DOCSLIB.ORG

Vol. 16, No. 1 January 2012 Freeyou Can’T Buy It

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vol. 16, No. 1 January 2012 Freeyou Can’T Buy It ABSOLUTELY Vol. 16, No. 1 January 2012 FREEYou Can’t Buy It air plane one, 2010 ceramic,mixed metals,concrete,paint 14”H x 11”W x 7”D another heaven, 2011 ceramic,mixed metals,paint 8”H x 5.5”W x 3.5”D earful pastel,ink,acrylic on paper 40” x 26” shark chase 1, 2010 ceramic,mixed metals,paint 7.5”H x 14”W x 7”D Works by Virginia-based artist Aggie Zed are part of the exhibition Aggie Zed: Keeper’s Keep, on view at the Halsey Institute of Contemporary Art (HICA) at the College of Charleston School of the Arts vitrine pastel,ink,acrylic on paper 40”x 26” in Charleston, South Carolina. The exhibit will be on view from January 21 through March 10, 2012. TABLE OF CONTENTS Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Page 1 - Cover, artwork by Aggie Zed showing at the Halsey Institute in Charleston, SC Listed in order in which they appear in the paper. Page 2 - Table of Contents, Advertising Directory, Contact Info, Links to blogs and Carolina Arts site Page 3 - Morris & Whiteside Galleries Page 4 - Editorial Commentary Page 4 - Elder Gallery and Smith Galleries Page 5 - Articles about Mint Museum Uptown and The Light Factory Page 5 - High Museum of Art Page 6 - Articles cont. about The Light Factory, McColl Center for Visual Arts, Central Piedmont Page 6 - Shain Gallery, Hodges Taylor Art Consultancy, Lark & Key, and Providence Gallery Community College, and Harvey B. Gantt Center Page 9 - Annette Ragone Hall and Stanly Arts Guild Page 7 - Maps of the Charlotte Area and Davidson, Rowan, Cabarrus & Stanly Counties Mouse House and The Gallery at Nonnah’s Page 8 - Articles cont. about Harvey B. Gantt Center, Jerald Melberg Gallery, Shain Gallery, Page 10 - Hodges Taylor Art Consultancy, and Hickory Museum of Art Page 11 - City Art Gallery and One Eared Cow Glass Page 9 - Articles cont. about Hickory Museum of Art, Rail Walk Studios & Gallery, Cabarrus Arts Page 12 - 701 Center for Contemporary Art Council, and Mooresville Artist Guild Page 13 - Vista Studios Page 10 - Articles cont. about Hickory Museum of Art, Vista Studios, and Anastasia & Friends Page 15 - Spartanburg Art Museum and Greenville Artist Guild Gallery Page 11 - Maps of downtown Columbia, SC Page 16 - Spartanburg Art Museum and William Jameson Workshops Page 12 - Articles cont. about Anastasia & Friends, City Art Gallery, Aiken Center for the Arts, and Blue Ridge Arts Council Hitchcock Health Center Page 17 - Page 13 - Map of Hilton Head Island, articles cont. about Hitchcock Health Center and Arts Council Page 18 - Clemson University and The Artist’s Coop of Beaufort (SC) County Page 19 - Who Knows Art by Wendy Outland and Robbie Bell Page 14 - Article about the Upstate Heritage Quilt Trail Page 20 - USC Upstate Page 15 - Articles cont. about Upstate Heritage Quilt Trail, Arts Council of Beaufort (SC) County, and Page 21 - Art Trail Gallery Artist’s Guild of Spartanburg Page 22 - Hillsborough Artists Gallery Page 16 - Articles about Spartanburg Art Museum and USC-Upstate Page 23 - Suntet River Marketplace, Seagrove Potteries, Carolina Clay Resource Directory, and Page 18 - Article about Clemson University Page 19 - Map of Upstate South Carolina, article about Black Mountain College Museum Carolina Creations Page 20 - Articles cont. about Black Mountain College Museum, Artist Guild Gallery of Greenville Page 25 - Eva Carter Studio and The Wells Gallery (SC), and Francis Marion University Page 26 - The Sylvan Gallery Page 21 - Articles cont. about Francis Marion University, Coker College and Florence Museum of Art Page 27 - Rhett Thurman, Gibbes Museum of Art, Helena Fox Fine Art, The Sylvan Gallery, Page 22 - Articles cont. about Florence Museum of Art, Art Trail Gallery, and Coastal Carolina The Wells Gallery, Corrigan Gallery, Saul Alexander Foundation Gallery, Smith-Killian University Fine Art, Nina Liu & Friends, The Pink House Gallery, Gaye Sanders Fisher Gallery, Page 23 - Articles about The Imperial Centre for the Arts and Brookgreen Gardens Page 24 - Articles cont. about Brookgreen Gardens, Sunset River Marketplace Burroughs-Chapin Spencer Art Galleries, Dog & Horse Fine Art & Portrait, Cone Ten Studios & Gallery, Art Museum, and New Bern ArtWorks & Company and McCallum-Halsey Studios Page 25 - Articles about College of Charleston Halsey Institute and Charleston Artist Guild Gallery Page 28 - Whimsy Joy, McCallum-Halsey Studios, Charleston Artist Guild Gallery and City Gallery Page 26 - Articles cont. about Charleston Artist Guild Gallery and Rick Rhoads Photography at Waterfront Park Page 27 - Map of downtown Charleston, SC Page 29 - Inkpressions, Smith Killian Fine Art, The Pink House Gallery, The Treasure Nest Art Page 28 - Articles cont. about Rick Rhoads Photography, City of North Charleston City Gallery, and Gallery and The Finishing Touch City of North Charleston The Meeting Place Page 29 - Article cont. about City of North Charleston The Meeting Place Page 30 - Karen Burnette Garner and Peter Scala Page 30 - Editorial Commentary cont, articles about Looking Back at Carolina Arts Page 31 - Map of Western North Carolina, articles cont. about Looking Back at Carolina Arts and Western Carolina University Don’t forget about our website: www.carolinaarts.com Page 32 - Articles about Caldwell Memorial Hospital, Appalachian State University, MESH Gallery and Caldwell Arts Council Page 33 - Articles about NC Museum of Art, NC State University, CAM Raleigh, Bull City Arts Collaborative, and Duke University Page 34 - Articles cont. about Duke University, UNC-Chapel Hill, Milton Rhoads Center for the Arts and Reynolda House Museum Page 35 - Articles cont. about Reynolda House Museum, Guilford College, UNC-Greensboro, and Artspace Page 36 - Articles cont. about Artspace, Durham Arts Council, Center for Documentary Studies, Gallery C, and Woolworth Walk Page 37 - NC Institutional Galleries - Aberdeen - Burnsville You can find past issues all the way back to August 2004! Page 38 - NC Institutional Galleries - Cary - Charlotte You can find past articles all the way back to June 1999 Page 39 - NC Institutional Galleries - Charlotte - Durham Page 40 - NC Institutional Galleries - Elizabeth City - Hillsborough Also don’t forget about our two blogs: Page 41 - NC Institutional Galleries - Kings Mountain - Rocky Mount Carolina Arts Unleashed - Carolina Arts News Page 42 - NC Institutional Galleries - Rocky Mount - Winston-Salem Page 43 - NC Institutional Galleries - Winston-Salem & NC Commercial Galleries - Aberdeen - Send us your email address to be added to our list to receive Asheville notice of each monthly issue. [email protected] Page 44 - NC Commercial Galleries - Asheville - Black Mountain Page 45 - NC Commercial Galleries - Blowing Rock - Charlotte Carolina Arts, is published monthly by Shoestring Publishing Company, a subsidiary of PSMG, Inc. Copyright© 2012 by PSMG Inc. It also publishes the blogs Carolina Page 46 - NC Commercial Galleries - Charlotte - Columbia Arts Unleashed and Carolina Arts News, Copyright© 2012 by PSMG, Inc. All rights Page 47 - NC Commercial Galleries - Concord - Hillsborough reserved by PSMG, Inc. or by the authors of articles. Reproduction or use without written Page 48 - NC Commercial Galleries - Lenoir - Raleigh permission is strictly prohibited. Carolina Arts is available online at (www.CarolinaArts. Page 49 - NC Commercial Galleries - Raleigh - Seagrove com). Mailing address: P.O. Drawer 427, Bonneau, SC 29431. Telephone: 843/825-3408, e-mail at ([email protected]) and on the web at (www.CarolinaArts.com). Page 50 - NC Commercial Galleries - Seagrove Page 51 - NC Commercial Galleries - Seagrove - Waynesville Editor/Publisher/Calendars/Distribution Page 52 - NC Commercial Galleries - Weaversville - Winston-Salem & SC Institutional Galleries - Thomas J. Starland Web Master/Advertising/Business Manager Allendale - Charleston Linda Parks Starland Page 53 - SC Institutional Galleries - Charleston - Columbia Blog Guru & Graphics Page 54 - SC Institutional Galleries - Columbia - Laurens Zelda Ravenel Page 55 - SC Institutional Galleries - McCormick - Spartanburg Proofer Andrew A. Starland Page 56 - SC Institutional Galleries - Spartanburg - Walterboro & SC Commercial Galleries - Aiken/ Contributing Writers This Month N. Augusta - Charleston None This Month Page 57 - SC Commercial Galleries - Charleston Advertising Rates Click here for advertising rates. Page 58 - SC Commercial Galleries - Charleston - Columbia The deadline for the February 2012 issue is Page 59 - SC Commercial Galleries - Columbia - Greenville January, 24, 2012. Page 60 - SC Commercial Galleries - Greenville - Mount Pleasant Page 61 - SC Commercial Galleries - Myrtle Beach - Sumter To advertise call 843/825-3408. Page 2 - Carolina Arts, January 2012 Table of Contents Jonathan Green Green Nana Oil on Canvas 48 x 36 inches Morris & Whiteside Galleries For additional information contact the gallery at 843•842•4433 or to view additional works www.morris-whiteside.com 220 Cordillo Parkway • Hilton Head Island • South Carolina • 29928 • 843.842.4433 Table of Contents Carolina Arts, January 2012 - Page 3 towards coming into the 21st century. be struggling, we may look very differ- Editorial by Tom Starland, Editor and Publisher ent than we did in 1997, and we may be Twenty-Five Years spending more time than we like on a thing called Facebook, but we’re still here Twenty-five years seems like a long - for now. Amazingly, some people are COMMENTARY time, but it also seems just like yesterday. jumping into the art biz as some close up Our son Andrew was born a few months shop or are pausing to reorganize. The arts Celebrating 25 Years others have taken harder ones and some after we started publishing Charleston still have a strong draw to them. are with us no longer. The whole pub- Arts, so we’ve had him to measure the So look back with us and see where we Well, we won’t officially celebrate our lishing industry has taken big hits and is passing time. He got married this year were in 1997. If you were not here you 25th anniversary until July 2012, but 2012 constantly struggling and adjusting to this on New Year’s Eve.
Load more

Recommended publications
  • Annual Report 2016
    Collecting Exhibiting Learning Connecting Building Supporting Volunteering & Publishing & Interpreting & Collaborating & Conserving & Staffing 2016 Annual Report 4 21 10 2 Message from the Chair 3 Message from the Director and the President 4 Collecting 10 Exhibiting & Publishing 14 Learning & Interpreting 18 Connecting & Collaborating 22 Building & Conserving 26 Supporting 30 Volunteering & Staffing 34 Financial Statements 18 22 36 The Year in Numbers Cover: Kettle (detail), 1978, by Philip Guston (Bequest of Daniel W. Dietrich II, 2016-3-17) © The Estate of Philip Guston, courtesy McKee Gallery, New York; this spread, clockwise from top left: Untitled, c. 1957, by Norman Lewis (Purchased with funds contributed by the Committee for Prints, Drawings, and Photographs, 2016-36-1); Keith and Kathy Sachs, 1988–91, by Howard Hodgkin (Promised gift of Keith L. and Katherine Sachs) © Howard Hodgkin; Colorscape (detail), 2016, designed by Kéré Architecture (Commissioned by the Philadelphia Museum of Art for The Architecture of Francis Kéré: Building for Community); rendering © Gehry Partners, LLP; Inside Out Photography by the Philadelphia Museum of Art Photography Studio A Message A Message from the from the Chair Director and the President The past year represented the continuing strength of the Museum’s leadership, The work that we undertook during the past year is unfolding with dramatic results. trustees, staff, volunteers, city officials, and our many valued partners. Together, we Tremendous energy has gone into preparations for the next phase of our facilities have worked towards the realization of our long-term vision for this institution and a master plan to renew, improve, and expand our main building, and we continue reimagining of what it can be for tomorrow’s visitors.
    [Show full text]
  • National Register of Historic Places Registration Form
    NPS Form 10-900 0MB No. 1024-0018 United States Department of the Interior National Park Service ~<;- JO 1C National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in · .£.~ter Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to ;~l r t· ·i{',r- , . t\ 7 re ~ docum~nted, enter "N/A': for "not applicable." For functions, architectural classification, materials, and areas of signi C 'Ill~ -,. 1 I~ L1 \\!/ Ls n '"'":'." :~::·:;;r:;~:~=~,,,~ I~;; 8 20;-i 1J Historic name: Waikiki Village Motel L ~ j Other names/site number: Natl. R()g or ;11&~/~ces N ame o f re 1ate d mu Itip · 1e property 1·1stmg: · NJt•t)rul -Par-~-'' 51.,-11 r.e NI A (Enter "NIA" ------------------------ if property is not part of a multiple property listing 2. Location Street & number: 1500 South Ocean Boulevard City or town: Myrtle Beach State: SC County: _H_o_rr-y ___ Not For Publication: D Vicinity: D 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this -2L_ nomination _ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _x_ meets _ does not meet the National Register Criteria. I recommend that ~his property be considered significant at the following level(s) of significance: national _statewide __!._local Applicable National Register Criteria: _x_A _B _x_C D Preservation Officer: Date State or Federal a enc /bureau or Tribal Government 1 United States Department of the Interior National Park Service/ National Register of Historic Places Registration Form NPS Form 10-900 0MB No.
    [Show full text]
  • First Cyberfeminist International
    editorial In September 1997 the First Cyberfeminist International Who is OBN and what do they do? took place in the Hybrid Workspace at Documenta X, in The Old Boys Network was founded in Berlin in spring Kassel, Germany. 37 women from 12 countries partici- 1997 by Susanne Ackers, Julianne Pierce, Valentina pated. It was the first big meeting of cyberfeminists Djordjevic, Ellen Nonnenmacher and Cornelia Sollfrank. organized by the Old Boys Network (OBN), the first inter- OBN consists of a core-group of 3-5 women, who take national cyberfeminist organisation. responsibility for administrative and organisational tasks, and a worldwide network of associated members. OBN is dedicated to Cyberfeminism. Although cyber- feminism has not been clearly defined--or perhaps OBN’s concern is to build spaces in which we can because it hasn't--the concept has enormous potential. research, experiment, communicate and act. One Cyberfeminism offers many women--including those example is the infrastructure which is being built by weary of same-old feminism--a new vantage point from OBN. It consists of a cyberfeminist Server (currently which to formulate innovative theory and practice, and under construction), the OBN mailing list and the orga- at the same time, to reflect upon traditional feminist nisation of Real-Life meetings. All this activities have the theory and pratice. purpose to give a contextualized presence to different artistic and political formulations under the umbrella of The concept of Cyberfeminism immediately poses a lot Cyberfeminism. Furthermore we create and use different of questions. The most important ones are: 1. What is kinds of spaces, spaces which are more abstract.
    [Show full text]
  • Arrested Student Files Complaint
    ,_. ' v\lltlled items '."- ' n each Kroger sad. If we do •ffer you your , . ble, reflecting I entitle you to '· vertiled price ·, upon will be K ITEMS AND , THROUGH Volume 73 No.29 . Wake Forest University, Winston-Salem North Carolina Friday, May 4, 1990 • ,J ~. - • • •• ' TON-SALEM '\' "< •• •• ... ' ' ····· . -. ·- ....... ~.. ' lUANTITIES. ::Struggle for:.fA.partheid Must Be for Yourself Because It Is Right, Angelou Says By Steph Mohl Angelou and Alton Pollard, an assistant see South Africans as ourselves." the massacre, 72 South Africans were killed Pollard told the story in order to say that 'old Gold and Black Reporter. professor of religion, were the principle She said, "If your love is for justice (then) and 200 were injured by police during a "as students you do make a difference." speakers. begin at home inside yourself and it will peaceful demonstration. · "Next year we hope to have more pro­ "You must struggle against apartheid not "Eventually it will be the young South Af­ s~ead around the woi'ld." . "Thirty years ago these people died in the grams like this to prom ole awareness about for tMse who will benefit from it, but for ricans who will decide to free themselves . _. Finally, Angelou said, "If you decide nameofjustice,"Pollardsaid. yourself because it is. right," said Maya so whatever we do we must consider that we not only South Africa but all over," said you're against apartheid, learn as much as Pollard continued, "Power and principal- SAA member Allison Orr. "It is our respon­ .Angelou, the Reynolds Professor of Ameri .. are doing it for ourselves," said Angelou, you can about South Africa." ity cannot stand against those who have right can Studies, at an anti-apartheid rally April .
    [Show full text]
  • Beets Documentation Release 1.5.1
    beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box.
    [Show full text]
  • Myrtle Beach Days & Nights
    Just for Fun Myrtle Beach Days & Nights By Katie McElveen When it comes to showing visitors a good time, the Myrtle Beach Area—with its glorious coastline, endless array of activities and options galore for dining and lodging—doesn’t mess around. Where to stay Six indoor and outdoor pools, three lazy rivers and a kiddie pool that doubles as a water park for the younger set, as well as two- and three-bedroom condos make Compass Cove a great choice for families who want to be on the beach and in the action. At the elegant Myrtle Beach Marriott Resort at Grande Dunes, the beds are dressed with luxurious duvets and down comforters while the resort’s Hibiscus Spa offers a full range of massages, facials and other bliss-inducing services. There’s golf and tennis on-site, too. With 116 rooms and suites, Hampton Inn and Suites Oceanfront is smaller than some of its neighbors, but it has plenty of amenities. Choose from regular rooms or suites with kitchens and separate bedrooms. 2 SOUTH CAROLINA SMILES 2009 prt 19371 Myrtle Beach Days Nigh2 2 2/9/09 1:12:28 PM Just for Fun Things to do Get face-to-face with the sharks, eels and octopi that inhabit the 750,000-gallon ocean habitat at Ripley’s Aquarium where you can also touch prehistoric-looking horseshoe crabs and several varieties of rays. Other exhibits showcase bright tropical fish from the south Pacific and Indian oceans, and menacing piranhas from the Amazon. After emerging from the deep, stroll through the shops, restaurants and other attractions at the adjoining Broadway at the Beach.
    [Show full text]
  • IAAPA Officials Expect 2011 Turnout to Be on Par with 2010 Expo
    PRE-IAAPA BONUS ISSUE TM Celebrating Our 15th Year Vol. 15 • Issue 8.1 NOVEMBER 2011 Industry IAAPA officials expect 2011 turnout remembers Ron Toomer to be on par with 2010 expo 1930-2011 STORY: Pam Sherborne Orlando’s Orange County Convention [email protected] Center to hold the Expo there. In 2010, ORLANDO, Fla. — Twenty years ago there were 1,140 exhibitors using 452,739 the International Association of Amuse- square-feet of exhibit space. There were ment Parks & Attractions (IAAPA) held about 25,000 people attending, which in- its expo in Orlando, Fla. Attendance clude 14,800 buyers. reached 19,200. There were 725 exhibitors As of Friday, Oct. 7, Mandt said 1,035 using 191,200 net square-feet of exhibit companies including more than 160 first- space. time exhibitors, had reserved exhibit Times have changed. space on the floor. That number is consis- This year when the Expo begins Nov. tent, he said, with the same time period 15 in Orlando, IAAPA officials are expect- as last year. ing at least 25,000 industry professionals vice president, communications. “The ex- Average booth size is slightly up so from 100 countries. IAAPA officials are hibit floor will be packed with ideas just the total number of net square-feet cov- anticipating more than 1,100 companies waiting to be discovered. More than 100 ered by the exhibitors is over 456,000, from nearly 30 countries, using about education sessions and tours will provide compared to the 452,739 in 2010. 450,000 net square-feet of exhibit space, perspective on hot topics and inspire op- Advance buyer registration is also including 30,000 net square-feet of out- erators to take their business to the next similar to last year at this same time.
    [Show full text]
  • Newyork-Presbyterian Hospital Annual Report
    Letters from Home 2006-2007 Annual Report NEWYORK-PRESBYTERIAN HOSPITAL Important Telephone Numbers THE ALLEN PAVILION OF NEWYORK-PRESBYTERIAN HOSPITAL NEWYORK-PRESBYTERIAN HOSPITAL/ WEILL CORNELL MEDICAL CENTER General Information (212) 932-4000 Patient Information (212) 932-4300 General Information (212) 746-5454 Admitting (212) 932-5079 Patient Information (212) 746-5000 Emergency Department (212) 932-4245 Admitting (212) 746-4250 Patient Services (212) 932-4321 Ambulance Services Dispatcher (212) 472-2222 Development (212) 821-0500 Emergency Department NEWYORK-PRESBYTERIAN HOSPITAL/ Adult (212) 746-5050 COLUMBIA UNIVERSITY MEDICAL CENTER Pediatric (212) 746-3300 General Information (212) 305-2500 Psychiatry (212) 746-0711 Patient Information (212) 305-3101 Human Resources (212) 746-1409 Admitting Marketing (212) 585-6800 Main Reception (212) 305-7091 NewYork-Presbyterian Sloane Hospital for Women (212) 342-1759 Healthcare System (212) 746-3577 Ambulance Services Dispatcher (212) 305-9999 Patient Services (212) 746-4293 Development (212) 342-0799 Physician Referral Service (800) 822-2694 Emergency Department Psychiatry, Payne Whitney Manhattan Adult (212) 305-6204 Referrals and Evaluation (888) 694-5700 Pediatric (212) 305-6628 General Information (212) 746-5700 Psychiatry (212) 305-6587 Public Affairs (212) 821-0560 Human Resources (212) 305-5625 Marketing (212) 821-0634 WESTCHESTER DIVISION OF NEWYORK-PRESBYTERIAN HOSPITAL Patient Services (212) 305-5904 Physician Referral Service (877) NYP-WELL General Information (914) 682-9100 Public Affairs (212) 305-5587 Payne Whitney Westchester Referrals and Evaluation (888) 694-5700 MORGAN STANLEY CHILDREN’S HOSPITAL Table of Contents OF NEWYORK-PRESBYTERIAN Physician Referral (800) 245-KIDS Letters from Home — 2 General Information (212) 305-KIDS Patient Information (212) 305-3101 Noteworthy — 24 Admitting (212) 305-3388 Leadership Report — 26 Emergency Department (212) 305-6628 Facts and Financials — 31 Dr.
    [Show full text]
  • The Muse of Fire: Liberty and War Songs As a Source of American History
    3 7^ A'£?/</ THE MUSE OF FIRE: LIBERTY AND WAR SONGS AS A SOURCE OF AMERICAN HISTORY DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kent Adam Bowman, B.A., M.A Denton, Texas August, 1984 Bowman, Kent Adam, The Muse of Fire; Liberty and War Songs as a Source of American History. Doctor of Philosophy (History), August, 1984, 337 pp., bibliography, 135 titles. The development of American liberty and war songs from a few themes during the pre-Revolutionary period to a distinct form of American popular music in the Civil War period reflects the growth of many aspects of American culture and thought. This study therefore treats as historical documents the songs published in newspapers, broadsides, and songbooks during the period from 1765 to 1865. Chapter One briefly summarizes the development of American popular music before 1765 and provides other introductory material. Chapter Two examines the origin and development of the first liberty-song themes in the period from 1765 to 1775. Chapters Three and Four cover songs written during the American Revolution. Chapter Three describes battle songs, emphasizing the use of humor, and Chapter Four examines the figures treated in the war song. Chapter Five covers the War of 1812, concentrating on the naval song, and describes the first use of dialect in the American war song. Chapter Six covers the Mexican War (1846-1848) and includes discussion of the aggressive American attitude toward the war as evidenced in song.
    [Show full text]
  • Release V2.5.6
    MusicBrainz Picard Release v2.5.6 Feb 16, 2021 MusicBrainz Picard User Guide by Bob Swift is licensed under CC0 1.0. To view a copy of this license, visit https://creativecommons.org/publicdomain/zero/1.0 CONTENTS 1 Introduction 1 1.1 Picard Can. ...........................................2 1.2 Picard Cannot. .........................................2 1.3 Limitations...........................................2 2 Contributing to the Project3 3 Acknowledgements4 3.1 Editor and English Language Lead..............................4 3.2 Translation Teams.......................................4 3.3 Contributors..........................................4 4 Glossary of Terms 6 5 Getting Started 10 5.1 Download & Install Picard................................... 10 5.2 Main Screen.......................................... 12 5.3 Status Icons........................................... 18 6 Configuration 20 6.1 Screen Setup.......................................... 20 6.2 Action Options......................................... 21 6.3 Option Settings......................................... 21 7 Tags & Variables 66 7.1 Basic Tags........................................... 66 7.2 Advanced Tags......................................... 70 7.3 Basic Variables......................................... 72 7.4 File Variables.......................................... 73 7.5 Advanced Variables...................................... 74 7.6 Classical Music Tags...................................... 75 7.7 Tags from Plugins......................................
    [Show full text]
  • United States of America Immigration Options for Investors & Entrepreneurs
    Chung, Malhas & Mantel, PLLC The Pioneer Building 600 First Avenue, Suite 400 Seattle, Washington 98104 Telephone: (206) 264-8999 Facsimile: (206) 264-9098 Skype: cmmrlawfirm.connect Website: www.cmmrlawfirm.com General Disclaimer: This booklet, all of its materials, and the illustrations contained herein are for general instructional and educational purposes only. They are not, and are not intended to provide, legal advice about what to do or not to do in any particular case. All data & information in this booklet is solely offered as examples. No person should rely on the materials or information in this booklet to make decisions about investing or participating in any EB-5 visa immigration program or non-immigrant investment visas without consulting with an attorney. If you have questions about the content contained in this booklet, please contact the law firm of CHUNG, MALHAS & MANTEL, PLLC. Chung, Malhas & Mantel ®2013 Copyright © 2013 by Chung, Malhas & Mantel, PLLC. All rights reserved. No part of this booklet may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage retrieval system, without written permission from Chung, Malhas & Mantel, PLLC. No copyright claim on U.S. government material. Request for permission to make electronic or print copies of any part of this booklet should be mailed to Chung, Malhas & Mantel, PLLC, 600 First Avenue, Suite 400, Seattle, Washington 98104 or e-mailed to [email protected]. Table of Contents THE PARTNERS iii FOREWORD v PREFACE vi CHAPTER I. Immigrant – EB-5 Investor Program (Green Card) Overview 1 EB-5 Immigrant Investment Flowchart 2 Steps to Qualify Under the EB-5 Program 3 EB-5 Requirements 3 EB-5 Program Benefits 4 Benefits of Immigrating to the United States 4 Ways to Invest Through EB-5 5 Industry Investment Areas 6 EB-5 Fee Structure 7 EB-5 Statistics 8 CHAPTER II.
    [Show full text]
  • Hickory Museum of Art Page 14 - Mouse House / Susan Lenz & One Eared Cow Glass Page 18 - Hickory Museum of Art Cont., Blue Moon Gallery & Asheville Gallery of Art
    ABSOLUTELY FREE Vol. 23, No. 1 January 2019 You Can’t Buy It Happy New Year! Artwork, Buffoon, is by Luis Ardila and is part of the exhibit ARTE LATINO NOW 2019 on view at the Max L. Jackson Gallery, Watkins building, Queens University of Charlotte, Charlotte, NC. This is the eighth annual exhibition featuring the exciting cultural and artistic contributions of Latinos in the United States. A reception will be held on January 17, 2019 from 5:30 - 7:30pm. Article is on Page 17. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Queens University of Charlotte - Luis Ardila Page 3 - Karen Burnette Garner & Wells Gallery at the Sanctuary Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Halsey-McCallum Studio & Whimsy Joy by Roz Page 3 - City of North Charleston Page 5 - Emerge SC Page 4 - Editorial Commentary & City of North Charleston cont. Page 5 - Editorial Commentary cont. Page 6 - Avondale Therapy / Susan Irish Page 6 - Charleston Artist Guild & Gibbes Museum of Art Page 7 - Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Rhett Thurman, Page 8 - Coastal Discovery Museum Page 9 - Art League of Hilton Head x 2 & University of SC - Upstate Anglin Smith Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 11 - University of SC - Upstate cont. & West Main Artists Co-op & Saul Alexander Foundation Gallery Page 12 - West Main Artists Co-op, Converse College & Page 8 - Art League of Hilton Head USC-Upstate / UPSTATE Gallery on Main Page 13 - USC-Upstate / UPSTATE Gallery on Main cont.
    [Show full text]