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In New Guinea Art: Masterpieces from the Jolika Collection of Marcia and John Friede

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In New Guinea Art: Masterpieces from the Jolika Collection of Marcia and John Friede Revised Bibiliography to the “Catalogue of Objects” in New Guinea Art: Masterpieces from the Jolika Collection of Marcia and John Friede Abramson, Jerry. “Style in New Guinea Highlands Shields.” Mankind 7 (1969): 59–66. Adams, Laurie Schneider. Art across Time. Vol. 2, The Thirteenth Century to the Present. Boston: McGraw Hill College, 1999. Altman, R. C. Art of New Guinea: Sepik, Maprik and Highlands. Published in conjunction with an exhibition arranged by the Museum and Laboratories of Ethnic Arts and Technology, U.C.L.A., and the Ethnic Arts Council. Los Angeles: University of California, The Ethnic Art Galleries, 1967. American Museum of Natural History. Faces and Figures: Pacific Island Art from the Collection of Jay C. Leff. Exh. cat. [New York: American Museum of Natural History, 1965.] Apollinaire, Tzara, and Rousseau 1951. See Rousseau, Apollinaire, and Tzara 1951. Aufenanger, H. “The Gerua Cult in the Highlands of New Guinea.” Anthropos 60 (1965): 248–61. ———. The Passing Scene in North-East New Guinea: A Documentation. Collectanea Instituti Anthropos, vol. 2. St. Augustin bei Bonn: Anthropos Institute, 1972. ———. The Great Inheritance in Northeast New Guinea: A Collection of Anthropological Data. Collectanea Instituti Anthropos, vol. 9. St. Augustin bei Bonn: Anthropos Institute, 1975. L’aventure de Pierre Loeb, la Galerie Pierre, Paris 1924–1964. Exh. cat., Musée d’Art Moderne de la Ville de Paris and Musée d’Ixelles, Brussels. Paris: Musée d’Art Moderne de la Ville de Paris, 1979. van Baal, Jan. “The Cult of the Bull-Roarer in Australia and Southern New Guinea.” Bijdragen tot de Taal-, Land- en Volkenkunde (Leiden), no. 119 (1963): 201–14. ———. Dema: Description and Analysis of Marind-Anim Culture (South New Guinea). In collaboration with Father J. Verschueren. Koninklijk Instituut voor Taal-, Land- en Volkenkunde, Translation series, vol. 9. The Hague: Martinus Nijhoff, 1966. van Baal, Jan, K. W. Galis, and R. M. Koentjaraningrat. West Irian, a Bibliography. Koninklijk Instituut voor Taal-, Land- en Volkenkunde, Bibliographical Series, no. 15. Dordrecht, Holland: Cinnaminson, 1984. van Baaren, Theodorus. P. Korwars and Korwar Style: Art and Ancestor Worship in North- West New Guinea. Paris: Mouton & Co. Publishers, 1968. ———. “Art of Geelvink Bay.” In Art of Northwest New Guinea, edited by Suzanne Greub, 17–56. New York: Rizzoli, 1992. Barbier, Jean Paul. Indonésie et Mélanésie: Art tribal et cultures archaïques des Mers du Sud. Collection Barbier-Müller. Geneva, 1977. Barbier, Jean Paul, and Douglas Newton, eds. Islands and Ancestors: Indigenous Styles of Southest Asia. New York: Metropolitan Museum of Art; Geneva: Barbier-Mueller Museum, 1988. Barbier-Mueller Museum. Shields: Africa, Southeast Asia and Oceania from the Collections of the Barbier-Mueller Museum. Exh. cat. by Purissima Benitez-Johannot and Jean Paul Barbier. Munich and New York: Prestel, 2000. Basler, Adolphe. L’art chez les peuples primitifs: Afrique, Océanie, Archipel malais, Amérique et Terres arctiques. Styles et civilisations. Paris: Librairie de France, 1929. Bateson, Gregory. “Social Structure of the Iatmül People of the Sepik River,” parts 1–2. Oceania 2 (March, June 1932): 245–91, 401–53. ———. Naven: A Survey of the Problems Suggested by a Composite Picture of the Culture of New Guinea Tribe Drawn from Three Points of View. Cambridge: Cambridge University Press, 1936. 2nd ed., Stanford: Stanford University Press, 1958. van Beek, A. G. The Biami: People of Papua New Guinea. Boroko, P.N.G.: National Cultural Council, 1980. Behrmann, Walter. Im Stromgebiet des Sepik: Eine deutsche Forschungsreise in Neuguinea. Berlin: A. Scherl, 1922. Beier, Georgina. “Wosera Pottery Collection for the Wewak Pottery Museum.” Gigibori 3, no. 1 (April 1976): 51–64. Beier, Ulli, and Peter Aris. “Sigia: Artistic Design in Murik Lakes.” Gigibori 2, no. 2 (October 1975): 17–36. Beier, Ulli, and Albert Maori Kiki. Hohao: The Uneasy Survival of an Art Form in the Papuan Gulf. Melbourne: Thomas Nelson, 1970. Bellier, Jean-Claude. Mélanésie. Exh. cat. Paris: [Galerie] Jean-Claude Bellier, 1974. Benitez-Johannot, Purissima, and Jean Paul Barbier 2000. See Barbier-Mueller Museum 2000. Beran, Harry. Art of the Massim Region of Papua New Guinea: From Private Collections in New South Wales and Canberra. Exh. cat. Wollongong, NSW, Australia: Wollongong City Gallery, 1980. ———. Betel-Chewing Equipment of East New Guinea. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications Ltd., 1988. ———. Mutuaga: A Nineteenth-Century New Guinea Master Carver. Wollongong, NSW, Australia: University of Wollongong Press, 1996. ———. “Massim Lime Spatulas: By the Master of the Prominent Eyes.” The World of Tribal Arts (Spring 1997): 68–76. ———. Massim: Spatules à chaux. Translated by Sylvie Reynolds. Exh. cat. Paris: Galerie Meyer, 2000. Beran, Harry, and Barry Craig, eds. Shields of Melanesia. Honolulu: University of Hawai’i Press in association with Oceanic Art Society, Sydney, 2005. Bergdolt, Friedrich. Kultur aus Holz und Stein: Kunstgegenstände aus Papua-Neuguinea. Neuendettelsau: Freimund, 1986. Bern, Kunsthalle. Kunst der Südsee. Exh. cat. Die Kunst Aussereuropäischer Kulturkreise, Zweite Ausstellung. Bern: Kunsthalle Bern, 1952. Berrin, Kathleen. Masterworks of New Guinea Art: Selections from the Marcia and John Friede Collection. Exh. cat. San Francisco: California Palace of the Legion of Honor, 2002. Biebuyck, Daniel P., and Nelly van den Abbeele. The Power of Headdresses: A Cross- Cultural Study of Forms and Functions. Brussels: Leopold III Foundation for Exploration and Nature Conservation, 1984. Biró, Lajos. Beschreibender Katalog der ethnographischen Sammlung Ludwig Biró’s aus Deutsch-New-Guinea. 2 vols. Ethnographische Sammlungen des Ung. Nationalmuseums / A Magyar Nemzeti Múzeum Néprajzi Gyüjteményei, 1, 3. Edited and translated by Vilibáld Semayer. Budapest: V. Hornyánszky, 1899, 1901. Blake, D. H. “Western District.” In Encyclopedia of Papua and New Guinea, edited by P. Ryan, 1187–93. Melbourne: Melbourne University Press, 1972. Boas, Franz. Primitive Art. New York: Dover Publications, 1955. Reprint of edition published Oslo: H. Aschehoug, 1927. Bodrogi, Tibor. “Yabim Drums in the Biró Collection.” In Folia Ethnographica (Budapest) 1 (1949–50): 205–22. ———. “Some Notes on the Ethnography of New Guinea: Initiation Rites and Ghost-Cult in the Astrolabe Bay Region.” Acta Ethnographica Academiae Scientiarum Hungaricae 3, nos. 1–4 (1953): 91–184. ———. “New-Guinean Style Provinces: The Style Province ‘Astrolabe Bay.’” In Opuscula Ethnologica Memoriae Ludovici Biró Sacra, edited by Tibor Bodrogi and Lajos Boglár, pp. 39–99. Budapest: Akadémiai Kiadó, 1959. ———. Oceanian Art with 160 photographs and 10 colour plates of objects in the custody of the Ethnographical Museum of Budapest. Budapest: Corvina, 1959. ———. L’art de l’Océanie. Translated by H. Strauss. Paris: Gründ, 1961. ———. Art in North-East New Guinea. Budapest: Publishing House of the Hungarian Academy of Sciences, 1961a. ———. “Style Provinces and Trading Areas in North and Northeast New Guinea.” In Exploring the Visual Art of Oceania, edited by Sidney M. Mead, 265–77. Honolulu: Pacific Arts Association, University Press of Hawai’i, 1979. ———. Törzsi Művészet. Vol. 1, Ausztrália, Óceánia, Afrika. Budapest: Corvina Kiadó, 1981. Also published in German as Stammeskunst. Borkent, Maarten. Papua New Guinea: Art Forms from the Markham, Ramu, and Keram Valleys. Madang, Papua New Guinea: Ramse Traders, 1978. Bounoure, Vincent. “Les Mundugumor; ou, l’Air des flûtes.” L’oeil 155 (1967): 1–7. ———. Vision d’Océanie. Exh. cat. Paris: Musée Dapper, 1992. Bourgoin, Philippe. “Lime Spatulas from Massim.” The World of Tribal Arts 1, no. 4 (1994): 35–46. ———. “Marupai: Magic Amulets of the Papuan Gulf.” Art Tribal (Spring 1995): 55–60. Bowden, Ross. Yena: Art and Ceremony in a Sepik Society. Pitt Rivers Museum, University of Oxford, Monograph 3. Oxford: Pitt Rivers Museum, 1983. ———. “The Architecture and Art of Kwoma Ceremonial Houses.” In Sepik Heritage: Tradition and Change in Papua New Guinea, edited by Nancy Lutkehaus et al., 480–90. Durham, N.C.: Carolina Academic Press, 1990. Bowers Museum. The Ruth and George C. Kennedy Collection of Ethnic Art. Exh. cat. Santa Ana, Calif.: Bowers Museum, 1979. Boylan, Chris, and Greta North. “Highlands Art of New Guinea.” The World of Tribal Arts 4, no. 3 (Winter 1997): 72–83. Bragge, L. “The Japandai Migrations.” In Sepik Heritage: Tradition and Change in Papua New Guinea, edited by Nancy Lutkehaus et al., 36–49. Durham, N.C.: Carolina Academic Press, 1990. Breton, André. 1991. See Centre Georges Pompidou 1991. British Museum. Handbook to the Ethnographical Collections. Oxford: Oxford University Press, 1910. Brizzi, Bruno, ed. The Pigorini Museum. Contributions by Maria Ornella Acanfora et al. Rome: Quasar, c1976. Brongersma, L. D., and G. F. Venema. To the Mountains of the Stars: The Story of an Expedition to One of the Most Mysterious Regions in the World: The Interior of Dutch New Guinea. Translated by Alan G. Readett. Garden City, N.Y.: Doubleday & Company, 1963. Brown, George. Melanesians and Polynesians: Their Life-Histories Described and Compared. London: Macmillan and Co., 1910. Bühler, Alfred. Kunststile am Sepik: Führer durch das Museum für Völkerkunde und Schweiz. Museum für Volkskunde Basel. Exh. cat. Basel: Museum für Völkerkunde und Schweizerische Museum für Volkskunde 1960. ———. Die Kunst Neu-Guineas. Introduction by Alfred Bühler; catalogue by Carl A. Schmitz. Exh.
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