Self-Segregation Unveils That Racism Isn't Just A
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Relatório PCC 2
1 Gabriel Soares Gado CONCEPT DE PERSONAGEM PARA GAMES: PROJETANDO CRIATURAS COMO PERSONAGENS JOGÁVEIS Projeto de Conclusão de Curso submetido ao Curso de Design da Universidade Federal de Santa Catarina para a obtenção do Grau de Bacharel em Design Orientador: Prof. Dr. Luciane Maria Fadel Florianópolis, 2018 2 3 Gabriel Soares Gado CONCEPT DE PERSONAGEM PARA GAMES: PROJETANDO CRIATURAS COMO PERSONAGENS JOGÁVEIS Este Projeto de Conclusão de Curso foi julgado adequado para obtenção do Título de Bacharel em Design,e aprovado em sua forma final pelo Curso de Design da Universidade Federal de Santa Catarina Florianópolis, 08 de Junho de 2018. ________________________ Prof.ª Ana Veronica Pazmino, Dr.ª Coordenadora do Curso Banca Examinadora: ________________________ Prof.ª Luciane Maria Fadel, Dr.ª Orientadora Universidade Federeal de Santa Catarina ________________________ Prof.ª Mônica Stein, Dr.ª Universidade Federeal de Santa Catarina ________________________ Prof.ª Cristina Colombo Nunes, Dr.ª Universidade Federeal de Santa Catarina 4 5 Este trabalho é dedicado a todos os jogadores, estudantes e profissionais da indústria de jogos eletrônicos 6 7 AGRADECIMENTOS Gostaria de agradecer primeira e principalmente minha orientadora Profa. Dra. Luciane Maria Fadel, por toda a sua ajuda, apoio, paciência (principalmente), correções, conselhos, sem seu auxílio a realização deste projeto seria impossível. Agradeço a minha família por me dar suporte e facilitar meu trajeto neste trabalho. Reconheço a sorte que tenho em poder contar com eles ao me prover com sustento e me permitir focar meu tempo exclusivamente a produção deste projeto. Agradeço aos meus amigos por proporcionar momentos de descontração, diversão, apoio nas dificuldades, e auxílio. -
MATTHEW B. POPOSKY Her Truck in the Drive Editor-In-Chief Way
In and would be ' home when MATTHEW B. POPOSKY her truck in the drive Editor-in-Chief way. We thought she was on she wanted," Lawrence the phone, and I remember ColdonSr., father, said. A University of Missouri stepping out on the porch, The police, it turns out, - St. Louis student, Phoenix seeing her silhouette in were not helpful to the Coldon, junior, undeclared, the truck. You can see past Coldons. The officer taking disappeared from her home the front 'windows to the the report offered to run the on Sunday, December 18, end of the truck from our plates of Phoenix's truck, 2011. Since then, searches house. 1 remember peep but reported turning up no have occurred, flyers have ing off the porch and seeing responses. He also did not been posted and lines have her. I came back inside, and file a missing person's re been tied up with inquiries Lawrence saw her leave." port, citing his earlier men regarding the young stu Lawrence contin- tion of Phoenix's age. The dent's condition, whether ued the day's tran next day, another officer did she has been heard from scription at this point. come out :lnd say she would or seen, etc. What follo'ws "I saw Phoenix back file a report, although her is the account of Phoenix's out of the driveway and check of the truck's tags also disappearance and the pro pull off. That was the last came up empty. According cess followed since that time we saw her, at about to Lawrence, it was later day by her parents, Goldia 3 p.m. -
The Videogame Style Guide and Reference Manual
The International Game Journalists Association and Games Press Present THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL DAVID THOMAS KYLE ORLAND SCOTT STEINBERG EDITED BY SCOTT JONES AND SHANA HERTZ THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL All Rights Reserved © 2007 by Power Play Publishing—ISBN 978-1-4303-1305-2 No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher. Disclaimer The authors of this book have made every reasonable effort to ensure the accuracy and completeness of the information contained in the guide. Due to the nature of this work, editorial decisions about proper usage may not reflect specific business or legal uses. Neither the authors nor the publisher shall be liable or responsible to any person or entity with respects to any loss or damages arising from use of this manuscript. FOR WORK-RELATED DISCUSSION, OR TO CONTRIBUTE TO FUTURE STYLE GUIDE UPDATES: WWW.IGJA.ORG TO INSTANTLY REACH 22,000+ GAME JOURNALISTS, OR CUSTOM ONLINE PRESSROOMS: WWW.GAMESPRESS.COM TO ORDER ADDITIONAL COPIES OF THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL PLEASE VISIT: WWW.GAMESTYLEGUIDE.COM ACKNOWLEDGEMENTS Our thanks go out to the following people, without whom this book would not be possible: Matteo Bittanti, Brian Crecente, Mia Consalvo, John Davison, Libe Goad, Marc Saltzman, and Dean Takahashi for editorial review and input. Dan Hsu for the foreword. James Brightman for his support. Meghan Gallery for the front cover design. -
Curriculum Vitae
Curriculum Vitae Paul Andrew Ortiz Director, Associate Professor, Samuel Proctor Oral History Program Department of History 245 Pugh Hall 210 Keene-Flint Hall P.O. Box 115215 P.O. Box 117320 University of Florida University of Florida Gainesville, Florida, 32611 Gainesville, Florida 32611 352-392-7168 (352) 392-6927 (Fax) http://www.history.ufl.edu/oral/ [email protected] Affiliated Faculty: University of Florida Center for Latin American Studies and African American Studies Program Areas of Specialization U.S. History; African American; Latina/o Studies; Oral History; African Diaspora; Social Documentary; Labor and Working Class; Race in the Americas; Social Movement Theory; U.S. South. Former Academic Positions/Affiliations Founding Co-Director, UCSC Center for Labor Studies, 2007-2008. Founding Faculty Member, UCSC Social Documentation Graduate Program, 2005-2008 Associate Professor of Community Studies, University of California, Santa Cruz, 2005-2008 Participating Faculty Member, Latin American and Latino Studies; Affiliated Faculty Member, Department of History. Assistant Professor of Community Studies, University of California, Santa Cruz, 2001-2005. Visiting Assistant Professor in History and Documentary Studies, Duke University, 2000-2001. Research Coordinator, "Behind the Veil: Documenting African American Life in the Jim Crow South," National Endowment for the Humanities-Funded Oral History Project, Center for Documentary Studies at Duke University, 1996—2001. Visiting Instructor, African American Political Struggles and the Emergence of Segregation in the U.S. South, Grinnell College, Spring, 1999. (Short Course.) Research Assistant, “Behind the Veil,” CDS-Duke University, 1993-1996. Education: Doctor of Philosophy (History) Duke University, May 2000. Bachelor of Arts, The Evergreen State College, Olympia, Washington, June 1990. -
Ss8h7abcd SUMMARY - the New South – Racism – Civil Rights Activists of the Early 20Th Century
SS8H7abcd SUMMARY - The New South – Racism – Civil Rights Activists of the Early 20th Century SS8H7a Evaluate the impact the Bourbon Triumvirate, Henry Grady, International Cotton TOM WATSON and the POPULIST POLITICAL PARTY Exposition, Tom Watson and the Populists, Rebecca Latimer Felton, the 1906 Atlanta Riot, the Leo Frank Case, and the county unit system had on Georgia during this period. As a US Congressman and Senator from Georgia and leader of the Populists Political Party, Tom Watson helped support Georgia’s poor and struggling farmers. He created the RFD (Rural Free Delivery) which helped deliver US mail to people living in rural areas that helped build roads and bridges. Tom Watson opposed (was against) the New South movement and many of the conservative Democrat politicians. He believed that new industry in the South only helped people living in urban areas and did not benefit rural farmers. Early in his career Tom Watson tried to help both white AND black sharecroppers, but later in politics he became openly racist. COUNTY UNIT SYSTEM Elections were decided by a unit vote and not by a popular vote of the people. The population in each county determined how many unit votes a candidate would receive. There were 8 Urban counties that had the most population, but they only received six unit votes each. There were 30 Town counties that received four unit votes each. Finally, there were 121 Rural counties that received 2 unit votes each. This allowed small rural counties to have a lot of power in politics, however, the majority of the population of Georgia resided in Urban and Town counties. -
P20-21 Layout 1
20 Established 1961 Lifestyle Gossip Wednesday, July 31, 2019 he Kinks will release a 50th anniversary box set of ‘Arthur Or forcing me too much. “I felt very comfortable being in The Kinks and it T The Decline And Fall Of The British Empire’ featuring five seemed fulfilling to be part of a band. I didn’t really want for more. I unreleased tracks and a lost Dave Davies solo album. couldn’t see the point.” Ray admitted it was an emotional experience lis- Following the reissue of ‘The Kinks Are The Village Green tening to his brother Dave’s solo music again, because he felt like the Preservation Society’, the iconic rock group’s seminal 1968 record, in songs made up the “backstory” of the ‘You Really Got Me’ band. He October, the band are following it up with another treat for fans, in the added: “Hearing Dave’s songs again after all this time, I found them quite form of a jam-packed version of their seventh studio album, featuring moving because they were like the backstory of what The Kinks were previously unreleased track ‘The Future’ and much more. Frontman Sir going through at the time.” The siblings and the group’s former drummer Ray Davies said: “I started ‘Arthur’ before the end of ‘Village Green’. Mick Avory infamously feuded for years, and despite talks of working on “The albums piggyback one another because they are joined. I’d already a new album with Ray, Dave insisted they still need to “iron out a few” written the song ‘Arthur’. -
Did Kid Cudi and Vashtie Dating
Relationships. Kid Cudi has been in relationships with Stella Maeve (), Mariel Haenn (), Jamie Baratta ( - ) and Amanda Bynes ().. About. Kid Cudi is a 36 year old American Rapper. Born Scott Ramon Seguro Mescudi on 30th January, in Cleveland, Ohio, United States and educated at Solon High School, he is famous for A Kid Named Cudi in a career that spans Birth place: Cleveland. On Kid Cudi (nickname: Scott Mescudi) was born in Cleveland, Ohio, USA. He made his 5 million dollar fortune with A Kid Named Cudi The artist is dating Elsie Mescudi, his starsign is Aquarius and he is now 36 years of age. Early life. Kola was born and raised in Albany, New York, and (of Indo-Trinidadian descent). She moved to New York City in to attend the School of Visual Arts, where she studied renuzap.podarokideal.ru graduated in During this time, she worked at Stüssy, a clothing store.. CareerEducation: School of Visual Arts. Kid Cudi was born Scott Ramon Seguro Mescudi in Cleveland, Ohio, on January 30, He grew up in a middle class household and was the youngest of the four children in the family. His mother, Elsie Harriet, worked as a middle-school teacher, and his father, Lindberg Styles Mescudi, was a house painter and a war veteran. Kid Cudi also hosted a group of young patients and their families from CHAM, at his sold-out Roseland Ballroom shows in April In June , 49 celebrities, including Kid Cudi, honored the 49 victims killed in the Orlando shooting in a video tribute. Relationships. In , Cudi began dating entertainment attorney Jamie Baratta. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Advertisements Index to Advertisers
ADVERTISEMENTS INDEX TO ADVERTISERS 382 Abernathy Printing Co. 385 J. A. Jones Construction Co. American Tire Co 383 Jake's Potato Chips 393 Armco Drainage 373 J. P. Stevens Engraving Co 370 393 Armstrong & Co. 369 Lane Photo Service Atlanta Fish 378 Little Margin Shop 370 Atlanta Laundries 187 Lovable Brassiere Co 371 Atlanta Sand and Supply 373 Lucky Strike Bowling Alley 377 Ballard Optical Co 374 Mack-International Truck 370 Beaudry, Ernest G 370 Mac's Auto Parts 376 Biltmore Hotel 391 Mac's Shoe Repair 388 369 Bi ltmore Pharmacy 371 Majestic Food Stores Big Town Recreation 369 McFarland's Pharmacy 386 Boykin Tool & Supply 389 Merlin Grocery Co 379 Bullock Manufacturing Co 378 Molloy Plant 388 Bush, L. Ralph 378 Montag's.......................................................................... 377 Capitol Auto Co. 390 Moore's Ice Cream 385 Capitol Fish Co. 381 Mrs. Hill's Sandwich Shop 383 Chandler Machine Co 390 Nunnally's Candy 367 386 Chapman Real t y 378 Pacific Mutual Life Insurance Clinton Co. 374 Penn Mutual Life Insurance 381 Coca-Cola Co. 375 Perdue & Egleston 387 College Inn at Naval Air Station 380 Piedmont Hotel 368 Colonial Stores, Inc. 373 Philadelphia Uniform Co 377 Corinth Machinery Co. 389 Ralph Cannon Auto Service 386 Cotton Patch 379 Raymond Concrete 390 Dinkier Hotels 372 Robbins, Inc 385 Duffy's Tavern 390 Roberts & Company 379 Dunlap Insurance Co 394 Royal Cigar (Schwartz's) 391 369 Electric Supply Co 379 Scarratt's Garage Foremost Farms 393 Schwob Clothing Co 391 Fulton Bag &Cotton Mills 394 Sewell Clothing Co. 370 Fulton Furniture Co. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
A Race Riot and Its Legacy
David Fort Godshalk. Veiled Visions: The 1906 Atlanta Race Riot and the Reshaping of American Race Relations. Chapel Hill: University of North Carolina Press, 2005. xvi + 384 pp. $59.95, cloth, ISBN 978-0-8078-2962-2. Reviewed by Keith Volanto Published on H-South (November, 2006) September 2006 marks the hundredth an‐ in a deliberately inflammatory style geared to‐ niversary of the horrific Atlanta race riot. In wards inciting the emotions of its readers. Veiled Visions, historian David Godshalk goes be‐ In these early chapters, Godshalk also intro‐ yond merely retelling the details of the racial mas‐ duces readers to the views of preeminent African sacre. Instead, the author provides the frst book- American leaders amid the deteriorating racial length analysis of this tumultuous riot's far-reach‐ climate. It was in Atlanta ten years earlier, the au‐ ing effects on the city of Atlanta and American thor reminds us, that Booker T. Washington deliv‐ race relations. ered his famous Exposition Address outlining his The book's opening three chapters portray At‐ accommodationist approach to the denial of black lanta in 1906 as a rapidly growing commercial civil rights: if African Americans focused on hard hub, receiving a constant influx of new white and work, maintained their sobriety, and followed a black rural migrants. Along with this frenetic ac‐ proper moral code of conduct, white prejudices tivity came marginalization of the white working would gradually dissipate and blacks would gain class, increased commingling of the races, and a their proper place in southern society as social host of local newspapers locked in such a desper‐ equals.