Thom Hogan's Complete Guide to the Nikon
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Page 16 of 128 Exhibit No. Description Deposition
Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 1 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-168 7/16/2003, Technical Reference Napoli Ex. Manual [DM270] (EKCCCI007053- 132 836) PTX-169 2003, Data Sheet for TMS320DM270 Processor (AX200153-55) PTX-170 10/30/2002, DM270 Preliminary Napoli Ex. Register Manual Rev. b0.6 131 (EKCCCI001305-495) PTX-171 TI DM270 Imx Hardware Akiyama Programming Interface, Version 0.0 Ex. 312 (EKCNYII005007249-260) PTX-172 3/3/2003, DM270 Preliminary Data Ohtake Ex. Sheet Rev. b0.7C (EKCCCI008094- 123 131) PTX-173 Fact Sheet for TMS320DM270 Lacks Processor (AX200150-52) authenticity; Hearsay; Lacks foundation; Lacks relevance PTX-174 6/04, Data Sheet rev 0.5 for Hynix Ligler Ex. Lacks HY57V561620C[L]T[P] (AX200163- 13 (ITC) authenticity; 74) Hearsay; Lacks foundation; Lacks relevance PTX-175 Sharp RJ21T3AA0PT Data Sheet Hearsay; (EKCCCI017389-413) Lacks foundation; Lacks relevance PTX-176 DX7630 Thumbnail Test Lacks (AXD022568-81) authenticity; Hearsay; Lacks foundation; Lacks relevance; Inaccurate/ incomplete description PTX-177 1/11/2005, DM270 IP Chain ver. 0.7 Yoshikawa with translation (EKC001021025-31, Ex. 348 AX211033-42) PTX-178 1/26/2004, Bud Camera F/W Task Lacks foundation; Interface Capture Main <-> Image ISR Lacks relevance (DX7630) ver. 0.07 / Takeshi Domen with translation (EKCCCI002404-19, AX211607-26) Page 16 of 128 Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 2 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-179 2/17/2003, Budweiser Camera EXIF Akiyama Lacks foundation; File Access Library Spec (DX7630) Ex. -
The Image Processing Handbook, Third Edition by John C
The Image Processing Handbook, Third Edition by John C. Russ CRC Press, CRC Press LLC ISBN: 0849325323 Pub Date: 07/01/98 Search Tips Search this book: Advanced Search Introduction Acknowledgments Chapter 1—Acquiring Images Human reliance on images for information Using video cameras to acquire images Electronics and bandwidth limitations High resolution imaging Color imaging Digital cameras Color spaces Color displays Image types Range imaging Multiple images Stereoscopy Imaging requirements Chapter 2—Printing and Storage Printing Dots on paper Color printing Printing hardware Film recorders File storage Optical storage media Magnetic recording Databases for images Browsing and thumbnails Lossless coding Color palettes Lossy compression Other compression methods Digital movies Chapter 3—Correcting Imaging Defects Noisy images Neighborhood averaging Neighborhood ranking Other neighborhood noise reduction methods Maximum entropy Contrast expansion Nonuniform illumination Fitting a background function Rank leveling Color shading Nonplanar views Computer graphics Geometrical distortion Alignment Morphing Chapter 4—Image Enhancement Contrast manipulation Histogram equalization Laplacian Derivatives The Sobel and Kirsch operators Rank operations Texture Fractal analysis Implementation notes Image math Subtracting images Multiplication and division Chapter 5—Processing Images in Frequency Space Some necessary mathematical preliminaries What frequency space is all about The Fourier transform Fourier transforms of real functions Frequencies and -
Openimageio 1.7 Programmer Documentation (In Progress)
OpenImageIO 1.7 Programmer Documentation (in progress) Editor: Larry Gritz [email protected] Date: 31 Mar 2016 ii The OpenImageIO source code and documentation are: Copyright (c) 2008-2016 Larry Gritz, et al. All Rights Reserved. The code that implements OpenImageIO is licensed under the BSD 3-clause (also some- times known as “new BSD” or “modified BSD”) license: Redistribution and use in source and binary forms, with or without modification, are per- mitted provided that the following conditions are met: • Redistributions of source code must retain the above copyright notice, this list of condi- tions and the following disclaimer. • Redistributions in binary form must reproduce the above copyright notice, this list of con- ditions and the following disclaimer in the documentation and/or other materials provided with the distribution. • Neither the name of the software’s owners nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIB- UTORS ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT- NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUD- ING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABIL- ITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. -
CODE by R.Mutt
CODE by R.Mutt dcraw.c 1. /* 2. dcraw.c -- Dave Coffin's raw photo decoder 3. Copyright 1997-2018 by Dave Coffin, dcoffin a cybercom o net 4. 5. This is a command-line ANSI C program to convert raw photos from 6. any digital camera on any computer running any operating system. 7. 8. No license is required to download and use dcraw.c. However, 9. to lawfully redistribute dcraw, you must either (a) offer, at 10. no extra charge, full source code* for all executable files 11. containing RESTRICTED functions, (b) distribute this code under 12. the GPL Version 2 or later, (c) remove all RESTRICTED functions, 13. re-implement them, or copy them from an earlier, unrestricted 14. Revision of dcraw.c, or (d) purchase a license from the author. 15. 16. The functions that process Foveon images have been RESTRICTED 17. since Revision 1.237. All other code remains free for all uses. 18. 19. *If you have not modified dcraw.c in any way, a link to my 20. homepage qualifies as "full source code". 21. 22. $Revision: 1.478 $ 23. $Date: 2018/06/01 20:36:25 $ 24. */ 25. 26. #define DCRAW_VERSION "9.28" 27. 28. #ifndef _GNU_SOURCE 29. #define _GNU_SOURCE 30. #endif 31. #define _USE_MATH_DEFINES 32. #include <ctype.h> 33. #include <errno.h> 34. #include <fcntl.h> 35. #include <float.h> 36. #include <limits.h> 37. #include <math.h> 38. #include <setjmp.h> 39. #include <stdio.h> 40. #include <stdlib.h> 41. #include <string.h> 42. #include <time.h> 43. #include <sys/types.h> 44. -
Electronic Imaging
Rental Price List Spring 2007 517 Dexter Avenue North RENTAL HOURS: MONDAY-SATURDAY 8:30-5:00 CLOSED SUNDAY Seattle , WA 98109 p. 206 233 0211 f. 206 233 0255 Electronic Imaging DIGITAL STILL CAMERA - NIKON DIGITAL VIDEO Nikon D2X Digital Body..................$175.00 All Digital Cameras include 2 gb memory 12.4 Megapixels Mini DV Camcorder card, camera software and connection cables. USB II interface (except point-shoot cameras have 1 gb cards) Canon Nikon D2H Digital Body..................$100.00 Canon Optura 30..............................$50.00 - CANON 4 Megapixels Canon Optura 60..............................$50.00 Canon EOS 1DS Mark II................$200.00 USB ll interface Canon 3CCD XL-2.....................$175.00 16 Megapixels Canon XH A1 HD...........................$175.00 Full Frame Nikon D200 Digital...........................$150.00 (High Def 1 CCD) Firewire (6 Pin) and USB II Connection 10.2 Megapixels, USB Interface Canon XLH1...................................$300.00 (High Def 3CCD) Canon EOS 1D Mark II..................$100.00 Nikon D80 Digital Body.....................$85.00 8.2 Megapixels 10.2 Megapixels , USB Interface Firewire (6 Pin) and USB II connection SONY Nikon D70 Digital Body.....................$75.00 Sony HandyCam DCR-HC46 ............$40.00 Canon EOS 5D................................$150.00 6 Megapixels , USB Interface Sony HDR-HC3 HandyCam........... $100.00 12 Megapixels (1 Chip High Defi nition Camera) Full Frame Nikon D50 Digital Body......................$60.00 Sony HDR FX-1............................ $225.00 USB II connection 6 Megapixels,USB Interface (3 CCD High Defi nition Camera) Canon 30D Digital Body.................$85.00 VIDEO PROJECTION AND DECKS 8.2 Megapixels Accessories Lenses Canon SX-50 LCD Projector USB II Interface 3x Wide Angle Zoom for XL1........... -
Megaplus Conversion Lenses for Digital Cameras
Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses. -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
Photographica 24/03/2020 10:00 AM GMT
Auction - Photographica 24/03/2020 10:00 AM GMT Lot Title/Description Lot Title/Description 1 Canon Cameras and Lenses, comprising a Canon EOS D30 DSLR 15 Photographic Accessories, including 3 Linhof 6½ x 9 DDS film holders, a body, a Canon EOS 600 camera, a Canon T50 camera, a Canon T70 Schneider Xenar 16.5cm f/4.5 board-mounted lens with Compur shutter, camera, a Canon AE-1 Program camera, a Canonet rangefinder other lenses, some with leaf shutters, a JVC P-100UKC 6 volts 5cm camera, an EF 75-300mm lens and an EF 90-300mm lens (a lot) approx television, untested and other items Est. 50 - 70 Est. 30 - 50 2 Nikon SLR Cameras and Bodies, comprising a Nikon D70s DSLR 16 A Tray of Sub-Miniature 'Spy' Cameras, including a Minox B camera, a camera with an AF Nikkor 28-80mm lens, a Nikon D70 DSLR body, a Minox C camera, a Yashica Atoron camera and a Minolta 16 II camera, Nikon F-301 body, a Nikkormat FTN body, a Nikon EM body, an AF all in maker's cases, together with sundry related items Nikkor 70-210mm f/4-5.6 lens, boxed and a Speedlight SB-16 (a lot) Est. 70 - 100 Est. 50 - 70 17 A Tray of Ensign Midget and Other Sub-Miniature Cameras, a Model 22 3 Pentax M SLR Cameras, comprising three Pentax ME Super cameras, a camera, three Model 33 cameras, a Model 55 camera, a box of unused ME Super body, a MG camera and an MV 1 body (a lot) Ensign Lukos E10 film dated Dec 1935, a Kiku 16 Model II and a Speedex 'Hit-type' cameras, two United Optical Merlin cameras and a Est. -
Modern Post: Workflows and Techniques for Digital Filmmakers
Modern Post Workflows and Techniques for Digital Filmmakers This page intentionally left blank Modern Post Workflows and Techniques for Digital Filmmakers Scott Arundale and Tashi Trieu First published 2015 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2015 Taylor & Francis The right of Scott Arundale and Tashi Trieu to be identified as author of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. -
Photography 4X6” [40]
Photography Printing Paper Epson SHEET PAPER Scrapbook Semigloss Photo Quality Adhesive BORDERLESS PAPER All-Purpose Glossy 8.5x11” [20].....................14.95 8.3x11.7” [10]..................10.95 Photo Paper Glossy 8.5x11” [20].......................6.95 Scrapbook Premier Matte Photo Quality Glossy 4x6” [50]............................6.95 Inkjet Transparency 8.5x11” [20].....................14.95 8.5x11” [20].......................9.95 Photo Paper 8.5x11” [30].....................41.50 8.3x11.7” [20]..................10.95 Heavy Weight Matte 11.7x16.5” [20]................59.95 12x12” [10]......................14.95 Durabrite Glossy High Quality 13x19” [20]......................32.50 8x10” [50]..........................9.95 4x6” [50]............................8.49 8.5x11” [100].....................8.95 Dupont Proofing Glossy 11x14” [50]......................22.95 8.3x11.7” [20]....................9.95 8.3x11.7” [100]..................9.50 13x19” [100]..................249.95 Premium Glossy Premium Semigloss Photo Paper Glossy 4x6” [40]............................8.95 Premium Luster 8.3x11.7” [20]..................12.95 8.5x11” [20].......................8.50 4x6” [100]........................13.95 8.5x11” [50].....................29.95 11.7x16.5” [20]................41.95 8.5x11” [50].....................18.95 5x7” [20]............................6.95 Enhanced Matte 11.7x16.5” [50]................77.95 8.5x11” [100]...................25.95 8x10” [20]........................11.95 8.5x11” [50].....................13.95 13x19” [50]......................96.50 -
Nikon D70/D70s User's Guide
Nikon D70/D70s User's Guide © 2006 KenRockwell.com Nikon D70/D70s User’s Guide INTRODUCTION This is how I use and set up my D70. I have a D70; the D70s is exactly the same. I start off explaining things so my mom can understand, and get on to deciphering every menu item for advanced users at the bottom. © Ken Rockwell 2 of 2 Nikon D70/D70s User’s Guide BASICS: CAMERA Many of these adjustments require you to be in be in the P, S, A or M exposure modes. You set that on the top dial. The cute preset modes often lock out some adjustments. I leave most settings at their defaults and use the Program exposure mode. I never use the cute little preset icon modes because I prefer to set anything special myself. ISO: I use 200. If the light gets dim and my images would get blurry from slower shutter speeds I increase the ISO to 400, 800 or 1,600. I never bother with in-between settings like 250 or 640. The D70 looks fine at ISO 1,600 if you need it. I'd much rather have a slightly grainy but sharp image than a less grainy but blurry one. Unlike film, the D70 looks great at high ISOs, so I use them anytime I need them. I would love to use ISO AUTO, but usually don't because it also remains active in Manual exposure mode. This firmware defect defeats the purpose of the manual exposure mode. Using menus to deactivate AUTO ISO for manual exposure mode takes more time than AUTO ISO saves. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.