Propaganda in Tekenfilms De Tekenfilms Van Warner Bros
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Ethan De Seife
Ethan de Seife • Assistant Professor of Film Studies • RTVF Department ethandeseife.wordpress.com My recent book, Tashlinesque, investigates the career of Frank Tashlin, an important and overlooked director of very funny and visually inventive American film comedies. I have also written a book on the great film This Is Spinal Tashlin made Looney Tunes cartoons as well as live-action Tap. features with such performers as Bob Hope, Jerry Lewis, and Jayne Mansfield. I like to think that this book goes to 11. All previous studies of Tashlin’s work operate under the assumption that, because he worked in both animation and live-action, Tashlin made cartoons that “anticipate” his live- action features, and that his live-action features are somehow “cartoony.” My book disputes this claim as too simplistic, taking a historical/aesthetic approach to understanding Tashlin’s films. I use several new contexts instead: • Vaudeville history and aesthetics • Economic and censorship policies of the film industry • Performative styles in mid-century Hollywood • Sexual comedy and social satire Within the last 18 months, I have also published articles and delivered talks on a wide range of subjects within film and media studies. The aesthetics of Methocel, the odd (and The peculiar narrative patterns in the The star persona of Neil Young’s The directorial chemically bizarre) ooze used to “play” slime martial-arts films of Hong Kong director rapper/actor Ice Cube. fascinating multi- style of famed in the Ghostbusters films and the oil in There Chang Cheh. media Greendale exploitation Will Be Blood. project. filmmaker William Castle. . -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
Concordia University Presents
ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country. -
Æÿ¥Å…‹Â·Ç¼Æ–¯ Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
æŸ¥å…‹Â·ç¼ æ–¯ 电影 串行 (大全) Duck Amuck https://zh.listvote.com/lists/film/movies/duck-amuck-546029/actors Angel Puss https://zh.listvote.com/lists/film/movies/angel-puss-4762251/actors 8 Ball Bunny https://zh.listvote.com/lists/film/movies/8-ball-bunny-2443495/actors Daffy Duck and the Dinosaur https://zh.listvote.com/lists/film/movies/daffy-duck-and-the-dinosaur-5208334/actors A Feather in His Hare https://zh.listvote.com/lists/film/movies/a-feather-in-his-hare-4656704/actors Jumpin' Jupiter https://zh.listvote.com/lists/film/movies/jumpin%27-jupiter-6311257/actors Bear Feat https://zh.listvote.com/lists/film/movies/bear-feat-386103/actors Hook, Line and Stinker https://zh.listvote.com/lists/film/movies/hook%2C-line-and-stinker-16201884/actors Rabbit Rampage https://zh.listvote.com/lists/film/movies/rabbit-rampage-7278609/actors Gee Whiz-z-z-z-z-z-z https://zh.listvote.com/lists/film/movies/gee-whiz-z-z-z-z-z-z-5529764/actors The Hypo-Chondri-Cat https://zh.listvote.com/lists/film/movies/the-hypo-chondri-cat-7741215/actors Tom Turk and Daffy https://zh.listvote.com/lists/film/movies/tom-turk-and-daffy-30348980/actors The Little Lion Hunter https://zh.listvote.com/lists/film/movies/the-little-lion-hunter-24904694/actors Good Night, Elmer https://zh.listvote.com/lists/film/movies/good-night%2C-elmer-5582847/actors Wild About Hurry https://zh.listvote.com/lists/film/movies/wild-about-hurry-8000478/actors Often an Orphan https://zh.listvote.com/lists/film/movies/often-an-orphan-7079779/actors Zoom and Bored https://zh.listvote.com/lists/film/movies/zoom-and-bored-8074164/actors -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
Get Kindle ~ the Best of Cartoon Carnival
BTMEVIFPZT4O » Book > The Best of Cartoon Carnival The Best of Cartoon Carnival Filesize: 9.47 MB Reviews This ebook is amazing. I actually have read and i also am certain that i will going to read once more again down the road. I found out this pdf from my dad and i advised this book to discover. (Isaiah Swaniawski) DISCLAIMER | DMCA 54CNRDGFU8XN « Kindle > The Best of Cartoon Carnival THE BEST OF CARTOON CARNIVAL Waterlogg Productions, 2014. CD-Audio. Condition: New. Adapted ed.. Language: English . Brand New. This collection includes all four volumes of The Best of Cartoon Carnival.As the protege of cartoon voice legend Daws Butler, veteran award-winning broadcaster Joe Bevilacqua is no stranger to the cartoon world. From Mel Blanc to June Foray, from Disney to Hanna-Barbera, Cartoon Carnival is a lively hour of rare and classic cartoon audio, children s records, cartoon music and sound eects, new radio cartoons, interviews, and mini-documentaries about the wonderful world of animation. Just a small sampling of the delightful characters you ll encounter in this must-have audio includes Yogi Bear, Huckleberry Hound, the Flintstones, Quick Draw McGraw, Rocky and Bullwinkle, Popeye, Bugs Bunny, and Day Duck. There s fun for the whole family!The InterviewsIncluded in this first collection are interviews with Joe Barbera, Leonard Maltin, Bob Clampett, Stan Freberg, Daws Butler, Mel Blanc, Bill Marx, June Foray, Bill Scott, Hoyt Curtin, and Craig Marin. Also included is audio from Warner Brothers and Hanna-Barbera cartoons such as The Jetsons, The Flintstones, Huckleberry Hound, Yogi Bear, Quick Draw McGraw, Ru n Reddy, Magilla Gorilla, Bob Clampett s Time for Beany, Jay Ward s Rocky and Bullwinkle, Fractured Fairy Tales, Fractured Flickers, The Chuck McCann Show, Winchell-Mahoney Time, and The Sandy Becker Show. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
La Huella Gráfica Del Boceto En Animación Comercial
La huella gráfica del boceto en animación comercial TESIS DOCTORAL Manuela-Elizabeth Rodríguez-González 2020 Escola Internacional de Doutoramento Manuela-Elizabeth Rodríguez-González TESE DE DOUTORAMENTO La huella gráfica del boceto en animación comercial Dirixida polos Doutores: Dr. José Chavete Rodríguez e Dra. Mª Sol Alonso Romera 2020 Escola Internacional de Doutoramento O Dr. José Chavete Rodríguez e a Dra. Mª Sol Alonso Romera FAN CONSTAR que o presente traballo, titulado La huella gráfica del boceto en animación comercial,que presenta Manuela-Elizabeth Rodríguez-González para a obtención do título de Doutora, foi elaborado baixo a súa dirección no programa de doutoramento Creación e Investigación en Arte Contemporánea pola Universidade de Vigo. En Pontevedra, a 20 de novembro de 2020 Os Directores da tese de doutoramento Dr. José Chavete Rodríguez Dra. Mª Sol Alonso Romera AGRADECIMIENTOS Una tarde de un año, mes y día que ahora mismo no podría precisar, buscando libros para la presente investigación me encontré con uno de mis más apreciados compañeros de doctorado, R., al que hacía tiempo que no veía. En ese momento descubrí –con gran sorpresa– que R., de apariencia tranquila y segura, se encontraba más –si cabe– estresado que yo. Tanto que él mismo comenzó a hablar sin pausa, como si estuviera respondiendo a preguntas imaginarias. En medio de largas frases sin fin, dio una definición de tesis que, tiempo después, me encuentro mencionando como núcleo de mis agradecimientos. Pues bien, la definió más o menos como una gran mochila de piedras que cada vez va pesando más; que, a veces, incluso impide hacer otras cosas, pero que, al seguir con la mente en ella, al final no se hace ni una cosa ni la otra. -
Momaexh 1405 Masterchecklist
\ . The Museum of Modern Art CHECKLIST Officeof the Registrar November 4, 1985 112-700 96.34 "That's Not All Folks! Warner Brothers Animation" September 10, 1985 - January 7, 1986 85.1336 - 85.1342 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Richard Bickenbach MoMAExh_1405_MasterChecklist 85.1343 - 85.1344 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Herman Cohen 85 .1345 DUCK AMUCK, 1953 Directed by Chuck Jones Character layout drawing by Chuck Jones 85.1346 DAFFY DUCK HUNT, 1949 Directed by Robert McKimson Preliminary model poses by John Carey 85.1347 YOU OUGHT TO BE IN PICTURES, 1940 Directed by Friz Freleng Preliminary model poses 85.1348 - 85.1352 THE OLD GREY HARE, 1944 Directed by Bob Clampett Character layout drawings by Michael Sasanoff 85.1353 BUGS BUNNY NIPS THE NIPS, 1944 Directed by Friz Freleng Animation drawing 85.1354 WHAT'S COOKIN', DOC? Directed by Bob Clampett Animation drawing .. 11 West 53 Street, New York, N Y 10019-5486Tel 212-700 94()()Coble MOOERNARI Telex. 62370MOOA�l -2- 85 .1355 BUGS BUNNY AND THE THREE BEARS, 1944 Directed by Chuck Jones Animation drawing 85.1356 THE WACKY WABBIT, 1942 Directed by Bob Clampett Animation drawing 85.1357 A WILD HARE, 1940 Directed by Tex Avery Size chart by Robert Givens 85.1358 THE HARE BRAINED HYPNOTIST, 1942 MoMAExh_1405_MasterChecklist Directed by Friz Freleng Animation drawing by Phil Monroe 85.1359 - 85.1362 HARE RIBBIN' , 1944 Directed by Bob Clampett Animation drawing by Robert McKimson 85.1363 HARE CONDITIONED, 1945 -
Favorite Looney Tunes Characters.Xlsx
FAVORITE LOONEY TUNES CHARACTERS - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Daffy Duck 58 70 Bugs Bunny 1 Daffy Duck 60 67Bugs Bunny 16 Clyde Bunny 13 1 Gruesome Gorilla 16 Daffy Duck 73 79Bugs Bunny 8 Charlie Dog 38 35 Rocky and Mugsy 8 Charlie Dog 10 3 Rocky and Mugsy 9 Henery Hawk 31 34 Slowpoke Rodriguez 9 Daffy Duck 48 56 Bugs Bunny 5 Barnyard Dawg 48 54 Penelope Pussycat 5 Barnyard Dawg 44 41 Penelope Pussycat 12 Drunken Stork 23 15 Blacque Jacque Shellacque 12 Barnyard Dawg 11 5 Penelope Pussycat 4 Pussyfoot 33 49 Marc Antony 4 Miss Prissy 24 28 Marc Antony 13 Miss Prissy 37 18 Babbit and Catstello 13 Division One Daffy Duck 28 67 Bugs Bunny Division Two 6 Granny 57 9 Weasel 6 Granny 29 17 Egghead Jr. 11 Hippety Hopper 14 61 Egghead Jr. 11 Porky Pig 41 41 Yosemite Sam 3 Porky Pig 61 65 Yosemite Sam 3 Porky Pig 41 53 Yosemite Sam 14 Claude Cat 10 6 The Dodo 14 Pepé Le Pew 26Wile E. Coyote 25 20 Taz 7 Spike the Bulldog 59 28 Chester the Terrier 7 Spike the Bulldog 17 9Lola Bunny 10 The Three Bears 12 39 Lola Bunny 10 Pepé Le Pew 44 43 Taz 2 Pepé Le Pew 64 66 Taz 2 Pepé Le Pew 53 60 Taz 15 The Gremlin 7 4 Nasty Canasta 15 CHAMPION Bugs Bunny 1 Wile E.