Hackensack Riverkeeper Sues NJCU Over West Campus Development
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During His Tenure As Head of the BYU Motion Picture Studio, Wetzel O
During his tenure as head of the BYU Motion Picture Studio, Wetzel O. “Judge” Whitaker directed and produced scores of institutional films, including Church classics such as Windows of Heaven (1963), Man’s Search for Happiness (1964), and Johnny Lingo (1969). He is arguably the most important figure in the history of Mormon film. LDS Church Archives, © Intellectual Reserve, Inc. A History of Mormon Cinema: Third Wave V 77 The Third Wave: Judge Whitaker and the Classical Era (1953–1974) The Third Wave of Mormon cinema is unquestionably the age of Judge Whitaker. He represents the development of Mormon film from its pioneer infancy into classical maturity. The similarities to Hollywood’s classical era are numerous (with important exceptions). Most obviously, Mormon film finally left behind the multitasking artisanal mode of prior decades in favor of a studio-based industrial infrastructure featuring spe- cialized workers. Equally important, the BYU studio produced films of an identifiable, consistent, and aesthetically and culturally conservative style deeply rooted in Hollywood norms. It supplied a steady stream of products to a vertically integrated distribution and exhibition network. Finally, and perhaps most importantly, Church films compare to Hollywood films— and other classical artworks—in their permeating influence upon their host culture. During Whitaker’s tenure, Church films became central to Mormon culture and created a universal doctrinal, cultural, and aesthetic touchstone for Latter-day Saints, to the point that today it is difficult to conceive of the Church without its films and videos. And Judge Whitaker, for his part, has had more influence on Mormon filmmaking than any other person. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Master Comics #127 Pdf Free Download
MASTER COMICS #127 PDF, EPUB, EBOOK Fawcett Publications | 38 pages | 28 Jul 2016 | Createspace Independent Publishing Platform | 9781535560764 | English | none Master Comics #127 PDF Book Label Shipping and handling. Sort by A-Z Price. Label FC05E After managing to unmask Clark Kent in front of Lana Lang and others by machine-gunning him and revealing his costume beneath his clothes, the Toyman and the Prankster are captured by Superman. Other offers may also be available. Some scratches in the cardboard, but the piece was never taken out of the box for display and is in excellent condition. His power is incalculable. Distributed in the United Kingdom England. Earn up to 5x points when you use your eBay Mastercard. After a training session ends with the Torch complaining about Mr. Senor, the Senior Developer of the team. Toon meer Toon minder. He repeatedly asked Schott to "team up", but Schott refused. Items On Sale. Retrieved October 31, Contact the seller - opens in a new window or tab and request shipping to your location. We had a blast at C2E2!!! Orr to deploy his genetically engineered hero Hope, [9] but she almost kills the villain, until Superman saved him. Categories :. We know when you get your hands on this bad boy, you too will be saying "Man this thing is a Tank! If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. Universal Conquest Wiki. A female version of the Toyman named the Toywoman appears in Superman July Similar sponsored items Feedback on our suggestions - Similar sponsored items. -
Superman Ebook, Epub
SUPERMAN PDF, EPUB, EBOOK Jerry Siegel | 144 pages | 30 Jun 2009 | DC Comics | 9781401222581 | English | New York, NY, United States Superman PDF Book The next event occurs when Superman travels to Mars to help a group of astronauts battle Metalek, an alien machine bent on recreating its home world. He was voiced in all the incarnations of the Super Friends by Danny Dark. He is happily married with kids and good relations with everyone but his father, Jor-EL. American photographer Richard Avedon was best known for his work in the fashion world and for his minimalist, large-scale character-revealing portraits. As an adult, he moves to the bustling City of Tomorrow, Metropolis, becoming a field reporter for the Daily Planet newspaper, and donning the identity of Superman. Superwoman Earth 11 Justice Guild. James Denton All-Star Superman Superman then became accepted as a hero in both Metropolis and the world over. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. Superman Earth -1 The Devastator. The next few days are not easy for Clark, as he is fired from the Daily Planet by an angry Perry, who felt betrayed that Clark kept such an important secret from him. Golden Age Superman is designated as an Earth-2 inhabitant. You must be a registered user to use the IMDb rating plugin. Filming on the series began in the fall. He tells Atom he is welcome to stay while Atom searches for the people he loves. -
Do You Have the Leadership “Wow” Factor?
JUNE 2014 | icma.org/pm INSIDE 4 POINTERS FOR GRADUATES 10 EMINENTLY SENSIBLE 20 SPECIAL THANKS TO CONTRIBUTORS 34 BIZARRO SUPERMANAGER 2014 Annua L CO NFERence PRELIMINA GUIDE RY SIMPLY FLIP YOUR MAGAZINE OVER! EX ECUTIVE PRESENCE Do you have the leadership “wow” factor? ANGDVANCI PROFESSIONAL LOCAL GOVernmenT ManagemenT WORLDWIDE What Can You Do With BoardDocs? eGov LIVE! 2014 eGovLIVE! is the premier conference for cities and counties that want to leverage technology to maximize board effectiveness. Join representatives from across North America for sessions packed with thought leadership, best practices and real-world applications of eGovernance. Learn, Collaborate, Make a Lasting Difference The three-day program includes opportunities to share successes with peers in a relaxed, informative atmosphere. Customized learning tracks ensure that all attendees enjoy a curriculum designed to help them make a true difference in their organizations. Immerse Yourself in Governance Join us for our 12th Annual Conference, Sept. 3-5 at the Marriott Marquis in vibrant downtown Atlanta. If you’re a BoardDocs subscriber, there is no charge; all other guests are welcome for just $250. Call us at 800-407-0141, ext. 3511 for details or visit BoardDocs.com and click on “eGovLIVE!” . © 2014 Emerald Data Solutions Inc.™. All rights reserved. BoardDocs is a registered trademark and may not be copied, imitated or used, in whole or in part, without prior consent. eGovLIVE_2014_PM.indd 1 4/9/14 11:59 AM contents June 2014 | Vol. 96 No. 5 PRELIMINARY GUIDE -
Students Gall1er to Oppose Violence Take Back the N~ Comes to JMU for Its Second Conseculive Year
... I Lacroue yields to UVa. In a 13-5 loa yesterday at home. eze JAMES MADISON UNIVERSITY THURSDAY ·.. I I ' • ' • Students gall1er to oppose violence Take Back the N~ comes to JMU for its second conseculive year by Mitzi O'R~ settior writer The setting sun behind 0-hall Tuesday evening was a cue for many to stop what they were JMU President Ronald doing and tum their attention to . Carrier Will not be summoned the hundreds of women who to testily in the capital murder become victims of violence every trial of Jamie Raymond even day. though he, along1with 10 other Music, speakers and a candl~ area business and civic leaders, light march were part of a nation was subpoenaed March 31. al campaign JMU partidpated in Likewise, Zane Showker, for called Take Back the Night. Its whom ~business building is purpose is to face the darknE;Js named, will not be summoned created tiy growing violence to testily. against women in America, Raymond is charged with remember those who died from capltal murder and robbeJy for senseless acts of violence and the June 25 slaying of empower those who continue to HarriiOnburg resident Emest survive, members of the Take James; Back the Night Committee said. The ruling came yesterday Men and women sat elbow-to- , mornJng, a day after Carrier elbow on the commons at the and Showker filed motions to event. quash the March 31 subpoena Women were not the only JENNIFER BAKERiplaoto ~ditor filed by Raymond's defense ones to speak out about violence Freshman Lori Tolley holds a candle dUrtnC Tuesday's Take Back the Night rally, which was held on the attorney, Walter against their sex. -
Sedenir Cardoso Medeiros Junior Super-Heróis No
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO SOCIAL DEPARTAMENTO DE COMUNICAÇÃO SOCIAL HABILITAÇÃO EM PUBLICIDADE E PROPAGANDA SEDENIR CARDOSO MEDEIROS JUNIOR SUPER-HERÓIS NO CINEMA ESTRATÉGIAS MERCADOLÓGICAS DO FILME “O HOMEM DE AÇO” PORTO ALEGRE 2016 0 SEDENIR CARDOSO MEDEIROS JUNIOR SUPER-HERÓIS NO CINEMA ESTRATÉGIAS MERCADOLÓGICAS DO FILME “O HOMEM DE AÇO” Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social, habilitação em Publicidade e Propaganda. Orientador: Prof. Dr. Alex Fernando Teixeira Primo PORTO ALEGRE 2016 1 SEDENIR CARDOSO MEDEIROS JUNIOR SUPER-HERÓIS NO CINEMA ESTRATÉGIAS MERCADOLÓGICAS DO FILME O HOMEM DE AÇO Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social, habilitação em Publicidade e Propaganda. Aprovado em 30 de junho de 2016. BANCA EXAMINADORA: ________________________________________________ Prof. Dr. Alex Fernando Teixeira Primo – UFRGS Orientador ________________________________________________ Prof. André Luis Prytoluk – UFRGS Examinador ________________________________________________ Vanessa Amália Dalpizol Valiati Examinadora 2 AGRADECIMENTOS Primeiramente agradeço a Deus pela força nos momentos mais difíceis desta jornada. Em seguida agradeço aos meus pais, Sedenir e Carmem Regina, por todo o amor, dedicação. Ao meu orientador, Alex Primo, obrigado pela sua atenção e paciência neste processo. Não poderia deixar de agradecer aos amigos e parceiros que a vida me deu, Christian e Cintia Bertotto. Obrigado por acreditarem no meu futuro profissional na Agência MCS. -
Thinking About Journalism with Superman 132
Thinking about Journalism with Superman 132 Thinking about Journalism with Superman Matthew C. Ehrlich Professor Department of Journalism University of Illinois at Urbana-Champaign Urbana, IL [email protected] Superman is an icon of American popular culture—variously described as being “better known than the president of the United States [and] more familiar to school children than Abraham Lincoln,” a “triumphant mixture of marketing and imagination, familiar all around the world and re-created for generation after generation,” an “ideal, a hope and a dream, the fantasy of millions,” and a symbol of “our universal longing for perfection, for wisdom and power used in service of the human race.”1 As such, the character offers “clues to hopes and tensions within the current American consciousness,” including the “tensions between our mythic values and the requirements of a democratic society.”2 This paper uses Superman as a way of thinking about journalism, following the tradition of cultural and critical studies that uses media artifacts as tools “to size up the shape, character, and direction of society itself.”3 Superman’s alter ego Clark Kent is of course a reporter for a daily newspaper (and at times for TV news as well), and many of his closest friends and colleagues are also journalists. However, although many scholars have analyzed the Superman mythology, not so many have systematically analyzed what it might say about the real-world press. The paper draws upon Superman’s multiple incarnations over the years in comics, radio, movies, and television in the context of past research and criticism regarding the popular culture phenomenon. -
Earl Carroll Theatre History Key Facts: Opened: December 26, 1938 Architect: Gordon B
Earl Carroll Theatre History Key Facts: Opened: December 26, 1938 Architect: Gordon B. Kaufmann, with interior and exterior design work by Count Alexis de Sakhnovsky and Kaufmann. Building Cost: estimated at $500,000 Seating: 1,000 -- in a dinner-show arrangement (Gordon B. Kaufman also designed the original LA Times building, Hoover Dam, Santa Anita Race Park, and the Palladium across the street, among other buildings.) Earl Carroll built his second famous theater at 6230 Sunset Boulevard in Hollywood, California. It opened on December 26, 1938. As he had done at the New York theater, over the entrance Carroll emblazoned the words "Through these portals pass the most beautiful girls in the world". An "entertainment palace", the glamorous supper club-theater offered shows on a massive stage that featured a 60' turntable with separately operated inner and outer sections. There was also a water curtain, an orchestra pit lift, a small circular lift downstage center for a soloist and a revolving tower of four pianos stage right. The building's façade was adorned by what at the time was one of Hollywood's most famous landmarks: a 20-foot-high (6.1 m) neon head portrait of entertainer Beryl Wallace, one of Earl Carroll's "most beautiful girls in the world", who became his devoted companion. The sign survived several changes of ownership and venue name but was completely removed during major decorative overhauling in 1968. A re-creation made from photos is today on display at Universal CityWalk, at Universal City, as part of the collection of historic neon signs from the Museum of Neon Art. -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
SUPERMAN FAST FORCES CHARACTER CARDS Original Text
SUPERMAN FAST FORCES CHARACTER CARDS Original Text ©2011 WizKids/NECA LLC. TM & © 2011 DC Comics (s11) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2011 WizKids/NECA LLC. TM & © 2011 DC Comics (s11) TABLE OF CONTENTS Bizarro, 9 Kryptonian Renegade, 8 Lex Luthor, 7 Steel, 6 Supergirl, 5 Superman, 4 ©2011 WizKids/NECA LLC. TM & © 2011 DC Comics (s11) 001 SUPERMAN JLA, Justice League, Justice League of America, Kryptonian, FASTER THAN A SPEEDING BULLET (Super Senses) Legion of Super Heroes, Metropolis, Reporter Champion of the Oppressed Superman can use MIRACLE MONDAY (Invulnerability) Defend, but only characters 100 points or less can replace their defense values through this use of Defend. LUTHOR’S ESCAPED? BETTER CHECK THIS OUT I FIGHT FOR EVERYONE (Willpower) (Running Shot) DISGUISED AS MILD-MANNERED REPORTER HAVE TO END THIS QUICKLY (Hypersonic Speed) (Shape Change) For Tomorrow Superman can use Super Strength and THE NEVER-ENDING BATTLE (Flurry) Willpower. Arctic Breath Superman can use Incapacitate. When he uses it and hits, he may also give an action token to each opposing TURN BACK TIME (Probability Control) character adjacent to the hit target. -
Base Cards Film
BASE CARDS Red Deco Foil Variant #/80 Green Deco Foil Variant #/30 Silver Deco Foil Variant #/20 01 Return to the Throne 28 God vs. Man 02 Aquaman Arrives 29 God is Good as Dead 03 Wrath of the Seven Seas 30 Leave it to Her 04 Ocean Master 31 Zod’s Sentence 05 Land and Sea 32 Sending Kal-El Away 06 Face-Off 33 More than Human 07 Beacons of Hope 34 Symbol of Hope 08 Cold Feet 35 Evolution Always Wins 09 Fast Friends 36 First Kiss 10 Testing the Waters 37 Lucius’s New Toy 11 Confronting Steppenwolf 38 Darkness Falls 12 Demigoddess 39 Battle of Gotham 13 On the Front Line 40 Renegade 14 Leading the Charge 41 The Slow Knife 15 The Queen’s Command 42 Shoot to Kill 28 16 A Slow Boat to London 43 Smile 17 What’s a Secretary? 44 Watch the World Burn 18 No Man’s Land 45 Hero or Villain? 19 The Voice of God 46 The Joker’s Philosophy 20 Fitting Name 47 Leaving it to Chance 21 Courting a Madman 48 Gotham’s Hero 22 Pyrokinetic Homeboy 49 Ducard’s Tutelage 23 Negotiating Payment 50 Facing Fears 24 Playing the Part 51 The League of Shadows 25 Superman Stands Trial 52 The Tools of a Hero 26 Lexcorp Gala 53 True Identity 43 27 The Red Capes are Coming 54 Joining Forces FILM CEL Chase Cards (1:6 packs) FC1 Aquaman FC14 Batman v Superman: FC2 Aquaman Dawn of Justice FC3 Aquaman FC15 Batman v Superman: FC4 Justice League Dawn of Justice FC5 Justice League FC16 Man of Steel FC6 Justice League FC17 Man of Steel FC7 Wonder Woman FC18 Man of Steel FC8 Wonder Woman FC19 The Dark Knight Rises FC10 FC9 Wonder Woman FC20 The Dark Knight Rises FC10 Suicide Squad FC21 The Dark Knight Rises FC11 Suicide Squad FC22 The Dark Knight FC12 Suicide Squad FC23 The Dark Knight FC13 Batman v Superman: FC24 The Dark Knight Dawn of Justice FC25 Batman Begins FC26 Batman Begins FC14 All DC characters and elements © & TM DC Comics and Warner Bros.