Hi-Fi News June 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
CSA 1300Z CSA 2300Z Commercial Series Amplifer
JBL Commercial Series CSA 1300Z CSA 2300Z Commercial Series Amplifer Operation Manual CSA 1300Z CSA 2300Z Contents Important Safety Information .......................................................................... 3 JBL DECLARATION OF CONFORMITY .......................................................... 5 1.0 Welcome ................................................................................................... 7 1.1 Features ................................................................................................. 7 1.2 Front Control Panels and Indicators ...................................................... 8 1.3 Rear Panel Controls and Connectors..................................................... 9 2.0 Setup ........................................................................................................10 2.1 Unpacking Your Amplifier ......................................................................10 2.2 Installing Your Amplifier .........................................................................10 2.3 Ensuring Proper Cooling .......................................................................12 2.4 Choosing Input Wire and Connectors ...................................................12 2.5 Output Wiring and Connectors .............................................................13 2.6 Wiring Your Audio System .....................................................................14 2.7 Connecting to AC Mains .....................................................................15 2.8 Protecting -
Past, Present and Future Harman International 2004 Annual Report
Harman International 2004 Annual Report Past, Present and Future Our cover is a rendering of the new Shanghai, China Oriental Arts Center. Now under construction for the 2008 Olympics, it will incorporate two concert halls, an opera house and an eleven hundred seat theater. The Oriental Arts Center is one of many totally new theatres, athletic stadia and performing art centers being built to serve the most expansive Olympics in history. Harman International has received a number of significant awards and we expect to be very well represented. China is a compelling and sometimes tantalizing story for everyone. Our past, our present and our future are writ large there. Ten years ago Harman found a voracious market for our quality home audio equipment. That was the past. Numbers of very competent Chinese manufactures have developed in the years since, and have produced excellent products with increasingly recognized Chinese brand names. That is not a promising busi- ness situation for us, although our upcoming new media centers may generate revived interest—at least for a time. Our present is represented on the cover of this report. As China surges economically, its need for supportive infrastructure grows exponentially. Our professional systems are without peer, and we expect that part of our business to grow and flourish everywhere, but especially in China. It is clearly our present. The great opportunity before us, not surprisingly, is in automotive. Predictably, China is developing as a major market for automobiles and, consequently, for our Infotainment systems. We are the leader in Europe today and we are confident that we will be the leader in North America. -
Application: Key Features: JBL EON15 G2 Speakers E8 Mixer D2000S
Complete Portable Sound Reinforcement System Application: The E-System 15, featuring two EON15 G2 pow- ered speakers, a Soundcraft E8 sound reinforce- ment mixer, and two AKG D2000S dynamic hyper- cardioid microphones, is a complete, integrated sound system intended for a wide range of appli- cations in reinforcement of music and speech. Key Features: The E-System 15 is just that–a system. From the top manufacturers in the pro audio industry, each component has been selected to support and com- plement the others. JBL EON15 G2 Speakers The second generation of one of the most success- ful and influential professional speaker systems ever. ᭤ 15" Differential Drive™ low-frequency driver E8 Mixer with dual neodymium magnet for light weight and reduced distortion. ᭤ ᭤ 1" (throat diameter) JBL compression driver with 8 mic/line input channels 1.75" titanium diaphragm and ferro-fluid cooling. ᭤ 2 stereo input channels ᭤ 300 watts low-frequency and 100 watts high-fre- ᭤ Three-band channel EQ with variable mid- quency (bi-amplified)–actual power delivered to frequency for precise tailoring of the sound the drivers. ᭤ ᭤ Built-in 3-input mixer. One balanced mic/line Precision, ultra-linear mic pre-amps input, two balanced ¼" phone line-level inputs. ᭤ Two auxiliary monitor or effects busses with Two-band equalization. pre/post settings ᭤ Balanced loop-through/mix output. “Daisy- ᭤ True professional +48V phantom power chain” additional EON speakers or send the ᭤ mixed output to a mixing console. Smooth 100 mm faders for precise control of your mix ᭤ 60° x 90° (nominal) constant directivity horn. ᭤ ᭤ Thermomaster® Total Thermal Management Individual channel mute switches so you can System®. -
JBL EON515XT User Guide
USER’S GUIDE For: Français, Deutsch, Español, visit www.jblpro.com 2 Contents Section 1: Welcome To The Family .................................................................... 4 Before You Begin - Important Information ................................................................... 5 Section 2: Precautions Watch For These Symbols .......................................................................................... 6 AC Power Requirements ............................................................................................. 6 CAUTION .................................................................................................................... 6 EON ® Power Amplifiers - Operating Temperature ..................................................... 6 Care and Maintenance ................................................................................................ 6 Mounting / Suspending EON Speakers ...................................................................... 7 Stand Mounting Safety Precautions ............................................................................ 7 Hearing Damage, Prolonged Exposure to Excessive SPL ......................................... 7 EON Series Speakers Declaration Of Conformity ....................................................... 8 Section 3: Quick Start Packaging Contents .................................................................................................... 9 Section 4: About the EON515XT Applications .............................................................................................................. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Contacting Dbx Technical Support
v1.0 25-Aug-21 My dbx product has developed a fault or I have a question about a product which I have purchased or perhaps intend to purchase. Who do I contact? The information below is applicable to products from dbx. Support for Harman Consumer products can be found at https://harmanaudio.com. Support for Harman Luxury products can be found at https://harmanluxuryaudio.com. USA Customers who have purchased a product in the USA or have a question about a product which they perhaps intend to purchase in the USA are supported directly by Harman Professional. Support contact information can be found at https://dbxpro.com/support/tech_support. This page contains a web-form where you can enter your contact details and query. Outside the USA Support outside of the USA is provided by Harman Professional distribution partners. These partners are responsible for sales, spare parts, repairs, technical support and general product queries. They will be able to provide assistance within local time-zone working hours for the territory. Distribution partner contact information can be obtained from https://dbxpro.com/support/tech_support after selecting your country from the drop-down selection box found at the top of the webpage. If a product develops a fault during the warranty period then please contact the point of sale (retailer or web-store). Warranty information can be found at https://dbxpro.com/warranty. About HARMAN Professional Solutions HARMAN Professional Solutions is the world’s largest professional audio, video, lighting, and control products and systems company. Our brands comprise AKG Acoustics®, AMX®, BSS Audio®, Crown International®, dbx Professional®, DigiTech®, JBL Professional®, Lexicon Pro®, Martin®, and Soundcraft®. -
Steve Jansen – Tender Extinction
Steve Jansen – Tender Extinction (48:20, CD, A Steve Jansen Production, 2016) Bereits im April dieses Jahres erschien das aktuelle Soloalbum des Ex-Japaners Steve Jansen. War der Vorgänger „Slope“ noch auf Samadhi Sound, dem Label seines Bruders David Sylvian herausgekommen, ist „Tender Extinction“ im Eigenverlag über Bandcamp veröffentlicht worden. Erneut versammelte Jansen eine ganze Reihe hochkarätiger Gäste für sein Album. Es sind dieses Mal hauptsächlich Gast- Vokalisten und -Vokalistinnen. Sein BruderDavid gibt allerdings weiterhin den Waldschrat und war dieses Mal nicht dabei. Zum Einstieg gibt sich der Schwede Thomas Feiner die Ehre und liefert Gesang und Text zu ‚Captured‘. Das dunkel- symphonische Stück gibt die Marschrichtung des Albums vor und wirkt geradezu beschwörend bedrohlich – „Something left, and died out there“. Auch das von Perkussion dominierte ‚Her Distance‘ mit Gastsänger und Texter Perry Blake setzt auf beschwörende Gesangslinien und dunkle Atmosphäre. Insbesondere dieses Stück lässt Erinnerungen an das Cameo-Japan-Album „Rain Tree Crow“ aufkommen. Zwischen den gewichtigen Vokalstücken platzierteJansen Ambient-artige Instrumentals und Miniaturen, die dem Werk einen sanften Fluss geben. Tim Elsenburg (‚Give Yourself A Name‘) und Nicola Hitchcock (‚Faced With Nothing‘) verleihen den von ihnen gesungenen Stücken mit ihrehn markanten Stimmen einen sehr eindringlichen Charakter.Jansen selbst am Mikrophon beendet das Album mit dem sanften ‚And Bird Sing All Night‘, wobei er wiederum seinem berühmten Bruder zum Verwechseln ähnlich klingt. Tja, die Gene. Dass „Tender Extinction“ nicht als Stimmungsaufheller taugt, versteht sich somit von selbst. Herbstlicher Schwermut durchzieht dieses Werk. Das quirlig-elektronische Element, das Steve Jansens Album „Slope“ auszeichnete, wurde für „Tender Extinction“ ersatzlos gestrichen. Die Zusammenarbeit mit den genannten Sängern und Sängerinnen und eine eher sparsam symphonische Ausrichtung bringt hier Spannung auf einem anderen Terrain hervor. -
Erp Modernization & Consolidation
ERP MODERNIZATION & CONSOLIDATION CASE STUDY CUSTOMER CONTEXT SUMMARY A global industrial manufacturing company was • Templatized implementation & rollout approach for rapid implementation running a legacy ERP for critical operations in supply across 54 entities in 26 months. chain, financial controlling & management incurring increasing maintenance costs & bandaging huge • ‘Process Templates’ for standardizations & synergies across processes. customization components to cover the process gaps • Optimal resources alignment in onshore-offshore mix with technical & making the adoption of a modern ERP challenges. business functions stream. PROJECT BACKGROUND SOLUTION BENEFITS • Project planned for 54 distinct entities across • Single Source of Truth across demand planning & forecasting, supply chain 22 countries. operations & financial controlling & management. • Plans executed for complex organizational • Consolidation of multiple manufacturing modes of process, discrete, structure of customer teams across entity configure to order, made to order, engineer to order. locations & shared-services based on operational • Seamless integration of B2B order management system with SAP Hybris. streams of ‘factory’, ‘distribution’, ‘sales’ & ‘finance’. PARTNER WITH AN INDUSTRY EXPERT • Integrated execution of sunsetting 5 ERP systems HARMAN (harman.com) designs and engineers & multiple satellite applications on a single ERP TOOLS / TECHNOLOGIES connected products and solutions for automakers, platform delivering post-modern application consumers, -
David Sylvian As a Philosopher Free Download
DAVID SYLVIAN AS A PHILOSOPHER FREE DOWNLOAD Leonardo Vittorio Arena | 66 pages | 28 Feb 2016 | Mimesis International | 9788869770029 | English | MI, Italy ISBN 13: 9788869770029 It would be another six months before the Nine Horses album would surface. But ours is a way of life. Secrets of the Beehive made greater use of acoustic instruments and was musically oriented towards sombre, emotive ballads laced with string arrangements by Ryuichi Sakamoto and Brian Gascoigne. Sylvian and Fripp's final collaboration was the installation Redemption — Approaching Silence. The two artists lived in New Hampshire where they had two children. For me, that David Sylvian as a Philosopher an exploration of intuitive states via meditation and other related disciplines which, the more I witnessed free-improv players at work, appeared to be crucially important to enable a being there in the moment, a sustained alertness and receptivity. Keep me signed in. Lyrics by David Sylvian. Forgot your details? By Stephen Holden, 16 December David Sylvian. Venice by Christian Fennesz Recording 3 editions published in in Undetermined and English and held by 26 WorldCat member libraries worldwide. Martin Power. Following Dead BeesSylvian released a pair of compilation albums through Virgin, a two-disc retrospective, Everything and Nothingand an instrumental collection, Camphor. He has said about his process, "With Blemish I started each day in the studio with a very simple improvisation David Sylvian as a Philosopher guitar. His father Bernard was a plasterer by trade, his mother Sheila a housewife. Home Learning. Never one to conform to commercial expectations, Sylvian then collaborated with Holger Czukay. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Deutsche Nationalbibliografie 2019 T 04
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2019 T 04 Stand: 03. April 2019 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2019 ISSN 1613-8945 urn:nbn:de:101-201811221845 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.