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Meanings of Cyborg in Comic and Film

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Meanings of Cyborg in Comic and Film Neuróptica. Estudios sobre el cómic es una publicación periódica de la Universidad de Zaragoza, que recupera la cabecera fundada por Antonio Altarriba en 1982 Periodicidad: Anual Director: Julio A. Gracia Lana ([email protected]) © Los autores © De la presente edición, Prensas de la Universidad de Zaragoza Este número se publica con financiación de: Fundación para la Creación e investigación en cómic. El arte de volar; Vicerrectorado de Política Científica de la Universidad de Zaragoza. Correo de contacto de administración de la revista: [email protected] Envío de originales y normas de publicación: El plazo de envío para las secciones de varia y reseñas de publicaciones científicas se encuentra abierto continuamente. Para cada monográfico se abre convocatoria específica hasta junio de cada año. Las convocatorias para el monográfico, las normas sobre la redacción y la publicación, así como los criterios de selección, se incluyen en la web de la revista: https://papiro.unizar.es/ojs/index.php/neuroptica Depósito Legal: Z 2166-2019 ISSN: 2478-9127 ISSN-e: 2660-7069 DOI 10.26754/ojs_neuroptica Diseño y maquetación: Laura Asión Edita: Prensas de la Universidad de Zaragoza Imprime: Servicio de Publicaciones. Universidad de Zaragoza Imagen de cubierta: Juan Díaz Canales y Juanjo Guarnido, Blacksad. Integral, Barcelona, Norma Editorial, 2018 (cuarta edición), p. 51. DIRECCIÓN HONORÍFICA Antonio Altarriba (Universidad del País Vasco / Euskal Herriko Unibertsitatea) DIRECCIÓN Julio A. Gracia (Universidad de Zaragoza) SECRETARÍA ACADÉMICA Amparo Martínez (Universidad de Zaragoza) COMITÉ DE REDACCIÓN Viviane Alary (Université Clermont Auvergne) Esther Almarcha (Universidad de Castilla-La Mancha) David Almazán (Universidad de Zaragoza) Fernando de Felipe (Universitat Ramon Llull) Jesús JiménezVarea (Universidad de Sevilla) Gonzalo M. Pavés (Universidad de La Laguna) Lisa Maya Quaianni Manuzzato (WOW Spazio Fumetto, Milán) Kepa Sojo Gil (Universidad del País Vasco / Euskal Herriko Unibertsitatea) COMITÉ ASESOR María Abellán (Universidad de Murcia) Manuel Barrero (teórico y crítico / Director de Tebeosfera) Octavio Beares San Martín (teórico y crítico / Editor de CuCo. Cuadernos de Cómic) Thelma Camacho Morfín (Universidad Autónoma del Estado de Hidalgo) Jorge Catalá Carrasco (Newcastle University) Francesca Crippa (Università Cattolica del Sacro Cuore) Luis Gasca (teórico y crítico) Paola Gorla (Università degli studi di Napoli L'Orientale) Stuart Green (University of Leeds) Óscar Gual (teórico y crítico) Antoni Guiral (teórico y crítico) Hugo Hinojosa (Universidad Academia de Humanismo Cristiano) Alex Link (Alberta College of Art + Design) Francisca Lladó (Universitat de les Illes Balears) Antonio Martín (teórico y crítico / Universidad Complutense de Madrid) Pedro Moura (Centro de Estudos Comparatistas, Faculdade de Letras da Universidade de Lisboa) Miguel Peña (Universidad de Granada) Juan Carlos Pérez García (Universidad de Málaga) Pedro Pérez del Solar (Universidad del Pacífico, Lima) Álvaro M. Pons (Universitat de València) Francisco Sáez de Adana (Universidad de Alcalá / Codirector de CuCo. Cuadernos de Cómic) Isabelle Touton (Université Bordeaux-Montaigne) Pablo Turnes (Instituto de Investigaciones Gino Germani-Universidad de Buenos Aires) Rubén Varillas (teórico y crítico) Gerardo Vilches (Universidad Europea de Madrid / Codirector de CuCo. Cuadernos de Cómic) COORDINACIÓN DEL NÚMERO Julio A. Gracia (Universidad de Zaragoza) COORDINACIÓN DEL MONOGRÁFICO Gonzalo M. Pavés (Universidad de La Laguna) COORDINACIÓN DE RESEÑAS DE PUBLICACIONES CIENTÍFICAS Lisa Maya Quaianni Manuzzato (WOW Spazio Fumetto, Milán) COMITÉ CIENTÍFICO DEL NÚMERO David Almazán (Universidad de Zaragoza) Antonio Altarriba (Universidad del País Vasco / Euskal Herriko Unibertsitatea) Ricardo Anguita Cantero (Universidad de Granada) Pablo Anía (Universidad de Zaragoza) Jorge Catalá Carrasco (Newcastle University) Noemi Cinelli (Universidad de La Laguna) Fernando de Felipe (Universitat Ramon Llull) Stuart Green (University of Leeds) Hugo Hinojosa (Universidad Academia de Humanismo Cristiano) Francisco Javier Lázaro Sebastián (Universidad de Zaragoza) Isabelle Moreels (Universidad de Extremadura) Miguel Peña (Universidad de Granada) Yolanda Peralta Sierra (Universidad de La Laguna) Juan Carlos Pérez García (Universidad de Málaga) Pompeyo Pérez Díaz (Universidad de La Laguna) Enrique Ramírez Guedes (Universidad de La Laguna) Fernando Sanz Ferreruela (Universidad de Zaragoza) Kepa Sojo Gil (Universidad del País Vasco / Euskal Herriko Unibertsitatea) Isabelle Touton (Université Bordeaux-Montaigne) Los textos son propiedad de sus firmantes. Está permitida la cita de los mismos pero no su modificación. Siempre deberá citarse obligatoriamente a su autor y a esta revista como fuente. Neuróptica. Estudios sobre el cómic no se identifica necesariamente con las opiniones vertidas por los autores en uso de la libertad de expresión y no asume el pago de ningún derecho de reproducción por las imágenes que los ilustran, de las que son únicos responsables los autores. Índice 7 Índice Editorial. Relaciones entre medios. Julio Gracia Lana 13 Monográfico «De la página en blanco al espacio fílmico» 17 No es tierra para superhéroes: El Viejo Ojo de Halcón en los Baldíos. Marcos Rafael Cañas Pelayo 19 Sinergias espeluznantes. La Caída de la Casa Usher de Edgar Allan Poe, vista por Roger Corman y Richard Corben. Alicia Hernández Vicente 35 Así Stan Lee como William Shakespeare. El cómic como referencia artística para los cineastas españoles de los 90. Débora Madrid Brito 55 La amenaza de la máquina que habita en mí: significados del cíborg en el cómic y en el cine. Tomás Martín Hernández 75 From Hollywood. Transmutaciones políticas en las versiones cinematográficas de las obras de Alan Moore. Sandra Medina Rodríguez 95 La transposición como reescritura: el caso Watchmen. Dulce Ivette Muñoz Nophal 117 At This Theatre Next Week!: Relaciones intermediales entre el cómic y el serial cinematográfico de los años 30 y 40. Francisco Sáez de Adana 135 Fundido en negro. La huella cinematográfica en Blacksad. Julio Santamaría Alonso 157 Un ladrón asalta el vacío del cuadro. Traspasos y promiscuidad discursiva en la obra gráfica y fílmica de Carlos Vermut. Jacqueline Venet-Gutiérrez y Rainer Rubira-García 177 Neuróptica. Estudios sobre el cómic, segunda época, 2, Zaragoza, Prensas de la Universidad de Zaragoza, 2020 8 Índice Varia 195 Pájaros enjaulados: yakuza y BDSM en la obra de Yoneda Kō. Claudia Bonillo Fernández y María Gutiérrez Montañés 197 Imaginarios sociales en la novela gráfica Batman. Deathblow: un análisis socio-semiótico y hermenéutico. Juan R. Coca 211 De la escena a la viñeta: análisis de la musicalización de P. Craig Russell en la adaptación de la Salomé de Richard Strauss. Alejandro Silvela Calvo 227 Cellulite ou l’individu rêvé par Claire Bretecher. Lydia Vázquez y Juan Manuel Ibeas-Altamira 241 Reseñas de publicaciones científicas 255 EL FUNCIONAMIENTO DEL CINE A TRAVÉS DEL LENGUAJE DEL CÓMIC 257 Reseña de: ROSS, E., Filmish. Un viaje grafico por el cine (título original: Filmish. A Graphic Journey through Film), Barcelona, Reservoir Books, 2017 Ana Asión Suñer LETTERATURA DISEGNATA? 261 Reseña de: BARBIERI, D., Letteratura a fumetti? Le impreviste avventure del racconto, Roma, ComicOut, 2019 Lorenzo Barberis, Marco D'Angelo y Simone Rastelli FUMETTO È CIÒ CHE IL FUMETTO FA: LA LUNGA STORIA DI UN MÉDIUM MAI UGUALE A SE STESSO 265 Reseña de: DI PAOLA, L., L’inafferrabile medium. Una cartografia delle teorie del fumetto dagli anni Venti a oggi, Napoli, Alessandro Polidoro editore, 2019 Giorgio Busi Rizzi Neuróptica. Estudios sobre el cómic, segunda época, 2, Zaragoza, Prensas de la Universidad de Zaragoza, 2020 Índice 9 LA IMPRONTA DE LA MEMORIA EN EL CÓMIC LATINOAMERICANO 271 Reseña de: CATALÁ CARRASCO, J. L., DRINOT, P. Y SCORER (eds.), Cómics y memoria en América Latina, Madrid, Ediciones, Cátedra, 2019 David García-Reyes POESÍA GRÁFICA 277 Reseña de: DEL REY CABERO, E. Y SÁEZ DE ADANA, F. (eds.), Dúplex. Poesía y cómic, Marmotilla, Alas Ediciones, 2019 José Manuel Trabado Cabado Autores 283 Neuróptica. Estudios sobre el cómic, segunda época, 2, Zaragoza, Prensas de la Universidad de Zaragoza, 2020 10 Índice Neuróptica. Estudios sobre el cómic, segunda época, 2, Zaragoza, Prensas de la Universidad de Zaragoza, 2020 Relaciones entre medios 11 Neuróptica. Estudios sobre el cómic, segunda época, 2, Zaragoza, Prensas de la Universidad de Zaragoza, 2020 12 Julio Gracia Lana Neuróptica. Estudios sobre el cómic, segunda época, 2, Zaragoza, Prensas de la Universidad de Zaragoza, 2020 Relaciones entre medios 13 Relaciones entre medios Media relations Julio Gracia Lana Universidad de Zaragoza [email protected] Código ORCID: https://orcid.org/0000-0002-2138-0554 La segunda etapa de Neuróptica continúa su andadura con un número en el que seguimos tratando de mejorar la publicación, así como la estructura e impacto de cada texto publicado. Para ello hemos contado con el aporte indispensable de las autoras y autores que han participado en el número y de los comités que aseguran la calidad del contenido. Al igual que en el primer número, el Comité Científico se ha constituido específicamente para la evaluación de los textos que configuran el ejemplar, incorporando a varios profesores e investigadores ajenos a los comités de la revista. Desde aquí nuestro más sincero agradecimiento por desarrollar su trabajo con rigor y detalle. El número se edita gracias al patrocinio
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