Turnier-Datenbank / Tournament Database: 1920-1939
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Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Tesis: Diseño De Un Artículo Promocional Como Medio De Difusión Para El Museo Nacional De Culturas Populares
Universidad Nacional Autónoma de México Escuela Nacional de Artes Plásticas Diseño de un artículo promocional como medio de difusión para el Museo Nacional de Culturas Populares , , TESIS QUE PARA OBTENER El TíTULO DE Licenciado en Diseño Gráfico ,:,:/~·C. ~t:: ::(:::W2.~ PRESENTA ~)~~~::"'.: ('. Yj"::~~g~ ~¿u. ~'t.aONAL Adriana Cortés Rodríguez : l:J A..rr.l~..s :?LASTICAS l:OC:~I;;ILCO D. r DIRECTOR DE TESIS Mtra. Ariadne García Morales México, D. F., 200 I UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. ! . ';'.:;"~." , . .....- Introducción Museo Nacional de Culturas Populares El Diseño Gráfico como apoyo a la Promoción del Museo Propuesta y Diseño del Promocional para el Museo Nacional de Culturas Populares Conclusiones Material de consulta 1.4.2 Actividades paralelas a las exposiciones 32 1.4.3 Público al que esta dirigido el Museo 33 1.4.4 Servicios que ofrece el Museo 37 1.5 Análisis de la actualidad -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
2020 WWE Finest
BASE BASE CARDS 1 Angel Garza Raw® 2 Akam Raw® 3 Aleister Black Raw® 4 Andrade Raw® 5 Angelo Dawkins Raw® 6 Asuka Raw® 7 Austin Theory Raw® 8 Becky Lynch Raw® 9 Bianca Belair Raw® 10 Bobby Lashley Raw® 11 Murphy Raw® 12 Charlotte Flair Raw® 13 Drew McIntyre Raw® 14 Edge Raw® 15 Erik Raw® 16 Humberto Carrillo Raw® 17 Ivar Raw® 18 Kairi Sane Raw® 19 Kevin Owens Raw® 20 Lana Raw® 21 Liv Morgan Raw® 22 Montez Ford Raw® 23 Nia Jax Raw® 24 R-Truth Raw® 25 Randy Orton Raw® 26 Rezar Raw® 27 Ricochet Raw® 28 Riddick Moss Raw® 29 Ruby Riott Raw® 30 Samoa Joe Raw® 31 Seth Rollins Raw® 32 Shayna Baszler Raw® 33 Zelina Vega Raw® 34 AJ Styles SmackDown® 35 Alexa Bliss SmackDown® 36 Bayley SmackDown® 37 Big E SmackDown® 38 Braun Strowman SmackDown® 39 "The Fiend" Bray Wyatt SmackDown® 40 Carmella SmackDown® 41 Cesaro SmackDown® 42 Daniel Bryan SmackDown® 43 Dolph Ziggler SmackDown® 44 Elias SmackDown® 45 Jeff Hardy SmackDown® 46 Jey Uso SmackDown® 47 Jimmy Uso SmackDown® 48 John Morrison SmackDown® 49 King Corbin SmackDown® 50 Kofi Kingston SmackDown® 51 Lacey Evans SmackDown® 52 Mandy Rose SmackDown® 53 Matt Riddle SmackDown® 54 Mojo Rawley SmackDown® 55 Mustafa Ali Raw® 56 Naomi SmackDown® 57 Nikki Cross SmackDown® 58 Otis SmackDown® 59 Robert Roode Raw® 60 Roman Reigns SmackDown® 61 Sami Zayn SmackDown® 62 Sasha Banks SmackDown® 63 Sheamus SmackDown® 64 Shinsuke Nakamura SmackDown® 65 Shorty G SmackDown® 66 Sonya Deville SmackDown® 67 Tamina SmackDown® 68 The Miz SmackDown® 69 Tucker SmackDown® 70 Xavier Woods SmackDown® 71 Adam Cole NXT® 72 Bobby -
Walking List CLERMONT MILFORD EXEMPTED VSD Run Date:05/19/2021
Walking List CLERMONT MILFORD EXEMPTED VSD Run Date:05/19/2021 SELECTION CRITERIA : ({voter.status} in ['A','I']) and {district.District_id} in [112] 535 HOWELL, JANET L REP MD-A - MILFORD CITY A 535 HOWELL, STACY LYNN NOPTY BELT AVE MILFORD 45150 535 HOWELL, STEPHEN L REP 538 BREWER, KENNETH L NOPTY 502 KLOEPPEL, CODY ALAN REP 538 BREWER, KIMBERLY KAY NOPTY 505 HOLSER, AMANDA BETH NOPTY 538 HALLBERG, RICHARD LEANDER NOPTY 505 HOLSER, JOHN PERRY DEM 538 HALLBERG, RYAN SCOTT NOPTY 506 SHAFER, ETHAN NOPTY 539 HOYE, SARAH ELIZABETH DEM 506 SHAFER, JENNIFER M NOPTY 539 HOYE, STEPHEN MICHAEL NOPTY 508 BUIS, DEBBIE S NOPTY 542 #APT 1 LANIER, JEFFREY W DEM 509 WHITE, JONATHAN MATTHEW NOPTY 542 #APT 3 MASON, ROBERT G NOPTY 510 ROA, JOYCE A DEM 543 AMAYA, YVONNE WANDA NOPTY 513 WHITE, AMBER JOY NOPTY 543 NORTH, DEBORAH FAY NOPTY 514 AKERS, TONIE RENAE NOPTY 546 FIELDS, ALEXIS ILENE NOPTY 518 SMITH, DAVID SCOTT DEM 546 FIELDS, DEBORAH J NOPTY 518 SMITH, TAMARA JOY DEM 546 FIELDS, JACOB LEE NOPTY 521 MCBEATH, COURTTANY ALENE REP 550 MULLEN, HEATHER L NOPTY 522 DUNHAM CLARK, WILMA LOUISE NOPTY 550 MULLEN, MICHAEL F NOPTY 525 HACKMEISTER, EDWIN L REP 550 MULLEN, REGAN N NOPTY 525 HACKMEISTER, JUDY A NOPTY 554 KIDWELL, MARISSA PAIGE NOPTY 526 SPIEGEL, JILL D DEM 554 LINDNER, MADELINE GRACE NOPTY 526 SPIEGEL, LAWRENCE B DEM 554 ROA, ALEX NOPTY 529 WITT, AARON C REP 529 WITT, RACHEL A REP CHATEAU PL MILFORD 45150 532 PASCALE, ANGELA W NOPTY 532 PASCALE, DOMINIC VINCENT NOPTY 2 STEVENS, JESSICA M NOPTY 532 PASCALE, MARK V NOPTY 2 #APT 1 CHURCHILL, REX -
Sarrasani Between the Fable and the Epic
SARRASANI BETWEEN THE FABLE AND THE EPIC by Gustavo Bernstein 1 2 To my father, inspirer and instigator behind these pages. 3 4 Homeland is wherever I pitch my tent. Trude Stosch-Sarrasani 5 6 INDEX INTRODUCTION Letter from Trude Stosch-Sarrasani PREFACE By Jorge H. Bernstein SENIOR An early orphanhood………………………………………………………………… Dreams of an artist……………………………………………………………… The court jester………………………………………………………………… Tradition and nostalgia………………………………………………………………… Sensationen! Sensationen!………………………………………………………………. The princess of Elbe (and her “Golden Palace”)…………………………………… A convoy of artists……………………………………………………………………… Europe in flames…………………………………………………………………………. From the Bolshevik Revolution to a gala dinner………………………………………. The conquest of the Americas (or a German in the tropics)…………………………..... The Queen of the Río de la Plata (or the whims of a diva)…………………………… Circus sinks on the high seas…………………………………………………… Arabian Nights (the mirage of technique)…………………………………………… Crash (the tentacles of Wall Street)……………………………………….........…… A typical Freudian cast…………………………………………………..……………… Judenzirkus (or early murmuring of the Third Reich)……………………………… Friday 13th (the Führer’s shadow)…………………………………………………... Stowaway on board (and the siren’s song)……………………………… A thread of light at sunset………………………………………………………… Elephants wear mourning, too………………………………………………………… JUNIOR The show must go on…………………………………………………………………… Junior’s first journey to the New World (including: the fundamental pact with the minister, the purging of the staff, the new agile and swift -
18 September 1990.Pdf
Tuesday September 18 MILK PRICE CONTROVERSY SHOOTS UP OVER SA,COP DRAMATICALLY IN RUGBY 15 See stories, page 3. NBC GETS THE BOOT 'Harmless dreamer' attacks the media CHARGES of assault and malicious damage to property are expected to be laid with police following an incident at the WindhOek magistrate's court yesterday when one of the eight accused ,in a sensational treason trial kicked an expensi've television camera from the ,hands of NBC cameraperson Robert Bruwer. One of the YOtmg whites, appear ,eras.are valued aJ tip to R' 'lO 000. ing on charges ranging from posses The spokespersons aid t<.-chnicians sion of illegal weapons ane;! theft to were presently examining the cam treason or conspiracy against the State; era to establish the extent of the apparently losthis temper and lashed ' damage. Above and below: PUTTING ON BRAVE ~ACES. Above: One ofthe eight young men (directly ~nind out at the cameraperson, kicking the . The matter is presently in the hands his colleague in the centre) facing charges, including high treason, yesterday lost his temper and kicked camera Qnto the grotmd. of the corporation's legal advisers. , a television camera out of the hands of an NBC TV cameraperson (right, witli his hands i_D the air). He was identified as ' Coenraad In their tWo court appearances since Below: The camera goes hurtling to the ground before cameraperson Robert Bruwer appears to know Treves. their arrests, the eight have been what has happened, as the 'kicker' virtually falls to the ground from his efforts. The split-second action A spokesperson from the Namibia camera-shy to an extreme degree, was captured on film by photographer John Liebenberg. -
Descargar Agenda Septiembre.Pdf , Tipo
INTRODUCCIÓN MENSAJE Llegamos a septiembre, un mes de festejo para los mexicanos, pero también un mes en el que la actividad cultural no cesa. La Secretaría de Cultura de Jalisco continúa con su programa Vive el Arte los martes, miércoles y jueves de la semana, días en los que la música, literatura, danza y teatro se hacen presentes en diferentes foros de la zona metropolitana de Guadalajara, para deleitar a los asistentes de todas las edades con diversas propuestas escénicas. El Joven Ballet de Jalisco inicia su temporada de Otoño con tres presentaciones en el Teatro Degollado con la coreografía Who cares?, que nos lleva por un recorrido por la ciudad de Nueva York; mientras que la Orquesta Filarmónica se presenta en el Encuentro Internacional del Mariachi y la Charrería, acompañando a importantes agrupaciones de este género musical, además de continuar con su tercera temporada 2014 ofreciendo los conciertos México en mi Corazón y Romanticismo Alemán. La música se hace presente con el Ciclo de Jazz Carlos de la Torre que tendrá como sede la Casa de la Cultura Jalisciense y que se desarrollará de septiembre a noviembre con la participación de destacados exponentes de este género. Tanto en la Zona Metropolitana de Guadalajara como en los municipios de Jalisco se han preparado una serie de actividades culturales que acompañarán los festejos del 204 aniversario del inicio de la Guerra de Independencia y el tradicional Grito de Independencia a cargo de autoridades estatales y municipales. Pero la actividad cultura no se limita a estos eventos, en septiembre en todo el estado se pueden disfrutar diversas actividades culturales de teatro, danza, cine, literatura, artes plásticas, entre otras disciplinas para chicos y grandes. -
Die Deutsche Olympiamannschaft the German Olympic Team London 2012
Die Deutsche Olympiamannschaft The German Olympic Team London 2012 DOSB l Sport bewegt! DOSB l Sport bewegt! Wann ist ein Geldinstitut gut für Deutschland? Wenn es nicht nur in Geld - an lagen investiert. Sondern auch in junge Talente. Sparkassen unterstützen den Sport in allen Regio- nen Deutschlands. Sport fördert ein gutes gesellschaft- liches Miteinander durch Teamgeist, Toleranz und fairen Wettbewerb. Als größter nichtstaatlicher Sportförderer Deutschlands engagiert sich die Sparkassen-Finanzgruppe im Breiten- und Spitzensport besonders für die Nach- wuchs förderung. Das ist gut für den Sport und gut für Deutschland. www.gut-fuer-deutschland.de Sparkassen. Gut für Deutschland. Deutscher Olympischer SportBund l Otto-Fleck-Schneise 12 l D-60528 Frankfurt am Main Tel. +49 (0) 69 / 67 00 0 l Fax +49 (0) 69 / 67 49 06 l www.dosb.de l E-Mail [email protected] SPK_115×200+3_Sport_Mannschaftsbrosch.indd 1 11.06.12 15:23 Vorwort l Foreword Thomas Bach London genießt gerade unter jungen London exerts an immense attraction, Menschen eine ungeheure Anziehungs- particularly among young people. The Präsident des Deutschen Olympischen Sportbundes (DOSB), kraft. Das britische Empire hat der Stadt ein British Empire has bequeathed an attrac- IOC-Vizepräsident, attraktives Erbe hinterlassen. Menschen aus tive ambience to the city. People from 160 Olympiasieger Florettfechten Montreal 1976 160 Nationen prägen ihr Bild. Ein Blick auf countries enliven the cityscape. A glance at President of the German Olympic Sports Confederation deren Teilnehmerzahlen -
Waffenamt Codes As Many Believe
On the internet: http://claus.espeholt.dk/mediearkiv/waae.pdf - sorted by WaA – then Period http://claus.espeholt.dk/mediearkiv/waae-a.pdf - sorted by Object – then Period http://claus.espeholt.dk/mediearkiv/waae-b.pdf - sorted by Factory – then Period http://claus.espeholt.dk/mediearkiv/waae-c.pdf - sorted by Place – then Period The list does not represent an exact “science”, but is based on observations of various items of equipment. I try to use only 100 percent sure observations - but mistakes are pos- sible anyway. 2021.09.26 Das Heereswaffenamt (From various sources: Emil Leeb: Aus der Rüstung des Dritten Reiches, Handbook on Ger- man Military Forces 1945 (US War Department), Richard D. Law: Backbone of the Wehr- macht, others) Collectors and other observers of WWII German military artifacts, especially weapons, often see small die stamps on them with a stick figure representation of the German Reich eagle and a number. Commonly referred to as “Waffenamts”, they were inspection stamps which identified the item as being inspected and passed, at some stage of its manufacturing pro- cess for the German Army. Complex items such as firearms would have multiple Waffenamts on them. When the Nazis took power in 1933, Germany started a massive re- armament program. A part of this process was the Heereswaffenamt (He.Wa.A. – Army Ordnance Office) hereafter referred to as the HWA. The beginnings of the HWA were in the Waffen- und Munitionsbeschaffungsamt of the First World War but the Waffenamt was founded officially by orders dated Nov. 8., 1919 and renamed as Heereswaffenamt on May 5., 1922. -
EI Expresio- Nlsmo En El Cine Aleman
EI Expresio- nlsmo• en el Cine Mudo Aleman Agosto de 1966 Cicio organizado con la colaboracion del Instituto Goethe Centro de Experimentacion Audiovisual del Instituto Torcuato Dt Tella, Florida 936, Tel. 31 4721/26 1 1918 Die Augen der Mumie Ma (Los ojos de la momia Ma) Productora: P.A.G.U. Director: Ernst Lubistch Libreto: Hanns Kraly, Emil Rameau Director de fotografia: Alfred Hansen Direccion artistica: Kurt Richter Interpretes: Pola Negri (bailarina egipcia), Emil Jannings (sa· cerdote), Harry Liedtke (el pintor), Max Laurence. Ernst Lubitsch nacio en Berlin el 28 de enero de 1892. Este director, anos despues uno de los mas celebres realizadores de la pantalla norteamericana, comenzo su carrera como de pen diente en la tienda de su padre. Luego siguio un curso de arte dramatico con un alumno de Max Reinhardt, Victor Arnold. A los 19 anos fue incorporado al elenco de Max Reinhardt. Actuo en comedias, dramas y peliculas cinematograticas. Pronto pudo dirigir algunos filmes para la compania P.A.G.U., como »Blinde Kuh«, »Der schwartz Moritz« y »Der Blusekonig«. La compania estatal U.F.A. sobre la cual se basaba la P.A.G.U. Ie encomendo la direccion de la comedia dramatica »Die Augen der Mumie Ma«. Alii actuo por primera vez bajo las ordenes de Lubitsch Pola Negri, celebre actriz polaca que poco despues seria un pa radigma de la vampiresa cinematogratica. Emil Jannings, ca rente de la sobriedad que mas tarde 10 caracterizara, acompa naba a Pola Negri. Los decorados eran numerosos pero mediocres, pues debido a la guerra la U.F.A. -
Göteborgs Orkesters Repertoar
BILAGA 1 GÖTEBORGS ORKESTERS REPERTOAR Inledning Repertoarlistan är en sammanställning av det material som har kunnat identifie ras som Göteborgs orkesters egen verksamhet. Den musik som finns upptagen i denna bilaga framfördes vid de konserter som redovisas i bilaga 2. Listan omfattar 249 poster. Med en post avses en avgränsad del som bildar en enhet i konsertpro grammet. Detta kan vid ett tillfälle innebära en enstaka solosång, och det kan vid ett annat tillfälle innebära flera sånger om dessa ingår i till exempel en svit. Primärmaterialet för repertoarlistan utgörs av programblad, tidningsannonser och konsertrecensioner. I bilaga 2 förtecknas de konserter som har kunnat iden tifieras utifrån tillgängligt källmaterial. Uppgifterna i dessa konserter ligger till grund för den sammanställning av repertoaren för Göteborgs orkester som pre senteras nedan. I GUB:s affischsamling finns ytterligare ett fåtal programblad som ej har gått att säkert fastställa som tillhöriga Göteborgs orkesters verksamhet, trots att de bär stora likheter ifråga om utformning och handanteckningar med övriga programblad i detta arkiv. Om dessa oidentifierade programblad hör till Göteborgs orkesters verksamhet, gäller de i så fall för utomhuskonserterna. Jag har valt att inte ta med dessa oidentifierade programblad i följande sam manställning eftersom innehållet i dem inte skiljer sig ifrån innehållet i de pro gramblad som har kunnat identifieras. De tillför alltså ingen information utan skapar möjligen en osäkerhet kring repertoarlistans tillförlitlighet. Eftersom denna repertoarlista gäller orkester, består den till största delen av instrumentalverk. Men listan upptar också de vokalverk som gästande sångsolis ter och körer framförde. Bestämmande för om ett verk har tagits med eller ej i repertoarlistan är om Göteborgs orkester har stått som arrangör för konserten.