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During His Tenure As Head of the BYU Motion Picture Studio, Wetzel O
During his tenure as head of the BYU Motion Picture Studio, Wetzel O. “Judge” Whitaker directed and produced scores of institutional films, including Church classics such as Windows of Heaven (1963), Man’s Search for Happiness (1964), and Johnny Lingo (1969). He is arguably the most important figure in the history of Mormon film. LDS Church Archives, © Intellectual Reserve, Inc. A History of Mormon Cinema: Third Wave V 77 The Third Wave: Judge Whitaker and the Classical Era (1953–1974) The Third Wave of Mormon cinema is unquestionably the age of Judge Whitaker. He represents the development of Mormon film from its pioneer infancy into classical maturity. The similarities to Hollywood’s classical era are numerous (with important exceptions). Most obviously, Mormon film finally left behind the multitasking artisanal mode of prior decades in favor of a studio-based industrial infrastructure featuring spe- cialized workers. Equally important, the BYU studio produced films of an identifiable, consistent, and aesthetically and culturally conservative style deeply rooted in Hollywood norms. It supplied a steady stream of products to a vertically integrated distribution and exhibition network. Finally, and perhaps most importantly, Church films compare to Hollywood films— and other classical artworks—in their permeating influence upon their host culture. During Whitaker’s tenure, Church films became central to Mormon culture and created a universal doctrinal, cultural, and aesthetic touchstone for Latter-day Saints, to the point that today it is difficult to conceive of the Church without its films and videos. And Judge Whitaker, for his part, has had more influence on Mormon filmmaking than any other person. -
Thinking About Journalism with Superman 132
Thinking about Journalism with Superman 132 Thinking about Journalism with Superman Matthew C. Ehrlich Professor Department of Journalism University of Illinois at Urbana-Champaign Urbana, IL [email protected] Superman is an icon of American popular culture—variously described as being “better known than the president of the United States [and] more familiar to school children than Abraham Lincoln,” a “triumphant mixture of marketing and imagination, familiar all around the world and re-created for generation after generation,” an “ideal, a hope and a dream, the fantasy of millions,” and a symbol of “our universal longing for perfection, for wisdom and power used in service of the human race.”1 As such, the character offers “clues to hopes and tensions within the current American consciousness,” including the “tensions between our mythic values and the requirements of a democratic society.”2 This paper uses Superman as a way of thinking about journalism, following the tradition of cultural and critical studies that uses media artifacts as tools “to size up the shape, character, and direction of society itself.”3 Superman’s alter ego Clark Kent is of course a reporter for a daily newspaper (and at times for TV news as well), and many of his closest friends and colleagues are also journalists. However, although many scholars have analyzed the Superman mythology, not so many have systematically analyzed what it might say about the real-world press. The paper draws upon Superman’s multiple incarnations over the years in comics, radio, movies, and television in the context of past research and criticism regarding the popular culture phenomenon. -
Earl Carroll Theatre History Key Facts: Opened: December 26, 1938 Architect: Gordon B
Earl Carroll Theatre History Key Facts: Opened: December 26, 1938 Architect: Gordon B. Kaufmann, with interior and exterior design work by Count Alexis de Sakhnovsky and Kaufmann. Building Cost: estimated at $500,000 Seating: 1,000 -- in a dinner-show arrangement (Gordon B. Kaufman also designed the original LA Times building, Hoover Dam, Santa Anita Race Park, and the Palladium across the street, among other buildings.) Earl Carroll built his second famous theater at 6230 Sunset Boulevard in Hollywood, California. It opened on December 26, 1938. As he had done at the New York theater, over the entrance Carroll emblazoned the words "Through these portals pass the most beautiful girls in the world". An "entertainment palace", the glamorous supper club-theater offered shows on a massive stage that featured a 60' turntable with separately operated inner and outer sections. There was also a water curtain, an orchestra pit lift, a small circular lift downstage center for a soloist and a revolving tower of four pianos stage right. The building's façade was adorned by what at the time was one of Hollywood's most famous landmarks: a 20-foot-high (6.1 m) neon head portrait of entertainer Beryl Wallace, one of Earl Carroll's "most beautiful girls in the world", who became his devoted companion. The sign survived several changes of ownership and venue name but was completely removed during major decorative overhauling in 1968. A re-creation made from photos is today on display at Universal CityWalk, at Universal City, as part of the collection of historic neon signs from the Museum of Neon Art. -
The Ledger and Times, June 25, 1953
Murray State's Digital Commons The Ledger & Times Newspapers 6-25-1953 The Ledger and Times, June 25, 1953 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger and Times, June 25, 1953" (1953). The Ledger & Times. 1331. https://digitalcommons.murraystate.edu/tlt/1331 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. , eat J11 , JUNE 24, 1953 Selected As Best All Round Kentucky Community Newspaper for 1947 We Are Weather Helping To KENTUCKY: Warm and humid with scattered thun- Build Murray dershowers likely tonight and Friday. Lowest in the 70,s Each Day tonight. WOWNEMMININI/ YOUR PROGRESSIVE HOME NEWSPAPER rifted Press IN ITS 74th YEAR Murray, Ky., Thursday Afternoon, June 25, 1953 MURRAY POPULATION - - - 8,000 VOL XXIV; No. 151 EA !I,,... RS NAMED FOR NEXT SCHOOL YEAR ,_...-')--5-7-1 TollTolley's Year As Lion --‘/-ca imeti fie &ad/"AI VACATIONLAND Three First And Second Grade een & Heard 't:Pc CRYSTAL CLEAR and sweetly cool Big Spring bubbles into view near • Pre, 9;nt Reflects Gains - Van Syron, Mo. At maximum, it pours forth 846 million gallons doily Around "" • Teachers Will Be Required The yeai at serve of Lion Unit one day for county school President Bryan Tolley ...ill 'end children. The Murray Board of Education Jr. -
Made-For-TV Movies Adapted from Marvel Comics Properties
DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Summer 8-2013 From Panels to Primetime: Made-for-TV Movies Adapted from Marvel Comics Properties Jef Burnham DePaul University Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Burnham, Jef, "From Panels to Primetime: Made-for-TV Movies Adapted from Marvel Comics Properties" (2013). College of Communication Master of Arts Theses. 22. https://via.library.depaul.edu/cmnt/22 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. From Panels to Primetime Made-for-TV Movies Adapted from Marvel Comics Properties By Jef Burnham, B.A. Thesis Presented to the Faculty of the Graduate School of DePaul University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media and Cinema Studies DePaul University July 2013 For Alistair. iii Acknowledgements I may have found inspiration for this thesis in my love of made-for-TV movies adapted from comic books, but for the motivation to complete this project I am entirely indebted to my wife, Amber, and our son, Alistair. With specific regard to the research herein, I would like to thank Ben Grisanti for turning me onto The Myth of the American Superhero , as well as authors Andy Mangels and James Van Hise for their gracious responses to my Facebook messages and emails that ultimately led me to Jack Mathis’ book, Valley of the Cliffhangers. -
Crisis of Infinite Intertexts! Continuity As Adaptation in the Superman Multimedia Franchise
Crisis of Infinite Intertexts! Continuity as Adaptation in the Superman Multimedia Franchise Jack Peterson Teiwes ORCID identifier 0000-0001-8956-1602 Doctor of Philosophy November 2015 School of Culture and Communication The University of Melbourne Submitted in total fulfillment of the requirements of the PhD degree Produced on archival quality paper Abstract Since first appearing as a comic book character over three quarters of a century ago, Superman was not only the first superhero, spawning an entire genre of imitators, but also quickly became one of the most widely disseminated multi-media entertainment franchises. This achieved a degree of intergenerational cultural dissemination that far surpasses his comic book fandom. Yet despite an unprecedented degree of adaptation into other media from radio, newspaper strips, film serials, animation, feature films, video games and television, Superman’s ongoing comic books have remained in unbroken publication, developing a long and complex history of narrative renewal and reinvention. This thesis investigates the multifaceted intertextuality between the comic book portrayals of Superman and its many adaptations over the years, including how such retellings in other media have a generally stronger cultural impact, which exerts in turn an adaptive influence upon these continuing comics’ internalised narrative continuity. I shall argue that Superman comics, as a case study for the wider phenomenon in the superhero genre, demonstrate via their frequent revisions and relaunches of continuity, a process of deeply palimpsestuous self-adaptation. The Introduction positions my research methodology in relation to intertextual theory, with an emphasis on providing terminological clarity, while Chapter 1 expands into a literature review on pertinent key scholarship on adaptation studies and the comics studies field specifically. -
027 TV's 1953 Adventures of Superman
027 TV’s 1953 Adventures of Superman Episode 27 “Five Minutes to Doom” by Charles A. Wagner September 18, 1953 (The 1953 production of The Adventures of Superman is immediately set apart from the 1951 venture by a more pleasant Lois Lane played by Noel Neill from the serials. The tension between Clark and Lois almost seems to give way to professional respect. However, I will really miss Phyllis Coates’ screams.) The prison warden ushered Clark Kent and Lois Lane into the visiting area where Joe Winters prisoner 2958, who was sentenced to die the following day, was saying his goodbyes to his wife and son. “Joe, what am I gonna do?” “Take care of Billy for me. See that he gets his chance.” When the family had left, Clark put forward a proposition to Winters who had protested his innocence throughout the trial, but now the Daily Planet was willing to pay Joe’s wife $10,000 for the real story. “It’s a deal.” Joe, however, was really innocent and was not able to put up a convincing story. “It’s no use… I can’t confess to something I didn’t do. I didn’t kill Baker.” He did not know who killed Baker or how he did it. “Come on, Clark. We’re wasting our time,” said Lois. Clark heard Winters out, however. Joe Winters had been a county building inspector and had been having trouble with a construction superintendent named Baker. Baker had bypassed Winters and Winters had threatened to stop the job. The next day, there was a struggle and a gunshot. -
Joseph Kearns - Wikipedia, the Free Encyclopedia 3/23/11 7:19 PM Joseph Kearns from Wikipedia, the Free Encyclopedia
Joseph Kearns - Wikipedia, the free encyclopedia 3/23/11 7:19 PM Joseph Kearns From Wikipedia, the free encyclopedia Joseph Kearns (February 12, 1907 – February 17, 1962) Joseph Kearns was an American actor, who is best remembered for his role Born February 12, 1907 as George Wilson ("Mr. Wilson") in the CBS television series Dennis the Menace from 1959 until his death in 1962. Salt Lake City, Utah, U.S. Died February 17, 1962 (aged 55) Born in Salt Lake City, Utah, Kearns's family moved to Los Angeles, California, U.S. California when he was very young. He went to college at the University of Utah at Salt Lake City, where he earned his Occupation Actor tuition by teaching a course in theatrical makeup. Kearns Years active 1930s–1962 started in radio and theatre as a pipe organist. Later, he built his Hollywood home around a Wurlitzer theater pipe organ. He began his acting career in radio in the 1930s (playing the Crazyquilt Dragon in the serial "The Cinnamon Bear"), becoming active during the 1940s, with appearances on the shows The Adventures of Sam Spade, Burns and Allen, My Little Margie, I Married Joan, December Bride, It's a Great Life, Walter Brennan's The Real McCoys (in the 1957 episode "You Can't Cheat an Honest Man"), and Ronald W. Reagan's General Electric Theater. On Suspense, he was almost a mainstay, heard regularly as the host "The Man in Black" in the early years, announcing many episodes in the later run, and playing supporting and occasional lead roles in hundreds of shows throughout the series' tenure in Hollywood, from judges to kindly old-timers to cowards. -
Arneson Auction Service EST 1937
Arneson Auction Service EST 1937 Registered Wisconsin Auctioneer #836 Comic Books - Sports Cards - Toys & Collectibles James Arneson: Neillsville, WI. 715-797-1319 DeForest, Wisconsin Sunday November 6th, 2011 Comfort Inn 5025 Cty Rd V Preview: 8:30am Start Time: 10:00am Clerk/Cashier/Web Manager: [email protected] Ed Newman: Sparta, WI. 608-797-5086 Website…..Whats4Sale.Biz This is a Large Collection of Collectibles featuring 100s of Comic Books Old & New with many Autographed by Famous Actors & Actresses including Mel Blanc, 1983 "Return of The Jedi" Comic signed by Carrie Fisher, Burgess Meredith, Ricardo Montalban, Joan Cillins, Milton Berle, James Doohan, LeVar Burton & many More. Also 1000s of Sports Cards and other sports related Items. More Collectibles including: Post Cards; Marbles; Magazines; Child Books, Items, & Games; Coins; Coin Sets; Rare Stetson Salesman Sample Hat; Postage Stamp Collections; Many 10 & 12 Cent Comic Books most in great Condition; Roy Rogers; Banks; Wind-up Toys; Big and Better Little Books; Toy Models; Die Cast Toys; Many Vintage Porcelain & Bisque Animal and Doll Figurines; Model Railroading Sets, Cars, Engines, and Accessories; Struccto Model Building Set; and Many More Great Collectibles................. Terms: Cash, Check, MasterCard, Visa, Discover w/fee, WI Sales Tax No Onsite Buyers Fee!! No Onsite Buyers Fee!! No Onsite Buyers Fee!! Broadcast live online thru Proxibid. Use your computer to Participate from the comfort of your own home or office. Learn more at Proxibid.com # Description Sold 1 (275) Misc Marbles 2 (13) Vintage Linen Post Cards with animated Fishing Scenes All Unused Like New 3 (22) Vintage Movie Stars & Musicians Photo Post Cards All Unused in Great Condition (58) Union Oil Company Post Cards "Natural Color Scenes of The West". -
Catalog Sixty-Nine Royalbooks C Atalog Sixty-Nine Royal Books the CELLULOID PAPER TRAIL
catalog catalog sixty-nine royal books Royalc Booksatalog sixty-nine THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
THE DRINK TANK 399 1 the DRINK TANK 399 Editors - Vanessa, James, Chris
THE DRINK TANK 399 1 THE DRINK TANK 399 Editors - Vanessa, James, Chris The Second-to-Last issue of This Fine Fanzine Superman was created by Jerry Siegel and Joe Shushter and first appeared in the fanzine Science Fiction issue 3, then first in regular comics in Action Comics #1. He’s been the backbone of DC Comics since 1938. For years and years, whenever a new comic was introduced, either Superman or Batman was used in the first issue of the new comic to help get them over. He has died once, killed by Doomsday, and has been re-invented more than a few times. 1 SUPERMAN VS. CAPTAIN MARVEL From Kingdom Come by Alex Ross When Vanessa asked to me marry her, she gave me a Superman ring. She said that I was her Superman. They say that men want to be Batman, but I was never, ever happier to be Superman! This issue is dedicated to Superman, of course. I grew up loving Plastic Man and The Flash, and Captain Marvel (who I always called Shazam, only to be corrected, but who is now called Shazam!), but Superman was, well, Superman. He could be a boring fuddyduddy, while Batman was always cool and anti-establishment, SUperman always played by the rules. Still, there is something magical about Superman that has allowed him to be re- imagined so often. The best of the Superman Elseworld’s were almost as good as those dedicated to Batman, and things like Whatever Happened to the Man of Tomorrow were equally awesome. -
Gunsmoke Murder Warrant Cast
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