The Devil and Tom Walker Washington Irving 1783–1859
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HIP HOP & Philosophy
Devil and Philosophy 2nd pages_HIP HOP & philosophy 4/8/14 10:43 AM Page 195 21 Souls for Sale JEFF EWING F Y O Selling your soul to the Devil in exchaPnge for a longer life, wealth, beauty, power, or skill has long been a theme in Obooks, movies, and even music. Souls have Obeen sold for Rknowledge and pleasure (Faust), eternal youth (Dorian Gray), the ability to play the guitar (Tommy JohnCson in O Brother, Where Art P Thou?) or the harmonica (Willie “Blind Do g Fulton Smoke House” Brown in the 1986 Emovie, Crossroads), or for rock’n’roll itself (the way Black SCabbath did on thDeir 1975 greatest hits album, We Sold Our Soul for Rock’n’ERoll). The selling of aN soul as an object of exchange for nearly any- thing, as a sort of fictitious comTmodity with nearly universal exchange valuAe, makes it perChaps the most unique of all possi- ble commVodities (and as such, contracts for the sales of souls are the most unique of aEll possible contracts). One theorist in partiDcular, Karl MaRrx (1818–1883), elaborately analyzed con- tracts, exchange, and “the commodity” itself, along with all the hAidden implicatRions of commodities and the exchange process. Let’s see what Marx has to tell us about the “political economy” of the FaustOian bargain with the Devil, and try to uncover what it trulyC is to sell your soul. N Malice and Malleus Maleficarum UWhile the term devil is sometimes used to refer to minor, lesser demons, in Western religions the term refers to Satan, the fallen angel who led a rebellion against God and was banished from Heaven. -
The Low Countries. Jaargang 11
The Low Countries. Jaargang 11 bron The Low Countries. Jaargang 11. Stichting Ons Erfdeel, Rekkem 2003 Zie voor verantwoording: http://www.dbnl.org/tekst/_low001200301_01/colofon.php © 2011 dbnl i.s.m. 10 Always the Same H2O Queen Wilhelmina of the Netherlands hovers above the water, with a little help from her subjects, during the floods in Gelderland, 1926. Photo courtesy of Spaarnestad Fotoarchief. Luigem (West Flanders), 28 September 1918. Photo by Antony / © SOFAM Belgium 2003. The Low Countries. Jaargang 11 11 Foreword ριστον μν δωρ - Water is best. (Pindar) Water. There's too much of it, or too little. It's too salty, or too sweet. It wells up from the ground, carves itself a way through the land, and then it's called a river or a stream. It descends from the heavens in a variety of forms - as dew or hail, to mention just the extremes. And then, of course, there is the all-encompassing water which we call the sea, and which reminds us of the beginning of all things. The English once labelled the Netherlands across the North Sea ‘this indigested vomit of the sea’. But the Dutch went to work on that vomit, systematically and stubbornly: ‘... their tireless hands manufactured this land, / drained it and trained it and planed it and planned’ (James Brockway). As God's subcontractors they gradually became experts in living apart together. Look carefully at the first photo. The water has struck again. We're talking 1926. Gelderland. The small, stocky woman visiting the stricken province is Queen Wilhelmina. Without turning a hair she allows herself to be carried over the waters. -
The Legend of Sleepy Hollow Study Guide.Pdf
Classroom The Legend of Sleepy Hollow Connections For teachers and students grades K - 5 Script, lyrics & music © 1996 & 2006 by Paul Deiss; based on the story by Washington Irving Teacher Resources In the Classroom Theatre IV’s The Legend of Sleepy Hollow and the Classroom Connections Study Guide are produced in support of the teaching of states’ standards, as well as national standards set forth by the National Council of Teachers of English (NCTE). Activities provided support curriculum in grades K-5 www.hudsonvalley.org/education/ Background/abt_irving/abt_irving.html At the Library Chorpenning, Charlotte B. Rip Van Winkle; A Play for Young People from the Story by Washington Irving. Chicago, IL: Coach House Press, 1954. Irving, Washington. The Legend of Sleepy Hollow and Rip Van Winkle. New York: Dover Publications, Inc., 1995. (in easy-to-read type) On the Web The following web sites have activities and information related to Washington Irving and The Legend of Sleepy Hollow. Audio recording of the story: www.scifi.com/set/playhouse/sleepy/ Upper Elementary Lesson Plan tied to National Standards www.hudsonvalley.org/education/ LessonPlans/Storytelling/storytelling.html Smithsonian American Art Museum http://americanart.si.edu/art_ info/1001/2000/10/103100.htmlWe Set the Stage for Learning™ Theatre IV, Richmond, VA Background on Washington Irving John Quidor, 1801–81, Perhaps Brom had something to do with his disappearance. Perhaps he was the The Headless victim of a cruel prank. Or perhaps a headless ghost spirited him away, as Horseman Pursuing legend has it. Ichabod Crane, 1858, oil, Smithsonian American Art Museum Play Synopsis: Based on the original story by Washington Irving, The Legend of Sleepy Hol- low tells the story of Tarry Town, a place where strange things happen and the townsfolk seem entranced by spirits. -
Washington Irving's Use of Historical Sources in the Knickerbocker History of New York
WASHINGTON IRVING’S USE OF HISTORICAL SOURCES IN THE KNICKERBOCKER. HISTORY OF NEW YORK Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY DONNA ROSE CASELLA KERN 1977 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII 3129301591 2649 WASHINGTON IRVING'S USE OF HISTORICAL SOURCES IN THE KNICKERBOCKER HISTORY OF NEW YORK By Donna Rose Casella Kern A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of English 1977 TABLE OF CONTENTS INTRODUCTION . CHAPTER I A Survey of Criticism . CHAPTER II Inspiration and Initial Sources . 15 CHAPTER III Irving's Major Sources William Smith Jr. 22 CHAPTER IV Two Valuable Sources: Charlevoix and Hazard . 33 CHAPTER V Other Sources 0 o o o o o o o o o o o o o o o o 0 Al CONCLUSION 0 O C O O O O O O O O O O O 0 O O O O O 0 53 APPENDIX A Samuel Mitchell's A Pigture 9: New York and Washington Irving's The Knickerbocker Histgrx of New York 0 o o o o o o o o o o o o o c o o o o 0 56 APPENDIX B The Legend of St. Nicholas . 58 APPENDIX C The Controversial Dates . 61 APPENDIX D The B00k'S Topical Satire 0 o o o o o o o o o o 0 6A APPENDIX E Hell Gate 0 0.0 o o o o o o o o o o o o o o o o 0 66 APPENDIX F Some Minor Sources . -
American Stories the Devil and Tom Walker by Washington Irving
American Stories The Devil and Tom Walker by Washington Irving Lesson Plan by Jill Robbins, Ph.D. Introduc5on This lesson plan is to accompany the American Stories series episode, The Devil and Tom Walker by Washington Irving. A transcript of the story is included at the end of this lesson to print so students can read as they listen. Teachers who cannot play the audio from the website can read the story aloud or have students read it. This lesson plan is based on the CALLA Approach. See the end of the lesson for more informaon and resources on teaching with the CALLA approach. The following slide shows the five parts of this lesson plan. Lesson Elements Prepare Present Pracce Self-Evaluate Expand Prepare Introduce the story. “Today we will read The Devil and Tom Walker, by Washington Irving. This story takes place near Boston, Massachuses. Boston is one of the oldest cies in the United States. The story takes place in 1727. What do you know about Boston at that me?” Listen to students’ answers. Show the map on the next slide to orient them to the locaon of Boston. Explain that the United States was not yet an independent country. It was sll made up of colonies of England. Teach vocabulary and new concepts Boston, Massachuses Explain that in the 1600s, Captain Kidd was a famous pirate. People thought he buried his treasure near Boston. This story tells us about people looking for pirate treasure. What do you know about pirates?” Listen to students’ answers. Explain that pirates stole from other people. -
Appendix 1 Gothic Novels, 1800-1834
Appendix 1 Gothic Novels, 1800-1834 1. [Roche, John Hamilton] A Suffolk Tale; or, The Perfidious Guardian. London: Printed for the Author by T. Hookman, Jr and E. T. Hookman, 1810. 2. [Green, William Child] The Abbot ofMontserrat; or, The Pool ofBlood. A Romance. London: A. K. Newman, 1826. 3. [Pilkington, Miss] Accusing Spirit; or, De Courcy and Eglantine. A Romance. London: Minerva Press for William Lane, 1802. 4. [Lamb, Lady Caroline] Ada Reis: A Tale. London: John Murray, 1823. 5. [Ker, Anne] Adeline St. Julian; or, The Midnight Hour. London: J. Bonsor, 1800. 6. [Maturin, Charles Robert] The Albigenses: A Romance. London: Hurst, Robinson, 1824. 7. [Belli, Nugent?] Alexena; or, The Castle of Santa Marco. A Romance. London: Minerva Press for A. K. Newman, 1817. 8. [Parker, Mary Elizabeth] Alfred; or, The Adventures of the Knight of the Castle. A Novel. London: Apollo Press, 1802. 9. [Green, William Child] The Algerines; or, The Twins of Naples. London: A. K. Newman, 1832. 10. [Green, William Child] Alibeg the Tempter: A Tale Wild and Wonderful. London: A. K. Newman, 1831. 11. [Meeke, Mary] Amazement. A Novel. London: Minerva Press for Lane, Newman and Co., 1804. 12. [Davenport, Selina] An Angel's Form and a Devil's Heart. A Novel. London: Minerva Press for A. K. Newman, 1818. 13. [Brewer, James Norris] An Old Family Legend; or, One Husband and Two Marriages. A Romance. London: A. K. Newman and Co., 1811. 14. [Curties, T. J. Horsley] Ancient Records; or, The Abbey of St. Oswythe. A Romance. London: Minerva Press for William Lane, 1801. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
From Captain Kidd's Treasure Ghost to the Angel Moroni: Changing Dramatis Personae in Early Mormonism
From Captain Kidd's Treasure Ghost to the Angel Moroni: Changing Dramatis Personae in Early Mormonism Ronald V. Huggins ONE DAY IN LATE MARCH 1697, a ship named the Adventure Galley arrived at the Island of Mohilla, one of the Comoro Islands. Its fever-stricken crew careened the vessel for cleaning and then proceeded to die off one by one, fifty men dead in about a week. The Adventure Galley had come to the Comoros the previous month, after stopping first at the neighboring Island of Johanna. It would not de- part again until April 18. Its captain, William (a.k.a. Robert) Kidd, did not know he would soon become one of history's most famous, and notorious, pirates. In those days pirates, even famous ones, were no oddity in the Comoros. Anyone who read, for example, the popular two-volume A General History of the Robberies and Murders of the Most Notorious Pyrates (1724 and 1728) by Daniel Defoe (a.k.a. Captain Charles Johnson), would find the Comoro Islands figuring into the accounts of Captains England, Misson, Tew, Kidd, Bowen, White, Condent, Cornelius, Howard, Williams, Burgess, North,1 and la Bouche.2 The pirate to whom Defoe dedicated his first chapter, Henry Avery (Every), also had a connection with the Comoros, which the author fails to men- 1. The edition used here is Daniel Defoe, A General History of the Pyrates, ed. Manuel Schon- horn, (Columbia, S.C.: University of South Carolina, 1972). Johanna is mentioned in the accounts of Captains England, 118, 130, 132; Misson, 407-16; Tew, 424-26; Kidd, 443; Bowen, 461; White, 478; Condent, 584; Cornelius, 605; Williams, 503; Burgess, 510; and North, 516. -
The Hudson River Valley Review
THE HUDSON RIVER VA LLEY REviEW A Journal of Regional Studies MARIST Publisher Thomas S. Wermuth, Vice President for Academic Affairs, Marist College Editors Reed Sparling, writer, Scenic Hudson Christopher Pryslopski, Program Director, Hudson River Valley Institute, Marist College Editorial Board Art Director Myra Young Armstead, Professor of History, Richard Deon Bard College Business Manager Col. Lance Betros, Professor and deputy head, Ann Panagulias Department of History, U.S. Military Academy at West Point The Hudson River Valley Review (ISSN 1546-3486) is published twice Susan Ingalls Lewis, Assistant Professor of History, a year by the Hudson River Valley State University of New York at New Paltz Institute at Marist College. Sarah Olson, Superintendent, Roosevelt- James M. Johnson, Executive Director Vanderbilt National Historic Sites Roger Panetta, Professor of History, Research Assistants Fordham University Richard “RJ” Langlois H. Daniel Peck, Professor of English, Elizabeth Vielkind Vassar College Emily Wist Robyn L. Rosen, Associate Professor of History, Hudson River Valley Institute Marist College Advisory Board David Schuyler, Professor of American Studies, Todd Brinckerhoff, Chair Franklin & Marshall College Peter Bienstock, Vice Chair Thomas S. Wermuth, Vice President of Academic Dr. Frank Bumpus Affairs, Marist College, Chair Frank J. Doherty David Woolner, Associate Professor of History Patrick Garvey & Political Science, Marist College, Franklin Marjorie Hart & Eleanor Roosevelt Institute, Hyde Park Maureen Kangas Barnabas McHenry Alex Reese Denise Doring VanBuren Copyright ©2008 by the Hudson River Valley Institute Tel: 845-575-3052 Post: The Hudson River Valley Review Fax: 845-575-3176 c/o Hudson River Valley Institute E-mail: [email protected] Marist College, 3399 North Road, Web: www.hudsonrivervalley.org Poughkeepsie, NY 12601-1387 Subscription: The annual subscription rate is $20 a year (2 issues), $35 for two years (4 issues). -
The Devil and Tom Walker Askance; and Hurried on His Way, Rejoicing, If a Bachelor, in His Celibacy
The Devil And Tom Walker askance; and hurried on his way, rejoicing, if a bachelor, in his celibacy. From The Money-diggers One day that Tom Walker had been to a distant part of the Washington Irving (1783-1859) neighborhood, he took what he considered a short-cut homeward, through the swamp. Like most short-cuts, it A few miles from Boston, in Massachusetts, there is a deep was an ill-chosen route. The swamp was thickly grown inlet winding several miles into the interior of the country with great, gloomy pines and hemlocks, some of them from Charles Bay, and terminating in a thickly wooded ninety feet high, which made it dark at noonday and a swamp or morass. On one side of this inlet is a beautiful retreat for all the owls of the neighborhood. It was full of dark grove; on the opposite side the land rises abruptly pits and quagmires, partly covered with weeds and mosses, from the water's edge into a high ridge, on which grow a where the green surface often betrayed the traveller into a few scattered oaks of great age and immense size. Under gulf of black, smothering mud; there were also dark and one of these gigantic trees, according to old stories, there stagnant pools, the abodes of the tadpole, the bull-frog, and was a great amount of treasure buried by Kidd the pirate. the water-snake, where the trunks of pines and hemlocks The inlet allowed a facility to bring the money in a boat lay half-drowned, half-rotting, looking like alligators secretly, and at night, to the very foot of the hill; the sleeping in the mire. -
American Literature; a Study of the Men and the Books That in the Earlier
/\IV1 CtlNC , P5 CORNELL UNIVERSITY • A LIBRARY FROM S.E.Burriham Cornell University Library PS 92.L84 American literature.a study of the men a 3 1924 022 153 674 Cornell University Library The original of tiiis book is in tile Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022153674 POE'S COTTAGE AT FORDHAM From the etching by Charles F. W, Mielatz " AMERICAN LITERATURE A STUDY OF THE MEN AND THE BOOKS THAT IN THE EARLIER AND LATER TIMES REFLECT THE AMERICAN SPIRIT BY WILLIAM J. LONG "As a strong bird on pinions free, Joyous, the amplest spaces heavenward cleaving, Such be the thought I 'd think of thee, America I GINN AND COMPANY BOSTON • NEW YORK • CHICAGO LONDON COPYRIGHT, 1913, BY WILLIAM J. LONG ALL RIGHTS RESERVED 816.I LUUi'^j^ ' Cte gtttnaum great GINN AND COMPANY PRO- PRIETORS BOSTON U.S.A. TO FRANCES MY LITTLE DAUGHTER OF THE REVOLUTION PREFACE The aim of this book is to present an accurate and interesting record of American literature from the Colonial to the present age, and to keep the record in harmony with the history and spirit of the American people. The author has tried to make the work national in its scope and to emphasize the men and the books that reflect the national traditions. As literature in general tends to humanize and harmonize men by revealing their common characteristics, so every national literature unites a people by upholding the ideals which the whole nation reveres and follows. -
Dissertation FINALLY.Pdf
Copyright by Rowena Houghton Dasch 2012 The Dissertation Committee for Rowena Houghton Dasch Certifies that this is the approved version of the following dissertation: “Now Exhibiting:” Charles Bird King’s Picture Gallery, Fashioning American Taste and Nation 1824-1861 Committee: Susan Rather, Supervisor Michael Charlesworth Neil Kamil Emily Ballew Neff Jeffrey Smith “Now Exhibiting:” Charles Bird King’s Picture Gallery, Fashioning American Taste and Nation 1824-1861 by Rowena Houghton Dasch, AB, MA Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2012 Dedication For my family, each member of which has carried me through a portion of this journey. Dorothy Knox and Tom Houghton Kevin, Caroline, and Litty Dasch Acknowledgements When one embarks on a journey destined to take up a third of her lifetime, it becomes impossible adequately to acknowledge all who have joined in on the adventure. My first and greatest acknowledgment must be to my parents, Tom and Dorothy Knox Houghton. Their commitment to education and to the arts underpins all that I have accomplished academically in my own life. My mother has supported me at each step of the way, to the point of decamping for a summer to Alexandria, Virginia to provide childcare while I was in residence at the National Portrait Gallery. My father was taken from us too soon. He saw me finish my MA, and the strength of his conviction that I would finish my Ph.D.