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New Bebe Winans Musical 'BORN for THIS', Kathleen Turner and More Among Arena Stage's 2016-17 Lineup
broadwayworld.com http://www.broadwayworld.com/article/New-BeBe-Winans-Musical-BORN-FOR-THIS-Kathleen-Turner-and-More-Among-Arena-Stages- 2016-17-Lineup-20160215 New BeBe Winans Musical 'BORN FOR THIS', Kathleen Turner and More Among Arena Stage's 2016-17 Lineup by BWW News Desk Arena Stage just announced an exciting, starry 2016/17 season, which will showcase the theater's mission of American voices and artists. Spurred by its role as one of the seven originating theaters of D.C.'s Women's Voices Theater Festival, Arena Stage has embraced a commitment to inclusion with a season featuring seven titles by women, six playwrights of color and five female directors. On assembling the lineup Smith shares, "Arena has such a smart and diverse audience, so it is always a challenge to ensure everyone is energized. This season we leaned into that challenge and are welcoming a host of extremely talented artists both returning and new. This season is a celebration of Arena's broad shoulders, from our Lillian Hellman Festival, a Lorraine Hansberry classic and the gold-standard musical to world-premiere political dramas, a comedy and a new musical. The Mead Center was designed to have these different audiences unite in our flowing lobby, and I'm eager to experience this throughout our dynamic season." The season kicks off in July with the original world-premiere musical Born for This: The BeBe Winans Story by six- time Grammy Award winner BeBe Winans and veteran Arena Stage playwright/director Charles Randolph-Wright. Featuring new music by BeBe, the musical chronicles the early days of his career with sister CeCe and will star their niece and nephew, siblings Deborah Joy Winans and Juan Winans. -
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
History of Arena Stage: Where American Theater Lives the Mead Center for American Theater
History oF arena Stage: Where American Theater Lives The Mead Center for American Theater Arena Stage was founded August 16, 1950 in Washington, D.C. by Zelda Fichandler, Tom Fichandler and Edward Mangum. Over 65 years later, Arena Stage at the Mead Center for American Theater, under the leadership of Artistic Director Molly Smith and Executive Director Edgar Dobie, is a national center dedicated to American voices and artists. Arena Stage produces plays of all that is passionate, profound, deep and dangerous in the American spirit, and presents diverse and ground- breaking work from some of the best artists around the country. Arena Stage is committed to commissioning and developing new plays and impacts the lives of over 10,000 students annually through its work in community engagement. Now in its seventh decade, Arena Stage serves a diverse annual audience of more than 300,000. When Zelda and Tom Fichandler and a handful of friends started Arena Stage, there was no regional theater movement in the United States or resources to support a theater committed to providing quality work for its community. It took time for the idea of regional theater to take root, but the Fichandlers, together with the people of the nation’s capital, worked patiently to build the fledgling theater into a diverse, multifaceted, internationally renowned institution. Likewise, there were no professional theaters operating in Washington, D.C. in 1950. Actors’ Equity rules did not permit its members to perform in segregated houses, and neither The National nor Ford’s Theatre was integrated. From its inception, Arena opened its doors to anyone who wished to buy a ticket, becoming the first integrated theater in this city. -
Expanding the Theatre Manager's Repertoire
Expanding the Theatre Manager’s Repertoire July 29–30, 2002 Phoenix, AZ TCG PARTICIPANT LIST THEATRE COMMUNICATIONS GROUP INC. · 355 LEXINGTON AVE., NEW YORK, NY 10017 · TEL (212) 697-5230 · FAX 983-4847 · WWW.TCG.ORG Michele Anderson, Director of Finance & Caryn Desai, General Manager Administration International City Theatre Steppenwolf Theatre Company Robert Drake, Director of Production Mary Ann Baldwin, General Manager The Globe Theatres Philadelphia Shakespeare Festival Barbara Ehlen, House Manager John Barnett, Technical Director The Guthrie Theater Actors Theatre of Louisville Kristin Fox Siegmund, Production Manager Joe Berardelli, Director of Finance & Administration Alley Theatre Arena Stage Gail Frasier, Education Director Jennifer Bielstein, Director of Marketing & Book-It Repertory Theatre Communications Steppenwolf Theatre Company Catherine Guin, Director of Communications Alabama Shakespeare Festival Christine Bond, Box Office Manager Berkeley Repertory Theatre Jean Harris, Marketing Director Philadelphia Shakespeare Festival Dave Brown, Production Manager Merrimack Repertory Theatre Nan Hildebrandt, Executive Director Geva Theatre Don Buschmann, Director of Production Syracuse Stage Ric Hodgin, Managing Director A.D. Players Peter Calibraro, Finance Director Goodman Theatre Randy Ingram, Prop Master Alley Theatre Thomas A. Cervone, Managing Director Clarence Brown Theatre Company Lisa Jaret, Administrative Director Education Programs Beth Cobb, Company Manager Seattle Children’s Theatre Actors Theatre of Louisville Michael -
Visit to a Small Planet and the ―Fish out of Water‖ Comedy
Audience Guide Written and compiled by Jack Marshall July 8–August 6, 2011 Theatre Two, Gunston Arts Center Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called ―the American Century.‖ The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
Hal Pereira Film Sketches Collection
http://oac.cdlib.org/findaid/ark:/13030/c8zp46qh No online items Hal Pereira Film Sketches Errol Stevens, Clay Stalls William H. Hannon Library Loyola Marymount University One LMU Drive, MS 8200 Los Angeles, CA 90045-8200 Phone: (310) 338-5710 Fax: (310) 338-5895 Email: [email protected] URL: http://http://library.lmu.edu/collections/archivesandspecialcollections/ © 2012 Loyola Marymount University. All rights reserved. Hal Pereira Film Sketches 010 1 Hal Pereira Film Sketches Collection Collection Number: 010 William H. Hannon Library Loyola Marymount University Los Angeles, California Processed by: Errol Stevens, Clay Stalls Encoded by: Clay Stalls © 2012 Loyola Marymount University. All rights reserved. Descriptive Summary Title: Hal Pereira Film Sketches Collection Dates: 1952-1968 Collection number: 010 Creator: Hal Pereira Collection Size: 23 archival document boxes (9.6 linear feet) Repository: Loyola Marymount University. Library. Department of Archives and Special Collections. Los Angeles, California 90045-2659 Abstract: The Hal Pereira Film Sketches Collection consists chiefly of the film sketches that art director and designer Hal Periera created for Hollywood films in the 1950s and 1960s. Languages: Languages represented in the collection: English Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. The user or publisher must secure permission to publish from the copyright owner. Loyola Marymount University does not assume any responsibility for infringement of copyright or of publication rights held by the original author or artists or his/her heirs, assigns, or executors. -
2019/20 Season Coming in the 2019/20 Season Subscribe Today to See 8
ANN 2019/20 SEASON COMING IN THE 2019/20 SEASON SUBSCRIBE TODAY TO SEE 8 PART OF THE AUGUST WILSON FESTIVAL WORLD-PREMIERE LOVE STORY AUGUST WILSON’S KEN LUDWIG’S JITNEY DEAR JACK, DEAR LOUISE BY AUGUST WILSON BY KEN LUDWIG DIRECTED BY RUBEN SANTIAGO-HUDSON DIRECTED BY JACKIE MAXWELL KREEGER THEATER | SEPTEMBER 13 – OCTOBER 20, 2019 KREEGER THEATER | NOVEMBER 21 – DECEMBER 29, 2019 August Wilson’s Jitney, the 2017 Tony Award-winning When two strangers meet by letter during World War II, a production directed by Ruben Santiago-Hudson, opens love story begins. But as the war continues, it threatens to Arena Stage’s season with the dramatic story of a end their relationship before it even starts. Tony Award- Pittsburgh jitney station, a symbol of stability, struggling winning playwright Ken Ludwig (Baskerville: A Sherlock against an oppressive lack of opportunity and unnerving Holmes Mystery, Lend Me a Tenor) tells the joyous, heart- neighborhood gentrification that threatens the way they warming story of his parents’ courtship during World War II live and work. The drivers resist powerful forces while and the results are anything but expected. coming to grips with their pasts to fulfill their own hopes and dreams for the future. COURAGEOUS VOICES TONY AWARD-WINNING MUSICAL A THOUSAND SPLENDID SUNS ADAPTED BY URSULA RANI SARMA DISNEY’S BASED ON THE NOVEL BY KHALED HOSSEINI NEWSIES DIRECTED BY CAREY PERLOFF MUSIC BY ALAN MENKEN | LYRICS BY JACK FELDMAN | BOOK BY HARVEY FIERSTEIN KREEGER THEATER | JANUARY 17 – MARCH 1, 2020 A MUSICAL BASED ON THE DISNEY FILM WRITTEN BY BOB TZUDIKER AND NONI WHITE Adapted from the New York Times bestselling novel by Khaled Hosseini (Kite Runner), the lives of two Afghan ORIGINALLY PRODUCED ON BROADWAY BY DISNEY THEATRICAL PRODUCTIONS women are inextricably bound together. -
The SMU Campus, Volume 44, Number 11, October 24, 1958
i 3958 POLLING ARDEN CLUB PLACES REVEALED l rmMR£VIEW —page 5 mt —page 8 Published Semi-Weekly by SMU Students' Publishing Company No. 11 Southern Methodist University, Dallas. Texas, Friday* October 24, 1958 44th Year BO R H YtSTtRVAY Tate Reveals Tuition Increase by HENRY ODEN Overheard in the Snack Bar: "Boy, this Socrates had things all wrong!" Set to Begin With 1959-60 Year • • • We have often wondered what would have happened had people of yesterday been more cynical than those of today. Some of history's greatest quo Hear Explanation tations might have sounded like these: by MIKE ENGLEMAN "No, Virginia, there is no San President Willis M. Tate Tues ta Claus." day night told Student Council "We have nothing to fear but members that tuition rates at invasion." SMU will be raised at the start • • • of the 1959-60 school year. Be sure to see Arden club's Tate gave three reasons for the production of "Visit to a Small tuition increase. He told the Planet." The theatre's not big council and the several interested enough for a decent crowd, so persons present that SMU pro get reservations to hear one play fessors' salaries "while not being er announce, "I'm a pacifist and the lowest among schools of our willing to fight for it." calibre, are certainly not the the highest." Blaming inflation If this column gets much short for the "increased cost of higher er, you'll be writing me. education in this country," the president said that new programs, such as the new graduate ^school at SMU, and the need for "new, TEXAS TICKETS more costly equipment" at SMU were important factors considered AT COLISEUM in the tuition raise. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren Mcmillen [email protected], 202-600-4055 September 11, 2020 ARENA STAG
FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren McMillen [email protected], 202-600-4055 September 11, 2020 ARENA STAGE OPENS FALL/WINTER SEASON WITH RELEASE OF THIRD WORLD-PREMIERE FILM, THE 51ST STATE *** Arena’s latest film centers around the historic fight for D.C. statehood, the protests after the murder of George Floyd and the growing movement for racial justice *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater’s latest world premiere docudrama, The 51st State, will receive its world premiere through Arena Stage’s Supper Club on September 16 at 7 p.m. Following the premiere, viewers can join artists and creatives for a post-film discussion and after-party on Zoom. The film will be available online to the general public on Thursday, September 17. Patrons will be able to view the film on both the Arena Stage and WTOP.com websites by searching for Arena Stage. The hyper local 60-minute film created by Washington, D.C. artists through the voices of 11 residents was inspired by protests and the reignition of a movement after the murder of George Floyd and the quest for creating the 51st state and sovereignty in Washington, D.C. From a first-time protestor to a fourth-generation Washingtonian political scientist, to artists, an attorney, people of faith, and a retired couple moved to take part in the movement despite the COVID-19 risks, these diverse perspectives and real-life stories are vividly told and transformed into affecting narratives by 10 local playwrights. “This is a hyper-local docudrama about a city in transition. -
Conncensus Vol. 45 No. 17
Connecticut College Digital Commons @ Connecticut College 1959-1960 Student Newspapers 4-14-1960 ConnCensus Vol. 45 No. 17 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1959_1960 Recommended Citation Connecticut College, "ConnCensus Vol. 45 No. 17" (1960). 1959-1960. 18. https://digitalcommons.conncoll.edu/ccnews_1959_1960/18 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1959-1960 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. IOcperCOP1 Vol. 45--No. 17 New London, Connecticut, Thursday, April 14, 1960 Gary Griffiths Dr. Birdsall Will Instruct Will Present In American Studies Program Puccini's masterpiece, Madame Richard D. Birdsall, Assistant Butterfly, will be presented 'wee- Professor of History, has been nesday, April 20, at 8:30 p.m., in Organ Recital Iappointed instructor of the Amer- Palmer Auditorium, by the Ama- Thursday, Apr i 1 21, 1960 iean Studies Program to be held to Opera Company of New 'york. Gareth Griffiths will give her sen- at Old Sturbridge Village, New Dolores Mati, soprano, will ior recital. The performance will England's center of living his- sing the title role in this perform- tory, during the month of July, be in Harkness Chapel, and will ance directed by Anthony Amato. it has been announced by Frank Miss Mari is the leading soprano begin at 8:30 p.m. Miss Griffiths O.