This Is a Reproduction of a Library Book That Was Digitized by Google As

Total Page:16

File Type:pdf, Size:1020Kb

This Is a Reproduction of a Library Book That Was Digitized by Google As This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com §§§ §9 #y 30 THIRTIETH Rºſſ EDITION.—ENLARGED. ºf A . A n e w a N D co at tº L. E. T. E. Hº Y MIN A N }} } {} N ý B {} {} {{. ro R. S A B B A T H S G H 0 0 H, S. B. r WILLIAM B. B R A D BURY, arraoa or *rum saawº,” “run uusilan," "sixdino stan,” “sannaru somool cuoin,” sº. C IN C IN N AT I: MOORE, WIL STA C H & B A LDWIN, 25 west Fou R T H st R E ET, 1864 Enturad according to Act of Congn«, In the year 185U, lnd sgain In 1s82, 07 fi WILLIAM B. BRADBURY, In ths Clerk's Offloe of the District Court for the District of New Jersey. с. PREFACE NEXT to a good Superintendent, that which tends not in any peculiar tense children's tones, and the more than any thing else to make a Sunday School children should not be limited tn them. popular, is, doubtless, GOOD SIMCIKS. And this should The popular tunes for children should be as simple generally ho characterized by sprightlmesg and cheer- as their own thoughts, — sprightly as their own die- ftili IOP-S, tempered with gentleness. " Animated, but positions. Lambs require plenty of skipping room. not hoisterous; gentle, but not dull or tame," are direc They thrive best in the green fields. Let the chil tions that will apply to most of the compositions in dren's songa, then, bo such as they can understand, this hook.* appreciate and enjoy ; such as they will love to sing We do not believe in the stiff, old-fashioned way hoth in the Sabhath School and at their homes. These many have of keeping the children einging nothing will ever be to them a source of delight, and will ren but Old Hundred, Dundee, Mear, St Martina, and der the school doubly attractive. euch like. Good old tunes these, DO one will deny, We believe in making .the children so happy on and should ho sung from time to timo, but they are Sabhath day, by the uso of all proper means, that they shall look forward to it through tho week as " a de t It affords TB great pleasure to bs able to refer to one of light" It is the Lerd's day; a sacred day, a happy Ibe largest and most prosperous Sunday Schools in the United day. Psalm cxviii. 24. ftates, the LEE AVENUE SCHDXT SCHOOL In Brooklyn, N. T., ta an Illustration of the power of music us an agent for good This hook has been prepared at the urgent request of ta the Bandar School. Its Importance Is ben fully MoognUed a large hody of Sunday School teachers, superintend tDd appreciated. ents, and others, inter sted in the Sunday School caost. HARVARD COLLEGt LIBRARY т P BE FA OE. Singing is now so important an element of the Sun While we would not confine Sabbath Schools to the day School that it has seemed desirable that a moro old church mibi'-oxclusivbly, we certainly would noti extensive and complete collection, hoth of hymne and on the other hand, encourage the uso of melodies that tunes, than has heretofore appeared, should ho pre are associated with words and sentiments low and pared; and as the author's resources are somewhat degrading. These can not be redeemed, and had bet «tensivo, lie believes he has succeeded in preparing ter be let alone. Tho power of association in the each a hook аз will meet the wishes, not only of the human mind, especially in connection with music, is so gentlemen at whose kind solicitation he first under great that tho popular tune will always suggest the took the work, but also of all interested in the Sunday words with which it was first learned. If it be said School. To the gentlemen referred to, lie would ex that a sufficient number of striking melodies, adapted press his obligations for valuable aid, suggestions and to children's ahilities, cnn not otherwise be made contributions, hoth of hymns and nnraic. available, we, in reply, would ventare the assertion, While most of tho good, popular Sunday School hased upon our former success in this department, melodies of tiio present day are here inserted, many that there are in this book more than fifty tunes, never of them, liowover, newly arranged and harmonized, a before published, which, so soon as they aro learned, targe number of now pieces has been composed ex will become as popular as most of that objectionable pressly for this work, which, it is believed, will prove class to which reference has been made; and these equally as interesting, instructive, and varied as the have been composed expressly for THE SU.N ил v ScHOOb- old. These are generally of a popular character ; tho melodies, it iя believed, will ho found to be fresh and TO TEACHERS OP SINGrNQ AND CHORISTERS. attractive, while the harmonies are natural and easy. We urge upon all teachers and leaders of singing "Any thing will do for the Sabhath School," is a to interest themselves in the Sunday School. [The motto that luis been too long recognized and acted chorister who is most successful in sustaining a good upon ; and, in keeping with this, " any thing that tho choir in the church is, we have observed, often in the children would sing" has been given them, as suitable, Sunday School singing with the children.] Especially without the slightest regard to its adapteduess, con do wo urge such leaders to do their utmost to break struction, or associations. up the slow, heavy, drawling hahit of einging, which → iy 1 R E. F. A. C. E. prevails to a great extent. In many places these “p to the time; then let the leader sing one strain, or habits have become so confirmed that the starting line only, requiring all the school to sing it after him. of a well-known tune is the signal for a sleepy, Then the next, and soon, until the tune has thus been drawling, tiresome, kind of singing that seems to us sung through. In this way it will be learned correctly. worse than no singing at all. If this habit can not In less than five minutes such a simple melody as otherwise be broken up, we would suggest that the “The Love of Jesus,” page 10, will be learned so as tunes that have been sung in this way, be dropped for to be generally sung by the school; and even the a while, and new ones substituted, until better habits learning of such a one as “A Home beyond the Tide,” shall have been formed. page 98, will occupy an almost incredible short space of time—while the children will be kept continually HOW TO LEARN THE NEW TUNES. interested. No employment in which we have ever Now that music is being taught so generally in the engaged has proved of more interest to us, or yielded day schools of our country, a goodly number of youth more direct returns of happiness than the hours thus will be found, especially among the older pupils and spent, in teaching the young to sing their “Hosannas younger teachers of our Sunday Schools, who can read to the Son of David.” This was our first work in the plain, simple music. Notwithstanding this advantage, musical profession, and we ask no higher honor than however, the majority of those who sing these tunes that it shall be our last. will be such as will learn them by rote or ear. It is, That “ORIOLA” may contribute greatly to aid in this therefore, very important that they be first sung cor good work—to endear the Sunday School to every rectly and carefully by the leader or teacher. scholar, and to encourage, cheer, and strengthen every Let the leader of the singing, together with as many faithful superintendent and teacher-is the sincere teachers and scholars as can read music, sing the tune wish of through alone, once or twice,—being careful to sing it THE AUTHOR, - 6) R § {} {, A. ------- º THE LILIES OF THE FIELD. S. M. (Now.) es 1. The ... lil - ies of the field. That quick - ly fade a - way, May 2. Just like an ear - ly rose, I've seen an in - fant bloom; But ºr * well to us a les - son yield; For we are frail as they. death, per-haps, be - fore it blows, Will lay it in the tomb. #EEEEEEEEEEEEEEEEEH 3. Then let us think on death, 4. To God, who made us all, Though we are young and §: Oh, let us humbly cry; For God, who gave our life and breath, And then, whenever death may call, Can take them both away. We'll be prepared to die. TRIBUTE OF PRAISE. 7t & es. (New., 1. We bringno glittering trea-enrea, No gems from earth's deep mine; come, with simple sSfe^HH -f>- ж m — i— • *- measures, To chant thy love di-vine. 0 Lord, thy fa-vore ehar - ing, Our voice of thanks we raise ; Father, ас - cept our offer - ing, Our song of grateful praise, Our song of grateful praise. TrOmU ef /Vaiw. The dearest fpfl of heaven, 8. Saviour, bestow thy blessing ; LOVC'S written word of truth, Oh, leach us how to pray ; To us is earlv given, That each, thy fear possessing, To guide our steps in youth.
Recommended publications
  • Animals and Morality Tales in Hayashi Razan's Kaidan Zensho
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2015 The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho Eric Fischbach University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Chinese Studies Commons, Japanese Studies Commons, and the Translation Studies Commons Recommended Citation Fischbach, Eric, "The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho" (2015). Masters Theses. 146. https://doi.org/10.7275/6499369 https://scholarworks.umass.edu/masters_theses_2/146 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2015 Asian Languages and Literatures - Japanese © Copyright by Eric D. Fischbach 2015 All Rights Reserved THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Approved as to style and content by: __________________________________________ Amanda C. Seaman, Chair __________________________________________ Stephen Miller, Member ________________________________________ Stephen Miller, Program Head Asian Languages and Literatures ________________________________________ William Moebius, Department Head Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank all my professors that helped me grow during my tenure as a graduate student here at UMass.
    [Show full text]
  • Santa Fe New Mexican, 06-07-1913 New Mexican Printing Company
    University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 6-7-1913 Santa Fe New Mexican, 06-07-1913 New Mexican Printing company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing company. "Santa Fe New Mexican, 06-07-1913." (1913). https://digitalrepository.unm.edu/sfnm_news/3818 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. 1 ! SANTA 2LWWJlaWl V W SANTA FE, NEW MEXICO, SATURDAY, JUNE 7, 191J. JVO. 95 WOULD INVOLVE PRESIDlNT D0RMAN THE SQUEALERS. CONFERENCE OF ! SENDS GREETINGS GOVERNORS THE CHAMBER OF COMMERCE HAS A COMPREHENSIVE FOLDER PRIN- WILSON TED SEND TO THE BROTHERHOOD CLOSES OF AMERICAN YEOMEN, CALLING REPUBLICAN SENATORS STILL INS-SIS- T ATTENTION TO SANTA FE S WILL DRAFT ADDRESS TO PUBLIC THAT PRESIDENT IS USING LAND OFFICE COMMISSIONER MORE INFLUENCE FOR TARIFF TALLMAN AND A. A. JONES PRO-- i If the smoker and lunch given by THAN ANYONE ELSE. MISE HELP OF THE the chamber of commerce brought forth nothing else, the issuing of WILSON IS LOBBYING greetings to the supreme conclave of the Brotherhood of American Yeoman, FOR THE PEOPLE Betting forth some of the facts re- PROSPECTORS WILL garding Santa Fe and its remarkable climate was worth accomplishment. BE ENCOURAGED Washington, D. C, June 7.
    [Show full text]
  • アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
    アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) <初回限定盤>(LTD) TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) <初回限定盤>(LTD) TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) <初回限定盤>(LTD) TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) <初回限定盤>(LTD) TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea)
    [Show full text]
  • Big Bang – Shout out to the World!
    Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style.
    [Show full text]
  • K-Pop in Latin America: Transcultural Fandom and Digital Mediation
    International Journal of Communication 11(2017), 2250–2269 1932–8036/20170005 K-Pop in Latin America: Transcultural Fandom and Digital Mediation BENJAMIN HAN Concordia University Wisconsin, USA This article examines the transnational popularity of K-pop in Latin America. It argues K- pop as a subculture that transforms into transcultural fandom via digital mediation, further resulting in its accommodation into Latin American mass culture. The article further engages in a critical analysis of K-pop fan activism in Latin America to explore the transcultural dynamics of K-pop fandom. In doing so, the article provides a more holistic approach to the study of the Korean Wave in Latin America within the different “scapes” of globalization. Keywords: K-pop, fandom, Latin America, digital culture, Korean Wave The popularity of K-pop around the globe has garnered mass media publicity as Psy’s “Gangnam Style” reached number two on the Billboard Charts and became the most watched video on YouTube in 2012. Although newspapers, trade journals, and scholars have examined the growing transnational popularity of K-pop in East Asia, the reception and consumption of K-pop in Latin America have begun to receive serious scholarly consideration only in the last few years. Numerous reasons have been explicated for the international appeal and success of K-pop, but it also is important to understand that the transnational and transcultural fandom of K-pop cannot be confined solely to its metavisual aesthetics that creatively syncretize various genres of global popular music such as Black soul and J-pop. K-pop as hybrid music accentuated with powerful choreography is a form of visual spectacle but also promotes a particular kind of lifestyle represented by everyday modernity in which social mobility in the form of stardom becomes an important facet of the modernization process in Latin America.
    [Show full text]
  • Introduction to Bengali, Part I
    R E F O R T R E S U M E S ED 012 811 48 AA 000 171 INTRODUCTION TO BENGALI, PART I. BY- DIMOCK, EDWARD, JR. AND OTHERS CHICAGO UNIV., ILL., SOUTH ASIALANG. AND AREA CTR REPORT NUMBER NDEA.--VI--153 PUB DATE 64 EDRS PRICE MF -$1.50 HC$16.04 401P. DESCRIPTORS-- *BENGALI, GRAMMAR, PHONOLOGY, *LANGUAGE INSTRUCTION, FHONOTAPE RECORDINGS, *PATTERN DRILLS (LANGUAGE), *LANGUAGE AIDS, *SPEECHINSTRUCTION, THE MATERIALS FOR A BASIC COURSE IN SPOKENBENGALI PRESENTED IN THIS BOOK WERE PREPARED BYREVISION OF AN EARLIER WORK DATED 1959. THE REVISIONWAS BASED ON EXPERIENCE GAINED FROM 2 YEARS OF CLASSROOMWORK WITH THE INITIAL COURSE MATERIALS AND ON ADVICE AND COMMENTS RECEIVEDFROM THOSE TO WHOM THE FIRST DRAFT WAS SENT FOR CRITICISM.THE AUTHORS OF THIS COURSE ACKNOWLEDGE THE BENEFITS THIS REVISIONHAS GAINED FROM ANOTHER COURSE, "SPOKEN BENGALI,"ALSO WRITTEN IN 1959, BY FERGUSON AND SATTERWAITE, BUT THEY POINTOUT THAT THE EMPHASIS OF THE OTHER COURSE IS DIFFERENTFROM THAT OF THE "INTRODUCTION TO BENGALI." FOR THIS COURSE, CONVERSATIONAND DRILLS ARE ORIENTED MORE TOWARDCULTURAL CONCEPTS THAN TOWARD PRACTICAL SITUATIONS. THIS APPROACHAIMS AT A COMPROMISE BETWEEN PURELY STRUCTURAL AND PURELYCULTURAL ORIENTATION. TAPE RECORDINGS HAVE BEEN PREPAREDOF THE MATERIALS IN THIS BOOK WITH THE EXCEPTION OF THEEXPLANATORY SECTIONS AND TRANSLATION DRILLS. THIS BOOK HAS BEEN PLANNEDTO BE USED IN CONJUNCTION WITH THOSE RECORDINGS.EARLY LESSONS PLACE MUCH STRESS ON INTONATION WHIM: MUST BEHEARD TO BE UNDERSTOOD. PATTERN DRILLS OF ENGLISH TO BENGALIARE GIVEN IN THE TEXT, BUT BENGALI TO ENGLISH DRILLS WERE LEFTTO THE CLASSROOM INSTRUCTOR TO PREPARE. SUCH DRILLS WERE INCLUDED,HOWEVER, ON THE TAPES.
    [Show full text]
  • URL 100% (Korea)
    アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価(税抜) URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night <通常盤C> OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night <通常盤B> OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)(LTD) OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night <通常盤A> OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)(LTD) OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)(LTD) OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 Single K-POP 843 https://tower.jp/item/4415954
    [Show full text]
  • Seiko's Story Seiko's Life 1.6 Seiko and Mike ©Seiko&Mike LLC 2020 1
    Seiko’s Story Seiko’s Life 1.6 Seiko and Mike They Move in Together • Seiko and Mike Meet, Christmas, 1967 • First Date, Part 1, Open Restaurant, Mid-Jan, 1968 • First Date, Part 2, Private Café, Mid-Jan, 1968 • Mike is Very Interested and Wants to Know More About Seiko • Second Date, and“Marry Me” Mid-Feb, 1968 • 2nd Date. What Just Happened? • 2nd Date, What Just Happened, 45 Years Later, Continued • Mike Meets Seiko’s Family • Seiko and Mike Move into A House in Fussa (Apr 1968) ©Seiko&Mike LLC 2020 1 Seiko’s Story Seiko’s Life 1.6 Seiko and Mike Seiko and Mike Meet, Christmas, 1967 Prologue Mike’s roommate, Alton, at Yokota Air Force Base, was dating Mieko and had a group photo on top of his dresser. Mike asked about the picture, and Alton told Mike it was the Meiji Shrine Client escorts, and Mieko, his girlfriend, was one of them. All of the girls but one were wearing grey pinstripe uniforms. Alton pointed out Mieko to Mike. One girl, however, was wearing a flowing white skirt and white sweater. Mike asked about the girl in the center in white. Alton said that that was Seiko. He said Seiko and Seiko 1968, 23 years old Mieko were good friends, and Seiko was the manager of the girls. Mike told Alton, “I would like to meet Seiko.” Alton got Mieko to arrange for Mike and Alton to meet the girls at Seiko’s house on an evening in late December 1967. They were delayed and did not get to Seiko’s house until about 9:45.
    [Show full text]
  • Colorado Journal of Asian Studies, Volume 5, Issue 1
    COLORADO JOURNAL OF ASIAN STUDIES Volume 5, Issue 1 (Summer 2016) 1. Comparative Cultural Trauma: Post-Traumatic Processing of the Chinese Cultural Revolution and the Cambodian Revolution Carla Ho 10. Internet Culture in South Korea: Changes in Social Interactions and the Well-Being of Citizens Monica Mikkelsen 21. Relationality in Female Hindu Renunciation as Told through the Life Story of Swāmī Amritanandā Gīdī Morgan Sweeney 47. Operating in the Shadow of Nationalism: Egyptian Feminism in the Early Twentieth Century Jordan Witt 60. The Appeal of K-pop: International Appeal and Online Fan Behavior Zesha Vang Colorado Journal of Asian Studies Volume 5, Issue 1 (Summer 2016) Center for Asian Studies University of Colorado Boulder Page i 1424 Broadway, Boulder, CO 80309 Colorado Journal of Asian Studies Volume 5, Issue 1 (Summer 2016) The Colorado Journal of Asian Studies is an undergraduate journal published by the Center for Asian Studies at the University of Colorado at Boulder. Each year we highlight outstanding theses from our graduating seniors in the Asian Studies major. EXECUTIVE BOARD AY 2016-2017 Tim Oakes, Director Carla Jones, Interim Director, Spring (Anthropology, Southeast Asia) Colleen Berry (Associate Director/Instructor) Aun Ali (Religious Studies, West Asia/Middle East) Chris Hammons (Anthropology, Indonesia) Sungyun Lim (History, Korea, East Asia Terry Kleeman (Asian Languages & Civilizations, China, Daoism) RoBert McNown (Economics) Meg Moritz (College of Media Communication and Information) Ex-Officio Larry Bell (Office of International Education) Manuel Laguna (Leeds School of Business) Xiang Li (University Libraries, East Asia-China) Adam LisBon (University Libraries, East Asia-Japan, Korea) Lynn Parisi (Teaching about East Asia) Danielle Rocheleau Salaz (CAS Executive Director) CURRICULUM COMMITTEE AY 2016-2017 Colleen Berry, Chair Aun Ali (Religious Studies, West Asia/Middle East) Jackson Barnett (Student Representative) Kathryn GoldfarB (Anthropology, East Asia-Japan) Terry Kleeman (AL&L; Religious Studies.
    [Show full text]
  • Thesis, Dissertation
    EVOLVING STUDENT PERCEPTIONS OF MATHEMATICAL IDENTITY: A CASE STUDY OF MINDSET SHIFT by Lori Ann MacKinder Clyatt A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Education in Curriculum and Instruction with Mathematics Education Emphasis MONTANA STATE UNIVERSITY Bozeman, Montana April 2017 ©COPYRIGHT by Lori Ann MacKinder Clyatt 2017 All Rights Reserved ii DEDICATION This dissertation is dedicated to my father, Wilbert (Toby) MacKinder, who shared his passion for education, mathematics, broadening perspectives, and the outdoors with me before he died in 1980. This dissertation is also dedicated to my mother, Genevieve (Cookie) MacKinder-Hayes, who impressed upon me the importance of childhood, learning and growing, and playfulness before she died in 2006. I hope I have made them both proud. iii ACKNOWLEDGEMENTS I would like to thank my husband, Todd Clyatt, for believing in me when I did not and for his encouragement, patience, and humor throughout this entire higher education journey. I would also like to thank Dr. William Ruff, my dissertation chairperson, for his continued support, inspiration, and patience. His heartfelt reassurance, insightful feedback, and gentle guidance during this process have been instrumental. I would also like to thank my dissertation committee: Dr. Beth Burroughs, Dr. David Henderson, and Dr. Fenqjen Luo. Their unique personalities, personal strengths, and broad perspectives have been influential in the direction and completion of this dissertation, as well as in the deepening of my own identity as an educator and researcher. To Dr. Kurt Laudicina, I could not have asked for a better friend to have as a guide on this journey with me.
    [Show full text]
  • Feminine Power in Tudor and Stuart Comedy Dissertation
    31°! NV14 t\o, SHARING THE LIGHT: FEMININE POWER IN TUDOR AND STUART COMEDY DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Jane Hinkle Tanner, B.A., M.A. Denton, Texas May, 1994 31°! NV14 t\o, SHARING THE LIGHT: FEMININE POWER IN TUDOR AND STUART COMEDY DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Jane Hinkle Tanner, B.A., M.A. Denton, Texas May, 1994 Tanner, Jane Hinkle, Sharing the Light; Feminine Power in Tudor and Stuart Comedy. Doctor of Philosophy (English), May, 1994, 418 pp., works cited, 419 titles; works consulted, 102 titles. Studies of the English Renaissance reveal a patriarchal structure that informed its politics and its literature; and the drama especially demonstrates a patriarchal response to what society perceived to be the problem of women's efforts to grow beyond the traditional medieval view of "good" women as chaste, silent, and obedient. Thirteen comedies, whose creation spans roughly the same time frame as the pamphlet wars of the so-called "woman controversy," from the mid-sixteenth to the mid-seventeenth centuries, feature women who have no public power, but who find opportunities for varying degrees of power in the private or domestic setting. Early comedies, Ralph Roister Doister. Gammer Gurton's Needle. The Supposes, and Campaspe, have representative female characters whose opportunities for power are limited by class and age.
    [Show full text]
  • Zzi a SH&Mte of Praiae
    PUBLIC LIBRARY OF CINCINNATI AND HAMILTON COUNTY 1 '1 Yl t; A NEW AKD COMPLETE FOB SABBATH SCHOOLS. B V WILLIAM B. BRADBURY, A.trruoR or "TUB SHAWM," "TUB JITBILBB," "SINGINO BIED," "BABRATH sonaoL CUOIB," »KI. CINCINNATI: OORE, WILSTACH, KEYS & COMPANY. 25 "WEST P O U K T H STREET. Nm'W YORK: I "VI S O N <Sc I»IIIN"N"EY. 1860 R^M 3, 7 B 7 / Entered according to Act of Congress, in the year 1859, by WILLIAM B. BEADBUEY, ItkQ.erk'ft Office of the District Court for the Pistrict of ]^ev7 Jersey. •* 'Ml*! / PREFACE. NEXT to a good Superintendent, that which tends not in any peculiar sense children's tunes, and th* more than any thing else to make a Sunday School children should not be limited to them. popular, is, doubtless, GOOD smaiNG. And this should The popular tunes for children should be as simple generally he characterized by gprightliness and cheer­ as their own thoughts,—sprightly as their own dis- fulness, tempered with gentleness. " Animated, but position^ Lambs require plenty of skipping room. not boisterous; gentle, but not dull or tame," are direc­ They thrive best in the green fields.' Let the chil­ tions that will apply to most of the cdtapoisitions in dren's songs, then, be such as they can understand^ tliis boolc.* appreciate and enjoy; such as they will love to sing We do not believe in the stiflT, old-fashioned way both in the Sabbath School and at their homea These many have of keeping the children singing nothing will ever be to them a source of delight, and will ren­ but Old Hundred, Dundee, Mear, St.
    [Show full text]