Legal, Literary, and Journalistic Textualities of Gender Violence in Post-War Nicaragua DISSERTATION P

Total Page:16

File Type:pdf, Size:1020Kb

Legal, Literary, and Journalistic Textualities of Gender Violence in Post-War Nicaragua DISSERTATION P Mediated Intimacies: Legal, Literary, and Journalistic Textualities of Gender Violence in Post-War Nicaragua DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Alicia Zoe Miklos, M.A. Graduate Program in Spanish and Portuguese The Ohio State University 2015 Dissertation Committee: Ileana Rodríguez, Advisor Ignacio Corona Laura Podalsky Copyright by Alicia Zoe Miklos 2015 Abstract My dissertation examines representations of femicide as gender violence in legal, journalistic, literary, and online cultural production in contemporary post-war Nicaragua. I begin with the passing of Law 779, the Integral Law Against Violence Towards Women, approved by the Nicaraguan National Assembly in February 2012. The law fills a legal vacuum in the country by codifying femicide, as well as sexual, psychological, patrimonial, and labor abuse into Nicaraguan law as gender specific crimes. Prohibiting the long-standing practice of police and judicial mediation between accusers and aggressors, Law 779 set out to endow women with judicial agency in what had been largely hostile and re-victimizing institutional spaces. The focus of the project is cultural, examining representations of gender violence as part of a social dialogue about Law 779, covering a variety of textual realms. The goal of the project is to explain how different mediums and social actors explain gender violence by studying discourse and narrative modes. The debate centered on Law 779’s re-balancing of power relations and its controversy stemmed from its challenge to existing family structures, which disguise masculine authority and impunity. The inertia of the status quo proved strong, with Law 779 being reformed and regulated between 2012 and 2014, reverting its original radical spirit. ii The chapters are divided into discursive mediums. In the first chapter I study the legal texts of Law 779: the legislative debates, the law’s original text, the Reform of the law, and the Regulation of the law. I conclude that its eventual deformation resulted from conservative and religious sectors’ anger over the prohibition of judicial mediation, and the reinstatement of mediation constituted a regressive reestablishment of masculine authority—a renewed politics of control over the feminine. The second chapter focuses on the Nota Roja crime section of the Nicaraguan newspaper, El Nuevo Diario, examining how hegemonic notions of femininity determine representations of femicide victims. I also analyze the spectacle of femicide perpetrators, monstrous masculinities portrayed as outside of culture. The third chapter is about contemporary Nicaraguan detective and novela negra fictions by Sergio Ramírez and Franz Galich. I study the “criminal-protagonists,” whose characterization and development include violent intimate implosions that end in femicide, signaling crisis tendencies in Nicaraguan masculinities. Finally, the fourth chapter extracts public comments from the online forums of Nicaraguan newspapers about the Law 779 controversy. These comments reveal fear over balancing out power relations in favor of women, with extreme polarization over the meaning of intimate relations. My dissertation leans on diverse geopolitical expressions of feminist theory that critique the legal, physical, and symbolic manifestations of asymmetrical power relations favoring masculine dominance and impunity. In the same vein of systemic criticism, I turn to inquiries about neoliberal models of thought and social organization that critique their polarizing and binary view of human relations. At this conjuncture in neoliberal iii governance the law is malleable and subject to partisan maneuverings. This affirms that seeking the protection of the State continues to be a conflictive proposition for feminist movements against gender violence. iv Dedicated to my mom, Susan, for all her love and support. Also dedicated to my stepdad, the late Steven J. Czeiszperger, in loving memory. v Acknowledgements A few times in our lives, we come across those souls who are teachers in the most profound sense of the word. My adviser and “madre académica,” Dr. Ileana Rodríguez, shines as one of those true teachers. With the most profound sense of gratitude in my heart, I look back on her support, measured criticism, and boundless energy and I know how blessed I am to have her in my life. With humor and with personal engagement she helped me find my voice as a scholar. Beyond her status as one of the most prolific scholars of Latin American feminist theory and Cultural studies, she dedicates herself to her students with her whole heart and mind. She thinks with us and alongside us as we travel along in our academic journey. I can’t begin to count the invaluable gifts she has given me. I would also like to thank Dr. Laura Podalsky for her encouragement, positive attitude, and extremely thoughtful input and criticism. Dr. Podalsky takes the time to reflect deeply on her students’ projects, giving them the gift of profound engagement with their work. Also, my deepest gratitude goes to Dr. Ignacio Corona for inspiring me to delve into Modernist poetry and prose, renewing my passion for literature. His eloquence and critical perspective influenced me during coursework and as I wrote this dissertation. One of the greatest gifts Dr. Rodríguez gives her students is their connection to a Central American community of scholars at the Instituto de Historia de Nicaragua y vi Centroamérica (IHNCA) in Managua. I am profoundly grateful to Margarita Vanini, the director of the IHNCA, for always welcoming us and providing a forum for immensely challenging scholarly debate. I would also like to thank the researchers at the IHNCA and the Universidad Centroamericana for their friendship and academic inspiration: Juan Pablo Gómez, Adriana Palacios, Eimeel Castillo, Antonio Monte, Camilo Antillón Najlis, Carlos Villanueva, Dariana Valenzuela, Gabriela Montiel, and Ana Portocarrero. Last, but certainly not least, I would like to thank my partner Mark Speer for his patience and encouragement. And of course, my most profound gratitude goes to my compañeras in ex/centrO, John Petrus, Bradley Hilgert, Nyanda Redwood, Jared List, and Juan Pablo Gómez. We experienced it all together: academic growth, humor, working our tails off, and “celebrando la vida.” Thank you for thinking with me, challenging me, and supporting me over these last four years. vii Vita 2007................................................................B.A. Ohio University 2009................................................................M.A. Ohio University 2011 to present ...............................................Graduate Teaching Associate, Department of Spanish and Portuguese, The Ohio State University Publications Miklos, Alicia. “Justicia estatal y revictimización de género en Nicaragua: El día que me quieras (Jaugey, 1999).” Revista de historia IHNCA-UCA 29 (2013). Fields of Study Major Field: Spanish and Portuguese viii Table of Contents Abstract…………………………………………………………………………………ii Dedication………………………………………………………………………………v Acknowledgments……………………………………………………………………...vi Vita…………………………………………………………………………………......viii List of Figures……………………………………………………………….…….…….x Introduction……………..………………………………………………………………..1 Chapter 1, Mediated intimacies: State intervention and Gender violence…..…………..15 Chapter 2, Gender Violence in the Nicaraguan Nota Roja: Myth, Melodrama, and the Polarization of Gender difference…………………………………………………..……72 Chapter 3, The imaginary of intimate disintegration: Femicide and gender violence in contemporary Nicaraguan detective and novela negra fictions ………………………..131 Chapter 4, Public polarization: Anti-feminism takes on Law 779…………………..…184 Conclusion…….………………………………………………………………………..234 References/Works Cited……………………………..…………………………………240 Appendix A, Cases Studied, Chapter 2……...………………………………………….258 Appendix B, Online Comments in the Nicaraguan Press, Chapter 4.………………….268 ix List of Figures Figure 1, First article in the Contreras-Jiménez case...…………………………………84 Figure 2, Inset photo from Contreras-Jiménez case. .……………………..……………86 Figure 3, Photo of Yader Ismael Jirón Cruz, accused of femicide ...……………..……107 Figure 4, Photo of Juan Pablo Gadea Salmerón, accused of femicide .…………..……111 Figure 5, Photo of Juan Pablo Gadea, accused of femicide .……………………..……112 Figure 6, Photo of “Los Patitas,” after being sentenced to preventative imprisonment..113 x Introduction In February 2012 the Nicaraguan Assembly passed Law 779, the Integral Law against Violence towards Women, which codified the crime of ‘femicide’ into Nicaraguan law, prohibited police or judiciary mediation between aggressors and accusers, and mandated inter-institutional, governmental, and civil society coordination to address violence against women. Springing from a transformative impetus with broad-based societal support, Law 779 set out to inaugurate a legal, criminological framework for gender violence. Nor did it neglect women’s substantive rights, framing gender violence as a result of the asymmetrical power relations between men and women, mandating educational campaigns for sensitization, and promoting conscientious media coverage that would not “use the image of women as sexual-commercial objects” or “encourage violence against women” (1367). I first traveled to Nicargua that very summer when Law 779 went into effect. I was intrigued when Adriana Palacios, a colleague at the Institute
Recommended publications
  • Polyamory and Holy Union in Metropolitan Community Churches
    Polyamory and Holy Union In Metropolitan Community Churches Frances Luella Mayes May 5, 2003 Ecumenical Theological Seminary Submitted in partial fulfillment of the requirements for the Doctor of Ministry Degree. Approved: Date: 5 May 2003 ___________________________________________ __________ The Rev. Dr. David Swink, D.Min., Committee Chair ___________________________________________ __________ Dr. Virginia Ramey Mollenkott, Phd., Content Specialist ___________________________________________ __________ Dr. Anneliese Sinnott, Phd., O.P., Faculty Reader ___________________________________________ __________ The Rev. Paul Jaramogi, D.Min., Peer Reader Rev. Frances Mayes, MCC Holy Union All rights reserved. Frances L. Mayes, 2003 ii Rev. Frances Mayes, MCC Holy Union Abstract Metropolitan Community Churches have performed Holy Union commitment ceremonies for same-sex couples since 1969. An ongoing internal dialogue concerns whether to expand the definition to include families with more than two adult partners. This paper summarizes historical definitions of marriage and family, development of sexual theology, and current descriptions of contemporary families of varying compositions. Fourteen interviews were conducted to elicit the stories of non- monogamous MCC families. Portions of the interviews are presented as input into the discussion. iii Rev. Frances Mayes, MCC Holy Union Acknowledgements The author would like to acknowledge the help and support given to her by the dissertation committee: Chairman Rev. Dr. David Swink, Content Specialist Dr. Virginia Ramey Mollenkott, Reader Dr. Anneliese Sinnot, OP, and Peer Reader Rev. Paul Jaramogi, who nurtured this paper’s evolution. Thanks also to the Emmaus Colleague Group who patiently stood with me as my theology and practice changed and developed, and who gestated with me the four mini- project papers that preceded the dissertation.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 Permalink https://escholarship.org/uc/item/87h094jr Author Dochterman, Zen David Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Zen David Dochterman 2016 © Copyright by Zen David Dochterman 2016 ABSTRACT OF THE DISSERTATION Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 by Zen David Dochterman Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2016 Professor Efrain Kristal, Chair Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 examines the development of Nicaraguan politically engaged poetry from the initial moments of the Sandinista resistance in the seventies to the contemporary post-Cold War era, as well as its impact on Bay Area Latino/a poetry in the seventies and eighties. This dissertation argues that a critical mass of politically committed Nicaraguan writers developed an approach to poetry to articulate their revolutionary hopes not in classical Marxist terms, but as a decisive rupture with the present order that might generate social, spiritual, and natural communion. I use the term “volcanic poetics” to refer to this approach to poetry, and my dissertation explores its vicissitudes in the political and artistic engagements of writers and poets who either sympathized with, or were protagonists of, the Sandinista revolution.
    [Show full text]
  • TK TK TK TK the Change in Spain Is Mainly On
    THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION JANUARY/FEBRUARYJUNE/JULY 20102011 VOL. 3031 NO. 41 $9.75 In This Issue: A SusskindTK of TV Latin TVTK Directory ATF’s GentleTK Touch ToiletSección Paper en inEspañol Europe ® www.videoage.org Caracol’s TelenovelaTK Unfolds The ChangeTK In Spain Is Daily On andTK Off TV Screens Mainly On The Air By Dom Serafini TK By BoB JenkinheS Although, as David Esquinas, Research f Colombia’s Caracol planned to broadcast a telenovela on the Santo Domingo affaele Annechino, senior and Strategic Resources director at By Dom Serafini family, it would not be fiction, but reality: A real life telenovela produced by vice president and general Spanish ad agency Optimedia pointed rgentina’s the family itself, since it owns the Bogotá-based TV network. manager, MTV Iberia, out, even though “The final move to All the ingredients for a telenovela are there: Fabulous fortune; beautiful expressed his belief that, digital was made in April, this is a process “Spain is currently one people jet-setting around South America, North America and Europe, (Continued on Page 22)18) and a patriarch. Plus, of the most drama, love, nobility and T interesting, if glamour. Wrote The New York not the most interesting, MiracleTK NATPE I Rbroadcast markets in the Post last year in its popular “Page Comparing two marketsTK in Miami Beach: 1994, 2011 A world. This,” he explained, Six” gossip column, “The Santo “Is because all of the he above headline doesn’t refer to NATPE Domingos Take New York.” hris 2011, even though its renewed success could changes that are happening The patriarch in this case is be attributed to a miracle.
    [Show full text]
  • Inside the Volcano – a Curriculum on Nicaragua
    Inside the Volcano: A Curriculum on Nicaragua Edited by William Bigelow and Jeff Edmundson Network of Educators on the Americas (NECA) P.O. Box 73038 Washington, DC 20056-3038 Network of Educators' Committees on Central America Washington, D.C. About the readings: We are grateful to the Institute for Food and Development Policy for permission to reproduce Imagine You Were A Nicaraguan (from Nicaragua: What Difference Could A Revolution Make?), Nicaragua: Give Change a Chance, The Plastic Kid (from Now We Can Speak) and Gringos and Contras on Our Land (from Don’t Be Afraid, Gringo). Excerpt from Nicaragua: The People Speak © 1985 Bergin and Garvey printed with permission from Greenwood Press. About the artwork: The pictures by Rini Templeton (pages 12, 24, 26, 29, 30, 31, 38, 57 60, 61, 66, 74, 75, 86, 87 90, 91. 101, 112, and the cover) are used with the cooperation of the Rini Templeton Memorial Fund and can be found in the beautiful, bilingual collection of over 500 illustrations entitled El Arte de Rini Templeton: Donde hay vida y lucha - The Art of Rini Templeton: Where there is life and struggle, 1989, WA: The Real Comet Press. See Appendix A for ordering information. The drawing on page 15 is by Nicaraguan artist Donald Navas. The Nicaraguan Cultural Alliance has the original pen and ink and others for sale. See Appendix A for address. The illustrations on pages 31, 32 and 52 are by Nicaraguan artist Leonicio Saenz. An artist of considerable acclaim in Central America, Saenz is a frequent contributor to Nicar&uac, a monthly publication of the Nicaraguan Ministry of Culture.
    [Show full text]
  • Nicaraguan Sandinismo, Back from the Dead?
    NICARAGUAN SANDINISMO, BACK FROM THE DEAD? An anthropological study of popular participation within the Frente Sandinista de Liberación Nacional by Johannes Wilm Submitted to be examined as part of a PhD degree for the Anthropology Department, 1 Goldsmiths College, University of London 2 Nicaraguan Sandinismo, back from the Dead? An anthropological study of popular participation within the Frente Sandinista de Liberación Nacional I declare that this thesis is entirely my own work and that the thesis presented is the one upon which I expect to be examined. The copyright holders of the included photos/pictures are mentioned in the caption. Usage rights for purposes that go beyond the reproduction of this book either in its entirety or of entire chapters, must be obtained individually from the mentioned copyright holders. When no copyright holder is mentioned in the caption, I was the photographer. The photos taken by me can be used for other purposes without prior consent, as long as the photographer is mentioned in all forms of publication where the photos appear. Johannes Wilm 3 Abstract Thirty years after redefining the political landscape of Nicaragua, Sandinismo is both a unifying discourse and one driven by different interpretations by adherents. This thesis examines the complex legacy of Sandinismo by focusing on the still widely acclaimed notion of Sandinismo as an idiom of popular participation. A central point is the current unity of the movement, as it is perceived by Sandinistas, depends on a limited number of common reference points over the last 100 years of Nicaraguan history, which are interpreted very differently Sandinistas and other groups, but which always emphasise the part Nicaraguans play in international relations and the overall importance of popular mass participation in Nicaraguan politics, rather than agreement on current, day-to-day politics.
    [Show full text]
  • Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
    <half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK.
    [Show full text]
  • Nicaragua Page 1 of 12
    Nicaragua Page 1 of 12 Nicaragua Country Reports on Human Rights Practices - 2006 Released by the Bureau of Democracy, Human Rights, and Labor March 6, 2007 Nicaragua is a constitutional democracy with a population of approximately 5.4 million. The presidential term of Enrique Bolanos Geyer, who ran as the candidate of the Liberal Constitutionalist Party (PLC), was to expire in January 2007. On November 5, Sandinista National Liberation Front (FSLN) presidential candidate Daniel Ortega was elected in generally free and fair elections and was to assume office on January 10, 2007. While civilian authorities generally maintained effective control of the security forces, there were some cases of human rights abuses reported involving the police. The most significant human rights abuses during the year included harsh prison conditions; widespread corruption and politicization of the judiciary, the Supreme Electoral Council (CSE), and other government organs; harassment and abuse of journalists; ineffectiveness, corruption, and politicization of the Office of Human Rights Ombudsman (PDDH); domestic violence; abuse and exploitation of women; violence against children; widespread child labor; and violation of worker rights in free trade zones. RESPECT FOR HUMAN RIGHTS Section 1 Respect for the Integrity of the Person, Including Freedom From: a. Arbitrary or Unlawful Deprivation of Life The government or its agents did not commit any politically motivated killings during the year. Police received a number of allegations from nongovernmental organizations (NGOs), the media, and private citizens of unlawful killings or excessive use of force by police officers. Although the courts rarely found officers guilty of wrongdoing, the Office of the Police Inspector General (IG), which makes determinations independently of court rulings, conducted parallel investigations and administered punishments including demotion and dismissal of officers.
    [Show full text]
  • A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
    A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION ..............................................................................................
    [Show full text]
  • Killing Jesus the Last Suit
    Fabrizia Palazzo: [email protected] / +34 628 936 032 Loews Hotel, 8th floor – Stand 817, EUROPEAN FILM PROMOTION BOOTH AFM 2017 TRAILER Special Mention of the Jury - New Directors ★ Youth Audience Award ★ SIGNIS Award ★ Fedeora Award ★ COMPETITION KILLING JESUS BASED ON TRUE EVENTS MATAR A JESÚS From the producers of Dog Eat Dog & DRAMA, THRILLER / Co-production: Colombia, Argentina / Language: Spanish / 99 min. All Your Dead Ones by Carlos Moreno Directed by LAURA MORA By the co-director of the TV SERIES Paula, a young Colombian student, witnesses the cold-blooded murder of her Pablo Escobar, The Drug Lord father. After facing the inefficiency of the police, she accidentally crosses paths with the hitman who did the job. Driven by her anger, frustration and pain, the “The explosive climax leaves audiences reeling” choice of revenge seems to be the only possible reaction... But what if both of SCREENDAILY see full review them are victims of a violent and corrupt system? TRAILER THE LAST SUIT EL ÚLTIMO TRAJE DRAMATIC COMEDY, ROAD MOVIE / Co-production: Spain, Argentina / Starring Language: Spanish / 89 min. Directed by PABLO SOLARZ MIGUEL ÁNGEL SOLÁ (Tango, Fausto 5.0, The Escape) ÁNGELA MOLINA (Blancanieves, Broken Embraces, THE LAST SUIT follows Abraham, an 88-year old Argentinian Jewish tailor, as Live Flesh) he sets out on a journey to find the Polish friend who saved his life during the holocaust, more than 7 decades earlier. From Argentina to Poland, forced to From the scriptwriter of Intimate stories, cross Europe, along the way, Abraham will meet various characters who will help A boyfriend for my wife him in his quest to fulfil the promise he made to his friend.
    [Show full text]
  • A Nicaraguan Exceptionalism? Debating the Legacy of the Sandinista Revolution
    A Nicaraguan Exceptionalism? Debating the Legacy of the Sandinista Revolution edited by Hilary Francis INSTITUTE OF LATIN AMERICAN STUDIES A Nicaraguan Exceptionalism? Debating the Legacy of the Sandinista Revolution edited by Hilary Francis Institute of Latin American Studies, School of Advanced Study, University of London, 2020 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/. This book is also available online at http://humanities-digital-library.org. ISBN: 978-1-908857-57-6 (paperback edition) 978-1-908857-78-1 (.epub edition) 978-1-908857-79-8 (.mobi edition) 978-1-908857-77-4 (PDF edition) DOI: 10.14296/220.9781908857774 (PDF edition) Institute of Latin American Studies School of Advanced Study University of London Senate House London WC1E 7HU Telephone: 020 7862 8844 Email: [email protected] Web: http://ilas.sas.ac.uk Typesetting by Thomas Bohm, User Design, Illustration and Typesetting. Cover image © Franklin Villavicencio. Contents List of illustrations v Notes on contributors vii Introduction: exceptionalism and agency in Nicaragua’s revolutionary heritage 1 Hilary Francis 1. ‘We didn’t want to be like Somoza’s Guardia’: policing, crime and Nicaraguan exceptionalism 21 Robert Sierakowski 2. ‘The revolution was so many things’ 45 Fernanda Soto 3. Nicaraguan food policy: between self-sufficiency and dependency 61 Christiane Berth 4. On Sandinista ideas of past connections to the Soviet Union and Nicaraguan exceptionalism 87 Johannes Wilm 5.
    [Show full text]
  • Field : Gunderson
    Vol. 18, Num. 3 (Spring 2021): 311-337 Exchanges / Intercambios Solentiname’s Utopian Legacies and the Contemporary Comunidades Eclesiales del Base (CEBs) Les W. Field and Lara Gunderson University of New Mexico In this article, Lara Gunderson and I will converse textually about the relationship between the historically utopian character of Nicaragua’s Solentiname commune and the contemporary Comunidades Eclesiales del Base (Ecclesiastical Base Communities; CEBs is the Spanish acronym) that she studies and worked with for her dissertation (Gunderson 2018). The article is part of a book that is currently under construction which explores the manifestations of utopia, dystopia, anti-utopia, and other types of futurism which I and several of my current and former students have encountered in our ethnographic research in Nicaragua, Colombia, Palestine, Native North America, and Greenland. The book does not follow a case-study strategy, in which these examples form part of an overall inductive or deductive argument about utopia, dystopia, anti-utopia and other futurisms. While the ethnographic portraits are not random—they follow the genuine interests I, and my students in dialogue with me, have developed—neither are they curated or crafted toward making a particular set of Field and Gunderson 312 arguments. Yet, I hope that in the end certain conclusions may be drawn—that remains to be seen. We acknowledge that there was and still is clearly a very strong utopian socialist character to both Solentiname and the CEBs as Engels configured that notion, i.e., both Solentiname and the CEBs have been intended by its founders and participants to manifest embryonic forms of a new, egalitarian, and contradiction-free society to serve as a model for what Nicaragua could be in the future.
    [Show full text]
  • Detecting Japanese Vernacular Modernism: Shinseinen Magazine and the Development of the Tantei Shôsetsu Genre, 1920-1931
    DETECTING JAPANESE VERNACULAR MODERNISM: SHINSEINEN MAGAZINE AND THE DEVELOPMENT OF THE TANTEI SHÔSETSU GENRE, 1920-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kyoko Omori * * * * * The Ohio State University 2003 Dissertation Committee: Professor William J. Tyler, Adviser Approved by Professor Richard Torrance Professor Mark Bender Adviser Department of East Asian Languages and Literatures ABSTRACT The post-war discourse on modern Japanese literature has presented the binary opposition between “pure” versus “popular” literature as a historical fact, configuring popular literature as the disposable “other” of “pure” literature. Consequently, Japanese literary studies have paid relatively little attention to popular forms such as mystery fiction, samurai “period” fiction, the romance novel, and “nansensu” humor. This dissertation examines the discursive formation of the Japanese modernist popular genre known as “tantei shôsetsu” or “detective fiction.” Focusing on the popular monthly magazine Shinseinen and several of its writers, it discusses the theoretical and practical dimensions of “tantei shôsetsu” as a vernacular form of modernist literary production. In doing so, it situates the genre within contemporaneous debates about the meaning of both modernity and literature in Japan during the 1920s. Chapter One establishes the theoretical terms for “vernacular modernism” by illuminating the ways in which popular literary production engaged with the forces of commercialism and Westernization that also shaped the development of canonical Japanese literature during the early twentieth century. Chapter Two surveys established critical views of Modernism in Japan and shows that they fail to account for the significance of vernacular expression.
    [Show full text]