Production Music Rate Card 2017
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List of Providers of Production Music*
LIST OF PROVIDERS OF PRODUCTION MUSIC* *Providers of mood music having concluded a contract with SUISA enabling it to act as a one-stop shop. Users can apply directly and exclusively to SUISA for the authorisation to use the music. Provider Label Acoris Editions T. 022 796 15 33 Moodmusicprovider by Acoris 12, rue du Grand Bay acoris@mangrove- productions.com 1220 Les Avanchets www.mangrove-productions.com Allround Music T. 041 410 22 04 Allround Music The Music library Hazy Music Swiss F. 041 410 18 04 Funtastik Music Tonework Records Zinggertorstrasse 8 G-B-W Music Unity Production Music Lib. 6006 Luzern Le Red Publishing MST Publishing Powerhouse Arcadia MSI T. 075 233 11 80 Arcadia Hollywood Music-Service-International F. 075 233 13 37 Arcadia Films Jazz line Postfach 444 [email protected] Arcadia Jingle Bank Less-is-More FL-9494 Schaan www.arcadiamusic.com ARCADIA NATIONAL Lifestyle Cinematic Loop Academy Classical Media Music Mastertrax Cosmos Library Max Music Cosmos Special Select Media music Deluxe Minimal Drones Muvico EnVogue Shorts Esovision Spot leitmotiv Galaxy Star music inc. Global Authentic Therapy Viva BMG Production Music (Germany) GmbH 1 Revolution Music Klanglobby Charlottenstraße 59 101 Dark Orchid Music Kool Kat 10117 Berlin [email protected] Absolute Music L. A. Edition Music Library GERMANY T: 0039 030 - 300 133 277 Adrenalin L.a. Riot Adrenalin Vocals Lab Hits Altitude Music Lalela Music Altitude Underscore Latin Music Collective Altitude X Faber Lemoncake Amped Library Of The Human Soul Amplitude Liquid -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Sony Group Statement on U.K. Modern Slavery Act
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide and global basis during the financial year ending March 31, 2020 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Not all Sony Group1 companies (“Sony”) are subject to the Act. However, all Sony companies throughout the world are required to comply with applicable Sony policies, so we discuss the actions we have taken group-wide at a global level in this Statement. This Statement covers all Sony companies operating in the United Kingdom who are required by the Act to publish a statement, including but not limited to, Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation (collectively referred to as “Sony reporting entities”, “we” or “us”). The list of Sony reporting entities covered by this Statement as of March 31, 2020 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help identify and address risks of human rights violations related to our business operations and supply chains throughout the world. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
2019 Sony Group Statement on UK Modern Slavery
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide basis during the financial year ending March 31, 2019 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Although not all Sony Group1 companies are subject to the Act, we have undertaken a Group-wide approach to our human rights commitment, and make this Statement on behalf of all Sony Group companies (sometimes collectively referred to as “Sony”). As such, this Statement covers all Sony Group companies operating in the United Kingdom, who are required by the Act to publish a statement, including but not limited to Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation. The list of Sony Group companies covered by this Statement as of March 31, 2019 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help ensure that there are no human rights violations related to our business operations or supply chains. -
Production Music Rate Card 2016
AUDIO VISUAL ADVERTISING GAMING & MOBILE APPS MUSIC ON HOLD AUDIO AUSTRALIA PRODUCTION TV PER MUSIC RATE EPISODE TV & RADIO CARD 2016 PROGRAMMES FILMS TRAILERS Production Music Enquiries APRA AMCOS Head Office +61 2 9935 7751 16 Mountain St [email protected] Ultimo NSW 2007 www.apraamcos.com.au/pm Locked Bag 5000 Strawberry Hills NSW 2012 ADVERTISING AUDIO VISUAL AUDIO TV PER EPISODE TV & RADIO PROGRAMMES GAMING & MOBILE APPS MUSIC ON HOLD FILMS TRAILERS ADVERTISING CLICK HERE TO CALCULATE All rates are per 30 seconds (unit) unless otherwise specified. YOUR PM COSTS Includes reproduction for online and digital platforms. LICENCE REGIONAL METROPOLITAN NATIONAL LICENCE CATEGORY CODE UNIT RATE UNIT RATE UNIT RATE RATES AVAILABLE FOR: • Combined territories (e.g. AU + NZ) Free to Air Television Transmission ATF $112.20 $347.60 $601.70 • International broadcast territories (e.g. USA, Europe, Asia, etc) Pay Television Transmission ATP $99.00 $309.10 $540.10 TELEVISION • In-flight & infomercials • Community Service Announcements All Television Transmission ATA $167.20 $526.90 $916.30 (Free to Air and Pay) Free to Air Radio ARF $51.70 $161.70 $281.60 RADIO Digital Streaming Services (e.g. Spotify, ARD $33.00 $113.30 $196.90 RDIO, Pandora, etc.) DID YOU KNOW? Outdoor (e.g. played at a football stadium) AOPE $104.50 $324.50 $563.20 There are up to 1,000,000 production music PUBLIC LOCATION tracks available across all styles & genres. Indoor (e.g. played on an in-store display) AOPI $51.70 $161.70 $281.60 Please see page 8 for our suppliers list. -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors. -
Production Music Rate Card
ADVERTISING DISCOUNTS LICENCE WORLD WIDE WEB ‘CUT DOWN’ DISCOUNTS CODE (WWW) ONLINE A 15% discount applies to a maximum of two ‘cut- downs’ in addition to the primary version which Free/organic social media use only (e.g. organic/unpaid $84.70 AFD must be of greater duration. social media content for followers & subscribers only) per track/version CAMPAIGN DISCOUNTS Free social PLUS website use only (e.g. organic/unpaid social $162.80 Apply if you are producing a series of ads as part ONLINE & AVD DIGITAL media content, email blast, company websites, YouTube) per track/version of one campaign, across all advertising mediums PLATFORMS and territories, provided they are all licensed at the same time. All online platforms, paid and unpaid (e.g. Pre-Rolls, $301.40 Sponsored/Promoted Social Media Posts, News Feed Ads, APD 20% - 4-6 Ads in the campaign per track/version Pop Ups, Ad Banners, catch-up TV, etc.) 25% - 7-9 Ads in the campaign 30% - 10+ Ads in the campaign 50% TAG ENDING CHANGE BROADCAST BROADCAST LICENCES INCLUDE CLEARANCE FOR Where a series of advertisements are produced and the only variation is the end line “tag ending” (e.g. All rates are per 30 seconds (unit) unless otherwise specified. ALL ONLINE PLATFORMS I.E. AFD, AVD, & APD “starts Monday, starts tomorrow”), the licence may be charged at 50% of the applicable rate, multiplied by the number of versions (including the primary LICENCE REGIONAL METROPOLITAN NATIONAL version). This concession will only be granted for CODE UNIT RATE UNIT RATE UNIT RATE tag changes on ads licensed for the same duration and broadcast area, and approved by the APRA Free to Air Television ATF $121.00 $372.90 $644.60 AMCOS Production Music Department. -
Crinew Music Re 1Ort
CRINew Music Re 1 ort MARCH 27, 2000 ISSUE 659 VOL. 62 NO.1 WWW.CMJ.COM MUST HEAR Sony, Time Warner Terminate CDnow Deal Sony and Time Warner have canceled their the sale of music downloads. CDnow currently planned acquisition of online music retailer offers a limited number of single song down- CDnow.com only eight months after signing loads ranging in price from .99 cents to $4. the deal. According to the original deal, A source at Time Warner told Reuters that, announced in July 1999, CDnow was to merge "despite the parties' best efforts, the environment 7 with mail-order record club Columbia House, changed and it became too difficult to consum- which is owned by both Sony and Time Warner mate the deal in the time it had been decided." and boasts a membership base of 16 million Representatives of CDnow expressed their customers; CDnow has roughly 2.3 million cus- disappointment with the announcement, and said tomers. With the deal, Columbia House hoped that they would immediately begin seeking other to enter into the e-commerce arena, through strategic opportunities. (Continued on page 10) AIMEE MANN Artists Rally Behind /14 Universal Music, TRNIS Low-Power Radio Prisa To Form 1F-IE MAN \NHO During the month of March, more than 80 artists in 39 cities have been playing shows to raise awareness about the New Latin Label necessity for low power radio, which allows community The Universal Music Group groups and educational organizations access to the FM air- (UMG) and Spain's largest media waves using asignal of 10 or 100 watts. -
Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play. -
2020 Sony Group Statement on UK Modern Slavery
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide and global basis during the financial year ending March 31, 2020 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Not all Sony Group1 companies (“Sony”) are subject to the Act. However, all Sony companies throughout the world are required to comply with applicable Sony policies, so we discuss the actions we have taken group-wide at a global level in this Statement. This Statement covers all Sony companies operating in the United Kingdom who are required by the Act to publish a statement, including but not limited to, Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation (collectively referred to as “Sony reporting entities”, “we” or “us”). The list of Sony reporting entities covered by this Statement as of March 31, 2020 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help identify and address risks of human rights violations related to our business operations and supply chains throughout the world. -
Vol. 836 | Issue OCTOBER 2020
2020 CATALOG Vol. 836 | Issue OCTOBER 2020 ACTING ANIMATION & DIGITAL MASTER MOBILE RECORDING WEB FOR MEDIA VISUAL EFFECTS FILM MAKEUP APPS ARTS DESIGN DALLAS CAMPUS HOUSTON CAMPUS 13300 Branch View Ln. 3324 Walnut Bend Ln. Dallas, TX 75234 Houston, TX 77042 972.869.1122 832.242.3426 ACCSC Accredited School WHAT MAKES MEDIATECH UNIQUE? The MediaTech Institute Degree & Diploma programs are designed to give you real industry experience. Industry experience provides more collaboration of topics in the classroom, allowing students to: • Write songs, mix sound & direct music videos, • Develop mobile apps, design animations & build websites, • Create characters, produce films, act on screen, ... and get opportunities to work with industry clients and on real world projects! TURN YOUR PASSION INTO YOUR PROFESSION At MediaTech Institute you don’t just talk about the real-world, you learn by living it – in the studios recording music, filming on production sets, writing code, building graphics and more! MEDIATECH.EDU 2 ACCREDITATION Accredited by the Accrediting Commission of Career Schools and Colleges (ACCSC). ACCSC is a recognized accrediting agency by the U.S. Department of Education (DOE). The MediaTech Houston Campus is a Branch Campus of the Main Campus in Dallas. APPROVALS Approved and regulated by the Texas Workforce Commission (TWC) Career Schools and Colleges. Authorized by the Texas Higher Education Coordinating Board (THECB). All programs are approved for the training of veterans by the Texas Veterans Commission (TVC). 3 3 TABLE OF