University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Now We've Got Our Khaki On: Woman And Music In First World War London Vanessa Williams University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, Music Commons, and the Women's Studies Commons Recommended Citation Williams, Vanessa, "Now We've Got Our Khaki On: Woman And Music In First World War London" (2017). Publicly Accessible Penn Dissertations. 2635. https://repository.upenn.edu/edissertations/2635 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2635 For more information, please contact
[email protected]. Now We've Got Our Khaki On: Woman And Music In First World War London Abstract Scholarship on British perspectives on the First World War now consistently incorporates reflections on wartime labor on the Home Front, particularly on women’s roles as nurses, factory workers, philanthropists, and care-givers. However, the creative work that produced the War’s popular culture—the material and affective labor of artists and audience members—is still largely absent: artistic responses to the conflict are studied chiefly through masterpieces of elite culture that conveyed appropriately elegiac affects of mourning and that continue to perpetuate modern conceptions of the War as a monolith of male martyrdom and heroism. This dissertation bridges this gap, situating women’s music-making within contemporary national debates over the political, economic, and social ramifications of women’s wartime work. During the First World War, the affective labor of musical performance and consumption became entwined with medical care, education, social control, and anxieties over wartime gender and class roles.