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Film Knowledge Booklet
Year 10 Film Knowledge Booklet Term 3 Name: Class: Tsotsi (Hood, 2005): Summary Tsotsi (Presley Chweneyagae) is a petty-crime gang leader. He and his friends Boston, Aap and Butcher (Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe) rob a older man on a crowded subway then Butcher stabs him quietly and they flee once the subway is empty. Boston is sick afterwards. The gang goes to the local bar for a drink and Tsotsi mocks Boston for getting sick. Boston asks Tsosti what his real name is and a antagonizes him about what happened to him that made him this way. Boston pushes Tsotsi too far and Tsotsi hits him, pushing him to the floor. He continues the beating on the floor, hitting him numerous times in the face and kicking him in the side. Tsotsi then walks out of the bar. Tsotsi walks through the rain and makes his way towards a upper class house where a car just pulled up to the gate. A woman, Pumla (Nambitha Mpumlwana) gets out and rings the bell and speaks to someone asking him to open the gate. Tsotsi runs up, draws his gun and points it at her. He gets in the car and she tries to stop him from leaving. As Tsotsi shifts from reverse to drive he's stopped for a moment and Pumla manages to get the car door open and tries to tell him to stop but Tsotsi shoots her and drives off. Suddenly he hears a soft crying: it's a baby. He swerves and hits a sign, almost running off the road. -
Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
A Framework for the Static and Dynamic Analysis of Interaction Graphs
A Framework for the Static and Dynamic Analysis of Interaction Graphs DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sitaram Asur, B.E., M.Sc. * * * * * The Ohio State University 2009 Dissertation Committee: Approved by Prof. Srinivasan Parthasarathy, Adviser Prof. Gagan Agrawal Adviser Prof. P. Sadayappan Graduate Program in Computer Science and Engineering c Copyright by Sitaram Asur 2009 ABSTRACT Data originating from many different real-world domains can be represented mean- ingfully as interaction networks. Examples abound, ranging from gene expression networks to social networks, and from the World Wide Web to protein-protein inter- action networks. The study of these complex networks can result in the discovery of meaningful patterns and can potentially afford insight into the structure, properties and behavior of these networks. Hence, there is a need to design suitable algorithms to extract or infer meaningful information from these networks. However, the challenges involved are daunting. First, most of these real-world networks have specific topological constraints that make the task of extracting useful patterns using traditional data mining techniques difficult. Additionally, these networks can be noisy (containing unreliable interac- tions), which makes the process of knowledge discovery difficult. Second, these net- works are usually dynamic in nature. Identifying the portions of the network that are changing, characterizing and modeling the evolution, and inferring or predict- ing future trends are critical challenges that need to be addressed in the context of understanding the evolutionary behavior of such networks. To address these challenges, we propose a framework of algorithms designed to detect, analyze and reason about the structure, behavior and evolution of real-world interaction networks. -
Review of „Tsotsi“
Katrin Kube Katrin Kuba Review of „Tsotsi“ South Africa in Films University of Duisburg-Essen, Dr. Claudia Drawe pubished in cooperation with Düsseldorf 2007 Review of „Tsotsi“ 1 Katrin Kube Review Tsotsi The film Tsotsi throws the observer into an emotional roller-coaster! It shocks and makes angry, sad and sympathetic at the same time. Tsotsi, which means gangste r, is a nineteen-year-old boy living in one of the townships of Johannesburg, South Africa. He is the leader of a gang and a really bad guy. One day, he steals a car, shoots the owner down and flees. On his escape, he recognizes a baby in the back and decides to take it with him to his home. The film shows his rising care for the baby, that rouses memories of his own childhood he repressed before. At first sight, Tsotsi is the stereotypical criminal and violent teenager, but during the story, he turns out to be a rather round character, i.e. he is not such a simple character as one initially assumes. He becomes interesting. Inner fight Throughout the film, one can observe the development of Tsotsi’s conscience. In the beginning, the boy is situated in a hopeless situation. He is uneducated, has no job and steals in order to survive. Throughout the story, he seems to go through a kind of inner fight. On the one hand, he sees the richer people of the suburbs, on the other hand, the people, whose situation is even worse than his own. With the latter the film shows some very strong personalities, which, perhaps, seem to be weak externally, but which, on closer inspection, prove to be rather strong and the boy recognizes that they try to make the best out of their situation. -
Ruth: Resident Alien with a Face
Ruth: Resident Alien with a Face The biblical book of Ruth challenges our easy assumptions and stereotypes about immigrants today, especially when we put to it two simple questions: “What challenges does Ruth face as she accompanies her mother-in-law Naomi to Judah?” and “How does God help her meet these challenges?” Christian Reflection A Series in Faith and Ethics Prayer O God of creation, your redeeming work in this world is not dictated by borders, by lines on a map. We praise you for the unreserved nature of your mercy and the expansive reach of your love. You have created all the people of the earth in your image and care for each one. Focus Article: Remind us this day of your call for us to be a blessing to all Ruth: Resident Alien families of the earth, and illuminate the fears that make us with a Face unwilling to be the vessels of your blessing to those who live (Immigration, pp. 20-25) as strangers among us. Amen. Suggested Article: Scripture Reading: Ruth 1:22-2:23 Beyond Risk and Reflection Uncertainty The people of Israel carefully distinguished among the other persons (Immigration, pp. 68-71) who lived among them. They used zar and nokri (“foreigner”) to describe those like the Canaanites, Ammonites, and Moabites who had no part in Israel, but used ger (“alien” or “sojourner”) for one “who comes from outside the community but who settles within the community,” Dana Wilbanks has noted. “The ger is very much like what we today call ‘resident alien.’ He or she may be a refugee or an immigrant, settling into the community but still as an outsider who brings a different communal identity. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
For Immediate Release for Immediate
FOR IMMEDIATE RELEASE FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren McMillen [email protected], 202-600-4055 December 15, 2020 For additional information, visit: arenastage.org/2021winterclasses ARENA STAGE ANNOUNCES NEW VIRTUAL CLASSES FOR WINTER SEASON *** Arena’s virtual series expands with family creativity workshops, classes for theater lovers, masterclasses and Voices of Now Mead Ensemble *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater announces its lineup of Winter classes featuring classes catered to families, theater lovers, students, adults and emerging theater artists. The Voices of Now Mead Ensemble for young artists will begin this winter, meeting virtually to contribute to a new original film. Just in time for the holidays, this robust line of programming has something for everyone and makes the perfect unique gift for the theater lover in your family. “We are finding that people of all ages are responding with joy and energy to our virtual classes. There are so many ways to be engaged in these programs — whether you are a theater lover or a theater practitioner, there is something for you,” shares Director of Community Engagement and Senior Artistic Advisor Anita Maynard-Losh. Arena is excited to debut two new categories of classes: Family Creativity Workshops and Classes for Theater Lovers. Family Creativity Workshops are designed to connect family members through the means of theatrical games, visual art and imagination. These classes are led by Arena’s Director of Education, Ashley Forman and friends. These exhilarating classes are the perfect opportunity for families to engage and explore creative expression and collaboration. -
Scriptural Imagination Imagining Death—And Dying Well by Allen Verhey by C
DUKEDI UNIVERSITY SPRINGV 2013 INITY Preaching with Your Mouth Shut O OU NDERSTAND HAT OU ARE DDo YYou UUnderstand W What Y You BY LUKE A. POWERY RareEA DReading?ING? A Formation of Scriptural Imagination Imagining Death—and Dying Well BY ALLEN VERHEY BY C. KAVIN ROWE I was so grateful to learn that many people appreciate the great opportunity provided by the Divinity Annual Fund. ~ Goodie Bell, D’13 Ministry Made Possible by You Here’s an important question: How many people does it take to make possible a seminary education? Answer: Unlimited—and your help is needed! Goodie Bell came to Duke Divinity School after spending time in campus ministry. She knew God was calling her to service for the church, and she wanted to pursue this call and be trained here with faculty and students who were committed to the church. But she never could have afforded the tuition on her own. That’s where the supporters to Divinity Annual Fund come into the picture. With help from the annual fund, Goodie is about to graduate and go into ministry—a ministry made possible by friends and donors who believe in the importance of God’s church and well-prepared ministers. Every gift makes a difference. Every gift is welcome. Join us today with a gift to Divinity Annual Fund, and make ministry possible. For more information about helping students answer the call to ministry through Divinity Annual Fund, call 919-660-3456. To give online, see www.divinity.duke.edu/about/make-gift FEATURES DIVINITY 4 22 SPRING 2013 “Do YOU UNDERSTAND “WHY MUST I GO ABOUT VOLUME 12, NUMBER 2 WHAT YOU ARE READing?” Mourning?” THE PSALMS A FORMATION OF OF LAMENT FOR A PEOPLE SCRIPTURAL IMAGINATION IN GRIEF PUBLISHER Scriptural imagination is a way Reclaiming the psalms of lament Richard B. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism. -
El Puente De Waterloo
El Puente de Waterloo (WATERLOO BRIDGE) Nº 330 (MAYO 2010) %F -?FI>L;G; SINOPSIS Durante un bombardeo alemán sobre Londres en la Primera Guerra Mundial, se produce el encuentro casual entre un capitán del ejército británico y una bailarina. El amor surge entre ellos, pero la guerra, que todo lo arrasa, pronto dicta su sentencia: el capitán debe partir hacia la Europa continental y la bailarina queda a la espera de su regreso. Una equivocada nota de prensa acerca de la muerte en com- bate de su amor será el comienzo del drama. FICHA ARTÍSTICA Myra ............................................................................ VIVIEN LEIGH Roy Cronin .............................................................. ROBERT TAYLOR Lady Margaret Cronin ............................................. LUCILE WATSON Kitty .......................................................................... VIRGINIA FIELD Madame Olga Kirowa ..................................... MARIA OUSPENSKAYA El Duque ............................................................... C. AUBREY SMITH FICHA TÉCNICA Dirección .......... MERVYN LEROY Fotografía ......... J. RUTTENBERG Duración ....................... 108 min. Nacionalidad ........ Estados Unidos Productora .................... NOMBRE Montaje ....... GEORGE BOEMLER Año de Producción ............... 1940 Productor ....... SIDNEY FRANKLIN Música ...... HERBERT STOTHART (Blanco y Negro) Guión ....... GEORGE FROESCHEL D. Artística ... CEDRIC GIBBONS S. N. BEHRMAN, HANS RAMEAU Vestuario . ADRIAN, GILE STEELE .. (Basado en -
Hope for the Hurting Advent – Part 3
McLean Bible Church Dr. David Platt December 22, 2019 Hope For the Hurting Advent – Part 3 If you have a Bible—and I hope you do—let me invite you to open with me to Ruth 3. Is not the book of Ruth incredible? Today we come to part three of three in this lead-up to Christmas in the book of Ruth. For those of you who are wondering what in the world this story has to do with Christmas, today is your day. Today we come to the climax of this story, to the ending of all endings and the surprise of all surprises. Have you ever read a book or watched a movie when something happens at the end that makes you look back at everything that happened before and think, “Now it all makes sense”? That’s going to happen today in a way that I pray will encourage you and maybe change your life. I know there are people visiting here today, some may be home from college or visiting family or friends here at Christmas. Regardless of the reason, I don’t believe it is an accident that any one of you is here today to hear this story that has the power to change your life. Some of you might find yourselves putting on one of these tee shirts and being baptized as a follower of Jesus in a way that you did not see coming. We have a lot of ground to cover, so let’s jump right in. If you’ve missed one or both of the last two weeks, let me summarize the story so far.