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Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
Vita Runterladen
URSULA MICHELIS Geburtsjahr 1946 Größe 160 cm Haarfarbe braun Augenfarbe grün-braun Stimmlage Alt ethn. Erscheinungsbild mitteleuropäisch Sprache(n) Englisch (fließend) Französisch (Grundkenntnisse) Heimatdialekt D - Kölsch Dialekte/Akzente D – Kölsch D – Rheinisch-Bergisch Instrumente Gitarre, Klavier Tanz Modern, Standard Gesang Chanson, Musical Wohnort Köln / Much (Rhein-Sieg-Kreis) Ursula Michelis · +49 171 5750592 · [email protected] · www.ursulamichelis.de Ausbildung 1984 Theaterschule Köln, Actor´s Studio W. Lott, Schauspielstudio J. Millo und andere Theaterpreise 2017 Nominierung Kurt Hackenberg-Preis für„Vor dem Ruhestand“, Thomas Bernhard (Rolle: Vera) 2012 Nominierung Faust für„Wolke 9“ – Uraufführung (Rolle: Inge) 1995 1. Preis Theaterzwang Dortmund für„Mirad, ein Junge aus Bosnien“ (Rolle: Fazila) Schauspiel/Bühne JAHR STÜCK ROLLE REGIE SPIELSTÄTTE 2020 Dinner for One / Miss Sophie Thomas Landesbühne Reinland-Pfalz Silvestergala Krutmann / Lajos Wenzel 2020 Der Trafikant Mutter/ 5 Martin Pfaff Landesbühne Rheinland- weitere Rollen Pfalz, Tournee 2020 Vor dem Ruhestand Vera Höller Rüdiger Pape Horizont Theater Köln (Thomas Bernhard) (Hauptrolle) 2019 Rapunzelgrab Edith Andreas Kleines Theater Bad Herzberger Lachnit Godesberg, Landesbühne Rheinlandpfalz, Tournee 2018 Ein Herz und eine Seele Else P. Nuesch Kleines Theater Bad - (Hausverkauf & Das (Hauptrolle) Godesberg, Landesbühne 2019 Hähnchen) Rheinlandpfalz, Tournee 2017 Drei Männer im Schnee Frau Kunkel Jan Bodinus Kleines Theater Bad - (Erich Kästner) Godesberg, Landesbühne 2018 Rheinlandpfalz, Tournee 2017 Vor dem Ruhestand Vera Höller Rüdiger Pape NS-Dokumentationszentrum - (Thomas Bernhard) (Hauptrolle) Köln (EL-DE-Haus) / Freies 2018 Werkstatt Theater Köln Ursula Michelis · +49 171 5750592 · [email protected] · www.ursulamichelis.de 2014 Die Präsidentinnen (W. Erna W. Theater Die Pathologie - Schwab) (Hauptrolle) Gontermann 2016 2016 6 Tanzstunden in 6 Lilly Harrison Tom Hirtz Das Da Theater Aachen Wochen (Hauptrolle) 2015 Ein Herz und eine Seele Else P. -
Organ1st: Issue Fourteen May to July 2002 1 Welcome to Issue Fourteen Containing in Colour
The Magazine for Organists This Issue: “At Home with Penny Weedon” by Tony Kerr Profile of Nicholas Martin Profile of Ryan Edwards Glyn Madden interviewed by Robert Mottram Carol Williams “Behind the Scenes at Blenheim Palace” “The Lady Is A Tramp” Organ Arrangement by Glyn Madden “The B3 March” Topline Music Alan Ashton’s “Organised Keyboards” PDF “Time Was” by Ivor Manual (Part Six) ORGAN1st: Issue Fourteen May to July 2002 1 Welcome to issue fourteen containing in colour. We have thought about some letters! If you have any questions profiles of Nicholas Martin, Penny changing the printed magazine to colour, or comments about organists, organs, our Weedon, Ryan Edwards, plus much more. but the web versions are the best option magazine, concerts or recordings etc., for us at the moment. please send them to us. You can post, We have a great arrangement of “The fax (or preferably email) them. We will Lady Is A Tramp” by Glyn Madden. Our New issues are available to subscribers send a £5.00 credit note for any we print thanks go to him for a super arrangement only for the first few months. As we do and £10.00 for the best one. which is exclusive to us. We also have an not have to wait for the web version to be interviewFourteen with him by Robert Mottram. printed, they are available on our website Organ Festivals by Tim Flint: in early January, April, July and October I have also included a topline version of Tim Flint has started his own Organ (a month before the printed ones are sent one of my own compositions called “The Festivals called “Superior Hotel Breaks out). -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Unknown Soldier
THE UNKNOWN SOLDIER Produced and Directed by Michael Verhoeven 97 Minutes, Color & B/W, Video, 2006, Germany Dolby SR, 4:3/1:1.85, Dolby Stereo In German with English Subtitles FIRST RUN FEATURES The Film Center Building 630 Ninth Avenue, Suite 1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 www.firstrunfeatures.com [email protected] The Unknown Soldier What Did You Do in the War, Dad? THE FILM ABOUT THE EXHIBITION THAT SHOOK GERMANY The Wehrmacht-Exhibition, shown in eleven major German cities between 1999 and 2004, challenged the people of Germany to rethink what their fathers and grandfathers did during WWII. Most believed that the cold-blooded murder of civilians had been a crime of Adolf Hitler’s Waffen-SS exclusively. But for the first time, German citizens could access photos and films of Wehrmacht soldiers tormenting and executing civilians on the Eastern front. This powerful documentation of seemingly ordinary people committing extraordinary crimes shook Germany, inciting violent protests from those who claimed that the evidence was manufactured. In the wake of this explosive exhibition, director Michael Verhoeven ( The Nasty Girl ) interviews historians and experts, including those who deny the crimes, about the accuracy of these allegations. Filming in the killing fields of Ukraine and Belarus and incorporating archival footage unearthed in the exhibition, Verhoeven weaves a portrait of a nation as it confronts its past. “My father acted on orders…. I am proud of my father.” VISITOR OF THE EXHIBITION 1997 “Berlin rightists mount protest of war exhibition... the sins of the grandfathers.” THE NEW YORK TIMES “The Wehrmacht-Exhibition splits up Germany…the armed forces lost honor.“ LE MONDE “Street battles errupt as neo-Nazis back Hitler‘s army over atrocities.” THE OBSERVER “An Exhibition that has changed the memory of Germany forever“ JAN PHILIPP REEMTSMA “ .. -
Percorsi Etruschi "In Verità È Impressionante Constatare Che Per Due Volte, Nel VII Secolo A
2 Prefazione "L’uomo che non è mai stato in Italia, è sempre cosciente di un’inferiorità." Samuel Johnson Perché possiamo parlare dell’Italia come Opera Unica? Certo è che in essa sono concentrati la maggior parte dei beni artistici esistenti sul pianeta Terra, questo senza tener conto delle enormi ricchezze che ci rappresentano in alcuni tra i musei più importanti del mondo come il Louvre a Parigi, l’Heritage a San Pietroburgo o la National Gallery a Londra, visto e considerato che, insieme all’Egitto e alla Grecia, siamo tra i paesi più depauperati da un punto di vista patrimoniale, oltre che, da sempre, l’Arte Italiana fa scuola a studenti e artisti provenienti da ogni dove, talvolta diventati celeberrimi come Balthus, Picas- so e Turner, e che hanno affrontato i viaggi più avventurosi per studiare i no- stri capolavori i quali hanno influenzato visibilmente le loro opere. La famosa "Sindrome di Stendhal" prende nome proprio dalla reazione emo- tiva ansiogena che colse il famoso scrittore Francese e che egli racconta nel suo libro "Roma, Napoli e Firenze" descrivendola come una sintomatologia paralizzante dovuta all’improvvisa bellezza di un monumento e che lo colse uscendo dalla chiesa di Santa Croce, nel capoluogo toscano. Nel solo territorio Italiano contiamo cinquantacinque siti UNESCO a cui va aggiunto il Vaticano e senza tener conto che luoghi come Ercolano e Pompei sono considerati un unico sito. Trattasi di un numero pari a quello che può vantare la Cina, ma l’estensione dell’Italia, come si sa, è ben più ridotta. In sostanza, ovunque ci si trovi, nel nostro bel paese, si rischia di essere colpiti dalla stessa Sindrome che colse Stendhal. -
LEO Kompakt Alle Inszenierungen Auf Einen Blick September 2020 Bis Januar 2021
LEO kompakt Alle Inszenierungen auf einen Blick September 2020 bis Januar 2021 LEO Theater im Ibach-Haus Wilhelmstraße 41 | 58332 Schwelm ( 0 23 36 / 47 02 440 | www.leo-theater.ruhr 1 0/100/0/20 0/0/0/80 Inhaltsverzeichnis Vorwort 02 Inhaltsverzeichnis 03 Vorwort 05 Für Ihre Gesundheit 06 Landeier - Bauern suchen Frauen 08 Tratsch im Treppenhaus Sehr geehrte Damen und Herren, 10 Heinz Erhardt - Ein Schelm in Schwelm liebe Freunde des LEO Theaters, Ein Herz und eine Seele III wir starten in eine ungewisse Zukunft. Denn immer noch haben 12 Rosenmontagszug | Silberne Hochzeit wir, obwohl wir spielen dürfen, mehr Fragen als Antworten. Die vielen positiven Reaktionen von Ihnen, liebe Zuschauer, machen uns jedoch Mut. Für die vielen Spenden, die uns erreicht haben, Männerabend 14 sagen wir ein herzliches Dankeschön. Sie haben uns in den Zei- ten als unseren Einnahmen gleich Null waren, sehr geholfen. 16 Reset - Alles auf Anfang Haben Sie herzlichen Dank für Ihre Unterstützung. So können 18 Die Niere wir unseren Beitrag zum kulturellen Leben in der Region erfül- len. Ein Beitrag, den wir in Ihrem Sinne als Auftrag verstehen, kurzweilig, unterhaltend und mit Niveau, Stunden des unbe- Der Spielplan September bis Januar 2021 20 schwerten Zuhörens und Miterlebens auch zukünftig auf die Bühne zu bringen. 25 LEO über dem Herzen - Shirt-Aktion Wir haben für Sie wieder einen bunten Strauß an Komödien zu- 26 Die Schwelmer Weihnachtsgeschichte sammengestellt, mit unterschiedlichem Humor. Dabei sind alt- bekannte Stücke wie Landeier, Ein Schelm in Schwelm, Tratsch 28 Die Wahrheit über Dinner For One im Treppenhaus oder auch Ekel Alfred. -
Katrin Kluge
Katrin Kluge Fotos © Thomas Leidig Demoband-Link: http://video.flmmakers.de/katrin-kluge Persönliches Jahrgang: 4.4.1973 Grösse: 1,64 cm Konfektionsgrösse: 36 Haare: blond / schulterlang Augenfarbe: grün-blau Führerschein: Klasse III, Mofa Sprachen: Englisch, Französischkenntnisse, Spanischkenntnisse Dialekte: Hamburgerisch, Pfälzisch Akzente: Französisch, Russisch, Spanisch Besonderes: Reiten, Tennis, Schlittschuhlaufen, Jonglieren Wohnort: Hamburg Wohnmöglichkeiten: Berlin, Köln, München, Leipzig, Frankfurt Ausbildung / Weiterbildung 2004 Gesangsfortbildung bei Kate Healy / Hamburg 1998 Aufnahme in die ZBF Hamburg 1997 – 99 Schauspiel- und Rollenarbeit bei Alia Hawa / Hamburg 1996 – 98 Schule für Schauspiel O33 / Hamburg Auszeichnungen 2005 Publikumspreis Kurzflmfest Hamburg für Wackelkontakt 1999 Hessischer Filmpreis für Winterspruch / Hotelzimmer 1942 Film und TV Auswahl 2011 SOKO Wismar / ZDF, Serie / Nebenrolle Regie: Oren Schmuckler 2010 Alte Welt / Kino, Abschlussflm HfBK / Nebenrolle Regie: Helena Ratka Lobbyarbeit / Kurzflm / Hauptrolle Regie: Sven Knüppel 2009 Menschliches Versagen / Kurzflm HfBK / Nebenrolle Regie: A. L. Schanze, M. Plura Haltet die Welt an / ARD, Fernsehflm / Nebenrolle Regie: Hartmut Griesmayr Blutorangen / Kurzflm / Hauptrolle Regie: Stephan Dublasky 2008 Frischer Wind / ARD Fernsehflm / Nebenrolle Regie: Immogen Kimmel Die Treuhänderin / NDR Fernsehflm / Nebenrolle Regie: Horst Königstein 2007 Das Duo - Liebestod / ZDF, Serie / Nebenrolle Regie: Jörg Grünler 2006 Einsatz in Hamburg / ZDF, Serie / Nebenrolle -
Body Curves and Story Arcs
Body Curves and Story Arcs: Weight Loss in Contemporary Television Narratives ! ! ! Thesis submitted to Jawaharlal Nehru University and Università degli Studi di Bergamo, as part of Erasmus Mundus Joint Doctorate Program “Cultural Studies in Literary Interzones,” in partial fulfilment of the requirements for the degree of ! Doctor of Philosophy ! ! by ! ! Margaret Hass ! ! ! Centre for English Studies School of Language, Literature and Culture Studies Jawaharlal Nehru University New Delhi - 110067, India 2016 ! Table of Contents !Acknowledgements !Foreword iii Introduction: Body Curves and Story Arcs Between Fat Shame and Fat Studies 1 Liquid Modernity, Consumer Culture, and Weight Loss 5 Temporality and Makeover Culture in Liquid Modernity 10 The Teleology of Weight Loss, or What Jones and Bauman Miss 13 Fat Studies and the Transformation of Discourse 17 Alternative Paradigms 23 Lessons from Feminism: Pleasure and Danger in Viewing Fat 26 Mediatization and Medicalization 29 Fictional Roles, Real Bodies 33 Weight and Television Narratology 36 Addressing Media Texts 39 Selection of Corpus 43 ! Description of Chapters 45 Part One: Reality! TV Change in “Real” Time: The Teleologies and Temporalities of the Weight Loss Makeover 48 I. Theorizing the Weight Loss Makeover: Means and Ends Paradoxes 52 Labor Revealed: Exercise and Affect 57 ! Health and the Tyranny of Numbers 65 II. The Temporality of Transformation 74 Before/After and During 81 Temporality and Mortality 89 Weight Loss and Becoming an Adult 96 I Used to Be Fat 97 ! Jung und Dick! Eine Generation im Kampf gegen Kilos 102 III. Competition and Bodily Meritocracy 111 The Biggest Loser: Competition, Social Difference, and Redemption 111 Redemption and Difference 117 Gender and Competition 120 Beyond the Telos: Rachel 129 Another Aesthetics of Competition: Dance Your Ass Off 133 ! IV. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
A Corpus-Based Critical Discourse Analysis
“The Wreckognition”: Discourse of the British and the US Press on Germany's Recognition of Croatia and Slovenia: A Corpus-based Critical Discourse Analysis Masterarbeit zur Erlangung des akademischen Grades MASTER OF ARTS an der Geisteswissenschaftlichen Fakultät der Karl-Franzens-Universität Graz vorgelegt von Morana Lukač am Institut für Anglistik Begutachter: Univ.-Prof. Mag. Dr. Bernhard Kettemann Graz, im Juni 2012 ACKNOWLEDGMENTS First of all, I would like to thank my supervisor Professor Bernhard Kettemann not only for his guidance in writing this thesis, but also for his constant encouragement and support of my academic work. Furthermore, I would like to thank Nancy Campbell, PhD who advanced my writing skills and provided her assistance in occasions too numerous to recall them all. Thanks also go to Professor Georg Marko for his technical support, and introducing me to the field of corpus linguistics. I would like to thank my colleagues at the Zadar Linguistics Department and Professor Hans Bickes with his students at the Department of German Studies at the University of Hannover for the fruitful discussions which stirred me in the right direction in my research. Additional thanks to Professor Ruth Wodak in the course of whose seminar the idea for this thesis was conceived and developed. I thank my former lecturers at my Croatian alma mater, Dr Marija Omazić, Dr Višnja Pavičić- Takač and Dr Mario Brdar, among others, who continuously take care of their students. Finally, this thesis would not be possible without the loving support of Zdenka, Slavica and Robert. 2 Contents 1. Introduction ......................................................................................................................................................... 4 2. Independence and Recognition of Croatia and Slovenia ....................................................................................... -
Titel Kino 2-2000
EXPORT-UNION OF GERMAN CINEMA 2/2000 At the Cannes International Film Festival: THE FAREWELL by Jan Schütte LOST KILLERS by Dito Tsintsadze NO PLACE TO GO by Oskar Roehler VASILISA by Elena Shatalova THE TIN DRUM – A LONE VICTOR On the History of the German Candidates for the Academy Award »SUCCESS IS IN THE DETAILS« A Portrait of Producer Kino Andrea Willson Scene from “THE FAREWELL” Scene from Studio Babelsberg Studios Art Department Production Postproduction Studio Babelsberg GmbH August-Bebel-Str. 26-53 D-14482 Potsdam Tel +49 331 72-0 Fax +49 331 72-12135 [email protected] www.studiobabelsberg.com TV SPIELFILM unterstützt die Aktion Shooting Stars der European Filmpromotion www.tvspielfilm.de KINO 2/2000 German Films at the 6 The Tin Drum – A Lone Victor 28 Cannes Festival On the history of the German candidates for the Academy Award 28 Abschied for Best Foreign Language Film THE FAREWELL Jan Schütte 11 Stations Of The Crossing 29 Lost Killers Portrait of Ulrike Ottinger Dito Tsintsadze 30 Die Unberührbare 12 Souls At The Lost-And-Found NO PLACE TO GO Portrait of Jan Schütte Oskar Roehler 31 Vasilisa 14 Success Is In The Details Elena Shatalova Portrait of Producer Andrea Willson 16 Bavarians At The Gate Bavaria Film International 17 An International Force Atlas International 18 KINO news 22 In Production 22 Die Blutgräfin 34 German Classics Ulrike Ottinger 22 Commercial Men 34 Es geschah am 20. Juli Lars Kraume – Aufstand gegen Adolf Hitler 23 Edelweisspiraten IT HAPPENED ON JULY 20TH Niko von Glasow-Brücher G. W.