PDF of Jonathan Rundman PRESS QUOTES

Total Page:16

File Type:pdf, Size:1020Kb

PDF of Jonathan Rundman PRESS QUOTES Critics’ comments about JONATHAN RUNDMAN: “Bright, catchy indie-pop” “A gritty melodicist in the tradition of Paul “Rundman weds clever, intelligent songwriting to NEW YORK TIMES Westerberg, his songs occasionally recall artists delectable guitar hooks” like Green On Red and Giant Sand as well.” PASTE MAGAZINE “ridiculously infectious melodies and farm-fresh ALL MUSIC GUIDE tenor vocals” “hook filled gems” CITY PAGES top ten of the year “[Rundman is a] cheery popster” NO DEPRESSION ONION A.V. CLUB “Musically confident and emotionally “Rundman…shows plenty of cleverness” vulnerable. His lyrics are refreshing and “On the road for most of the year and releasing MINNEAPOLIS STAR TRIBUNE pleasantly unusual.” a prodigious output of albums, Jonathan BILLBOARD Rundman is a one-man cottage industry although “With traces of Paul Westerberg, Freedy he shouldn’t have to be. His accessible and crafty Johnston, and David Lowery, rocker Jonathan “A sharp, clever writer who isn't afraid to get out pop-rock has a spiritual bent, tailor-made for Rundman shows impressive musical ambition on the tightrope and pen literate songs that deal fans of Elvis Costello and Marshall Crenshaw.”’ and confidence” with subjects others eschew” CHICAGO DAILY HERALD CENTERSTAGE CHICAGO SAN ANTONIO EXPRESS NEWS “Angst-filled, garage-rock that Winona Ryder “Rundman’s version of personal heartland rock “Rundman has been releasing indie-rock mini- would swoon over” is a welcome return to the simple essence of rock masterpieces for several years now…his songs SIOUX FALLS ARGUS LEADER and roll. His voice has a touch of Alex Chilton are like a collection of postcards sent out by your boyishness, and his songwriting is original and guitar playing college pal who worships Marshall “Exploring charged-up power pop, alternative consistently interesting. Watch out for this guy.” Crenshaw, Ween, and/or Elvis Costello” country, classical and sacred music structures, EUGENE, OREGON WEEKLY ST. PAUL PIONEER PRESS new wave, and other experimental instrumentation within an acoustic rock “Do we really need another singer/songwriter “Bright, Midwestern-flavored folk pop that framework, Rundman has garnered much who rambles on about life, love, politics, and the weaves a wary songwriter’s vision of suburban acclaim, and for good reason.” pursuit of happiness? When he is as melodically America. His songs sport the same clever lyrical SILICON VALLEY METRO crafty and lyrically sharp as Jonathan Rundman, turns that were the hallmark of ‘80s new wave the answer is an enthusiastic ‘yes!’” folk legends Timbuk 3 – both share the same “In the studio Rundman shows that he owns a THE ROCKET, Seattle sense of irony about everyday life. Rundman good ear for hearing what sounds work. He can stirs memories of ‘80s simple-pleasure acoustic- add a wistful violin to a song, while the next driven pop bands like the dBs, the Del Fuegos, or track has guitar churning and pop-punk charm. the Windbreakers, and if you get these Throw in a banjo lead, or a spare trombone or references, you shouldn’t miss this guy.” accordion and it all adds up to an audible OMAHA READER testimony of Rundman’s sense of pop songs.” HIGH PLAINS READER, Fargo “Jonathan Rundman is that rare breed of singer/songwriter we thought had all but “Rundman fits squarely into the Midwestern disappeared in the onslaught of pre-fabricated school of power-pop songwriting alongside pop, grunge, and electronica. Rundman recalls Robert Pollard, Jim Ellison, and Paul Westerberg. the verve and energy of Paul Westerberg and Catchy, slightly quirky, and completely Alex Chilton at their prime. Basically good old unselfconscious.” fashioned American roots rock laced with sweet THE DAYTON VOICE power pop.” BIG-O, Singapore “An engaging mix of power pop and twang. Melodic, catchy, and entertaining.” “Rundman is an inspired power-pop dynamo” CHART, Canada PERFORMING SONGWRITER SALT LADY RECORDS | PO BOX 24163 | MINNEAPOLIS, MN | 55424 | 612-382-5299 | [email protected] | www.jonathanrundman.com.
Recommended publications
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
    THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge.
    [Show full text]
  • The Washington Blues Society and Lee Oskar Harmonicas Present
    In Th s Issue... From the IBC in Memphis: Rum Boogie! From the IBC in Memphis: Sun Studio Jim Valley (Photo by Eric Steiner) (Photo by Eric Steiner) (Photo by ML Sutton) Letter from the President 2 March Blues Bash Preview 6 Report from Memphis 12 Letter from the Editor 3 Valentine’s Day Blues Bash 7 Membership Opportunities 14 Offic s and Directors 4 Street Team Report: Rocky Nelson 10 Walla Walla Festival Preview 14 On the Cover 4 Street Team Report 12 File Gumbo 30th Anniversary 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, purchase of tickets. You can also purchase tickets start at 5:00 PM, and we wrap up at 8:00 PM so at the door! So save the date Sunday, April 9th and you can still get home in plenty of time to get a full The Best of the Blues due date for the final ballot make your plans to come to the Best of the Blues night’s sleep before work on Monday! It’s a one of is creeping up on us! Please be sure that you have Award show and the after party! Please see the ad those must do deals! See the ad in this issue of the your ballot to us by Tuesday, March 14th. in this edition of the Bluesletter! Bluesletter for this month’s show lineup! You can mail it in to our PO Box address (WBS, The International Blues Challenge was this past Festival season is coming up quickly! We kick off PO Box 70604, Seattle, WA 98127); give it to any month and our band (Polly O’Keary & the Rhythm the year with the Coeur de Alene Blues Festival in current Board of Director before March 14th, scan Method), our solo/duo
    [Show full text]
  • Cafo) Expansion and County Board Politics in Rural Illinois
    ABSTRACT LINKAGES BETWEEN CONCENTRATED ANIMAL FEEDING OPERATION (CAFO) EXPANSION AND COUNTY BOARD POLITICS IN RURAL ILLINOIS Eric A. Sterling, MA Department of Anthropology Northern Illinois University, 2015 Kendall Thu, Advisor Concentrated Animal Feeding Operations (CAFOs) are rapidly expanding in rural Illinois. This research explores the political power linkages between county boards and corporate entities in four Illinois counties. The hypothesis is that collusion and impropriety within county board politics and CAFO expansion in rural Illinois are attributed to stakeholder influence and power at the local county government level. My research revealed a connection between ownership of CAFOs, county board political power, and endorsement of expansion. Utilizing Walter Goldschmidt’s method of a controlled comparison, the research analyzes two CAFO inundated counties (Pike and Adams) with two less affected counties (LaSalle and Peoria). Considering the political nature of the research, data collection was forced into engaging secondary text sources to study up, down, and sideways on local government officials. The documents analyzed were public information meeting transcripts, county board meeting transcripts, municipal meeting transcripts, plat maps, public websites, and Freedom of Information Act requests (FOIAs). FOIAs were obtained through government entities and other confidential sources. Citizens are distressed by the proliferation of CAFOs. Through interviews, participant observation, field notes, and archival work, the research indicates that people have knowledge that social stratification is much greater in counties with CAFO proliferation. Citizens that have CAFOs built in close proximity to their property are angered by the permitting system. Considering the amount of pollution and social degradation connected to rapid expansion from livestock farming in Illinois, this research on the linkages between corporate agribusiness and county board politics fills a gap previously overlooked by anthropologists.
    [Show full text]
  • Demand Exceeds Supply of Nurses Sets Record Some Problems in Those Areas." by MICK Mcgrath of Nurses Practicing in the Last Said Nathan
    Ouayto THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY AT season In Huntington. The SAGAMORE See INDIANAPOLIS August 29,1988 v<h i 8 .n. $ I THIS WEEK Slain IPD officer remembered By CINDY VAREY dean of the physical education school. Behind the tower of steel Faber also worked as a super­ where he once worked the sun visor for the intramural recrea­ hid, while down below the long tional sports department and shadows blanketed the street as was a member of Phi Epsilon the funeral procession for slain Kappa, a honorary physical edu­ Indianapolis Police Department cation fraternity. Patrolman Matt John Faber "He was someone you could slowly rolled by Friday eryoy being around, but \here afternoon. was always a sense of serious­ His car, draped in black, stood ness to him,” said Jeff Veesely, parked behind a black wreath director of the recreational encircling a photograph of sports department. Faber, a gnm reminder of the Both Vessely and Kellum Officer’s tragic shooting over planned to attend the funeral. two weeks ago. Vessely, who also serves as ex­ ecutive secretary for Phi Epsilon Matt John Faber, a 24 year-old Matt John Faber Kappa, added that Faber’s claim patrolman and 1986 graduate of to fame at IUPUI was a game IUPUI was investigating a A motorcade followed the that he and his friends invented reported canine disturbance at hearse and accompanying called “wallyminton;" a com­ the home of Fred C. Sanders, a mourners down Alabama Street bination of badminton and wal- fourth-grade teacher at St. Luke past the Police Department to lyball played in a racquetball Catholic School, when Sanders Floral Park West Cemetery.
    [Show full text]
  • August Troubadour
    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news March 2007 www.sandiegotroubadour.com Vol. 6, No. 6 what’s inside Welcome Mat ………3 Contributors San Diego Folk Song Society Full Circle.. …………4 Kenny Newberry Recordially, Lou Curtiss Front Porch... ………6 Harp Guitars Steph Johnson Parlor Showcase …8 Sven-Erik Seaholm Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Highway’s Song. …12 Leo Kottke & David Lindley Of Note. ……………13 Gaskins ‘n’ Gunner Chad Farran Alex Esther Manisha Shahane Kevin Jones ‘Round About ....... …14 March Music Calendar The Local Seen ……15 Photo Page MARCH 2007 SAN DIEGO TROUBADOUR welcome mat Sam Hinton’s Folk Song Society Turns 50 RSAN ODUIEGBO ADOUR Alternative country, Americana, roots, folk, by Allen Singer country blues, and Tblues, gospel, jazz, and bluegrass music news original material. am Hinton Members play many S has worn different instru - many hats ments at all skill MISSION CONTRIBUTORS in his life. He’s an levels and we original — a folk encourage everyone To promote, encourage, and provide an n FOUNDERS a g alternative voice for the great local music that singer, a songwriter, a scientist, an artist, i from amateur to professional to be a part Ellen and Lyle Duplessie F is generally overlooked by the mass media; a father, and a great diatonic harmonica r of the group each time we meet. We e Liz Abbott t namely the genres of alternative country, e player. On March 31, when Hinton cele - P leave nobody behind in the musical dust.
    [Show full text]
  • 'On His Excellent Sophomore Solo Album, Stinson Sings Poignant
    SEPTEMBER/OCTOBER 2011 ISSUE MMUSICMAG.COM INDIE SCENE TOMMY STINSON One Man Mutiny tommystinson.com Long before his current stint in Guns N’ Roses, bassist Tommy Stinson served his apprenticeship with the Replacements— simultaneously the Beatles and Rolling Stones of the ’80s alt-rock underground. The Minneapolis group could Tommy Stinson be sharp and melodic, like a punky Fab Four, but also shambolic and self-destructive—particularly onstage, after a few drinks. With the acoustic “Come to Hide,” Stinson steals back from Fortunately, Stinson seems to have soaked up more than just the Goo Goo Dolls the type of heart-on-flannel-sleeve ballad his alcohol during his time in the band. On his excellent sophomore old band invented and perfected. If the similarly ’90s-style “Meant solo album, Stinson makes like former bandmate Paul Westerberg, to Be” and “All This Way for Nothing” suggest the Goos or Cracker singing poignant songs for the emotionally wounded. “Maybe at their absolute best, Stinson proves his versatility with a series of you could use a GPS without all the stop signs,” he suggests on killer change-ups. Among the finest is the country weeper “Zero to “Seize the Moment,” a pro-loser anthem that might have fit on the Stupid,” whose title refers to the mental regression brought about Replacements’ 1985 masterpiece Tim. by “just one drink.” Sung like a true Replacement. ‘On his excellent sophomore solo album, Stinson sings poignant songs for the emotionally wounded.’ SEPTEMBER/OCTOBER 2011 M MUSIC & MUSICIANS MAGAZINE.
    [Show full text]
  • Irreplaceable Though Many Have Tried to Copy Them, There’S No Substitute for the Replacements
    plalaylisylist BACKLIGHT Irreplaceable Though Many Have Tried to Copy Them, There’s No Substitute for the Replacements By Missy Roback and John Schacht HOW DID THE REPLACEMENTS ever make it out of their Minneapolis garage? Four lovable losers, not a high-school diploma among them, they drank like there was no tomor- row and sabotaged every chance at success that came their way. Got a gig on Saturday Night Live? Hey, Takin’ a Ride Left to right: Chris Mars, Bob Stinson, Paul Westerberg, and Tommy Stinson. let’s drink—a lot! Sold-out show? Let’s play nothing but cheesy Where to Start covers—uh, at least the parts we How old am I?/Let’s count the rings around my eyes” but also wrench poignancy from There’s a reason why the Replacements heavily remember. More comfortable with almost any subject. And he could open a influenced so many bands, from the Goo Goo failure than with success, the ’Mats vein about teenage suicide, alcoholism, love, Dolls to Nirvana. If you’ve never heard the real excelled at putting on notoriously and suburban life—and sound like he was thing, start with these ten tracks. inconsistent gigs, swerving between talking about you. transcendent and terrible from show Because Bob Stinson could wear a dress—or “SHIFTLESS WHEN IDLE” (Sorry Ma, Forgot to show and sometimes from song nothing at all, if the spirits moved him—as no to Take Out the Trash, 1981): The high point of the to song. The band’s most widely other lumbering goofball guitarist could, ’Mats’ abrasive debut, and proof that the young known live recording? It’s called while laying down the big, sloppy riffs that band (bassist Tommy Stinson was a tender 12) anchored the early ’Mats shows.
    [Show full text]
  • Corkscrew Pointe
    Corkscrew Pointe Artist Title Disc Number Track # 10,000 Maniacs More Than This 10218 master 2 These Are The Days 10191 Master 1 Trouble Me 10191 Master 2 10Cc I'm Not In Love 10046 master 1 The Things We Do For Love 10227 Master 1 112 Dance With Me (Radio Version) 10120 master 112 12 Gauge Dunkie Butt 10104 master 12 1910 Fruitgum Co. 1, 2, 3 Red Light 10124 Master 1910 2 Live Crew Me So Horny 10020 master 2 We Want Some P###Y 10136 Master 2 2 Pac Changes 10105 master 2 20 Fingers Short #### Man 10120 master 20 3 Doors Down Away From The Sun 10131 master 3 Be Like That (Radio Version) 10210 master 3 Kryptonite May 06 2010 3 Loser 10118 master 3 311 All Mixed Up Mar 23 2010 311 Down 10209 Master 311 Love Song 10232 master 311 38 Special Caught Up In You 10203 38 Rockin' Into The Night 10132 Master 38 Teacher, Teacher 10130 Master 38 Wild-eyed Southern Boys 10140 Master 38 3Lw No More (Baby I'ma Do Right) (Radio 10127 Master 1 Version) 4 Non Blondes What's Up 10217 master 4 42Nd Street (Broadway Version) 42Nd Street 10227 Master 2 1 of 216 Corkscrew Pointe Artist Title Disc Number Track # 42Nd Street (Broadway Version) We're In The Money Mar 24 2010 14 50 Cent If I Can't 10104 master 50 In Da Club 10022 master 50 Just A Lil' Bit 10136 Master 50 P.I.M.P. (Radio Version) 10092 master 50 Wanksta 10239 master 50 50 Cent and Mobb Deep Outta Control (Remix Version) 10195 master 50 50 Cent and Nate Dogg 21 Questions 10105 master 50 50 Cent and The Game How We Do (Radio Version) 10236 master 1 69 Boyz Tootsee Roll 10105 master 69 98° Give Me Just One Night (Una Noche) 10016 master 4 I Do (Cherish You) 10128 Master 1 A Chorus Line What I Did For Love (Movie Version) 10094 master 2 A Flock Of Seagulls I Ran (So Far Away) May 04 2010 1 A Perfect Circle Judith 10209 Master 312 The Hollow 10198 master 1 A Taste Of Honey Boogie Oogie Oogie 10213 master 1 A Taste Of Honey Sukiyaki 10096 master 1 A Teens Bouncing Off The Ceiling (Upside Down) 10016 master 5 A.B.
    [Show full text]
  • Wavelength Midlo Center for New Orleans Studies
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1987 Wavelength (September 1987) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1987) 83 https://scholarworks.uno.edu/wavelength/69 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. \1'5 NAlCHLY RoLl OVA. \/lC AWO f~·ArqK DAVIS! NAT'L-'(! •• • J-··~ ~!;~ .:.::•\ . •••. ...... ·:·..... ! ~ . .. .. ., .. .. .. .. ... -.. • ..• • .•.. •..•• .... ,. • • • • • • • . .... •• .. • . • .. •. • •. "'•· ~ • •••• •• • • • • • • • •• •••. • • • • • • • • ••••• • • • • • • • # • • • • • • ••• •• •• ••• • • • • • ...... : . •• • .• . • • • •., • . • . .: ' .· .... • • • • . .· .. : . • • • • • • • • • , • • • • • S Nt-131~0817TOL M3N t-Il ~oN~31~0 M3 l.N3l·'~l.~~d3G .::10s Al. I S~3AINn· - N A~~~SI~ NOil.ISin~~t-1 r:· 8NOI • ...·.. 1 1~\73 \ ! .... U.S. BUlK RATE _,.. ,. _... POSTAGE PAID •• _........ Mill~ ,.. J ,, ......... La.l0001 SpecilltiM. InC. - ,,.. ~ BUGlESTWo :~BJi~ST. AMBITIOH AHO R£\IENGE, IN THE AFTERNOON RAYMILLAND THE NATION WAS EMBROILED IN CML WAR, AND THAT MEANT CHOOSING SIDES ...WHETHER YOU WANTED 10 OR NOT: BATON ROUGE: • Veterans at David in Metairie 885-4200 • 8345 Aorida Blvd. at Airline Hwy. 926-6214 "I'm 11 0t sure. but I'm a/molt positil'e. that all music came from .\'ell' Orlea11I." - Ernie K-Doe. 1979 Features Vic 'n' Notly ..... ......... 17 Snooks Eaglin ......... ....23 Bruce Daigrepont . ........24 Austin, Texos ............ ..26 Departments September News . 4 Film . ... .. .......... ... 6 Chomp Report . 8 Caribbean . ................ 1 0 A Copello .... .. ........ .. 12 U.S. Indies .... .. .... .... 1 4 Rare Record .. ............. 1 5 Reviews ..
    [Show full text]
  • Onesheet Steve Brooks Chasing Grace
    Frog Records FR0G07 • National Release Date: April 2010 “Great unsung songwriter of Austin.” - Slaid Cleaves "A wordsmith of the first order." - Jimmy Lafave "The same sense of commentary and observation that made the likes of Woody Guthrie a national hero." - Ellis Paul “Country flavor, a tinge of James Taylor and not afraid to kick up some dust." - Austin Chronicle “A collection of well-crafted gems with something for everyone.” - Joe Angel, KEOS-FM, College Station, TX You may not know Steve Brooks by name, but you’ve been hearing his songs for years. They’ve been recorded by actor Russell Crowe (One Good Year) and Austin Americana artists like Slaid Cleaves (One Good Year, Everette) and Danny Santos (This Memory of You, Hungry for Love), as well as folksingers Emily Kaitz, Kevin So, Marilyn Rucker, Dave Hooper and Jessica Shepherd. He was heard on coast-to-coast radio on Jim Hightower’s late, lamented talk show, where he wrote a song-a-week about events in the news. Now, Brooks, is stepping out with his first studio album in fourteen years. Although Steve’s satirical songs have been widely played on folk radio, producer Chris Gage, of Austin duo Albert & Gage, captures another side of Steve: poetic, romantic and spiritual. “I’ve been chasing grace, but grace ain’t so easily found,” sings Steve in his soaring version of One Good Year, co-written with Cleaves. On Chasing Grace, he’s looking for it in unlikely places, from the mountains of North Carolina to Iowa fields and Texas honky-tonks, with help from sidemen like Richard Bowden (Maines Brothers Band), Tom Pittman (Austin Lounge Lizards), Eddie Cantu (Bruce Robison, Kelly Willis) and Courtney Audain (Timbuk 3).
    [Show full text]
  • Extant Sites ‐ Properties Associated with Minneapolis Music
    Extant Sites ‐ Properties Associated with Minneapolis Music Building Date Dates Used for Information Obtained Names Project Address Street Type Genres Extant | Demolished Still Music Related Current Use Notes from Various Sources Mapped Construction date Demolished Music From Originally located at 809 Aldrich Ave N, but that building was demolished in 1970 with I‐94 construction; new building at current location built. Place where Prince's parents, John Nelson and Mattie Shaw met while playing a concert. • 1301 10th Avenue North; Original house at 809 Aldrich Ave N • Started a new annual festival to replace the northside presence at the Aquatennial Phyllis Wheatley Center 1301 10th Ave N Community Center All Extant 1970 NA 1970‐Current Yes Community Center Parade which was contentious after the 1967 incident Yes o Northside Summer Fun Festival drew 6,000 people in its 6th year on August 9, 1978; performers included Sounds of Blackness, Flyte Tyme, Mind & Matter, Quiet Storm, and Prince o Prince also played in 1980 • Hosted Battle of the Bands concerts (no cash prize, just honor) • Original building built in 1924 as a settlement house; http://phylliswheatley.org/ Research • Music Notes Mural: Prince has famous picture in front of it from 1977 by Robert Whitman (book Prince Pre‐fame) 94 S 10th Street o http://www.hungertv.com/feature/the‐photographer‐behind‐princes‐first‐ever‐photo‐ shoot/ Music Notes 88 10th St S Mural All Extant 1908 NA 1971‐Current No The CPG o Painted in 1972 by owners of Schmidt Music (1908); Tom Schmitt great grandson of Yes company’s founder o Van Cliburn, one of world’s finest pianists, did photo session there http://minnesota.cbslocal.com/2014/03/30/finding‐minnesota‐the‐mystery‐musical‐mural/ o Featured in Time Magazine piece with Wendell Anderson o The notes are the third movement “Scarbo” in the piece “Gaspard de la Nuit” Research luxury hotel in 1926.
    [Show full text]