancient Dreams 1988 - Messiah Marcolin & Candlemass - Live In Birmingham 08-03-1988 1988 - Samarithan (EP) 1989 - Tales of Creation 1990 - Live 2CD (2008 Remaster) 1992 - Chapter VI 1993 - Live with Thomas Vikstrom (Bootleg) 1993 - Sjunger Sigge Furst (EP) 1994 - The Best of Candlemass - As It is, As It Was 1998 - Dactylis Glomerata 1998 - Wiz (EP) 1999 - From the 13th Sun 2002 - Live @ Klubben Fryshuset, Stockholm, Sweden (Bootleg) 31-08-2002 224 2002 - Live 2002.08.31 - P3 Live Radio Broadcast (Bootleg) 224 2003 - Dark are the Veils of Detroit (Bootleg) 2003 - Demon's Gate 2003 - Live at Rock Hard Festival in Gelschenkirchen, Germany (Bootleg) 08-06-2003 2003 - Live at the Klubben, Stockholm (Bootleg) 2003 - The Black Heart of Candlemass - Leif Edling Demo's & Outtakes '83-99 2005 - Candlemass 2005 - Doomed for Live - Reunion 2002 2005 - Essential Doom 2007 - Black Dwarf (EP) 2007 - King of the Grey Islands 2007 - Live in Eindhoven (Bootleg) 192 2008 - Lucifer Rising (EP) 2009 - Death Magic Doom 2010 - Ashes to Ashes 2010 - Don't Fear The Reaper (EP) 2010 - Doomology 2010 - No Sleep 'til Athens 2012 - Candlemass & Entombed - (Split EP) 2012 - Dancing in the Temple of the Mad Queen Bee (EP) 2012 - Psalms for the Dead 2013 - Epicus Doomicus Metallicus - Live at Roadburn 2011 2013 - Introducing Candlemass 2013 - Mats Lev�n & Candlemass - Live at Wacken Open Air Festival (Bootleg) 03-08-2013 2014 - Gothic Stone 2016 � Behind The Wall Of Doom (Compilation) 2016 - Death Thy Lover (EP) 2017 - Dark Are The Veils Of Death (EP) 2018 - House Of Doom (EP) 2019 - Live Graspop Festival, Belgium, 21-06-2019 2019 - The Door To Doom (Japanese Edition) 2020 - The Pendulum (EP) Pendulum discography download torrent. Discography 1986 - Epicus Doomicus Metallicus (Remastered - 2CD) @320kbps 1987 - Nightfall (Remastered - 2CD) @320kbps 1988 - Ancient Dreams (Remastered - 2CD) @320kbps 1989 - Tales of Creation (Remastered - 2CD) @320kbps 1990 - Candlemass Live @320kbps 1992 - Chapter VI @320kbps 1993 - Sjunger Sigge F�rst [EP] @320kbps 1998 - Dactylis Glomerata @320kbps 1999 - From The 13th Sun @320kbps 2002 - Doomed For Live @320kbps 2005 - Candlemass @320kbps 2007 - King of the Grey Islands (Limited Edition) @320kbps 2009 - Death Magic Doom @320kbps 2010 - Don't Fear the Reaper [EP] @185kbps 2012 - Psalms For The Dead @320kbps. Demos - Compilations - Rarities 1984 - Nemesis - The Day of Retribution EP (Pre-Candlemass) @192kbps 1984 - Witchcraft (Demo) @160kbps 1985 - Tales Of Creation (Demo) @192kbps 1987 - Demo Marcolin @160kbps 1994 - As It Is, As It Was (2CD) @192kbps 1994 - In the Name of Satan - Tribute to Venom @320kbps 2002 - Black Heart Of Candlemass (2CD) @192kbps 2002 - Live 2002.08.31 - P3 Live Radio Broadcast (Bootleg) @224kbps 2003 - Demon's Gate (Limited Edition - Bootleg) @192kbps 2004 - Essential Doom @220kbps 2005 - The Curse Of Candlemass (Live - DVDA) @192kbps. Biography A band that have got their own chapter in The National Encyclopedia of Doom. Candlemass released the first masterpiece of misery in 1986 with the classic "Epicus Doomicus Metallicus", and from that moment we judge heavieness with new sad eyes. If you would drop an anvil from the top of the Empire state building you understand just how heavy this band is. Darkness isn't dark enough and massive sucidal thoughts ooze out of a record with the weight of a black hole. In 1987 the follow-up "Nightfall" was released and Candlemass were darlings of the press just like that. Destined to world-domination and fame, these swedes toured all over the world over and over again determined to save us from light mainstream shit as Guns n� roses and Metallica. They even had a monk on stage. The almighty Messiah Marcolin ruled the scene - when he didn't go through it � and his impressive vocal talent [together with the doomdance] made sure people came to the shows and bought the records. Massive sales both in Europe and in the states brought Candlemass into the charts in England, Germany and the american Billboard chart. Not bad for five swedes with a love for Sabbath and Trouble. Chief songwriter Leif Edling said in interviews: "We didn't know what we were doing. We played the heaviest possible music and people just hated us. Whenever there was a gig everybody slagged us off. All of a sudden we were famous and had a million friends." It's not easy to be prophets anywhere, but Candlemass are still hailed as one of the heaviest bands in the history of rock. If you listen to the fans they would also add one of the best. From Australia to Tokyo, South Africa to Alaska, even the eskimoes know the lyrics to "Mirror mirror" or the opening riff of "Well of souls". People wanna die to "Solitude" and sing karaoke to "At the gallows end". Hey, this band even got their own coverband: Ancient Dreams from Gothenburg. After nearly half a million sales from both sides the atlantic Candlemass disappeared from the scene in 1993, much to the grief of uncountable metal fans around the world. They wanted to quit while still on top, a bit roadweary and uninspired, but still alive and ready for new achievements. Messiah went on with Memento Mori, Lars and Jan recorded the Zoic album together, Mappe was producing a legendary swedish comedian - Kalle S�ndare and Leif gave out something called Abstrakt Algebra in 1995. Two more albums bearing the name of Candlemass saw the light of day before rumours of "the second coming" started to spread in the autumn of 2001. This is what happened; The Candlemass remasters was soon to be released and the band was discussing a reunion. They all met for the first time in ten years over a pizza and beer at a Stockholm restaurant. The meeting was a total success. Not only were the boys ready to destroy Stockholm again at a releaseparty held on the 13:th of december, they all agreed to give Europe a lesson in doom in the upcoming summer of 2002.