Albert Camus Moral Philosophy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Life Worth Living
A LIFE WORTH LIVING A LIFE WORTH LIVING Albert Camus and the Quest for Meaning robert zaretsky the belknap press of harvard university press Cambridge, Massachusetts, and London, En gland 2013 Copyright © 2013 by the President and Fellows of Harvard College all rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Zaretsky, Robert, 1955– A life worth living : Albert Camus and the quest for meaning / Robert Zaretsky. pages cm Includes bibliographical references and index. ISBN 978- 0- 674- 72476- 1 (hardcover : alk. paper) 1. Camus, Albert, 1913– 1960. 2. Conduct of life. I. Title. B2430.C354Z37 2013 194—dc23 2013010473 CONTENTS Prologue 1 1. Absurdity 11 2. Silence 59 3. Mea sure 92 4. Fidelity 117 5. Revolt 148 Epilogue 185 Notes 199 A c k n o w l e d g m e n t s 2 2 1 Index 223 A LIFE WORTH LIVING PROLOGUE “Even my death will be contested. And yet what I desire most today is a quiet death, which would bring peace to those whom I love.”1 Albert Camus’ prediction, written in the last decade of his life, has been borne out, though perhaps not his hope. Over the past several years, contests have simmered and burst over the French Algerian writer’s legacy. Shortly after becoming France’s president, Nicolas Sarkozy made a state visit to Algeria. The visit garnered more than the usual attention, in part because Sarkozy had come to offi ce with a reputation as a bluntly spoken conservative who saw no reason for France to apologize for its role as a colonial power. -
Albert Camus' Biography
Albert Camus’ biography (briefly) Born November 7th, 1913, in Mondovi, a small village in French Algeria where Camus’ great grandfather, originally from Bordeaux in France, had settled in the early 19th century. Camus’ father was a shipping wine clerk and military veteran who died in WW1 when Camus was less than a year old. All he knew of his father was that he had become violently ill after witnessing a public execution. Camus’ mother was illiterate, partially deaf, and poor. After her husband’s death, Camus, his mother and his older brother lived with his maternal uncle and grandmother in a cramped three-room apartment in a working-class area of Algiers where his mother worked in an ammunition factory and cleaned houses. Camus was able to afford elementary school because of his dead father’s veteran status and, although he had recurring health issues, including tuberculosis, he distinguished himself as a student and won a scholarship to the Grand Lycee. There he was an avid reader (Gide, Proust, Verlaine, etc.). In 1932, Camus received his Baccalauréat Degree; in 1933, he enrolled at the University of Algeria for an advanced degree. 1933-1937: Married Simone Hié, divorced her, briefly joined the Communist Party, became disillusioned with it, and was expelled. During this period, he began his theatrical and writing career. 1940s—Married Francine Faure, worked as a journalist in France for the French Resistance newspaper Combat, wrote The Stranger which brought him immediate literary renown, followed by the philosophic The Myth of Sisyphus and became an editor at Gallimard Publishing. -
An Artist in the Age of Terrorism: Camus and the Algerian Confl Ict( 1 )
四天王寺大学紀要 第 49 号(2010年 3 月) An Artist in the Age of Terrorism: Camus and the Algerian Confl ict( 1 ) Keiji OKAZAKI Whatever our[writers’]personal frailties may be, the nobility of our calling will always be rooted in two commitments difficult to observe: refusal to lie about what we know and resistance to oppression.(Camus’s Nobel Prize address of December 10, 1957)(2 ) Keywords: Camus, Algiers, Terrorism, Revolt, The Just 1. Introduction If Camus had survived the automobile accident to witness Algeria’s independence and its aftermath, the collapse of the Soviet Union, or the proliferation of terrorism, culminating in the 9.11 attack in New York, would he have remained silent as he did in the late fi fties concerning the Algerian confl ict? This, we are confi rmed, is a question requiring an urgent answer which would present a possible key to our dealing with the twin contemporary problems – justice and terrorism. David Schalk refers to Camus as ‘the wrong model for American antiwar activists during the Vietnam era...(’ 3 ) Emily Apter argues that “The failure of Camus’s cosmopolitical hybrid – a vision of French Algeria...offers a kind of object lesson for the future of globalization theory or transnational identity-formation.”( 4 ) Accordingly, we are convinced that it would not be futile, rather very rewarding and signifi cant, to re-read and re-interpret his artistic achievements to have an overview of the present world crisis and gain a deeper insight into the reality of the contemporary political situation. We are living in the age of terrorism as was Camus half a century ago. -
Albert Camus and Absurd Communication: from Undecidability to Übercommunication
Albert Camus and Absurd Communication: From Undecidability to Übercommunication by Jorge Lizarzaburu B.A., USFQ, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Communication 2012 This thesis entitled: Albert Camus and Absurd Communication: From Undecidability to Übercommunication written by Jorge M. Lizarzaburu has been approved for the Department of Communication Gerard Hauser Janice Peck Robert Craig Date 5/31/2012 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline iii Lizarzaburu, Jorge M. (M.A., Communication, Department of Communication) Albert Camus and Absurd Communication: From Undecidability to Übercommunication Thesis directed by professor Gerard Hauser Communication conceived as understanding is a normative telos among scholars in the field. Absurdity, in the work of Albert Camus, can provide us with a framework to go beyond communication understood as a binary (understanding and misunderstanding) and propose a new conception of communication as absurd. That is, it is an impossible task, however necessary thus we need to embrace its absurdity and value the effort itself as much as the result. Before getting into Camus’ arguments I explain the work of Friedrich Nietzsche to understand the French philosopher in more detail. I describe eternal recurrence and Übermensch as two concepts that can be related to communication as absurd. Then I explain Camus’ notion of absurdity using a Nietzschean lens. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
FAITH, REVOLT and ALBERT CAMUS' the Just Assassins
Caroline Sheaffer-Jones* FAITH, REVOLT AND ALBERT CAMUS’ THE JUST ASSASSINS Keywords: Camus; faith; revolt; The Just Assassins; justice Abstract: In Albert Camus’ play The Just Assassins, religion and spirituality are of paramount importance, as can be seen especially in the interaction between the protagonist Kaliayev and the devoutly religious Grand Duchess, who expresses her steadfast view, for example, in the following words: “There is no love far from God” (289). However, is this religious conception of ‘love’ exactly what is at the heart of Camus’ play The Just Assassins? Indeed there is a different notion of spirituality, associated with revolt, which is more central to Camus’ writings and notably his major theoretical text The Rebel. What sort of spirituality is put forward and how might it be differentiated from religious convictions and the coming of the kingdom of God? In what sense is there a spirituality in The Just Assassins, particularly in the relentless revolt by Kaliayev and the members of the fraternity? Furthermore, is there not a fundamental position of ‘faith’ implied not simply in religion but also in the conception of knowledge itself? Jacques Derrida has discussed this question in “Faith and Knowledge,” in Acts of Religion, among other texts, where he describes a notion of ‘faith’, which precedes the opposition between religion and reason. In what way might there be, in Camus’ The Rebel and play The Just Assassins, a ‘faith’, which is distinguished from religious beliefs and which is necessarily linked to justice -
Bibliography
Bibliography Amnesty International (2015) Death Sentences and Executions 2014, https://www.amnesty.org.uk/sites/ default/files/death_sentences_and_executions_2014 _ en.pdf, accessed 12 March 2015. Appiah, K. A. (2007) Cosmopolitanism: Ethics in a World of Strangers (New York: W. W. Norton). Archambault, P. (1972) Camus’ Hellenic Sources (Chapel Hill, NC: University of North Carolina Press). Arendt, H. (1994) Essays in Understandingg (New: York: Schocken Books). Aristotle (1932) Politics, trans. H. Rackham (Cambridge, MA: Harvard University Press). Aristotle (1976) The Nicomachean Ethics, trans. J. A. K Thomson (London and New York: Penguin Books). Aristotle (2013) Poetics, trans. A. Kenny (Oxford: Oxford University Press). Barthes, R. (1972) Critical Essays (Evanston, IL: Northwestern University Press). Beck, U. and Sznaider, N. (2006) ‘Unpacking Cosmopolitanism for the Social Sciences: A Research Agenda’, British Journal of Sociology, 57(1), 1–23. Benjamin, W. (1999) ‘Theses on the Philosophy of History’ in Illuminations (London: Pimlico). Brown, G. W. (2009) Grounding Cosmopolitanism: From Kant to the Idea of a Cosmopolitan Constitution (Edinburgh: Edinburgh University Press). Brown, G. W. and Held, D. (eds) (2010) The Cosmopolitanism Readerr (Cambridge: Polity). DOI: 10.1057/9781137525833.0010 Bibliography Camus, A. (1946–7) ‘The Human Crisis’, Twice a Year, 14–15, 19–33. Camus, A. (1948) The Plague (New York: Vintage Books). Camus, A. (1950) Actuelles I: Chroniques, 1944–1948 (Paris: Gallimard). Camus, A. (1956) The Rebell (New York: Vintage Books). Camus, A. (1957) ‘Nobel Banquet Speech’, 10 December, http://www. nobelprize.org/nobel_prizes/literature/laureates/1957/camus-speech. html, accessed 14 November 2014. Camus, A. (1960) Resistance, Rebellion and Death (New York: Vintage Books). -
Camus and Racism
CAMUS AND RACISM A Thesis / Presented to the Department of Foreign Languages of the Kansas State Teachers College Emporia, Kansas In Partial Fulfillment of the Re~uirements for the Degree Master of Science by Ralph Flowers August 1969 o O"V9Ir6Z i " ACKNOWLEDGEMENT The writer wishes to express his sincere appreciation to Dr. Vernon French for his inspiration, to Dr. Minnie Miller for her encouragement, and to Dr. David Travis for his advice and assistance in the preparation of this thesis. o TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION . 1 II. THE LIFE OF CAMUS 3 III. CAMUS AND RACISM . 20 1. Sympathetic Concern 21 2. Economic Concern . 25 3. Political Concern•. 31 4. Social Concern • • 37 5. Personal Concern . 43 6. Artistic Concern • 49 IV. CONCLUSIONS 56 BIBLIOGRAPHY . 59 o CHAPTER I INTRODUCTION Buried in the works of Albert Camus are a collection of news paper commentaries on the situation of the Arabs in Algeria. These are the Chroniques Algeriennes. l This is a facet of Camus seldom studied--the involvement in the race problem. Sometimes there is the feeling that Camus was not involved in one of the most basic problems of the world today. This problem lies astride the Jordan river, creates a ghetto of every American city, rents assunder the axis of one of the most monolithic political philosophies of history--the axis between China and Russia. This problem, too, tore into the very fabric of Camus' life. He was born; his formative years were spent in a festering sorespot of this problem, Algeria. Algeria! the land of the invincible summer,2 the one place where this problem should not be. -
Albert Camus: Resume for Today Barnabas Davis, O.P
Albert Camus: Resume for Today Barnabas Davis, O.P. It has been four years now since a car crash outside Paris took the life of Nobel Prize winner Albert Camus, years which have witnessed conscien tious reappraisals of this unique personality's thought. Last year saw the publication of the first of a trio of his private journals under the title Note books 1935-1942; when the other two volumes appear, we wiU have the complete writings of this young French Algerian and then some .final as sessments may be possible. If this .first volume with its diary-like entries dating from his years at the University of Algiers and including his early writing efforts and war time concern for peace, has done anything for stu dents of his thought, it has directed attention back to his Algerian experi ence. For those who have become acquainted with Camus through his last "I •. 272 DOMINICANA major essay The Rebel (1951), these reflections have the special value of emphasizing the importance of Camus' earlier philosophical position. It would seem appropriate at this time to review the youthful thought of Albert Camus and indicate the general tenor of his writing at the time of his tragic death, along with the areas of discussion current among his com mentators. Camus, who has been called-perhaps too simply-a "Pascal without Christ," rightly ranks with the more controversial of contemporary thinkers. His work, taking the form of both fiction and philosophical essay, utters a pagan message which many observers feel may in time be set beside the great paeans of antiquity. -
Camus' Absurdity
1 Editor’s Desk This issue is a part of our project, Exile and Kingdom, commemorating the birth centennial of the great French philosopher and author, Albert Camus, while presenting a wide array of articles in the hope of bridging his philosophy with theatre and its various facets. The project Exile and Kingdom includes two plays, Na Hanyate (inspired from Camus’ The Just Assassins) and Mritashaucha (inspired by Camus The Misunderstanding), both plays written and directed by Sir (Sh. Torit Mitra). Both the plays are the result of collective and individual researches, workshops, talk shows and study group discussions. Why Camus? What is so important about a French writer? What does he have to do with us? This must be some mere pseudo- cultural indulgence! These are few of the probable reactions to one of the greatest 20th century minds, especially, when he is introduced to our artistic ambiance; if they have heard his name. Well, not knowing cannot be a crime. But criticizing with parochial biasness or blinded practices of a discipline, without an open global learning portal (not I.T.!), is, certainly, pitiful. The aim of our group has always been to uphold theatre as a learning tool to think out of the box; beyond all boundaries and prejudices. As avant-gardes, we have no nation, that’s why we belong to every nation. We have no language, so we have the right to all languages. We have no religion; we are not dogmatic with fanatic beliefs. The group’s theatre newsletter, ‘Yavanpat’, is one such voice that connects to the contemporary cultural practitioners and aesthetes with thought provoking ideas. -
Camus' Feeling of the Absurd
J Value Inquiry https://doi.org/10.1007/s10790-018-9633-1 Camus’ Feeling of the Absurd Thomas Po¨lzler1 Ó The Author(s) 2018 In recent years an increasing number of analytic philosophers have become interested in the issue of the meaning of life (e.g., Cottingham 2003; Metz 2014; Wolf 2010; for an overview see Metz 2013). The majority of these philosophers have assumed that some lives are in fact meaningful. One among many conditions that have been claimed to be necessary and sometimes even sufficient for achieving meaning are certain affective mental states, such as emotions or feelings. Harry Frankfurt, for example, has argued that our lives are meaningful to the extent to which we care for or love things (1982a, b, 2004). And according to Susan Wolf, meaning requires both that we pursue objectively worthwhile projects and that we emotionally identify with or take pride in these projects (2010). In contrast to such non-nihilistic approaches, a number of contemporary analytic philosophers have also denied that meaning can be or at least actually is ever achieved at all (e.g., Martin 1993; Murphy 1982; Nagel 1986; Smith 2003). In the context of these views affective mental states have received far less attention. For example, nihilists have failed to investigate in detail which of these states (if any) promote recognizing the fact of life’s meaninglessness or which of these states result from this recognition. In advancing our understanding of these issues it therefore seems helpful to consider corresponding (typically more detailed and elaborated) debates in continental philosophy (e.g., Heidegger 1962; Sartre 1969, 2000). -
Copyrighted Material
9781405159302_4_001.qxd 04/07/2008 10:27 AM Page 10 chapter 1 camus’s life ne of Camus’s most fascinating protagonists, Jean-Baptiste Clamence, the self-styled “judge-penitent” of The Fall, proclaims Othat “charm is a way of getting the answer yes without having asked any clear question” (F, p. 56). Camus himself possessed such charm. A handsome man, who might be described as a better-looking version of Humphrey Bogart, Camus looked and lived the part of “the existentialist,” and in many respects he was the very embodiment of the cultural reputation that the intellectual came to have in France following World War II. Unlike most great thinkers, whose personal lives can be easily relegated to a long (or, perhaps, not so long) footnote, Camus lived a fascinating, complicated, and, ultimately, conflicted life. As with all highly accomplished human beings, Camus not only had an interesting mixture of qualities, but the strengths and weaknesses that constituted these qualities were often intertwined. Rightly depicted shortly after his death as “the present heir of that long line of French moralists whose works perhaps constitute what is most original in French letters,”1 he could be insufferably self-righteous. Rightly depicted as a sensualist try- ing to redeem the moment of happiness in a world all too devoid of it, he was a womanizer who could cause unhappiness in those around him, not the least of whom was his wife. And, rightly depicted as someone who was both personally and politically committed, he could be aloof and indifferent. On the whole, however, Camus was an admirable and decent man who, more often than not, evidenced warmth, humor, and a concern for the plight of his fellow human beings, especially the least fortunate.