David DUBERY
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2017-04-02 Messiah
OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Margaret Hallam Patrons’ Sec.: Sylvia Andrew Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Gerard Marsden Promotions Group: David Baird, Edna Gill, Margaret Hood, Fred Jones, Maggs Martin, Sue Morris, June O’Grady, Brenda Roberts, LIFE MEMBERS Eva Dale, Fred Jones, Margaret Hood, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR One of the joys of being in a choir is that from time to time you get to sing your favourite work. That is my pleasure this evening. I have loved the "Messiah" for many years (not saying how many!). To my mind it is a pity that it is usually confined to the busy period of Christmas, so I am particularly pleased to have a Lenten performance. The emotion and drama of the Easter story are something quite special, and deserve to be savoured. Our wonderful soloists and the East Lancs Sinfonia will, I am sure, join with the choir to produce a magical musical experience. We will not be having our usual lighter-themed concert at Middleton Arena this year. Instead we will be holding a Choir "At Home" evening on Friday, 16th June in our regular rehearsal venue - the beautiful Ballroom of Chadderton Town Hall, from 7.30 to 10.30pm. You are invited to join us for a short concert, followed by some time for social and fund-raising activities. -
Our Mission at Dublin School, We Strive to Awaken a Curiosity for Knowledge and a Passion for Learning
The Dubliner The Dublin School P.O. Box 522 18 Lehmann Way Dublin, New Hampshire 03444 www.dublinschool.org Address service requested Dubliner Our Mission At Dublin School, we strive to awaken a curiosity for knowledge and a passion for learning. We instill the values of discipline and meaningful work that are necessary for the good of self and community. We respect the individual learning style and unique potential each student brings to our School. With our guidance, Dublin students become men and women who seek truth and act with courage. The Fall 2014 DublinerThe Magazine of Dublin School “Involve me and I will understand.” • A View Without a Room • The Rock Garden • Looking Back with No Regrets fall 2014 1 Dubliner Dublin School Graduation—The Class of 2014 First Row: Blythe Lawrence, Pembroke Bermuda (Gemology Institute of America, London), Mylisha Drayton, Endicott, NY (Clark University, MA), Yiran Ouyang, Shenzhen China (Wesleyan University, CT), Stephanie Figueroa, Lawrence, MA (Middlesex Community College, MA), Riley Jacobs, Dayton, OH (Ohio University), Mekhi Crooks, Brooklyn, NY (Emmanuel College, MA), Molly Witten, Bethesda, MD (Wheaton College, MA), Atsede Assayehgen, Cambridge, MA (Barnard College, NY), Anna Sigel, Manchester, NH (Wheelock College, MA) Anna Rozier, Westport, CT (St. Olaf College, MN) Alyssa Jones, Jaffrey, NH (Mt. Holyoke, MA)Molly Forgaard, Hollis, NH (Bennington College, VT) Middle Row: Zhiyu Pan, Shanghi, China (Emory University, GA) Dong Min Sun, Seoul Korea (School of the Art Institute of Chicago, IL) -
2014-05-04 Faure + Durufle
OLDHAM CHORAL SOCIETY PRESENT “MUSIQUE DE CONFORT ET DE CONSOLATION” Manchester Cathedral Sunday May 4 th 2014 at 7.00pm Sacred music by Gabriel Fauré and Maurice Duruflé (inc. their celebrated “Requiems”) Conductor: Nigel P. Wilkinson Organist: Jeffrey Makinson OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Alison Coates Ticket Sec.: Lionel Dossett / Margaret Hallam Patrons’ Sec.: Sylvia Andrew Membership Sec.: Brenda Buckley Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Fred Jones Promotions Group: Sue Howard, (Chair), David Baird, Margaret Hood, Fred Jones, Ken Lewis, Maggs Martin, Helen Taylor. LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Hilda Rosebury, Eric Youd A MESSAGE FROM OUR CHAIRMAN A MESSAGE FROM OUR CHAIRMAN It is very good to be back in Manchester Cathedral for tonight’s concert. Our previous visits were truly great occasions, and I can’t imagine a more splendid and appropriate setting for the two wonderful main works to be performed this evening. The Fauré Requiem is a marvellously lyrical work, full of memorable tunes and deep emotion. It is well-known by choirs and audiences. Less well-known, and very different, is the Duruflé Requiem, with its marvellous use of themes based on Plainsong Chants. Very few of the choir knew this piece, and working on it has proved fascinating and challenging. If it is new to you, then I believe it will prove an enjoyable experience. -
Finding Aid : GA 85 Alice Munro/Walter Martin Reference Materials
Special Collections, University of Waterloo Library Finding Aid : GA 85 Alice Munro/Walter Martin reference materials. © Special Collections, University of Waterloo Library GA 85 : Munro/Martin Reference Materials. Special Collections, University of Waterloo Library. Page 1 GA 85 : Munro/Martin Reference Materials Alice Munro/Walter Martin reference materials. - 1968-1994 (originally created 1950- 1994). - 1 m of textual records. - 3 audio cassettes. The collection consists primarily of photocopied material used and annotated by Dr. Walter Martin for his book Alice Munro: Paradox and Parallel published in 1987 by the University of Alberta Press. This includes articles written by Alice Munro, short stories, interviews, biographical and critical articles, as well as paperback copies of her books. Also present is a photocopied proof copy of of Moons of Jupiter, a collection of short stories by A. Munro published by Macmillan of Canada in 1982, sent to Dr. Martin by Douglas Gibson of Macmillan. Additional material includes audio recordings of Alice Munro reading her own works and of an interview done with her by Peter Gzowski for “This Country in the Morning.” The collection is arranged in 5 series: 1. Works by Alice Munro: Published; 2. Works by Alice Munro: Manuscripts (Proofs); 3. Works About Alice Munro; 4. Sound Recordings; 5. Miscellaneous. Title from original finding aid. The Alice Munro collection was donated to Special Collections in 1987 by Dr. Walter Martin of the University of Waterloo Department of English. Finding aid prepared in 1993; revised 1994, 1998 and again in 2010. Several accruals have been made since the initial donation. Series 1 : Works by Alice Munro: Published Works by Alice Munro : published. -
In the Battle for Reality (PDF)
Showcasing and analyzing media for social justice, democracy and civil society In the Battle for Reality: Social Documentaries in the U.S. by Pat Aufderheide Center for Social Media School of Communication American University December 2003 www.centerforsocialmedia.org Substantially funded by the Ford Foundation, with additional help from the Phoebe Haas Charitable Trust, Report available at: American University, and Grantmakers www.centerforsocialmedia.org/battle/index.htm in Film and Electronic Media. 1 Acknowledgments The conclusions in this report depend on expertise I have Events: garnered as a cultural journalist, film critic, curator and International Association for Media and academic. During my sabbatical year 2002–2003, I was able to Communication Research, Barcelona, conduct an extensive literature review, to supervise a scan of July 18–23, 2002 graduate curricula in film production programs, and to conduct Toronto International Film Festival, three focus groups on the subject of curriculum for social September 7–13, 2002 documentary. I was also able to participate in events (see sidebar) and to meet with a wide array of people who enriched Pull Focus: Pushing Forward, The National this study. Alliance for Media Arts and Culture conference, Seattle, October 2–6, 2002 I further benefited from collegial exchange with the ad-hoc Intellectual Property and Cultural Production, network of scholars who also received Ford grants in the same sponsored by the Program on Intellectual time period, and from interviews with many people at -
National Programmes Regional Programmes
NovEMBER 27, 1931 WORLD-RADIO )l93 (London) NATIONAL PROGRAMMES (Northern) 1,148 kc/s (261 ·3 m.) 995 kc/s (301.5 m.) (68 kW.) (Daventry) 193 kc/s (1,554·4 m.) (35 kW.) (7o kW.) 11.0 p.m.-12 .midnight.-Dance 7.Io-7.25 p.m.-" The Countryside." 4.Io p.m.-Jack Payne and his B.B.C. 8.o p.m.-The Wireless Military Band. SUNDAY (NOV. 29) Music. Ray Fox aiid his Band, Mr. Frarik Prewett. Dance Orchestra. Conductt>r, B. Walton O'DoQnell. from Monseigneur. 7.30 p.m.-" What is Man ? "-IV. 4.30 p.m.-The Grosvenor House Phyllis Scott and John Rorke in 3.0 p.m.-Twenty-Eighth Annuol Orchestra, directed by Joseph Scottish FestiYal Service. Relayed Dr. John Baker (University Demon Duets (with Phyllis Scott at the strator in Zoology, University 1\!Ieeus. Pianoforte). from St. Calumba's Church of 5· I 5 p.m.-The Children's Hour. Scotland, Pont Street. TUESDAY (DEC. 1st) Museum, Oxford) : " The Evolu Q.O p.m.-" The Second News. u tion of Mind." 6.o p.m.-" The I•'irst Ne"·s." 4.0 p.m.-M~ssiah (Handell. Part I. 9-IS p.m.-Shipping Forecast; New IO.I5 a.m.-The Daily Seryice. S.o p.m.-Jnterval. 6.30 p.m.-The Foundations of Dora Labbettc (Soprano) ; Betty 10.45 a.m.-_'' British and Overseas l\1usic. Beethoven's Pianoforte York Stock Market Report. Bannerman (Contralto) ; Eric Dishes "-VII. · S.I 5 p.m.-B.B.C. -
TONE POEMS Bliss • Cowen • Fogg • Foulds • Goossens Hadley • Howell • Vaughan Williams VOLUME 2
BRITISH TONE POEMS Bliss • Cowen • Fogg • Foulds • Goossens Hadley • Howell • Vaughan Williams VOLUME 2 RUMON GAMBA Lewis Foreman Collection Foreman Lewis John Herbert Foulds British Tone Poems, Volume 2 John Herbert Foulds (1880 – 1939) 1 April-England, Op. 48 No. 1 (1926, orchestrated 1932) 8:15 for Orchestra Tempo comodo ma con gaiezza – Calmo ma non trattenuto – Tempo giusto, non agitato – Allargando grandioso – Solenne – Tempo del comincio – A tempo brillante possibile Eric Fogg (1903 – 1939) 2 Merok (1929) 8:40 (Geiranger) Molto lento e tranquillo – Moderato – Tempo commodo poco rubato – Molto lento – Poco animato – Molto lento – Poco più mosso e misterioso 3 Sir Eugene Goossens (1893 – 1962) 3 By the Tarn, Op. 15 No. 1 (1916) 4:48 A Sketch for String Orchestra (with Clarinet ad libitum) after the first of Two Sketches for String Quartet Andante tranquillo Ralph Vaughan Williams (1872 – 1958) 4 Harnham Down (1904 – 07) 8:35 Impression for Orchestra Andante sostenuto – Più lento – Andantino – Tranquillo – A tempo [Andantino] – Tempo del comincio [Andante sostenuto] – Più lento 4 Dorothy Howell (1898 – 1982) 5 Lamia (1918) 14:27 Symphonic Poem for Full Orchestra To Sir Henry Wood Lento – Andante maestoso – Largamente – Tranquillo – Presto – Tempo giusto – Prestissimo – Tempo I – Lento Sir Frederic Hymen Cowen (1852 – 1935) premiere recording 6 Rêverie (1903) 6:22 for Orchestra Andante molto sostenuto – Poco allegro – Tempo I Patrick Hadley (1899 – 1973) premiere recording 7 Kinder Scout (1923) 6:51 Sketch for Orchestra = 60 – = 60 -
EXCAVATING the SLUSH PILE at Mcclelland & Stewart
EXCAVATING THE SLUSH PILE At McClelland & Stewart by Trena Rae White Bachelor of Arts, University of Victoria, 2000 PROJECT REPORT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF PUBLISHING In the Master of Publishing Program of the Faculty of Arts & Sciences © Trena White, 2005 SIMON FRASER UNIVERSITY Spring 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Trena Rae White Degree: Master of Publishing Title of Project: Excavating the Slush Pile at McClelland & Stewart Examining Committee: Rowland Lorimer Senior Supervisor Director, Master of Publishing Program Craig Riggs Supervisor Faculty, Master of Publishing Program Susan Renouf Industry Supervisor Vice-President & Associate Publisher, Non-Fiction McClelland & Stewart Date Approved: ii SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. -
BBC-Year-Book-1940.Pdf
www.americanradiohistory.com www.americanradiohistory.com BBC HANDBOOK 1940 THE BRITISH BROADCASTING CORPORATION BROADCASTING HOUSE LONDON, W.1 www.americanradiohistory.com No. 1552 MADE AND PRINTED IN GREAT BRITAIN BY J ARROLD 8L SONS, LTD,, NORWICH & LONDON www.americanradiohistory.com www.americanradiohistory.com `...the strangeness of this business' www.americanradiohistory.com CONTENTS Notes of the Year page 9 The Prime Minister's Message, 3 September 1939 33 The King to his Peoples, 3 September 1939 35 The Queen's Message to the Women of the Empire, II November 1939 36 The King's Christmas Message 38 From Peace to War 41 `London Calls the World' 47 `Au Revoir, Television' 53 Radio Documentary 59 Religion and Broadcasting 63 School Broadcasting in Time of War 68 Variety Settles In 73 The Listening Public 76 The Listener Takes Part 8o Listening Post 1939 84 A War Diary 88 REFERENCE SECTION Facts about the BBC 93 Charter and Licence-Control -War -time Changes - Government Powers-The BBC and Parliament - Censorship -How is the BBC run ?-Advisory Bodies -Finance Some Notes on Reception 98 Installation-Maintenance-Interference-Reception of the Home Service Programme [5] www.americanradiohistory.com Reference Section (contd.) Correspondence in War -time page 102 Telephone Enquiries I 03 Visits to BBC Premises 103 The Time Signal Service 104 SOS and Police Messages I04 Licence Figures Io6 Public Rediffusion of BBC Programmes I o7 Appeals 107 BBC Publications I o8 BBC Addresses I I o Official Reports and Papers I 12 APPENDIX Distribution of Wireless Licences I13 `The Week's Good Cause' I 1 Membership of the BBC's Advisory Councils and Committees 116 Index 126 [ 6 ] www.americanradiohistory.com LIST OF ILLUSTRATIONS Frontispiece: `.. -
Writing for the Reluctant Reader Losing Her Voice: a Writer
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 42 NUMBER 3 CANADA WINTER 2015 Writing for the Reluctant Reader 8 Losing Her Voice: A Writer Struggles with a First Novel and a Dying Sister 10 The Authors’ Fest: Tips and Tricks From a Festival Insider 15 tbooks by Vivek 3 Shraya � CResidencies for Creative SHE OF THE MOUNTAINS A Globe and Mail “Globe 100” of 2014 and Cultural Exploration “A lyrical ode to love in all its many forms.” Creative spaces and —Publishers Weekly accommodation in a community and heritage setting Artists • Writers • Cultural Researchers GOD LOVES HAIR A Quill and Quire Best Book of 2014 “A moving and ultimately joyous portrait of growing up and the resiliency of youth.” 3401 Pleasant Valley Road —Canadian Children’s Book Centre Vernon, British Columbia, Canada V1T 4L4 arsenal pulp press arsenalpulp.com 250-275-1525 www.caetani.ca JOIN A HEALTH PLAN THAT’S EXCLUSIVE TO THE CANADIAN THE PLAN IS A SERVICE OF AFBS, A NOT-FOR-PROFIT INSURER WRITING COMMUNITY. IT’S EASY TO UNDERSTAND, AND COVERAGE IS GUARANTEED. CALL 1-800-387-8897 EXT. 238 OR EMAIL [email protected] TO LEARN MORE. From the Chair By Harry Thurston We are trying something new this winter in adapting our operations to the Digital Age. Instead of bringing National Council members together in Toronto for our January meeting, colleagues of the need for action, and to do so he needs the numbers. To that end we will be circulating an income survey in from all corners of this vast, snowbound country, the New Year to make our case for just how much worse things we are going to conduct our business remotely. -
A Night at the Opera
Altrincham Choral Society A Night at the Opera Steven Roberts Conductor Lydia Bryan Piano Janet Fischer Soprano John Pierce Tenor Royal Northern College of Music Saturday 3 rd July 2010 Altrincham Choral Society Altrincham Choral Society is a large mixed voice choir that offers amateur singers in the South Manchester/North Cheshire area the opportunity to learn and perform a range of music including major choral works. There is a high standard of performance and concerts are well attended. The society is directed by an ambitious and inspirational conductor. Altrincham Choral Society prides itself on offering a diverse, innovative and challenging programme of concerts, alongside many choral favourites. This forward thinking is complemented with a commitment to choral training and standards which provides its members with the knowledge and confidence to thoroughly enjoy their music-making. Rehearsals are on Monday evenings at Altrincham Methodist Church, Springfield Road, Altrincham – off Woodlands Road (opposite the Cresta Court Hotel). We are only 5 minutes walk from the train/metro station. Rehearsals are from 7.45 – 10.00 pm For more information you can contact us in a variety of ways: E-mail: [email protected] Telephone: P Arnold (Secretary) 01270 764335 Or log onto our web-site www.altrincham-choral.co.uk where you can find more information about the choir, future plans and photographs from previous concerts including Verona and Florence. You can also add your name to our mailing list and keep up to date with forthcoming -
Non-Francophone French Second Language
Setting the scene for liminality: Non-francophone French Second Language teachers‟ experience of Process Drama by Krystyna A. Baranowski Department of Integrated Studies in Education Faculty of Education McGill University April 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy Krystyna A. Baranowski, 2010 ii Abstract Non-francophone teachers of French as a second or additional language (FSL) often struggle with overwhelming oral anxiety, consequent low self-confidence, and workplace marginalisation. Core French or Basic French teachers, in particular, and their subjects have been undervalued (Carr, 2007; Lapkin, McFarlane, & Vandergrift, 2006; Richards, 2002). Moreover, recent national FSL research points to challenges in the areas of teacher attrition, lack of methodological and /or linguistic preparation, and lack of professional development opportunities in the FSL context (Karsenti, 2008; Salvatori, 2007). In this dissertation, I present the findings of my qualitative research study, which examined the conditions and experiences of non-francophone FSL teachers in Manitoba. To do so, I looked at the teachers‟ relationship with French and how French oral competency and oral language communicative confidence are intertwined to foster the teachers‟ sense of agency. The theoretical orientations underpinning this study draw from socio-constructivism (Bruner, 1985, 1990; Vygotsky, 1978), Feminist Standpoint theory (De Vault, 1999; Lather, 1991), Bakhtinian dialogism (Vitanova, 2005), and Institutional Ethnography (Smith, 1987, 2005). The lens I used to understand and interpret the voices and self-perceptions of the teachers is Process Drama, delivered in the form of professional development workshops. Process Drama (Heathcote, 1991) consists of thematically based improvisations, which are used to explore a topic and, at the same time, to invite self-exploration.