วารสารรามคา แหง ฉบับมนุษยศาสตร์ ปีท ี่ 37 ฉบับที่ 1 193 Book Review: Mythological Woman and the Prose Poem in Barbara Jane Reyes’s Diwata Mariejoy San Buenaventura1 Barbara Jane Reyes, a Filipino- analysts. Diwata is the Filipino term for American poet, had her collection Diwata goddess, fairy, and nature spirit, and the published in 2010 by the New York-based word is derived from devata, the Hindi word BOA Editions Ltd. as part of their American - most likely originally Sanskrit - for deity Poets Continuum series. Despite the slimness (‚Devata,‛ n.d.). Reyes employs all these of the volume – the epigraph, poems, and aspects of Diwata – goddess, fairy, and notes occupy sixty-seven A5-sized pages – it nature spirit – to portray Diwata as the contains an abundance of the worthwhile for universal, primordial, mythological Woman comparative mythologists and literary found in all mythologies, and as the 1Humanities and Languages Division, Mahidol University International College E-mail:
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[email protected] Ramkhamhaeng University Journal Humanities Edition Vol. 37 No. 1 194 representative very human Woman who, Diwata is also the dryad who takes as mate a through the unfolding of the ages, continues mortal man (Reyes, 2010, p. 20). Then as the to experience the same longings and sufferings. weaver who ‚weaves words into the fabric This is of much interest to the student of of the sky‛ (Reyes, 2010, p. 14), Diwata is a myth. For the student of poetry, Reyes’s uses version of Arachne, she who competed with of the prose poem, chant-like forms, and Athena in a weaving contest (Ovid, 2009, pp.