Hollygold HGOLD Whitepaper English Version Small

Total Page:16

File Type:pdf, Size:1020Kb

Hollygold HGOLD Whitepaper English Version Small This Whitepaper is not applicable to the United States and Singapore due to national laws and regulations. Table of Contents 1. The importance of Blockchain's application of encrypted digital currencies to revitalize the global economy. 2. Prospects of the future for the film industry. 3. WHO and What is HollyGold (HGOLD)? 3.1. The positioning and vision of HollyGold HGOLD and the origin of its name. 3.2. The massive resources and strength of Hollygold HGOLD. 3.2.1. The History, Background and Performance of BASE FX. 3.2.2. Bitsense History, Background and Performance. 3.3. HollyGoldʼs HGOLD potential to generate tremendous value. 4. Eco-Platform and Application illustrating the blockchain of HollyGold HGOLD. 4.1. Technical Notes for Blockchain Encrypted Digital Currency. 4.2. The Circular Value of Movie Tokens and their effects on the Economy. 4.3. The cycle and destruction mechanism that ensures use value for Hollygold (HGOLD). 4-3-1. HGOLD Circulation and the simultaneous drive to push both Value and Price is the driving force behind increasing the coinʼs value. 4-3-2. HGOLD Price, Circulation and Exchange is at the heart and Core of our Business Model. 4-3-4. HGOLD Destruction Mechanism to ensure and maintain value. 4.4. The Value and benefits of The Premier Club of HGOLD. 4.5. The Structure and dividends of the 6 levels of HGOLDʼs Premier Club. 5. HollyGold HGOLD Roadmap. 6. HollyGold HGOLD Operations Team. 7. HollyGold HGOLD Advisory board. 8. Disclaimer. This Whitepaper is not applicable to the United States and Singa- pore due to national laws and 2 regulations. 1. The importance of Blockchain's application of encrypted digital curren- cies to revitalize the global economy. When looking back on the events of the past and the current events of the pres- ent, when the world encounters major changes and challenges, human beings proceed to make major changes themselves to adapt and overcome through forward-looking technology. In early 2020, when the world was hit by a storm in the form of the new coronavirus COVID-19, just as the third world was recently devastated by similar viruses and the consequences of regional wars, modern society will forever be changed by COVID-19. As stated by the former U.S. Secretary of State Henry Alfred Kissinger in the Wall Street Journal, column entitled "New Corona Virus", “This pandemic will change the world order forever”, as described in this article. At this moment, our quality of life, financial stability and happiness are being attacked and severely affected by these events. When looking back at the global economic restructuring after a century of numerous catastrophic events, each time the world has rebounded, reaching even higher peaks of economic stability with every rebound. The world will now be turning to new technological tools to overcome these latest events and prosper. In the post-COVID-19 era, as central banks prepare to develop digital currencies and applications in each of their countries, on this basis, the use of block- chain-based digital economics will thrive and revitalize the global economy. This concept has become the general consensus among the worlds most recog- nized economists. Considering this fact, we have leveraged the vast audio and video resources that are available to us in the entertainment industry, including the tremendous value the industry generates. Access to the film industry through the issuance of blockchain-based encrypted digital currency (HGOLD), will increase (HGOLD) value tremendously. As motion picture investments generate profits, the value of HGOLD will increase even more. Movies are all about being there, in the moment, escaping the outside world, enjoying a pleasant experience, a night out at the movies with friends and loved ones, whether it be at home or at the theaters, movies are a great experience; They’re enjoyable for the movie goers, a great business for the entertainment industry, and a very profitable experience for HGOLD. This Whitepaper is not applicable to the United States and Singa- pore due to national laws and 3 regulations. The entertainment industry will generate a strong and sustainable revenue stream for HGOLD, which will be recognized and enjoyed by its investors; At a time when the world is in a great state of change, people have always chosen to take com- fort in the watching of movies. As long as life goes on, the one industry that has always prevailed, during all major global events, whether it be a time of depres- sion, a time of war, a recession, it’s the entertainment industry that thrives, where one may go to enjoy a movie and escape from the hardships of the world for just a few hours at the movies. Hollywood produces on average approximately 700 films a year, to be enjoyed in more than 150 countries and regions around the globe. The Hollywood film indus- try transcends languages, religions, cultures, borders, barriers and touches upon every aspect of life around the globe. All the while providing the ability for many to enjoy the financial benefit of movies. Looking ahead, HGOLD's release will create and generate a new global financial model for the film industry. The films HGOLD will assist in producing, are not just about bringing joy to the film goers, but about making wise investments in projects that will greatly benefit HGOLD and its investors, and provide the dream of financial freedom for many. 2. Prospects for the future of the film industry Our survey has concluded the following: • Individuals are far more cautious about the use of their money and began to learn how to save their money in the world. (The Wall Street Journal and Sina.com survey of China) • Recreational entertainment consumption will continue to exist and grow. It will be the fastest to recover, and maintain the most rapid growth of any industry, that being the entertainment industry. (Taiwan This Week Review). The film industry has always played an irreplaceable role in the overall entertainment industry. The Audio-Visual entertainment industry is rapidly penetrating into every class of life. At a time when all economic indicators have fallen sharply, the perfor- mance of the audio-visual streaming platform has grown tremendously. As one example, Netflix has increased its global paid subscribers by 15.77 million subscrib- ers in Q1 of 2020 alone, which was previously estimated to possibly reach 7 million subscribers. This Whitepaper is not applicable to the United States and Singa- pore due to national laws and 4 regulations. Netflix annual revenue is expected to rise to $20 billion after the outbreak COVID-19. Although global film production has nearing halted due to the out- break COVID-19, the entertainment industry on a whole, including film revenue will not only recover, but generate even greater profits. As descried above, it is wise to choose the entertainment industry as a target for investment. Based on the above, HollyGold (HGOLD) will utilize its many relation- ships in the film industry, to lead its investors to achieve their goal of financial free- dom. 3. WHO and What is HollyGold (HGOLD)? Positioning - Vision - Mission - Strength and the origin of our company name 3-1. The positioning and vision of HollyGold (HGOLD) and origin of its name. HollyGold (HGOLD) was created and founded by HOLLY.GOLD PTE, LTD., a Singapore registered corporation (Register Number: 201925576C). The forma- tion of the corporation was a direct result of a strategic partnership between Base-FX, Production Capital, and Base Media Capital. HollyGold facilitates HollyGold members to indirectly invest in major Holly- wood Motion Picture Productions, as well as major motion pictures produced by some of the largest independent production companies. When one invests in HollyGold, one enters the magical world of Hollywood movies! The HollyGold team and its advisory board have produced and/or provided production services for over 1200 feature films, including many Oscar and Emmy award winning films as well as many Hollywood Blockbusters. HollyGold (HGOLD) is a cryptocurrency created by, and for individuals who enjoy financially participating in the entertainment industry, with the proceeds exclusively utilized to fund the production of motion pictures. In addition to enjoying the ever-increasing value of the HGOLD coins, HollyGold coin holders will have a say in which films will shall be funded and produced by HollyGold. In addition, the owners of HGOLD coins will enjoy a range of unique benefits such as free movie tickets, access to exclusive entertainment related auctions, receive invitations to attend film premieres, film festivals as well as the oppor- tunity to visit the sets of major Hollywood productions. HollyGold is a safe and easy way for anyone who loves movies, to participate in the world of mov- ie-making. This Whitepaper is not applicable to the United States and Singa- pore due to national laws and 5 regulations. • Our Position : Utilizing our knowledge of motion picture production and an extensive history in investing into blockchain technology. HollyGold (HGOLD) will utilize our team’s patented technology to provide fast and easy transactions. • Our Vision : HollyGold (HGOLD) will create a pleasant and prosperous environment for our HGOLD members and HollyGold coin holders, while they participate in the world of cryptocurrency. HollyGold’s VIP Premiere Club, will offer its members and coin holders the opportunity to chase their dreams, and possibly become the next “Hollywood Movie Star”. Imagine yourself on the set of a Hollywood Movie Pro- duction or receive an actual walk-on role in a Hollywood Movie. HollyGold mem- bers and coin holders will receive these opportunities and more when they become a VIP Premiere Club member. • Our Mission : HollyGold (HGOLD) is the new unique “CURRENCY” that will allow one to participate in the world of Movie Making.
Recommended publications
  • The Very First Lgbt+ Film Was Shown Exactly 100 Years Ago This Year
    FEATURE GAYS ON FILM THE VERY FIRST LGBT+ FILM WAS SHOWN EXACTLY 100 YEARS AGO THIS YEAR. XAV JUDD LOOKS AT HOW THE LGBT+ COMMUNITY HAS BEEN REPRESENTED IN A CENTURY OF CELLULOID SPRING 2019 | @pridelife | /Pridelifemagazine | PRIDELIFE.COM | 085 FEATURE 20 MUST–SEE LGBT+ MOVIES Moonlight – 2016 Director: Barry Jenkins The coming–of–age drama outlines three stages in the life of Afro–American Chiron Harris. At first, as a kid growing up in a rough neighbourhood in Miami; as an adolescent, unsure about his sexual orientation; and finally to Atlanta and a rendezvous with an old flame. Another Country – 1984 Director: Marek Kanievska CLOCKWISE FROM FAR LEFT: ALGIE THE MINER; ANDERS ALS DIE In a public school in the 1930s, two ANDERN; CABARET; THE LEATHER outsiders try and cope with the rigours BOYS; ROCK HUDSON; DOG DAY and regimentation of daily life. Guy AFTERNOON; A STREETCAR NAMED “Marlon Brando, DESIRE; VICTIM Bennett (Rupert Everett), excoriated for his homosexuality, wonders about his James Dean and place in a repressive, culturally and socially hierarchical UK, while Tommy Montgomery Clift Judd (Colin Firth) is another scourge of the anachronistic British elite, a Marxist. were all schooled in Bent – 1997 Director: Sean Mathias the Method” Max (Clive Owen) is a promiscuous non– heterosexual who’s forced to flee 1930s Berlin. Eventually sent to Dachau concentration camp, initially he denies ince its inception in the 1890s, the homosexuality on celluloid before this feature depictions of violence and prostitution – in order by MGM for not renouncing his sexuality - and example, his handkerchiefs are fragranced he’s “bent”.
    [Show full text]
  • Gotham Knights
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media.
    [Show full text]
  • Sunday Morning Grid 5/31/15 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 5/31/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å 2015 French Open Tennis Men’s and Women’s Fourth Round. (N) Å Auto Racing 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å World of X Games (N) IndyCar 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program The Simpsons Movie 13 MyNet Paid Program Becoming Redwood (R) 18 KSCI Man Land Rock Star Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Easy Yoga Pain Deepak Chopra MD JJ Virgin’s Sugar Impact Secret (TVG) Suze Orman’s Financial Solutions for You (TVG) 28 KCET Raggs Pets. Space Travel-Kids Biz Kid$ News Asia Insight Echoes of Creation Å Sacred Earth (TVG) Å Aging Backwards 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly Taxi › (2004) (PG-13) 34 KMEX Paid Conexión Al Punto (N) Hotel Todo Incluido Duro Pero Seguro (1978) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Alvin and the Chipmunks ›› (2007) Jason Lee.
    [Show full text]
  • Batman in the 50S Free
    FREE BATMAN IN THE 50S PDF Joe Samachson,Various,Edmond Hamilton,Bill Finger,Bob Kane,Dick Sprang,Stan Kaye,Sheldon Moldoff | 191 pages | 01 May 2002 | DC Comics | 9781563898105 | English | United States Batman in the Fifties (Collected) | DC Database | Fandom An instantly recognizable theme song, outrageous death traps, ingenious gadgets, an army of dastardly villains and femme fatales, and a pop-culture phenomenon unmatched for generations. James Bondright? When it first premiered inBatman was the most faithful adaptation of a bona fide comic book superhero ever seen on the screen. It was a nearly perfect blend of the Saturday matinee movie serials where most comic book characters had their first Hollywood break and the comics of its time. But the TV series, particularly during its genesis, was both a product of its own time, and that of an earlier era. Both Flash Gordon and Dick Tracy had made the leap to the big screen before Superman had even hit newsstands, and both saw their serial adventures get two sequels. While Flash Gordonparticularly the first one, was a faithful within the limitations of its budget translation of the Alex Raymond comic strips, Dick Tracy was less so. Years before Richard Donner and Christopher Reevethis one made audiences believe a man could fly, and featured a perfectly cast Tom Tyler in the title role, but was still rather beholden to serial storytelling conventions and the aforementioned budgetary limitations. Ad — content continues below. Batman and Robin are portrayed much as they are in the comics, despite some unfortunately cheap costumes, and less than physically convincing actors in the title roles.
    [Show full text]
  • Apple Pie, Baseball and Drag Queens: the Persuasive Elements in Current Gay-Themed Films
    UNLV Retrospective Theses & Dissertations 1-1-1996 Apple pie, baseball and drag queens: The persuasive elements in current gay-themed films Michael Jordan Higdon University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Higdon, Michael Jordan, "Apple pie, baseball and drag queens: The persuasive elements in current gay- themed films" (1996). UNLV Retrospective Theses & Dissertations. 3277. http://dx.doi.org/10.25669/rbh4-fsz3 processed, response: 201 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text direct^ fit>m the origmai or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be fi-om any type of conqmter printer. The quality of this reproduction is dependent npon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversety affect rq>roduction.
    [Show full text]
  • To Academy Oral Histories Marvin J. Levy
    Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • This Is a Test
    ‘FIXING PETE’ CAST BIOS BROOKE BURNS (Ashley) – Brooke Burns, host of Oxygen Network‘s ―Hair Battle Spectacular,‖ was born in Dallas, TX. The middle child of three siblings, her mother encouraged her from a young age to pursue her dream, which, since kindergarten, was to become a ballerina. As a teenager, she showed great promise as a professional ballet dancer, but her career was abruptly ended at age 14 after a ski accident. She is a natural athlete and a talented swimmer, having been trained by her father, a former national champion swimmer at Southern Methodist University. Burns got into acting in 1996, when she played Peg in the TV series ―Out of the Blue.‖ She went on to guest star in several episodes of ―Ally McBeal‖ and then moved on to play Jessie Owens in ―Baywatch.‖ Burns broke onto the silver screen when she acted opposite Jack Black and Gwyneth Paltrow in ―Shallow Hal.‖ She also played Jan Lambert in ―Single White Female 2: The Psycho‖ alongside Allison Lange and Todd Babcock. Burns also played Kathy Dinkle in ―Pepper Dennis‖ and starred in ―Urban Decay.‖ For two summer seasons in 2002 and 2003, Burns hosted the American version of the ―Dog Eat Dog‖ game show, for which she was nominated for a Teen Choice Award. Burns starred in the ABC comedy ―Miss/Guided,‖ opposite Chris Parnell (―Saturday Night Live‖) and Judy Greer. The series was created by Caroline Williams (―The Office‖), produced by Ashton Kutcher and helmed by Emmy® Award-winning director Todd Holland (―Malcolm in the Middle‖). Burns also shot ―Mistresses,‖ a pilot for Lifetime and is currently developing and producing a show for Oxygen.
    [Show full text]
  • The Detroit Vol
    JULY 27-AUGUST 2, 1997 THE DETROIT VOL. 2 NO. 37 75 CENTS S unday Io u r n a l CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©TDSJ A SUNDAY JOURNAL EXCLUSIVE stated to MxfS". CRANCER she JOSEPHINE (Mrs. HOFFA) how sorry she was akcnXZ Hr. HOFFA'a i disappearance. Mrs. CRANCER was stunned by this telephone call JOSEPHINE PROVENZANO stated that her father was out in the yard Hi S i3 THE O H t / H o r s gardening so Mrs. CRANCER asked JOSEPHINE to give TONY PRO a message, "We want our father ba c k " . JOSEPHINE indicated she UJILL. R lF C /y ir p&nAHD AsH/Ll/a}) je message to her father. THE HCFFA FILES Suppressed FBI documents reveal a flurry of leads and new layers of intrigue By Michael Betzold down every possible lead in their Journal Staff Writer effort to find out what happened © Copyright 1997 Detroit Sunday Journal to Hoffa. Just the number of pages Secret FBI files on Jimmy demonstrates how extensive the Hoffa’s disappearance, long sup­investigation was: The files seen pressed by the federal govern­by the Journal total 1,704 pages - ment, have turned up 22 yearsand they cover only the first five after the legendary Teamsters months of the investigation. Many leader was reported missing. Andthousands of other pages also they show why investigatorsexist. never have been able to crack theYet, despite the massive federal case. investigation documented by The files, discovered in a filingthese files and a months-long cabinet and viewed by The Detroitgrand jury hearing, no one has Sunday Journal, show that FBIever been prosecuted for Hoffa’s investigators were confounded abductionby and apparent murder.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • June 2017 at BFI Southbank Films
    ONSTAGE APPEARANCES INCLUDE: ACTORS VANESSA REDGRAVE (JULIA, HOWARD’S END), NENEH CHERRY (STOCKHOLM MY LOVE) AND TOBY JONES (BERBERIAN SOUND STUDIO), DIRECTORS EDGAR WRIGHT TBC (BABY DRIVER), JOHN LANDIS (THE BLUES BROTHERS), MARK COUSINS (STOCKHOLM MY LOVE) AND ROGER MICHELL (VENUS, LE WEEK-END), SCREENWRITER DAVID RUDKIN (PENDA’S FEN) Previews include: BABY DRIVER (Edgar Wright, 2017), CHURCHILL (Jonathan Teplitzky, 2017), HOUNDS OF LOVE (Ben Young, 2016) Runs include: THE RED TURTLE (Michael Dudok de Wit, 2016), STOCKHOLM MY LOVE (Mark Cousins, 2016), DAUGHTERS OF THE DUST (Julie Dash, 1991), THE GRADUATE (Mike Nichols, 1967), DESTINY (Fritz Lang, 1921) Thursday 4 May 2017, London. This June the programme at BFI Southbank is packed with exciting events and seasons to entice audiences in from a summer’s day on the South Bank. There will be a season to celebrate the eightieth birthday of DUSTIN HOFFMAN, including a 50th anniversary re-release of his breakthrough film The Graduate (Mike Nichols, 1967), which is back in cinemas across the UK courtesy of Studio Canal in a brand new 4K restoration. The latest director to take on programming duties at BFI Southbank, following in the illustrious footsteps of John Waters, Pedro Almodóvar and Martin Scorsese, will be Edgar Wright, who has curated a long weekend of films - EDGAR WRIGHT PRESENTS CAR CAR LAND - all of which influenced him to make his latest feature Baby Driver (2017), which premiered to great acclaim at SXSW and will receive a preview screening during the weekender. We hope to welcome Edgar Wright, alongside some of his cast and crew, to this preview screening.
    [Show full text]