Jessica Jones: Alias Volume 4 PDF Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
TAYLOR • SILVA • Di BENEDETTO • GURU-Efx #2
#2 TAYLOR • SILVA • Di BENEDETTO • GURU-eFX 0 0 2 1 1 PARENTAL ADVISORY $3.99US MARVEL.COM 7 59606 09001 3 Years ago, Wolverine was part of a team of Avengers with Iron Man, Spider-Man, Luke Cage and Jessica Jones. They discovered a bomb that was specially rigged only to explode when a person activated it. Wolverine elected to activate the bomb to dispose of it for good, blowing himself up in the process. Today, Wolverine’s body is missing from its final resting place. Iron Man has assembled Jessica Jones, Luke Cage and Spider-Man to covertly attend a private underworld auction where Wolverine’s body may be for sale. Much to Luke and Jessica’s dismay, the first auction item is the DNA sequence of their daughter Danielle! WRITER PENCILER INKER COLOR ARTIST LETTERER Tom R.B. Silva Adriano GURU-eFX vc’s joe Taylor Di Benedetto sabino COVER ARTISTS VARIANT COVER ARTISTS GREG LAND & R.B. Silva & RAIN BEREDO Jesus Aburtov ASSISTANT EDITORS EDITORS Chris Robinson & MARK PANICCIA WITH CHRISTINA HARRINGTON JORDAN D. WHITE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER C.B. CEBULSKI JOE QUESADA DAN BUCKLEY ALAN FINE SPECIAL THANKS TO MIKE O’SULLIVAN HUNT FOR WOLVERINE: ADAMANTIUM AGENDA No. 2, August 2018. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2018 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell M
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell Massachusetts College of Art and Design All the strength of a squirrel multiplied to the size of a girl? That must be the Unbeatable Squirrel Girl (fig. 1)! This paper will explore Marvel’s Squirrel Girl character, from her introduction as a joke character to her 2015 The Unbeatable Squirrel Girl comic series which is being harold as being extremely empowering. This paper aims to understand why a hero like Squirrel Girl would be harold and celebrated by fans, while other female heroes with feminist qualities like Captain Marvel or the New Almighty Thor might be receiving not as much praise. Squirrel Girl was created by Will Murray and artist Steve Ditko. Despite both of them having both worked for Marvel and DC, and having written stories about fan favorites like Spider-Man, Wonder Woman, Iron Man, and others, they are most known for creating Squirrel Girl, also known as Doreen Green. Her powers include superhuman strength, a furry, prehensile tail (roughly 3-4 feet long), squirrel-like buck teeth, squirrel-like retractable knuckle claws, as well as being able to communicate with squirrels and summon a squirrel army. She was first introduced in 1991, where she ambushed Iron Man in attempt to impress him and convince him to make her an Avenger. That’s when they were attacked one of Marvel’s most infamous and deadly villains, Doctor Doom. After Doctor Doom has defeated Iron Man, Squirrel Girl jumps in with her squirrel army and saves Iron Man1 (fig. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Lynne Robinson
JOM, Vol. 64, No. 1, 2012 DOI: 10.1007/s11837-012-0256-x Ó 2012 TMS Features Materials in Action Lynne Robinson Granted, in some circles, superhero comics are not considered high culture. )RU WKH PLOOLRQV ZKR ZLOO EH ÀRFNLQJ to local movie theaters this summer to catch the big-screen adventures of the Avengers, Spider-man or Batman, they are simply entertaining stories told with bigger-than-life characters and special effects. On a more resonant level, how- ever, these fantastic sagas have woven together a mythology for the modern age, tracing society’s perception of and UHODWLRQVKLS ZLWK VFLHQWL¿F DGYDQFH ment. Both brilliant and mighty, the he- roes and villains of these tales echo an- cient themes and struggles, told within WKH FRQWH[W RI H[WUHPH VFLHQWL¿F SRVVL bility. It’s also frequently the materials sci- HQFHLQYROYHGWKDWGH¿QHVWKHVHFKDUDF ters and the parameters of their power. $QGZKLOHVRPHVFLHQWL¿FGHVFULSWLRQV might seem to push the boundaries of plausibility, Suveen N. Mathaudhu, pro- gram manager, Synthesis and Processing of Materials, U.S. Army Research Of- ¿FHQRWHVWKDWDGYDQFHGSURFHVVLQJDQG characterization technologies, coupled with computational materials design tools and strategies, have closed the gap EHWZHHQFRPLF¿FWLRQDQGVFLHQFHUHDO ity. “There really is very little reason that we should not be able to microstructural- ly engineer whatever materials we want for the future,” he said. As a case in point, Mathaudhu recent- ly issued a request for white papers based RQWKHWKHPHRI³WKHPDNLQJRI&DSWDLQ $PHULFD¶V VKLHOG´ &DSWDLQ -
Marvel's 'Luke Cage': the Art of Recording Sound in the Chaotic Marvel Universe
Marvel's 'Luke Cage': The Art of Recording Sound in the Chaotic Marvel Universe In Marvel's world of action and fighting, how do you capture sound? When Marvel announced it was expanding its universe to Netflix with a four-part series featuring Daredevil, Jessica Jones, Luke Cage and Iron Fist ending in an eight episode mini-series, The Defenders, there wasn’t much chatter among fanboys. Even when Netflix released the Daredevil teaser in 2015, fans were mum—but with good reason. ABC’s now- debunked Agent Carter was airing, Avengers: Age of Ultron saw daily plot reveals, and the latest trailer for Ant-Man dropped, delivering more intrigue to the macro-sized hero played by Paul Rudd. But overshadowing it all was news that Sony was bringing Spider- Man into the Marvel world, which we witnessed in Captain America: Civil War. What was then lost in the shuffle is now an unprecedented success for Netflix: Daredevil is one of its most-watched original series, Jessica Jones will see a second season, and the streaming service has announced a fifth hero in the fold, Punisher. Netflix is hoping Luke Cage, premiering today, packs the same powerful punch. No Film School reached out to production sound mixer Joshua Anderson, CAS, to discuss how he captured the chaotic sounds of Hell's Kitchen. "I imagine that when he takes a punch, he not only feels the physical power, but also feels the sound of the punch." No Film School: You’ve been the production mixer on each of the Marvel series on Netflix – Daredevil, Jessica Jones, and now Luke Cage. -
CTCS 469 Marvel Fall 2020 Syll
CTCS 469: Marvel Units: 4 Fall 2020; W—6pm–8:30pm Pacific Zoom ID: [available through blackboard] Professor: J.D. Connor Office: None Office Hours: M 12–2 and others by appointment at jdconnor.youcanbook.me; held in my personal zoom: 851 900 6551 Contact Info: [email protected]. I reply to emails during business hours, usually the same day. TA’s Lead: Alessandra Sternberg, [email protected] F 12–1, https://ta-alessandra.youcanbook.me/ Brian Smith, [email protected] T 12–1, 590 049 4528 Daniel Hawkins, [email protected] Th 3–4, 784 998 7296 CTCS469Marvel/F2020/Connor/Syll/1 Course Description Marvel: The Course focuses on the art and industry of the Marvel Cinematic Universe, from the corporate battles over the bankrupt company to the present. We will balance analysis of corporate strategy with close attention to the form and style behind the largest sustained narrative effort in cinematic history. At the core lies a unique design- centered production model that has allowed Marvel to radically diversify its motion pictures—a diversity of talent, genre, and style—even as they maintain production and narrative continuity. We will emphasize the roles of key creative workers—not just producing and directing, but screenwriting, production and costume design, sound, score, and music, performance, cinematography, marketing, and so on. Although the MCU is the heart of the course, we will also be examining alternative comic adaptation practices. We’ll look at pre–MCU Marvel films (Spider-Man, Blade), Marvel properties outside the MCU (X-Men, Deadpool), and DC (The Dark Knight). -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
The Citizen Is Willing, but Society Won't Deliver
Myerscov3.qx 10/31/08 2:09 PM Page 2 THE CITIZEN IS WILLING, BUT SOCIETY WON’T DELIVER THE PROBLEM OF INSTITUTIONAL ROADBLOCKS Norman Myers and Jennifer Kent THE CITIZEN IS WILLING, BUT SOCIETY WON’T DELIVER: THE PROBLEM OF INSTITUTIONAL ROADBLOCKS Norman Myers and Jennifer Kent © 2008 International Institute for Sustainable Development (IISD), Norman Myers and Jennifer Kent Published by the International Institute for Sustainable Development The International Institute for Sustainable Development contributes to sustainable development by advancing policy recommendations on international trade and investment, economic policy, climate change, measurement and assessment, and natural resources management. Through the Internet, we report on international negotiations and share knowledge gained through collaborative projects with global partners, resulting in more rigorous research, capacity building in developing countries and better dialogue between North and South. IISD’s vision is better living for all—sustainably; its mission is to champion innovation, enabling societies to live sustainably. IISD is registered as a charitable organization in Canada and has 501(c)(3) status in the United States. IISD receives core operating support from the Government of Canada, provided through the Canadian International Development Agency (CIDA), the International Development Research Centre (IDRC) and Environment Canada; and from the Province of Manitoba. The institute receives project funding from numerous governments inside and outside Canada, United -
Pitch Bible CONFIDENTIAL CONFIDENTIAL
Pitch bible CONFIDENTIAL CONFIDENTIAL How it began ARNOLD ARMSTRONG was one of Earth’s greatest protectors, the incredibly super-powered CAPTAIN FANTASTIC! Until 5 years ago when Captain Fantastic faced his FINAL FIGHT against his arch-nemesis, the evil, DR. SUPERIOR. Captain Fantastic was left without his powers… and Dr. Superior had disappeared. ©Genius Brands International, Inc. 2 2021 Confidential Information-Do Not Duplicate-Not For Public Disclosure CONFIDENTIAL THE BACKSTORY Little did anyone know, super-energy particles rained down on a group of unsuspecting toddlers during the final battle. Now students at Greenville Elementary School, Arnold Armstrong is back as their Kindergarten teacher. His mission: to train these super-powered kids without wrecking the school or revealing their identities. ©Genius Brands International, Inc. 3 2021 Confidential Information-Do Not Duplicate-Not For Public Disclosure CONFIDENTIAL Superhero Kindergarten is a comedy/ action series for upper preschoolers about six unique kids who are learning to master their super skills while learning their ABCs. With the help of their teacher, they will learn the values of teamwork and health while also protecting the town of Greenville from their crosstown rivals. 26x 22 MIN EPISODES ©Genius Brands International, Inc. 4 2021 Confidential Information-Do Not Duplicate-Not For Public Disclosure CONFIDENTIAL Stan & Arnold Superhero Kindergarten is the last property created by STAN LEE, the man who created Spider-Man, Captain America, Black Panther, Guardians of the Galaxy, and the #1 BOX OFFICE 12M SUCCESS OF ALL TIME, Avengers: Endgame. 21M Followers Followers When it came to anchoring Superhero 16M 6.5M Kindergarten with iconic talent, Stan Lee knew Followers Followers there was only one real-life action hero superstar 4.6M to mentor our kindergarten superheroes and Followers 4M teach them to use their awesome powers - Arnold F3oll.5Mowers Schwarzenegger was the only choice. -
Alias Ultimate Collection -, Book 1, 2009, 360 Pages, 0785137327, 9780785137320, Marvel, 2009
Alias Ultimate Collection -, Book 1, 2009, 360 pages, 0785137327, 9780785137320, Marvel, 2009 DOWNLOAD http://bit.ly/1cuGlyU http://goo.gl/ReBFF http://www.goodreads.com/search?utf8=%E2%9C%93&query=Alias+Ultimate+Collection+-%2C+Book+1 Meet Jessica Jones. Once upon a time, she was a costumed super hero. But not a very good one. Her powers were unremarkable compared to the amazing abilities of the costumed icons that populate the Marvel Universe. In a city of Marvels, Jessica Jones never found her niche. Now a chain-smoking, self-destructive alcoholic with a mean inferiority complex, Jones is the owner and sole employee of Alias Investigations - a small, private-investigative firm specializing in superhuman cases. When she uncovers the potentially explosive secret of one hero's true identity, Jessica's life immediately becomes expendable. But her wit, charm, and intelligence just may help her survive through another day. Thrust into the midst of a conspiracy that reaches the highest levels, has Jessica burned too many bridges to turn to old friends for help? Then, in "Rebecca, Come Home," Jessica travels to upstate New York to investigate the disappearance of a teenage girl rumored to be a mutant in a prejudiced small town. And in "Raining Men," the hard-luck PI goes on a date ... with the Astonishing Ant-Man?! Collects Alias #1-15. DOWNLOAD http://is.gd/JLq2wq http://bit.ly/1lcNT0l Fragile Creature , , 2006, Comics & Graphic Novels, 208 pages. Presents the adventures of Concrete, a political speech writer who finds himself trapped in an alien body made of living stone. -
A Qualitative Content Analysis of How Superheroines Are Portrayed in Comic Books
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Fight Like a Girl: A Qualitative Content Analysis of How Superheroines are Portrayed in Comic Books A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Arts in Sociology By Kimberly Romero December 2020 Copyright by Kimberly Romero 2020 ii The graduate project of Kimberly Romero is approved: _________________________________________ ______________ Dr. Michael Carter Date _________________________________________ ______________ Dr. Stacy Missari Date _________________________________________ ______________ Dr. Moshoula Capous-Desyllas, Chair Date California State University, Northridge iii ACKNOWLEDGEMENTS I would like to start off by acknowledging my parents for braving through a civil war, poverty, pain, political criticisms, racial stereotypes, and the constant bouts of uncertainty that immigrating to the United States, seeking asylum from the dangers plaguing their home country of El Salvador, has presented them with throughout the years. If it were not for your sacrifices, we would not have the lives and opportunities we have now. Having your constant love and support means the world to me. You are both my North Stars for everything I do. I would also like to acknowledge my sister for convincing Mom and Dad to let you name me after two of your greatest childhood role models, superheroines, and cultural icons. The Pink Power Ranger and The Queen of Tejano music are both pretty huge namesakes to live up to. I hope I do their legacies justice and that I am making you proud. I know I do not say this to you often but know that, through all our ups and downs, you were my hero growing up.