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Fall/Winter 2008)
TheMedium Volume 34, Number 3 (Fall/Winter 2008) Welcome to the third and final issue of the Medium for 2008. This issue features tour reports from our recent meeting and trip to Guadalajara, Mexico. President Hinojosa has submitted her report from our recent business meeting and the 2008 business meeting minutes are posted. The Lois Swan Jones Award Recipient report and our first Lois Swan Jones Award ad is also in this issue. We also have an update from the University of Houston's Architecture and Art Library on the damage from Hurricane Ike and news from the Architecture and Planning Library at The University of Texas at Austin. We have a message from our ARLIS/NA Chapters Coordinator, Cate Cooney and an article on our newest chapter member, Martha Gonzalez Palacios. The Collection profile features The Wittliff Collections. Enjoy! o Business Meeting: President's Report o Business Meeting: 2008 Business Meeting Minutes o Message from Chapters Coordinator, Cate Cooney o Annual Meeting: An unexpected meeting with photographer Nicola Lorusso o Annual Meeting: Chapter visit to Tlaquepaque o Annual Meeting: Meeting Clemente Orozco o Annual Meeting: Orozco’s Orozco and our day adventure in Guadalajara o Collection Profile: The Wittliff Collections / Texas State University-San Marcos o Library Website Documents Architect's Legacy o Lois Swan Jones Ad o Lois Swan Jones Award Recipient Report: ARLIS/NA 2008 Conference o University of Houston Architecture and Art Library Update o Welcome Martha Gonzalez Palacios The Medium v. 34, no. 3 (fall/winter 2008) Business Meeting: President's Report ARLIS/NA, Texas-Mexico Chapter Annual Conference Business Meeting December 3, 2008 I cannot tell you how glad I am to see you all here, now, in Guadalajara. -
4Rthe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection
1kY ."a-: ,pyrI ' 4O , NrIK ;qt1"p.+,t 4rThe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection Alkek Library, Texas State University-San Marcos FRONT ( F)VLR llerc dng~e! / A ngel Woman, 1979 GRACS L1VA FL (FIFPh IF FM Pub15il it roolm,, at the WitIt!if CoIIlectillns. 5 FLIT Willie Nelson, 1 9801 11.l. WRITTILII+l q 1 ntft "What we sense in all this work is that we in the Southwest are bound to what the Spanish language calls querencia, a place of such deep meaning and strong fealty that neither time nor distance can separate us from it." - GOVERNOR ANN RICHA RDS Southwestern Writers Collection Dedication Speech, Alkek Library, Texas State, 1991 . The Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection The voices and visions of any region's artists are rooted in the land, inspired by a certain lay of the earth and line of horizon, informed by the history and myth, traditions, and relationships of the people who live upon it. This "spirit of place" is at the very heart of the Wittliff Collections - it is the keystone that joins the literary and photographic archives of the Southwestern Writers Collection and the Southwestern & Mexican Photog- raphy Collection. Founded at Texas State University-San Marcos by Austin screen- The Spirit of Place writer and photographer Bill Wittliff and his wife Sally, these repositories are committed to preserving a creative legacy that will instruct and inspire the current generation as well as those subsequent, illuminating the importance of the Southwestern and Mexican imagination in the wider world. -
The Keystone
THE KEYSTONE THE WITTLIFF COLLECTIONS FALL 2010 | SOUTHWESTERN WRITERS COLLECTION | SOUTHWESTERN & MEXICAN PHOTOGRAPHY COLLECTION ® UNIVERSITY SAN MARCOS A member of The Texas State University System from the INTERIM DIRECTOR Maria en el zócalo, ONE OF THE great joys—and perhaps the only joy—of We weren’t sure what to expect from our review. It’s one (left) Willie Nelson CD 1953, Héctor García being an interim director is getting to work more closely thing to think you’re doing a pretty good job. It’s quite collections including the deluxe Bear Family with some of the fine people who contribute so much to the another to put yourself at the mercy of an independent, OUR VERY Records box set and SINCERE THANKS Wittliff’s success. Over the past few months I’ve met outside appraiser. book with essays and session info, plus a rare to all those who have regularly with our Associate Vice President, Joan Heath, After Lisa closely analyzed our written report, she spent 45 rpm from Pappy provided recent along with our Vice President for Information Technology, two days on campus, interviewing everyone on the Wittliff Daily’s D Records, “The financial support Dr. Van Wyatt. staff as well as meeting with Joan Heath and Van Wyatt. She Storm Has Just Begun” (September 30, 2009 – On a parallel track, I’ve also visited extensively with asked good, tough questions. b/w “Man with the Blues” August 9, 2010). founding donor Bill Wittliff as well as many of our individ - A few weeks later, Lisa responded with her report: a (below) Country Favorites, Willie Nelson Friends of the Wittliff ual donors. -
The Keystone Debuted in 2003 and Has Been South West Ern Writers Col Lec - Going Strong Ever Since
THEKEYSTONE THEWITTLIFFCOLLECTIONS FALL 2009 | SOUTHWESTERNWRITERSCOLLECTION | SOUTHWESTERN & MEXICANPHOTOGRAPHYCOLLECTION ® A member of The Texas State University System from the CURATOR (right) Connie Todd, Hola amigos— plus a support crew of interns, 15 student workers, and one (left) View into the new 2008, Ave Bonar In January 2010, I will retire temp (Valerie Anderson, who has just moved on to the gallery hall, below the archway carved and (center) as curator of the Wittliff Registar’s Office). And we are all extremely busy. painted by David Everett Water Witching (Bill Wittliff), 1996, Collec tions after twelve-and- We host thousands of visitors and hundreds of scholars (below) Guests entering Keith Carter a-half very happy and remark- each year, and the Wittliff Collections now enjoy an interna- the gallery hall after the able years. tional reputation. Our two book series have thrived and, ceremonial ribbon cutting When I began working along with our in-house publications, have won scores of here in September 1997, the design awards. The Keystone debuted in 2003 and has been South west ern Writers Col lec - going strong ever since. We’ve brought in significant new tion had been in its new space material in literature, journalism, film, television, music, and in the Alkek Library for about photography—as a matter of fact, our collections have at OUR VERY SPECIAL six years, and the South - least quadrupled in the last 10 years. THANKS to all western & Mexican Photog - Through it all, presiding over the growth and expansion come in, those who have raphy Col lec tion had opened not only of our holdings, but also of our activities and [continued from p. -
A Guide to the William D. Wittliff Papers 1968 - 1995
A Guide to the William D. Wittliff Papers 1968 - 1995 Collection 026 Descriptive Summary Creator: William D. Wittliff Title: William D. Wittliff Papers Dates: 1968-1995 Abstract: The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. Identification: Collection 026 Extent: 517 boxes; 498 linear feet Language: English Repository: The Wittliff Collections, Texas State University Guide to the William D. Wittliff Papers (Collection 026) 1 Administrative Information Access Restrictions Contact the Wittliff Collections for access. Preferred Citation William D. Wittliff Papers, The Wittliff Collections, Texas State University Acquisition Information Donated by Bill and Sally Wittliff since 1988. Processing Information Processed by Gwynedd Cannan, 1995 Notes to Researchers For Lonesome Dove miniseries material see the Lonesome Dove Production Archive. The Wittliff Collection holds extensive additional material relating Bill Wittliff. Please contact the archives staff for information and access. Guide to the William D. Wittliff Papers (Collection 026) 2 Biographical Note Bill Wittliff was born in Taft, a small town in south Texas, in 1940. After his parents divorced, he and his brother Jim moved with their mother to Gregory, Texas, where Mrs. Wittliff ran a small telephone office during World War II (these experiences provided the basis for "Raggedy Man," Wittliff's feature film). Later, when his mother remarried, the family moved to a ranch in Blanco, a rural community of 700 in the hill country of central Texas. -
A Guide to the Edwin Bud Shrake Papers
A Guide to the Edwin “Bud” Shrake Papers 1900-2010 (Bulk dates: 1953-2009) Collection 008 Descriptive Summary Creator: Shrake, Edwin “Bud” Title: Edwin “Bud” Shrake Papers Dates: 1900-2010 (Bulk dates: 1953-2009) Abstract: The Edwin “Bud” Shrake Papers reflect Shrake’s 58-year career as a professional sportswriter, journalist, fiction writer, script writer, and non- fiction writer. The collection is arranged into eight series: Works, Correspondence, Financial Papers, Corporations, Legal Papers, Research, Personal Papers and Other Writers. The Works series comprises the bulk of the collection, with drafts, notes, contracts and other documents pertaining to his many writing projects. Identification: Collection 008 Extent: 152 boxes (78 linear feet) Language: All Materials are written in English Repository: Southwestern Writers Collection, Wittliff Collections, Alkek Library, Texas State University-San Marcos Biographical Sketch Edwin “Bud” Shrake Jr. was born to Ruth and Edwin Shrake Sr. in Fort Worth, Texas on September 6, 1931. He was their first child, and took an early interest in writing and painting. By the fifth grade, Shrake had written his first short story, an adventure about World War II fighter pilots. In 1946 he entered Paschal High School in Fort Worth, and quickly became good friends with junior Dan Jenkins. The two future sportswriters, lifelong buddies and sometime- collaborators got their start writing for the Paschal Pantherette, the school newspaper. Following high school Shrake enrolled for a year at Texas Christian University, then transferred to The University of Texas at Austin. After two semesters at UT, he returned to Fort Worth and with the help of Jenkins, found part-time work at the Fort Worth Press. -
First Timers and Old Timers: the Texas Folklore Society Fire Burns On
First Timers and Old Timers: The Texas Folklore Society Fire Burns On First Timers and Old Timers: The Texas Folklore Society Fire Burns On Edited by Kenneth L. Untiedt Publications of the Texas Folklore Society LXVIII University of North Texas Press Denton, Texas © 2012 Texas Folklore Society All rights reserved. Printed in the United States of America. 10 9 8 7 6 5 4 3 2 1 Permissions: University of North Texas Press 1155 Union Circle #311336 Denton, TX 76203-5017 The paper used in this book meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials, z39.48.1984. Binding materials have been chosen for durability. Library of Congress Cataloging-in-Publication Data First timers and old timers: the Texas Folklore Society fire burns on/edited by Kenneth L. Untiedt. –– 1st ed.p. cm. –– (Publications of the Texas Folklore Society; 68) Includes bibliographical references and index. ISBN 978-1-57441-471-4 (cloth : alk. paper) –– ISBN 978-1-57441-483-7 (ebook) 1. Folklore––Texas. 2. Texas––Social life and customs––20th century. 3. Texas––Social life and customs––21st century. 4. Texas––Biography. 5. Texas Folklore Society. I. Untiedt, Kenneth L., 1966– II. Series: Publications of the Texas Folklore Society; no. 68. GR110.T5F5 2012 398.209764––dc23 2012032712 First Timers and Old Timers: The Texas Folklore Society Fire Burns On is Number LXVIII in the Publications of the Texas Folklore Society CONTENTS Preface by Kenneth L. Untiedt ix I. “Back in the Day”: Reflections on Times Passed Linda Wolff “Use It Up. -
ABSTRACT “Books Are Made out of Books”: a Study of Influence From
ABSTRACT “Books Are Made Out of Books”: A Study of Influence from the Cormac McCarthy Archives Michael L. Crews, Ph.D Director: James E. Barcus, Ph.D. In December of 2007, the Southwestern Writers Collection, part of the Wittliff Collection of the Alkek Library at Texas State University, in San Marcos, Texas, acquired Cormac McCarthy’s literary papers. The collection contains early drafts, correspondence, and notes. Access to the archives makes possible scholarly investigations into influences on McCarthy’s work, a subject that, given the author’s reticence about discussing other writers, has been largely relegated to informed speculation. The following study moves scholarly interest in McCarthy’s influences away from speculation and toward a more solid foundation based on detailed manuscript research. By chronicling McCarthy’s references to writers, books, and thinkers in his correspondence, in working notes, and in marginalia found in early drafts, I have provided a reference guide that will serve other scholars engaged in the study of Cormac McCarthy’s influences. The work is composed primarily of alphabetized entries corresponding to the names of writers, artists, and thinkers found in the archives. For instance, the first entry is Edward Abbey, the last the ancient Greek philosopher Xenophanes. Each entry describes the location of the reference in the archives by identifying the box and folder in which it is contained, and describes the context of its appearance. For instance, the reference to Edward Abbey appears in Box 19, Folder 14, which contains McCarthy’s notes for Suttree. It refers to a specific passage in Abbey’s book Desert Solitaire. -
Keystone Fall 2012 FINAL
THEKEYSTONE THEWITTLIFFCOLLECTIONS FALL 2012 WE HAVE GOOD NEWS to share about our project academic conference on Southwestern studies and a spe- from the DIRECTOR to save and display the 1951 ranching mural by largest single gifts in wittliff cial exhibition of materials from the Simmons Archive. artist Buck Winn that came from the Pearl Brewery. We’ve written quite a bit in the Keystone about the B R E A T H E . The first bids we solicited from painting conser- history support the MARC Simmons Library but feel it bears repeating that, with little Welcome to our new design— vators were to restore the mural to its original SIMMONS LIBRARY duplication, the acquisition will double the Wittliff’s If you’re like me, you have long enjoyed state—to make it look as it had when Winn origi- Southwestern Writers Collection book holdings and vastly the Keystone’s wealth of information and nally painted our three 28' x 6' panels. improve our secondary-source research materials—a wor- imagery as well as its award-winning de- Recently we requested new bids, to thy complement to the primary source materials already sign. But I wanted to add some impact conserve rather than restore the mural archived. The library will substantially enhance research and give elements room to breathe. Above —to repair and stabilize it—which is opportunities for students, faculty, and visiting scholars. and beyond more white space, we expanded our “from the now the professional standard in mu- We’d also like to thank a few of the other generous archives” and “recent acquisitions” sections, and we also seums. -
The Keystone
THE KEYSTONE THE WITTLIFF COLLECTIONS SPRING 2008 | SOUTHWESTERN WRITERS COLLECTION | SOUTHWESTERN & MEXICAN PHOTOGRAPHY COLLECTION UNIVERSITY SAN MARCOS A member of The Texas State University System from the CURATOR (right) Connie Todd, ¡Saludos! and drove straight south, hung a left when we were out of THE ACQUISITION OF the Cormac the National Board of Review, and in (left) Book jacket photo 2008, Ave Bonar Last December, I traveled to the snow, and headed back to San Marcos, arriving around by Marion Ettlinger, McCarthy Papers by the Southwestern February it garnered four Oscars, All the Pretty Horses, Santa Fe with staffers Steve Davis, one in the morning to offload at the library. Although road Writers Collection resulted from years including Best Adapted Screenplay Knopf, 1992 OUR VISITORS Beverly Fondren and Katie weary, we were euphoric, feeling the import of the trip—so of ongoing conversations between (by the Coens) and Best Picture. (below) First step in the ARE SAYING... Salzmann to retrieve perhaps the pleasant and personal but filled with deep resonance for the McCarthy and Bill Wittliff, with the McCarthy’s literary papers docu- processing: Lead Archivist Katie Salzmann unpack- Great inspiration for most sought after literary archive collections, for the university, and for McCarthy scholars all subsequent purchase being funded by ment his entire writing career. At the “writer’s block”— ing McCarthy’s bins in the country—the papers of over the world, many of whom are postponing books and a combination of individual and foun- core are correspondence, notes, hand- need to get Vaquero Cormac McCarthy. dissertations to wait for us to open this amazing archive, dation support raised specifically for written and typed drafts, setting and Goodbye to a We flew to Albuquerque, which we will do come fall. -
Silverstar-Antone's 095
A Guide to the SilverStar Entertainment Group Antone’s: Home of the Blues Collection 2003-2004 Collection 095 Descriptive Summary Creator: Anthony “Lucky” Tomblin Title: SilverStar Entertainment Group Antone’s: Home of the Blues Collection Dates: 2003-2004 Abstract: Material related to the production and marketing of Antone’s: Home of the Blues, including 318 DV cam tapes of raw footage used in the production of the film, DVD viewing copies of the DV cam tapes, one commercial DVD copy of the documentary, one poster for the premiere, critical reviews, press releases, short bios and a list of the cast, video trailer, TV news report, and a VHS copy of the first cut that premiered at the South by Southwest film festival in March 2004. Identification: Collection 095 Extent: 13 boxes (3 linear feet) Language: English Repository: Southwestern Writers Collection, The Wittliff Collections, Alkek Library, Texas State University-San Marcos Biographical Sketch/Historical Sketch Clifford Antone opened the music venue, Antone’s, in Austin, Texas in 1975, at the age of 25. The venue was one of the first on Austin’s 6th Street and contributed to the city’s establishment as the “Live Music Capital of the World.” Some of the artists that performed at Antone’s include Fats Domino, John Lee Hooker, Delbert McClinton, Pinetop Perkins, Muddy Waters, Albert Collins, Jimmy Reed, Clarence "Gatemouth" Brown, B.B. King and many other famous blues musicians. Antone also helped launch the careers of Jimmie and Stevie Ray Vaughan. In 1987, Antone started the Antone’s record label and record store in Austin, still in operation on Guadaulpe Street. -
Southwestern Writers Collection Special Collections - Albert B
SOUTHWESTERN WRITERS COLLECTION SPECIAL COLLECTIONS - ALBERT B. ALKEK LIBRARY TEXAS STATE UNIVERSITY - SAN MARCOS Bill Wittliff Papers, 1968-1995 517 boxes total (498 linear feet) Acquisition: Donated by Bill and Sally Wittliff since 1988. Note: Contact the SWWC for information about additional materials from this writer that have not yet been fully processed. Access: Restricted. Contact the SWWC for information about access. Processed by: Gwynedd Cannan, September 1995 Wittliff 1 Biographical Note: Bill Wittliff was born in Taft, a small town in south Texas, in 1940. After his parents divorced, he and his brother Jim moved with their mother to Gregory, Texas, where Mrs. Wittliff ran a small telephone office during World War II (these experiences provided the basis for "Raggedy Man," Wittliff's feature film). Later, when his mother remarried, the family moved to a ranch in Blanco, a rural community of 700 in the hill country of central Texas. In 1964, shortly after graduating from the University of Texas, Wittliff, with his wife Sally, founded a book publishing company, The Encino Press, which specialized in regional material about Texas and the Southwest. To date, Encino has won over 100 awards for quality of design and content. The press operated out of a 19th-century Victorian house in Austin in which O. Henry once lived and wrote. An accomplished photographer, Wittliff's photographs documenting the life of the Mexican vaquero (taken 1969-71) have been exhibited in numerous galleries and institutions throughout this country and in Mexico, including the National Cowboy Hall of Fame, the Palacio de Bellas Artes in Mexico City, and the Texas Capitol.