DOCSLIB.ORG

Andover Townsman, 1/3/1946

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Andover Townsman, 1/3/1946 )ii appeared for t. ltristmas. Sunday p ion of Hazel enjoyable Chri,-' I at the home shington a.venue I.d"Abbots-Ahhw • vytitiam 'l'row at e Andover Mishit', .The phone opet.,. Andover's Own Weekly Newsmagazine .ir dren. eomplet. is given t o , sable(' veterans V. t l) the Essex ii Iii )R SALE ble homes and h, lectIons of Ande E. CHEEVER Tel. TM or )ver Friend xtend a wish hem person- hat the corn • tear will be est one ever. R. H11.' - tie a RDWARE An ch, t•, • •4. Co. January 3, 1946 — 5 Cents The Lights Go On Again At T It is alwi pare the ri townspeople lished best from repor sellers in t: lists arrang of their sal weeks. The Review for seats the fi FICTION The Black The White Cass Timbe Forever An The River The Peacocl The Gauntll The Founts Most Secre So Well Re Portrait of Days and The World, Smith Captain froi Three O'Cli A Lion Is ii NON-FICTI The Egg al Up Front Brave Men Pleasant V General Me The Age of Soldier of 1 Christmas E Cherokee E The Practil Cu Try and S' The Life of The Anatol Lovely Is t Atomic Eni Purposes Lincoln, th AND—he the Memor served boo FICTION NOW GOING ON Forever A The Peaco( Leave Her January T Storm Tid The Black The River Three O'C Not in Ou The Whig ALL DEPARTMENTS So Well I, The Yello Cass Tim] Most Sec( • • LIFE'S LIKE THAT By Neher It is always interesting to com- You and I Brinig pare the reading interests of the A Lion Is In the Streets Langley townspeople with those of the pub- NON-FICTION lished best-seller lists, compiled The Egg and I MacDonald MRS. PIP'S DIARY. from reports from leading book- How To Live Beyond Your Means sellers in twenty-two cities. These Wilson lists arrange the titles in the order Saints and Strangers Willison of their sales over the past three The Farmer Takes a Wife Gould weeks. The New York Times Book Ever New England Chamberlain Review for December 30, 1945, pre- Stop or I'll Scream Williams, ed. sents the following: Brook of Our Own Harkness FICTION My Indian Family Wernher The Black Rose Costain Peter Hunt's Workshop Hunt The White Tower Ullman Houses for Homemakers Wills Cass Timberlane Lewis Tomorrow's House Nelson Forever Amber Winsor My Chinese Wife Eskelund The River Road Keyes The Kenneth Roberts Reader The Peacock Sheds His Tail, Hobart Roberts The Gauntlet Street Pleasant Valley Bromfield The Fountainhead Rand Daughter of Han Pruitt Most Secret Shute Nation of Nations Adamic So Well Remembered Hilton Portrait of a Marriage Buck To make any observations or Days and Nights Simonov comparisons is unnecessary, but we The World, the Flesh, and Father do feel that we are holding our own Smith Marshall as far as fiction reading is con- Captain from Castile Shellabarger cerned. We have managed to in- Three O'Clock Dinner Pinckney clude one mystery among our six- A Lion Is in the Streets Langley teen most requested books. The Ayn NON-FICTION Rand book, "The Fountainhead," re- The Egg and I MacDonald mains popular after two years of Up Front Mauldin existence, during which time it has Brave Men Pyle managed to be in almost unbroken Pleasant Valley Bromfield demand. The enigmatic Amber General Marshall's Report could have fallen from her first "Let them make their own nests, dear . Little birds do It— place had the library chosen to pur- The Age of Jackson Schlesinger why can't these big ones?!" Soldier of Democracy Davis chase several copies, instead of the Christmas Stories Wagenknecht, ed. three which are being overworked. Cherokee Strip James As for the non-fiction—the rustic, The Practical Cogitator the New England and the return-to- Curtis and Greenslet, eds. the-farm stil have a mighty attrac- Try and Stop Me Cerf tion for Andoyerians. Bill Mauldin The Life of the Heart Winwar and Ernie Pyle have been great The Anatomy of Peace Reves favorites, but seem to have met Lovely Is the Lee Gibbings their public here already. As most Atomic Energy for Military librarians can agree, the books on Purposes Smyth homemaking and home decorating Lincoln, the President Randall have moved to the front. Books • * * about our international interests and concern with our own nation AND—here's how the patrons of have a constant demand, as shown the Memorial Hall Library have re- 'by our daily circulation as well as served books — this list of wanted titles. FICTION In fact, we admire and enjoy the Forever Amber Winsor reading public of our own little The Peacock Sheds His Tail, Hobart town! Leave Her to Heaven Williams January Thaw Partridge Storm Tide Ogilvie LOCALS The Black Rose Costain •Mr. Chester Ward of Cumberland, The River Road Keyes Md., and Mrs. James Mitchell of Three O'Clock Dinner Pinckney Chicopee, Mass., were New Year's Not in Our Stars Greene guests of their sister, Mrs. Russell The White Tower Ullman Foster of Fletcher street. So Well Remembered Hilton Mr. and Mrs. Teddy Jones and The Yellow Room Rinehart children of Poughkeepsie, N. Y., Cass Timberlane Lewis were recent guests of Mr. and Mrs. Most Secret Shute L. Merrick of Shawsheen road. A Warm Hearty Handshake THINGS TO THINK ABOUT . a wide bright smile . sincere neighborly advice. STYLING PLUS All these PLUS economi.pal home financing terms are EXPERT INSTALLATION always yours at the MERRIMACK COOPERATIVE BANK. The reason is that we're a hometown group ioterested in INLAID the welfare of you and Lawrence. Come in any time and LINOLEUM let us work out a loan that's the very best one for you. Expertly Installed by Elliott's mechanics. Wide choice of bright new colors and patterns. "Leading Linoleum Merchants In Lawrence." 236 Essex St., Lawrence THE ANDOVER TOWNSMAN, January 3, 1946 Mr. and Mrs. C. Edward Buchan, in the vestry Wednesday afternoon With At Andover's Churches . and Rev. and Mrs. Frederick B. at 2:30 o'clock. The speaker of the MUSICAL I of the Christian Religion; 7:30, The Junior Noss. The dance committee: Ruth Choir. meeting will be Mrs. C. Edward SHAWSHEE Glennie, chairman; Peggy Shaw, Buchan, and her subject will be Church Schedules Wednesday, 1:15 p. m., Week-Day School Virginia Hardy, Letitia Noss, Janet Shawsheer of the Christian Religion; 7:30, The Church "Women Are Ostriches." The host- —A special • Christ Church Choir. Caverly, Janice Bowen, Jocelyn esses are Mrs. Stevens and Mrs. Thursday, 10:00 a. m., All-Day Sewing White, Cynthia Black and Joan club, when tl Sunday, 8:00, Holy Communion; 9:30, Corliss. • Church School; 11:00, Holy Comunion and Meeting of the Women's Union; 7:30 p. m., Draper. noon, Januai Sermon; 7:30 p. m., Service of Lights. The Junior Courteous Circle of The King's Shawsheen Daughters. Troop 72, Boy Scouts of Free Monday, 7:45 p. in., Girls' Friendly So- the presiden ciety, Penny Social. Friday, 7:15 p. m. Troop 3, Boy Scouts. Church—Miscellaneous skating and • • • ley, presidin Tuesday, 2:30 p. m., Girl Sccuts; 8:00 a vigorous game of hockey were WANTED P. m., Vestry Meeting. Free Church enjoyed by Boy Scouts of the Free Special gi Thursday, 10:00 a. in., Holy Communion. will be: Mrs • • • Sunday, 9:3U a. m., Church School; church Friday afternoon when two Tenor and Alto Singers president; a West Church 11:00, Morning Worship and Communion; teams led by Donald Whyte and 7:00 p. m., Pilgrim Fellowship. Henry Curry battled it out. Whyte terson, Tentl Sunday, 10:30 a. m., Unified Service, Monday, 7:30 p. m., Servicemen's Group for Choir Work the presiden Adult congregation end Sunday School was high scorer for the day. Others meet in Parish House. Tenth Distri meeting at the same time; 4:45 p. Tuesday, 2:30 p. m., The Helping Hand attending were Senior Patrol Lead- POSITIONS PERMANENT Meeting of Young People's Department in business meeting; 3:00, a tea for the er Jack Arabian, Patrol Leader Tapestries the Vestry. Ladies of the Church. Wednesday, 2:30 p. m., Senior Women's Wednesday, 7:00 p. m., Cub Scout, James Daly, Scouts Gregory Arabian, and Music" Union Meeting in the Ve•.,try; 7:00, Senior Pack 72. John Gaudet, John Hannon, Roger Solo training not essential, to he preset Choir Rehearsal. Thursday, 2:30 p. m., Women's Alliance Dea and Scribe Douglas Hart. but music reading ability artists: Rho Thursday, 7:30 p. m., The Annual Meet- meeting; 3:45, Junior Choir; 6:30, Girl and good musicianship are composer; 11 ing of the Parish in the Vestry. All mem- Scouts; 7:30, Senior Choir. The troop will meet Friday night hem arc cordially urged to attend. Friday, 7:30 p. m., Boy Scouts. to discuss camping plans to Pomp's most desirable. For appoint- soprano; an • o • * * * Pond January 5 and 6. The boys ments with Director, call narrator and Baptist Church will start from the church Saturday And. 1498 or 34-R, or write describe in South Church lives of Ste Sunday, 9:30 a. m., Church School and Sunday, 9:30 a. m., Church School; morning at 9 o'clock. W. L. Brannen, 2 Lincoln St., 10:45 a. m., Morning worship and sermon. Stoneham, Mass. Chopin and the Junior Church; 9:30, Men's Group; 0 • Women's Union of the West 10:45, Morning Worship, Sermon and Com- Church -- A meeting will be held Miss Joan munion; 10:45, Church Kindergarten; 11:15, from the Loi Educotional Motion Pictures; 6:00 p.
Load more

Recommended publications
  • Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”
    Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste.
    [Show full text]
  • Cr3v05 Maquetación 1
    CAMINO REAL 2:3 (2010): 11-33 Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947) STEPHEN A. COLSTON ABSTRACT The Spanish Conquest of Aztec Mexico (1519-21) forever transformed greater North America, Europe, and regions beyond. In spite of this significance, there is only one extant motion picture that has attempted to portray features of this epic event. Re- leased in 1947 by Twentieth Century-Fox, Captain from Castile was based on a novel of the same title and offers images of the Conquest that are intertwined with fact and fic- tion. Drawing upon the novel and elements of the Conquest story itself, this study se- parates and examines the threads of fact and fantasy that form the fundamental fabric of this film’s recounting of the Spanish Conquest. This analysis is enhanced by infor- mation found in unpublished documents from several collections of motion picture pro- duction materials. Ultimately, the images of the Spanish Conquest that emerge in Captain from Castile reveal some elements of genuine historicity but they more often reflect, in typical Hollywood fashion, the aspirations of a studio more concerned with achieving box office success than historical accuracy. Keywords: film, Hollywood, Conquest, Mexico, Cortés, Aztecs. Stephen A. Colston is an Associate Professor of History at San Diego State University. Colston, S. “Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947).” Camino Real. Estudios de las Hispanidades Norteamericanas. Alcalá de Henares: Instituto Franklin - UAH, 2:3 (2010): 11- 33. Print. Recibido: 27/10/2010; 2ª versión: 26/11/2010 11 CAMINO REAL RESUMEN La conquista española del México azteca (1519 - 1521) transformó para siempre América del Norte, Europa y más allá.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Total Time: 63:37 N June 1944, Darryl F
    1. Main Title 1:35 • 2. “April Showers” 2:51 3. “I’ll See You in My Dreams” 2:02 • 4. “A Chicago Country Club Dance” 2:02 5. “I’m Forever Blowing Bubbles” 1:45 • 6. “The Missouri Waltz” 1:48 7. “I’ll See You in My Dreams” 1:47 • 8. Larry’s Journey Overseas 1:20 9. Isabel and Larry in Paris 1:46 • 10. Returned Engagement Ring :40 11. Last Night Together 1:38 • 12. Night Clubbing 6:28 13. The Wedding Cake :50 • 14. After the Wedding :45 15. Miner’s Cafe 2:00 • 16. Larry Travels to the East 5:15 17. The Mountain Retreat 6:44 • 18. Larry and Maugham Reunited :11 19. Somerset Maugham and the Princess :41 • 20. The Rue De Lappe 2:47 21. Cocktails at the Ritz 1:52 • 22. Sophie’s Torment 3:09 23. Oboesque 1:43 • 24. Sophie’s Room 2:13 25. After Elliott’s Death 1:43 • 26. Finale :54 27. Exit Music 4:13 28. “J’aime ta Pomme” Demo 2:38 Total Time: 63:37 n June 1944, Darryl F. Zanuck, 20th Cen- questioned the materialistic mode of living and tury-Fox’s studio head, was contemplating were looking for a meaning of existence. making a big decision. In a memo to key In Maugham’s The Razor’s Edge, Larry members of his staff he said: Darrell near the end of World War I is saved from death by a comrade who gives up his life This is my analyzation of The Razor’s in the effort.
    [Show full text]
  • NPRC) VIP List, 2009
    Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • Pioneer Film Director Honored / HENRY KING
    The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
    [Show full text]
  • Final Rounds
    TVhome The Daily Home April 26 - May 2, 2015 Final Rounds The ever-smitten Eddie (Paul Schulze, left) is one of the few people who remain by Jackie’s (Edie Falco) side during her most troubled times on “Nurse 000208858R1 Jackie,” airing in its seventh and final season, Sundays at 8 p.m. on Showtime. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 26, 2015 — Sat., May 2, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING 7 p.m. ESPN New York Mets at New WBIQ 10 4 10 10 10 10 York Yankees (Live) Drag Racing WCIQ 7 10 4 Monday WVTM 13 13 5 5 13 13 13 13 Sunday 1 a.m. FOXSS Atlanta Braves at WTTO 21 8 9 9 8 21 21 21 1 p.m. ESPN2 O’Reilly Auto Parts Philadelphia Phillies (Replay) WUOA 23 14 6 6 23 23 23 NHRA Springnationals from 1:30 a.m.
    [Show full text]
  • The Hunchback of Notre Dame 1939
    570187bk Hunchback:570183bk Son of Kong 15/7/07 8:09 PM Page 12 John Morgan Widely regarded in film-music circles as a master colourist with a keen insight into orchestration and the power of music, Los Angeles-based composer John Morgan began his career working alongside such composers as Alex North and Fred Steiner before embarking on his own. Among other projects, he co-composed the richly dramatic score for the cult-documentary film Trinity and Beyond, and has won acclaim for efforts to rescue, restore and re-record lost film scores from the past. William Stromberg A veteran film composer, conductor and film archivist, William Stromberg, working with famed film music reconstructionist and composer John Morgan, has conducted numerous albums of film music for RCA, Naxos, Marco Polo and, most recently, Tribute Film Classics. Upcoming albums include the complete scores to Bernard Herrmann’s Mysterious Island, Max Steiner’s She and Herrmann’s The Kentuckian. Moscow Symphony Orchestra Founded in 1989 as the first independent orchestra in modern Russia, the Moscow Symphony Orchestra maintains a busy schedule both in the concert hall and recording studio. For more than a decade, it has become noted for its pivotal role in a long-running series of recordings devoted to classic film scores conducted by Hollywood composer William Stromberg. Their most recent collaboration was the complete film score for Erich Wolfgang Korngold’s The Sea Hawk (Naxos 8.570110-11). From left to right: Recording engineers Vitaly Ivanov and Edvard Shakhnazarian, conductor William Stromberg and arranger John Morgan 8.570187 12 570187bk Hunchback:570183bk Son of Kong 15/7/07 8:09 PM Page 2 Alfred Newman (1901–1970) talent (and his rare ability to recognise such talent), his reflect the almighty influence of the church in Hunchback long-standing belief in teamwork at all times and, finally, and even employed its choral version for the main title.
    [Show full text]
  • Guide to the William K
    Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.
    [Show full text]
  • Bibliographie Henry King
    The Sun Also Rises Henry KING (1957) Bibliographie 1. Ouvrages sur la question de l’adaptation en général BAZIN André, “pour un cinéma impur: défense de l’adaptation” in Qu’est-ce que le cinéma? Paris : Les Editions du Cerf, 1981, p.81-106. CARTWELL Deborah & WHELEHAN Imelda (eds), Adaptations: from Text to Screen, Screen to Text, London: Routledge, 1999. * CARTWELL Deborah & WHELEHAN Imelda (eds), The Cambridge Companion to Literature on Screen, Cambridge: Cambridge University Press, 2007, introduction p.1-12. CORRIGAN Timothy, Film and Literature, Upper Saddle River: Prentice Hall, 1999. ELLIOTT Kamilla, Rethinking the Novel/Film Debate, Cambridge: Cambridge University Press, 2003. GIDDINS Robert, SELBY Keith & WENSLEY Chris, Screening the Novel: The Theory and Practice of Literary Dramatization, New York: St Martin’s Press, 1997. GIDDINGS, Robert & SHEEN, Erica (eds), The Classic Novel. From Page to Screen, Manchester; New York: Manchester University Press, 2000. LEITCH Thomas, Film Adaptation and Its Discontent- From Gone to the Wind to The Passion of the Christ, Baltimore: The Johns Hopkins University Press, 2007. *McFARLANE Brian, Novel to Film: An Introduction to the Theory of Adaptation, Oxford: Clarendon Press, 1996. *MELLET Laurent & WELLS-LASSAGNE Shannon, Etudier l’adaptation filmique, « Didact Anglais », Rennes : Presses Universitaires de Rennes, 2010 (1ère partie sur les enjeux théoriques) NAREMORE James (ed), Film Adaptation, New Brunswick: Rutgers University Press 2000. SERCEAU Michel, L’Adaptation filmique, Liège :Editions du CEFAL, 2000. SINYARD Neil, Filming Literature: The Art of Screen Adaptation, New York / Beckenham: St Martin Press / Croom Helm, 1986 STAM Robert & RAENGO Alessandra (eds), A Companion to Literature and Film, Oxford: Blackwell, 2004.
    [Show full text]
  • Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
    1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series (
    [Show full text]
  • Ape Chronicles #035
    For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional.
    [Show full text]