Revised Bibiliography to the “Catalogue of Objects” in New Art: Masterpieces from the Jolika Collection of Marcia and John Friede

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The Great Inheritance in Northeast New Guinea: A Collection of Anthropological Data. Collectanea Instituti Anthropos, vol. 9. St. Augustin bei Bonn: Anthropos Institute, 1975. L’aventure de Pierre Loeb, la Galerie Pierre, 1924–1964. Exh. cat., Musée d’Art Moderne de la Ville de Paris and Musée d’Ixelles, Brussels. Paris: Musée d’Art Moderne de la Ville de Paris, 1979. van Baal, Jan. “The Cult of the Bull-Roarer in and Southern New Guinea.” Bijdragen tot de Taal-, Land- en Volkenkunde (Leiden), no. 119 (1963): 201–14. ———. Dema: Description and Analysis of Marind-Anim Culture (South New Guinea). In collaboration with Father J. Verschueren. Koninklijk Instituut voor Taal-, Land- en Volkenkunde, Translation series, vol. 9. The Hague: Martinus Nijhoff, 1966. van Baal, Jan, K. W. Galis, and R. M. Koentjaraningrat. West Irian, a Bibliography. Koninklijk Instituut voor Taal-, Land- en Volkenkunde, Bibliographical Series, no. 15. Dordrecht, Holland: Cinnaminson, 1984. van Baaren, Theodorus. P. Korwars and Korwar Style: Art and Ancestor Worship in North- West New Guinea. Paris: Mouton & Co. Publishers, 1968. ———. “Art of Geelvink Bay.” In Art of Northwest New Guinea, edited by Suzanne Greub, 17–56. New York: Rizzoli, 1992. Barbier, Jean Paul. Indonésie et Mélanésie: Art tribal et cultures archaïques des Mers du Sud. Collection Barbier-Müller. Geneva, 1977. Barbier, Jean Paul, and Douglas Newton, eds. Islands and Ancestors: Indigenous Styles of Southest . New York: Metropolitan Museum of Art; Geneva: Barbier-Mueller Museum, 1988. Barbier-Mueller Museum. Shields: , and from the Collections of the Barbier-Mueller Museum. Exh. cat. by Purissima Benitez-Johannot and Jean Paul Barbier. Munich and New York: Prestel, 2000. Basler, Adolphe. L’art chez les peuples primitifs: Afrique, Océanie, Archipel malais, Amérique et Terres arctiques. Styles et civilisations. Paris: Librairie de France, 1929. Bateson, Gregory. “Social Structure of the Iatmül People of the Sepik River,” parts 1–2. Oceania 2 (March, June 1932): 245–91, 401–53. ———. Naven: A Survey of the Problems Suggested by a Composite Picture of the Culture of New Guinea Tribe Drawn from Three Points of View. Cambridge: Cambridge University Press, 1936. 2nd ed., Stanford: Stanford University Press, 1958. van Beek, A. G. The Biami: People of New Guinea. Boroko, P.N.G.: National Cultural Council, 1980. Behrmann, Walter. Im Stromgebiet des Sepik: Eine deutsche Forschungsreise in Neuguinea. Berlin: A. Scherl, 1922. Beier, Georgina. “Wosera Pottery Collection for the Wewak Pottery Museum.” Gigibori 3, no. 1 (April 1976): 51–64. Beier, Ulli, and Peter Aris. “Sigia: Artistic Design in Murik Lakes.” Gigibori 2, no. 2 (October 1975): 17–36. Beier, Ulli, and Albert Maori Kiki. Hohao: The Uneasy Survival of an Art Form in the Papuan Gulf. Melbourne: Thomas Nelson, 1970. Bellier, Jean-Claude. Mélanésie. Exh. cat. Paris: [Galerie] Jean-Claude Bellier, 1974. Benitez-Johannot, Purissima, and Jean Paul Barbier 2000. See Barbier-Mueller Museum 2000. Beran, Harry. Art of the Massim of : From Private Collections in New South Wales and Canberra. Exh. cat. Wollongong, NSW, Australia: Wollongong City Gallery, 1980. ———. Betel-Chewing Equipment of East New Guinea. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications Ltd., 1988. ———. Mutuaga: A Nineteenth-Century New Guinea Master Carver. Wollongong, NSW, Australia: University of Wollongong Press, 1996. ———. “Massim Lime Spatulas: By the Master of the Prominent Eyes.” The World of Tribal Arts (Spring 1997): 68–76. ———. Massim: Spatules à chaux. Translated by Sylvie Reynolds. Exh. cat. Paris: Galerie Meyer, 2000. Beran, Harry, and Barry Craig, eds. Shields of . Honolulu: University of Hawai’i Press in association with Oceanic Art Society, Sydney, 2005. Bergdolt, Friedrich. Kultur aus Holz und Stein: Kunstgegenstände aus Papua-Neuguinea. Neuendettelsau: Freimund, 1986. Bern, Kunsthalle. Kunst der Südsee. Exh. cat. Die Kunst Aussereuropäischer Kulturkreise, Zweite Ausstellung. Bern: Kunsthalle Bern, 1952. Berrin, Kathleen. Masterworks of New Guinea Art: Selections from the Marcia and John Friede Collection. Exh. cat. San Francisco: California Palace of the Legion of Honor, 2002. Biebuyck, Daniel P., and Nelly van den Abbeele. The Power of Headdresses: A Cross- Cultural Study of Forms and Functions. Brussels: Leopold III Foundation for Exploration and Nature Conservation, 1984. Biró, Lajos. Beschreibender Katalog der ethnographischen Sammlung Ludwig Biró’s aus Deutsch-New-Guinea. 2 vols. Ethnographische Sammlungen des Ung. Nationalmuseums / A Magyar Nemzeti Múzeum Néprajzi Gyüjteményei, 1, 3. Edited and translated by Vilibáld Semayer. Budapest: V. Hornyánszky, 1899, 1901. Blake, D. H. “Western District.” In Encyclopedia of Papua and New Guinea, edited by P. Ryan, 1187–93. Melbourne: Melbourne University Press, 1972. Boas, Franz. Primitive Art. New York: Dover Publications, 1955. Reprint of edition published Oslo: H. Aschehoug, 1927. Bodrogi, Tibor. “Yabim Drums in the Biró Collection.” In Folia Ethnographica (Budapest) 1 (1949–50): 205–22. ———. “Some Notes on the Ethnography of New Guinea: Initiation Rites and Ghost-Cult in the Astrolabe Bay Region.” Acta Ethnographica Academiae Scientiarum Hungaricae 3, nos. 1–4 (1953): 91–184. ———. “New-Guinean Style Provinces: The Style Province ‘Astrolabe Bay.’” In Opuscula Ethnologica Memoriae Ludovici Biró Sacra, edited by Tibor Bodrogi and Lajos Boglár, pp. 39–99. Budapest: Akadémiai Kiadó, 1959. ———. with 160 photographs and 10 colour plates of objects in the custody of the Ethnographical Museum of Budapest. Budapest: Corvina, 1959. ———. L’art de l’Océanie. Translated by H. Strauss. Paris: Gründ, 1961. ———. Art in North-East New Guinea. Budapest: Publishing House of the Hungarian Academy of Sciences, 1961a. ———. “Style Provinces and Trading Areas in North and Northeast New Guinea.” In Exploring the Visual Art of Oceania, edited by Sidney M. Mead, 265–77. Honolulu: Pacific Arts Association, University Press of Hawai’i, 1979. ———. Törzsi Művészet. Vol. 1, Ausztrália, Óceánia, Afrika. Budapest: Corvina Kiadó, 1981. Also published in German as Stammeskunst. Borkent, Maarten. Papua New Guinea: Art Forms from the Markham, , and Keram Valleys. , Papua New Guinea: Ramse Traders, 1978. Bounoure, Vincent. “Les Mundugumor; ou, l’Air des flûtes.” L’oeil 155 (1967): 1–7. ———. Vision d’Océanie. Exh. cat. Paris: Musée Dapper, 1992. Bourgoin, Philippe. “Lime Spatulas from Massim.” The World of Tribal Arts 1, no. 4 (1994): 35–46. ———. “Marupai: Magic Amulets of the Papuan Gulf.” Art Tribal (Spring 1995): 55–60. Bowden, Ross. Yena: Art and Ceremony in a Sepik Society. Pitt Rivers Museum, University of Oxford, Monograph 3. 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To the Mountains of the Stars: The Story of an Expedition to One of the Most Mysterious in the World: The Interior of Dutch New Guinea. Translated by Alan G. Readett. Garden City, N.Y.: Doubleday & Company, 1963. Brown, George. and : Their Life-Histories Described and Compared. London: Macmillan and Co., 1910. Bühler, Alfred. Kunststile am Sepik: Führer durch das Museum für Völkerkunde und Schweiz. Museum für Volkskunde Basel. Exh. cat. Basel: Museum für Völkerkunde und Schweizerische Museum für Volkskunde 1960. ———. Die Kunst Neu-Guineas. Introduction by Alfred Bühler; catalogue by Carl A. Schmitz. Exh. cat. Basel: Kunsthalle Basel, 1962. ———. 1962. See also Bühler, Barrow, and Mountford 1962. ———. Museum Rietberg Zürich. Kunst der Südsee / Art of Oceania: Beschreibender Katalog/A Descriptive Catalogue. Zürich: Atlantis Verlag, 1969. ———. Museum für Völkerkunde Basel und Schweizerischen Museum für Volkskunde Basel. Ethnographische Kostbarkeiten: Aus den Sammlungen von Alfred Bühler im Basler Museum für Völkerkunde. Basel: Museum für Völkerkunde und Schweizerischen Museum für Volkskunde Basel, 1970. Bühler, Alfred, Terry Barrow, and Charles P. Mountford. The Art of the South Sea Islands: Including Australia and New Zealand. Art of the World. New York: Crown Publishers, 1962. Burawoy, Robert. Mélanésie. Exh. cat. Paris: Galerie Burawoy, 1976. Burland, C. A. Man and Art. London: The Studio Limited, 1959. ———. Gods and Demons in Primitive Art. London: Hamlyn, 1973. Buschan, Georg, ed. Illustrierte Volkerkunde. Berlin: Globus Verlag, 1923. Cahiers d’art. Fascicule consacré à l’art des Océaniens, 4ème année, nos. 2–3 (March– April 1929). Includes articles by Christian Zervos et al. Cannes. Première exposition retrospective internationale des arts d’Afrique et d’Océanie. Exh. cat. Cannes: Palais Miramar, 1957. Carnegie Institute, Pittsburgh. Exotic Art from Ancient and Primitive Civilizations: Collection of Jay C. Leff. [Text by Walter A. Fairservis Jr.]. Exh. cat. Pittsburgh, Pa.: Carnegie Institute, 1959. Carpenter, Edmund, ed. “Excerpt from Karl Schuster's Researches and Writings.” Res, no. 6 (Autumn 1983): 32–46. ———. Materials for the Study of Social Symbolism in Ancient & : A Record of Tradition & Continuity Based on the Researches & Writings of Carl Schuster. Assisted by Lorraine Spiess. 3 vols. in 12 books. New York: Rock Foundation, 1986–88. Casanovas, A. Traces: Primitive and Modern Expressions. Exh. cat. New York: Jan Krugier Gallery in collaboration with Arte y Ritual, Madrid, 2001. Centre Georges Pompidou, Musée National d’Art Modern, Paris. André Breton: La beauté convulsive. Exh. cat. by Agnès Angliviel de la Beaumelle, Isabelle Monod-Fontaine, and Claude Schweisguth. Paris: Éditions du Centre Pompidou, 1991. Chauvet, Stephen [Charles Stéphen-Chauvet]. Les arts indigènes en Nouvelle-Guinée. Paris: Société d’Éditions Géographiques, Maritimes et Coloniales, 1930. Christensen, Erwin O. Primitive Art. New York: Viking Press, 1955. Claerhout, Adriaan G., and Annie Dorsinfang-Smets. Masques du monde / Het masker in de wereld. Exh. cat. Brussels: Société Générale de Banque, 1974. Clawson, H. Phelps. By Their Works: Illustrated from the Collections in the Buffalo Museum of Science. Buffalo: Buffalo Society of Natural Sciences, 1941. de Clercq, F. S. A. De West- en Noordkust van Nederlandsch Nieuw-Guinea. Tijdschrift van het Nederlandsch Aardrijkskundig Genootschap. Leiden: P. W. M. Trap, 1893. Coiffier, Christian, ed. Le Voyage de La Korrigane dans les mers du sud. Exh. cat., contributions by Jean-Claude Moreno et al., Musée de l’Homme, Museum National d’Histoire Naturelle, 2001–2. Paris: Hazan, 2001. Coiffier, Christian, et al. 2001. See Coiffier 2001. Coleman, Winfield W., and Lynda Cunningham. Primitive Art of Melanesia. Sale cat., Summit Hotel, New York, February 20, 1975. Myers / Adams Auction, no. 10. New York: Robert J. Myers, 1975. Collection André Breton et Paul Éluard: d'Afrique, d'Amérique, d'Océanie. Auction catalogue, Alph. Bellier, commissaire-priseur, Hôtel Drouot, Paris, July 2–3, 1931. Conru Primitive Art. The Colour of Melanesia. Exh. cat. London: Conru Primitive Art, 1999. Cowling, E. “‘L’Oeil sauvage’: Oceanic Art and the Surrealists.” In Art of Northwest New Guinea, edited by Suzanne Greub, 177–89. New York: Rizzoli, 1992. Craig, Barry. “The Art Style of the Yellow River, West Sepik District, Papua New Guinea.” Baessler-Archiv 23 (1975): 417–95. ———. Art and Decoration of Central New Guinea. Shire Ethnography 5. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications Ltd., 1988. ———. “Is the Mountain Ok Culture a Sepik Culture?” In Sepik Heritage: Tradition and Change in Papua New Guinea, edited by N. Lutkehaus et al., 129–49. Durham, N.C.: Carolina Academic Press, 1990. Cranstone, B. A. L. Melanesia: A Short Ethnography. 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