180619 FINAL York Mediale Music Programme Announcement

Total Page:16

File Type:pdf, Size:1020Kb

180619 FINAL York Mediale Music Programme Announcement NEWS RELEASE For release 19 June 2018 at 12.00pm The leading ladies of electro and contemporary British jazz join forces as new media arts festival York Mediale announce their first music line up Suzanne Ciani / Kamaal Williams / Moses Boyd / Skinny Pelembe/ Beatrice Dillon / Laura Cannell / Just Jam / Jonathan Hering 19 June 2018: New media arts festival, York Mediale, is pleased to announce their first music line up, including five-time Grammy award nominated composer, electronic music pioneer, and neo-classical recording artist Suzanne Ciani who will open her UK tour at the Festival; violinist and composer Laura Cannell who will premiere new work ‘The Untuning of the Sky’ and music producer, artist and DJ Beatrice Dillon who will perform one of her celebrated live sets. Recently signed by Gilles Peterson, Skinny Pelembe performs his unique blend of hazy afro-tipped soul with psychedelic tangents. Celebrated drummer, composer and electronic musician Moses Boyd, and ‘essence of London Underground’ Kamaal Williams will open the Festival at York Theatre Royal on 27 September, with the show presented and streamed by renowned audio visual artists Just Jam. This extraordinary and eclectic lineup represents a flavour of some of the incredible musicians set to hit York this September. These musical pioneers join an already rich and diverse programme, including world premiere art commissions and live performances at York Mediale, a 10-day citywide festival taking place from 27 September to 6 October 2018 in York, the UK’s only UNESCO designated City of Media Arts. Moses Boyd and Kamaal Williams will perform inside a psychedelic and fully immersive audio visual experience, specially created by Just Jam, the like of which has never been seen at York Theatre Royal. Just Jam is a live audio-visual stream which has showcased some of the most progressive electronic music from around the globe, straight from the underground to the internet. Live music performances are set to a backdrop of idiosyncratic visuals, mixed live with curated artefacts found online. This show is co-presented with local York live music promoters, Ouroboros. On Saturday 29 and Sunday 30 September, contemporary violinist Laura Cannell premieres a new commission for York Mediale; The Untuning of the Sky Parts 1 and 2. The piece, performed over two nights, is inspired by the ancient astrological notion that the revolution of the planets generates a celestial harmony of profound and transcendent beauty, that mortals cannot hear. In collaboration with musician Jonathan Hering and visual artist Laura Spark, The Untuning of the Sky will showcase two strikingly different yet complementary pieces of work. The magnificent Church of St Margaret at York’s National Centre for Early Music will be brought to life through clefts of conjured light, projections and animation, enhancing the music in a stunning, immersive experience. Laura draws on fragments of medieval and renaissance music re-imagined as new works for recorder and violin. In Part One she will be accompanied by oscillating chamber organ and electronics from long-time collaborator André Bosman and harpist Rhodri Davies. Part Two sees multi-instrumentalist Jonathan Hering performing new interpretations of renaissance polyphony using modern day technology and his bass guitar. Eschewing centuries of performance etiquette, Hering sings multi- layered 14 to 17 century choral music in his own voice, creating renaissance music for all ears. Both performances have been made possible through the support of PRS Foundation’s The Open Fund and are presented in partnership with National Centre for Early Music. On 4 October Skinny Pelembe will play live at The Crescent Community Venue, which is quickly establishing a reputation as the home of the best, cutting edge music offerings, not only in York, but across the whole of North Yorkshire. Pelembe, born in Johannesburg, growing up in Doncaster, is a sparkling multi-instrumentalist who blends his production, guitar playing, singing and MCing, to tap into unique, influence-weaving sounds that have to be heard to be believed. He is hailed as one to watch in 2018. On Friday 5 October electronic music pioneer Suzanne Ciani opens her UK tour at York Mediale in the atmospheric surroundings of The Stained Glass Centre, formerly the Church of St Martin-cum-Gregory. Over the course of her 30+ year career, Ciani has carved out a niche as one of the most creatively successful female composers of electronic sound in the world, playing concerts all over the globe. As well as work featured in countless commercials, video games, and feature films, she has released 15 solo albums, most recently the live electronic album retrospective Buchla Concerts 1975. Ciani received the 2017 Moog Innovation Award and provided the voice and sounds for Bally's groundbreaking Xenon pinball machine. Saturday 6 October will see producer, artist and NTS DJ Beatrice Dillon perform a live set to mark the close of Alexander Whitley’s installation Strange Stranger at York’s Guildhall, for which she has also created the live soundscape. Her acclaimed solo tracks, remixes and collaborations include releases on labels and imprints such as Hessle Audio, The Trilogy Tapes, PAN, Boomkat Editions, Timedance and Where To Now?. Dillon was also the recipient of Wysing Arts Centre’s artist residency in 2016 and is a resident at Somerset House Studios, London. Commenting on York Mediale’s first music programme announcement, Mark Carlin, Executive Producer, responsible for the festival’s music offering, said, “We are thrilled to be able to bring such a fantastic and diverse line up of world class musicians to the first ever York Mediale. With Ciani, Dillon, Cannell, Just Jam hosting Moses Boyd and Kamaal Williams and Skinny Pelembe in our line up we have a truly diverse programme of experimental, electro and jazz-inspired music, presented in interesting and unexpected spaces across the city. This has been achieved through working with both UK and International artists and their agents, as well as local partners and funders, including the PRS Foundation, allowing us to use the beautiful city of York as a canvas to showcase some incredible talent. More announcements are yet to come." Tickets will be on sale from 22 June 2018 yorkmediale.com IMAGES Press Contact Rebecca Ladbury 07941 224 975 | 0208 962 1680 [email protected] Danya Agababian 07779 635147 | 0208 962 1680 [email protected] Notes to editors About York Mediale York Mediale is a brand new international media arts festival which will explore the future of art, technology and everything in between. Artists of all kinds will use technologies and media to redefine and tell the stories of our cities, our landscapes and our lives. This biennial event will offer opportunities for collaboration between artists, curators, businesses and educators throughout 2018, culminating in a 10-day programme of exhibitions, performances, lectures, workshops and much more, from 27 September - 6 October 2018. These events will mark and celebrate York’s status as the UK’s first, and only, UNESCO Creative City of Media Arts. Festival attendees can expect a full programme of live performances, dance and music across the city with headline performances planned in some of York’s grand old spaces and some of the freshest new sounds in emerging music playing in lesser known spaces. York Mediale is a not-for-profit Community Interest Company (CIC) and is supported using public funding from the National Lottery through Arts Council England and Leeds City Region Enterprise Partnership. Partners in the realisation and delivery of the festival include City of York Council, Make It York, The University of York, York St John University, York Museums Trust, York Theatre Royal, Science City York, the Guild of Media Arts, along with many other supporters involved in media and arts in the city. About the artists Moses Boyd Throughout his time at Trinity Laban he worked in a professional capacity as one half of the duo Binker and Moses, with his ensemble The Exodus and on his own as Solo Exodus and released music under his own label Exodus Records. He has collaborated with Lonnie Liston Smith, Ed Motta, Little Simz, Four Tet, Floating Points, Zara McFarlane, Gilles Peterson, Soweto Kinch and many more. Awards he has received include The John Peel Play More Jazz Award from the 2016 Gilles Peterson Worldwide Awards, Parliamentary Jazz award for Jazz Newcomer of the Year 2016, a MOBO award for best jazz act 2015, two Jazz FM awards and the Worshipful Company of Musicians’ Young Jazz Musician award in 2014. Moses released his debut album Dem Ones with Binker and Moses in 2015 and this year saw him release his instant sell out debut 12" featuring the anthemic Rye Lane Shuffle as well as joining Kelsey Lu to form Sampha's band. http://www.mosesboyd.co.uk Laura Cannell Laura Cannell draws on the emotional influences of the landscape and the sometimes dissonant chords of early and medieval music. With deconstructed bow and double recorders, Laura performs semi-composed, semi-improvised pieces which explore the spaces between ancient and experimental music creating music that is rooted in, but not tethered to, the past. She has released four critically acclaimed solo albums and is regularly broadcast on the BBC including Radio 3, 4 and 6Music and international radio. She has been a guest contributor to 6Music and was also invited to compile her own hour long playlist, she also writes a monthly column about music and nature for Caught by the River. Laura regularly performs in the UK and Europe, recent festivals include Unsound Poland, Flow Helsinki, Meteo France, Norway, Holland and Denmark. As well as UK performances at The Barbican and Royal Festival Hall, Liverpool Philharmonic Hall and Cafe Oto.
Recommended publications
  • I Think We're All Writing Very Politically Charged Music
    JAZZ 9 Garcia, 26, sitting in her local cafe in New horn-fuelled West African sound. There’s the American art form. (For his sold-out gig at Cross, southeast London, a vibrant creative I THINK WE’RE hip-hop and Afrobeat influenced Ezra Collec- London’s Roundhouse, Washington brought hub that includes Peckham and Deptford and tive, which picked up the British jazz act of the Hutchings onstage to improvise fierce sax happening DIY club/jam nights with names ALL WRITING year award at the recent Jazz FM Awards. And squalls alongside him). such as Steez and Steam Down, at which the Maisha ensemble, with Garcia on sax and London is one of the world’s most culturally acclaimed Californian saxophonist and band VERY POLITICALLY flute alongside guitarist Shirley Tetteh, blending integrated cities; little wonder, then, that sounds leader Kamasi Washington was spotted during free jazz over West African rhythms and serving from Britain’s former colonies are being his recent visit to the capital. CHARGED MUSIC, it up with raw spiritual intensity. This isn’t jazz as embraced — reclaimed — by the scene. “The press are calling it new but we’ve been we know it, if jazz as we know it is doo-wop and Perhaps inevitably, with the spectre of Brexit, doing this for a while,” she continues, her head- WHETHER WE LIKE black tie and the Great American Songbook, but wildly unpopular among British youth, looming phones around her neck, her laptop on the then the album’s musical director, Shabaka large, and the effects of the Windrush immi- table in front of her.
    [Show full text]
  • Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
    eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • All Around the World the Global Opportunity for British Music
    1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Prospectus 19/ 20 Trinity Laban Conservatoire Of
    PROSPECTUS 19/20 TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE CONTENTS 3 Principal’s Welcome 56 Music 4 Why You Should #ChooseTL 58 Performance Opportunities 6 How to #ExperienceTL 60 Music Programmes FORWARD 8 Our Home in London 60 Undergraduate Programmes 10 Student Life 62 Postgraduate Programmes 64 Professional Development Programmes 12 Accommodation 13 Students' Union 66 Academic Studies 14 Student Services 70 Music Departments 16 International Community 70 Music Education THINKING 18 Global Links 72 Composition 74 Jazz Trinity Laban is a unique partnership 20 Professional Partnerships 76 Keyboard in music and dance that is redefining 22 CoLab 78 Strings the conservatoire of the 21st century. 24 Research 80 Vocal Studies 82 Wind, Brass & Percussion Our mission: to advance the art forms 28 Dance 86 Careers in Music of music and dance by bringing together 30 Dance Staff 88 Music Alumni artists to train, collaborate, research WELCOME 32 Performance Environment and perform in an environment of 98 Musical Theatre 34 Transitions Dance Company creative and technical excellence. 36 Dance Programmes 106 How to Apply 36 Undergraduate Programmes 108 Auditions 40 Masters Programmes 44 Diploma Programmes 110 Fees, Funding & Scholarships 46 Careers in Dance 111 Admissions FAQs 48 Dance Alumni 114 How to Find Us Trinity Laban, the UK’s first conservatoire of music and dance, was formed in 2005 by the coming together of Trinity College of Music and Laban, two leading centres of music and dance. Building on our distinctive heritage – and our extensive experience in providing innovative education and training in the performing arts – we embrace the new, the experimental and the unexpected.
    [Show full text]
  • 3025 DCG.Halfyr-17 Report.Indd
    2017 MID-YEAR REVIEW MARKETPLACE ANALYSIS & DATABASE HIGHLIGHTS 2017 MID-YEAR REVIEW Marketplace Analysis & Database Highlights FACING THE MUSIC – A YEAR-OVER-YEAR LOOK AT DISCOGS • Catalog sales (releases 18-month and older) have increased (+11.91%) over last year, but New Release sales have really broken the mold with an astounding increase over 2016 (+123.81%). • The most popular format sold so far in 2017 has been vinyl, with an increase in sales year-over-year (+13.92%). However, CDs have seen the most growth in sales (+23.23%). • The Discogs Database has shown growth year-over-year (+8.22%), with a total of 698,301 submissions during the fi rst half of 2017. The highest number of submissions were of the vinyl variety with a total of 318,238 – equal to over 45% of the submissions. • The most popular genres sold in the Discogs Marketplace are Rock, Electronic, and Funk/Soul. However, both Classical (+35.42%) and Blues (+20.95%) genres have seen a large year-over-year increase in sales. • Our Most Popular, Most Wanted, Most Collected, and Top Catalog Sales lists all have something in common – ranking number one on each list is Pink Floyd’s Dark Side Of The Moon. MOST POPULAR CATALOG* VS. NEW Year-over-year fi gures for Catalog and New Release sales. 2017 2016 % CHG. CATALOG 670,592 599,220 11.91% NEW 90,453 40,415 123.81% *Catalog is defi ned as over 18 months since release. DISCOGS | 2017 MID-YEAR REVIEW: Marketplace Analysis & Database Highlights 2 DATABASE FORMATS Year-over-year comparison of the total number of Discogs Database submissions.
    [Show full text]
  • Downbeat.Com February 2021 U.K. £6.99
    FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • GREGORY PORTER Klassikerleben
    GRATIS | JULI / AUGUST 2020 Ausgabe 68 klassikerleben Empfehlungen des Klassikfachhandels LIANNE LA HAVAS MACEO PARKER MULATU ASTATKE & BLACK JESUS EXPERIENCE ADRIAN YOUNGE, ALI SHAHEED MUHAMMAD & ROY AYERS SARAH WILLIS EMMANUEL PAHUD AUGUSTIN HADELICH GREGORY PORTER KLASSIKINHALT INHALT EDITION – IMPRESSUM 03 GREGORY PORTER HERAUSGEBER 04 LIANNE LA HAVAS | MACEO PARKER | AKTIV MUSIK MARKETING GMBH & CO. KG MULATU ASTATKE & BLACK JESUS EXPERIENCE Behlstraße 9, 65366 Geisenheim 05 JOSHUA REDMAN, BRAD MEHLDAU, SITZ: Hamburg, HR A 105205 CHRISTIAN MCBRIDE, BRIAN BLADE | UstID: DE 187995651 KAMAAL WILLIAMS | DERRICK HODGE PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 06 CALLUM AU & CLAIRE MARTIN | AKTIV MUSIK MARKETING SIMONE KOPMAJER | ADRIAN YOUNGE, VERWALTUNGS GMBH ALI SHAHEED MUHAMMAD, ROY AYERS Behlstraße 9, 65366 Geisenheim 07 AUGUSTIN HADELICH | EMMANUEL PAHUD | SITZ: Hamburg, HR B 100122 IAN BOSTRIDGE, ANTONIO PAPPANO, INTERIMS-GESCHÄFTSFÜHRER: Alexander Markgraf VILDE FRANG, NICOLAS ALTSTAEDT FON: 06722/6565 08 KRISTIAN BEZUIDENHOUT, PABLO HERAS-CASADO, E-MAIL: [email protected] FREIBURGER BAROCKORCHESTER | SARAH WILLIS, JOSÉ ANTONIO MENDÉZ PADRÓN, REDAKTIONS- UND ANZEIGENLEITUNG HAVANA LYCEUM ORCHESTRA Sarah Markgraf (sm) (verantwortlich für den Inhalt) 11 GFK KLASSIK-CHARTS JUNI 2020 MITARBEITER DIESER AUSGABE 12 FACHHANDEL DES MONATS, FACHHÄNDLER Helmut Blecher (hb), Sarah Markgraf (sm), Anja Wegner #LOVERECORDSTORES FOTOGRAFEN DIESER AUSGABE Ami Sioux (1, 3 Gregory Porter), Warner Music Der Record Store Day, das jährlich stattfi ndende Para- (4 Lianne La Havas), Jessica Calvo (4 Maceo Parker), dies für Schallplatten-Verrückte, geht in die dreizehnte Agogo Records (4 Mulatu Astatke & Black Jesus Runde. Verfl ixte Dreizehn möchte man sagen. Wegen Experience), Michael Wilson (5 Joshua Redman, der Coronakrise fi ndet der diesjährige RSD in einer Brad Mehldau, Christian McBride, Brian Blade), Glauco Canalis (5 Kamaal Williams), anderen Form statt als bisher geplant.
    [Show full text]
  • Ecg1151 EJF2017 FINAL.Indd
    14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint.
    [Show full text]
  • Counting the Music Industry: the Gender Gap
    October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten­ sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit­ ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as­ sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre­ ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free­ lance music industry consult­ ant, is a director of the board of PiPA http://www.pipacam­ paign.com/ and an exciting music tech start­up called Delic https://www.delic.net­ work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist.
    [Show full text]
  • Multiculturalism and the De-Politicization of Blackness in Canada: the Case of Flow 93.5 Fm
    MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM by Kisrene McKenzie A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto © Copyright by Kisrene McKenzie 2009 MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM Master of Arts 2009 Kisrene McKenzie Department of Sociology and Equity Studies in Education University of Toronto Abstract This thesis presents a case study of Canada‟s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada‟s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW‟s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. ii ACKNOWLEDGEMENTS I extend my deepest gratitude to my thesis supervisor, Dr. Sherene Razack, for her guidance, constant support, encouragement and initial interest in my thesis topic.
    [Show full text]