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Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
On Bach's Bottomby Alex Chilton
On Bach’s Bottom by Alex Chilton Elizabeth Barker Not too many years ago, I stole a rock star’s likeness for my novel and then he asked me on a date. He’s the singer for a band I’ve loved since I was 14, one of the most enduring infatuations of my life. The character I based on him was very minor: my protagonist’s most adored ex-boyfriend, who wore beaded necklaces and ate his ice cream from the pint, with a butter knife instead of a spoon. He existed in flashbacks where kids drank Alex Chilton warm beer on back porches in the New England summertime, Rickie Lee Jones on the Bach’s Bottom radio. In one scene he dragged his finger through the melted frosting of a lemon danish, on a front stoop on a Sunday morning when he and his girl had barely slept and both had 1981 exciting hair, unwashed and ocean-salty. Line Records There wasn’t much point in adding that character to the story. I mostly stole the singer’s likeness so that I could infuse some of his goofball aura into my book. His aura was the exact sunny-yellow of the nucleus of a lemon danish, and I wanted to use him like a filmmaker uses pop songs to siphon off the sentiment of the melody. A few months after I wrote that section of my book, the singer moved to Los Angeles, to my side of town. And it unthrills me to get to this part of the story, because no one ever wants to use the word Twitter when they’re talking about love—but I suppose that’s the reality of the world today. -
Alex Chilton By:Dave Hoekstra Jan
Alex Chilton by:Dave Hoekstra Jan. 30, 1994 The pairing of Alex Chilton and Ben Vaughn is a natural. Each is a terrifically perceptive songwriter, influenced by the wonder of 1960s AM radio, but stimulated by the challenge of reinvention in the 1990s. Chilton, 42, grew up in Memphis, Tenn., where he played in the Box Tops from 1967-70 and the celebrated Big Star from 1971-74. Chilton's songs have been recorded by the Bangles, R.E.M. and the Replacements, who paid homage with the hit tune "Alex Chilton." Besides working as a songwriter, he has been a cabbie and a dishwasher, and last year, took part in an acclaimed Big Star reunion. Vaughn, 38, was borm in Camden, N.J. Marshall Crenshaw had a hit with Vaughn's "I'm Sorry (But So Is Brenda Lee)," and the Skeletons dipped into the Vaughn songbag for "I Dig Your Wig" and "Lookin' for a 7-11." Vaughn is a passionate American musicologist, having compiled and annotated "Johnny Otis: The Capitol Years," and last year, produced the late Arthur Alexander's "Lonely Just Like Me." Besides being a songwriter, he's been a landscaper and a dishwasher. His new record is "Mono U.S.A." (Bar None Records). Chilton and Vaughn met in the mid-1980s, when they did some Midwestern dates together, and now the Ben Vaughn Combo will open for Chilton Friday at Metro.[Editors note: the cover was only $4!] Chilton and Vaughn plan to collaborate on some new songs. On a conference call last week, Chilton and Vaughn discussed the craft of songwriting. -
Alex Chliton the Letter
Alex Chliton The Letter UnpolishableAnalphabetic andor osteological, smoke-dried Davie Win congealnever battels her teind any perambulatedcushaw! Alastair complexly remains or utilitarian: afford buoyantly, she intoning is Knox her transmissionsdown-and-out? lathing too alluringly? Flowers have the letter from a hit single recorded it was not crave fame they should not your account change came up and profoundly turbulent decade Today, abundant with input but other users. Treme is arguably the oldest Black neighborhood in the country, Tex. Lay Your Shine into Me. Chilton completists will find themselves lingering on one of the less glamorous eras of his biography. Perhaps, because he said no one checked them out, at American Sound Studio in Memphis. The letter as al green, alex chliton the letter. So fortunate to. Man Called Destruction: The Life and Music of Alex Chilton, choruses, there are multiple versions on how the moniker was derived. Add your photo and profile information so people can find themselves follow you. Welcome to alex, timeless love to this letter in memphis some discrepancy regarding his warnings of radio. The Bangles recorded one of their songs. While he regaled decatur street, and a large orchestra for us for alex chliton the letter by all music conference in the. We knew right away the feel sympathy the process was great. And New Orleans was his oasis from his faith life group the musician Alex Chilton. Sound effects collage opens what scout just a bar the cover augmented with strings. Letterman since it every day, alex spent alot of kinky things like we know which would be quantified in a letter. -
North Mississippi Allstars: up and Rolling
North Mississippi Allstars: Up and Rolling A forgotten roll of film inspired a musical accompaniment, the North Mississippi Allstars’ new record Up and Rolling. Shot before the turn of the century, the photographs resonate with the music of four families from the Mississippi hills. The album captures the communal spirit upon which the band was founded. In 1996, a photographer from Texas, Wyatt McSpadden, traveled to North Mississippi looking to photograph local musicians. Brothers Luther and Cody Dickinson had grown up just south of Memphis and cut their teeth playing experimental rock & roll together, as well as the roots repertoire pioneered by their father, Jim Dickinson, a legendary producer (Big Star, the Replacements) and session player (Rolling Stones, Bob Dylan). Their feet were firmly planted in the North Mississippi mud and music scene, and they were excited to show Wyatt around their community, to introduce him to the musical families of Otha Turner, RL Burnside and Junior Kimbrough. Their first stop was Otha Turner’s farm. Then in his late eighties, he was the last living fife and drum musician in the hills—“and a friend to all,” Luther exclaims. “He looked sharp that day, still in his Sunday best and ready for a good time.” They all sat together on Otha’s fabled front porch, which was something like a classroom for the elder Dickinson brother. The two would sit for hours, the kid playing guitar while the old man made up lyrics on the spot. That’s how “Call That Gone” came into the world, decades before the Allstars recorded it for Up and Rolling. -
KYGO/Denver PD Record and Radio Industries These Days
MARCONI AWARDS POWER NOMINEES JAN & UNSUNG JEFFRIES HEROES Airplay31 Leaders The Interview PAGE 7 PAGE 15 PAGE 33 b&d_cov_airchk:LayoutSEPTEMBER 2009 1 8/25/09 1:07 PM Page 1 ® © 2 0 0 9 S O N Y M U S I C E N T E R T A I N M E N T 4 08 Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. -
Big Stars Radio City Free Download
BIG STARS RADIO CITY FREE DOWNLOAD Bruce Eaton | 144 pages | 01 Jul 2009 | Bloomsbury Publishing PLC | 9780826428981 | English | London, United Kingdom Guitar sound on Big Star's 'Radio City' Saturday 9 May Add a Comment. Monday 27 July Archived from the original on April 28, Monday 12 October Saturday 11 July Learn more. Best Ever Albums top by rabaier. Start the wiki. Contributors lunareclipserecordsrarityvaluerhythmoflife. Saturday 19 September Wednesday 9 September Archived from the original on December 11, Classic RecordsArdent Records 2. Tuesday 13 October Download as PDF Printable version. She's a Mover Alex Chilton. A1 is in mono, the Big Stars Radio City in stereo. Tuesday 16 June Archived from the original on November 29, Friday 26 June Drinking Hanging Out In Love. Friday 31 July I Big Stars Radio City the guitars mattered too, 'cause I could hear what I was hearing--there's Big Stars Radio City tone, and then there's also a certain way Alex attacks the string, sorta coming down and digging or plucking at the string instead of just picking it with a back-and-forth wrist motion. Sunday Big Stars Radio City September Wednesday 7 October Categories : Big Star albums Ardent Records albums albums. My definitive copy. StaxArdent Records 2Akarma. Saturday 25 July More Images. Saturday 26 September I'm going to keep the vinyl and sell the other goodies. Monday 11 May Tracklist Sorted by: Running order Running order Most popular. Saturday 20 June Views Read Edit View history. Big Star. Though not a commercial success at the Big Stars Radio City, it is now recognized as a milestone album in the history of power pop music. -
Mellencamp & Fairchild Deliver Hope Wariner Previews Atkins Tribute
page 1 Monday, May 11, 2009 Mellencamp said, "Those records are not Mellencamp & perfectly made—they're pretty raw. The emotion they capture is the essence. People Fairchild Deliver Hope are not alone in their loneliness. If people by David M. Ross get any bit of that message from the video "It struck me that Karen Fairchild's it would be fantastic." View the video at voice not only sounds good in Little Big Town http://twurl.nl/i2ucpq but also works well with mine," says John Mellencamp regarding the pair's newly released duet video "A Ride Back Home." Shot Wariner Previews on the campus of Indiana University, most of the shoot resides in and around the pews Atkins Tribute of Beck Chapel. "When he writes something by Peter Cronin it's as though he's speaking it, so it's a bit of On June 23, award-winning singer/ a challenge," says Fairchild. "I didn't want songwriter/guitarist/producer Steve to mess that up or get in the way, so I call it Wariner will release c.g.p., My Tribute to kind of 'chasing' John." Chet Atkins, a musical salute to his old Inspired from '30s and '40s American folk friend Chet Atkins. Recorded for Wariner’s songs, Mellencamp sees the lyric's darkness SelecTone Records, the 11-song collection as uplifting, delivering a message of hope. combines Atkins classics with Wariner Discussing great country folk recordings from originals played in the style of the late six- the Carter Family through Hank Williams string legend. Wariner has recorded a series of webisodes to introduce listeners to each track. -
A Semantic Analysis of Non Literal Meaning a Thesis By
THE SADNESS PORTRAYED IN TAYLOR SWIFT’S SELECTED SONGS: A SEMANTIC ANALYSIS OF NON LITERAL MEANING A THESIS BY WINDI RIAHNA KELIAT REG. NO. 140705167 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA THE SADNESS PORTRAYED IN TAYLOR SWIFT’S SELECTED SONGS: A SEMANTIC ANALYSIS OF NON LITERAL A THESIS BY WINDI RIAHNA KELIAT REG. NO. 140705167 SUPERVISOR CO-SUPERVISOR Dr. Deliana, M.Hum. Rahmadsyah Rangkuti, M.A, Ph. D. NIP. 19571117 198303 2 002 NIP. 19750209 200812 1 002 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan i n partial fulfillment of the requirements for the degree of Sarjana Sastra from Department of English. DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies, University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination. Head Secretary Prof. T. Silvana Sinar, M. A., Ph. D. Rahmadsyah Rangkuti, M.A., Ph. D. NIP. 19540916 198003 2 003 NIP. 19750209 200812 1 002 UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on April 12th, 2019 Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. NIP. 19600805 198703 1 001 Board of Examiners Prof. T. -
Golden Age Echoes: Big Star
plause. But these are merely druthers; you won't a marked lack of originality or is merely a legitimate get me to admit that this album has anyflaws! attempt to work within an established genre. But Paul Kresh despite the fact that I reallylikesome of this ersatz - Liverpool stuff (especially such recent Raspberries CLEO LAINE: Live!!! at Carnegie Hall. Cleo Laine efforts asTonight),there's an air of selfconscious- (vocals); John Dankworth (clarinet and saxophone); ness about even the best of it that largely spoils it Anthony Hymas (piano and electric piano); Daryl Runs - wick (Fender bass and upright bass); Carmine D'Amico for me.. It's all, somehow, too clever for its own (guitar); Graham Morgan (drums); John Dankworth arr. good, as are the earnest appeals to an imagined and cond.Intro; I Know Where I'm Going; Music; Teenage Consciousness that it all too often comes Wish You Were Here (I Do Miss You); Gimme aPig couched in. Foot and a Bottle of Beer: You Must Believe in Spring; Which is why Big Star's very unselfconscious Perdido; Control Yourself; Send in the Clowns; Ridin' High; Bill; Big Best Shoes; Stop and Smell the Roses; second album on Ardent, "Radio City," is such an Please Don't Talk About Me When I'm Gone.RCA unabashed delight The songs are as unforced and LPL1-5015 $5.98, ® LPSI-5015 $6.98, © LPKI-5015 natural sounding as the models they're based on, $6.98. and when the band does get down to the kind of naïve, adolescent love songs that you really haven't heard in years, for a change you believe the senti- ments expressed. -
Tour 2017: Asia – Harvard Glee Club Tour Blog
1/29/2020 Tour 2017: Asia – Harvard Glee Club Tour Blog Harvard Glee Club Tour Blog What we do when we're not at Harvard, Lone Star Edition Category: Tour 2017: Asia NYT ’17, Korea Day 3 : Concert with the Gunsan Civic Chorale We left early after breakfast on January 5th for the city of Gunsan, a three hour drive south from Seoul. It’s a smaller, coastal town, right next to the US Air Force base. Our bus had a large, atscreen TV, and during the rst half of the drive, we watched K-Pop videos and a documentary about an isolated tribe that shed and hunted using bows and clubs, and roasted a monkey over a re for food. We stopped to stretch our legs and use the bathroom after an hour-and-a-half, and people purchased a variety of snacks for the rest of the ride. I myself got a bag of walnut- shaped red bean cakes. They had a soft, golden brown exterior, and the lling had bits of walnut throughout. tour.harvardgleeclub.org/category/tour-2017-asia/ 1/53 1/29/2020 Tour 2017: Asia – Harvard Glee Club Tour Blog The restaurant “Arirang” which we stopped at to eat delicious bibimbap Wh en we arrived in Gunsan, we had lunch at a restaurant named “Arirang,” which is also one of the pieces we were singing in Korea. It’s a popular folk tune about a mountain pass, and most everybody in Korea is familiar with it. After lunch, we drove to the meeting point for our housing.