An Existential Analysis of Albert Camus' the Misunderstanding
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JOURNAL of LANGUAGE and LINGUISTIC STUDIES ISSN: 1305-578X Journal of Language and Linguistic Studies, 14(2), 173-182; 2018
Available online at www.jlls.org JOURNAL OF LANGUAGE AND LINGUISTIC STUDIES ISSN: 1305-578X Journal of Language and Linguistic Studies, 14(2), 173-182; 2018 Intertextuality in Albert Camus‟s philosophy: “Let us imagine Sisyphus happy” Tuğçe Elif Taşdan a * a Ondokuz Mayıs University, Kurupelit Kampüsü YDYO, Samsun 55200, Turkey APA Citation: Taşdan, T. E. (2018). Intertextuality in Albert Camus‟s philosophy: “Let us imagine Sisyphus happy”. Journal of Language and Linguistic Studies, 14(2), 173-182. Submission Date: 13/03/2018 Acceptance Date:29/05/2018 Abstract Intertextuality, the term defining the relationship and the similarity of a newly-produced text with previous ones, has provided a broad array of subjects to be studied especially in social sciences. Firstly, literary works have been analyzed within the framework of intertextuality, and striking similarities have been found among literary texts. Nevertheless, the world cannot be limited to the literature since there are numerous ways and possibilities for human beings to express themselves. Philosophy, for instance, is the deepest version of humans‟ self- expressions and understandings; therefore, it has been inevitably influenced by external sources such as myths, literature, politics, economics or society. Although the intertextuality in philosophy has been mostly analyzed through the written philosophical works, there is a more basic and evident relationship in philosophers‟ perspectives: the intertextuality in the philosophy itself. Accordingly, this study aims to illustrate the role of the intertextual references in the formation of philosophical approaches. For this purpose, the study will focus on Albert Camus‟s “absurd” philosophy, and the intertextual relationship between Camus‟s philosophy and the myth of Sisyphus will be examined from a comparative perspective. -
Albert Camus and Absurd Communication: from Undecidability to Übercommunication
Albert Camus and Absurd Communication: From Undecidability to Übercommunication by Jorge Lizarzaburu B.A., USFQ, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Communication 2012 This thesis entitled: Albert Camus and Absurd Communication: From Undecidability to Übercommunication written by Jorge M. Lizarzaburu has been approved for the Department of Communication Gerard Hauser Janice Peck Robert Craig Date 5/31/2012 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline iii Lizarzaburu, Jorge M. (M.A., Communication, Department of Communication) Albert Camus and Absurd Communication: From Undecidability to Übercommunication Thesis directed by professor Gerard Hauser Communication conceived as understanding is a normative telos among scholars in the field. Absurdity, in the work of Albert Camus, can provide us with a framework to go beyond communication understood as a binary (understanding and misunderstanding) and propose a new conception of communication as absurd. That is, it is an impossible task, however necessary thus we need to embrace its absurdity and value the effort itself as much as the result. Before getting into Camus’ arguments I explain the work of Friedrich Nietzsche to understand the French philosopher in more detail. I describe eternal recurrence and Übermensch as two concepts that can be related to communication as absurd. Then I explain Camus’ notion of absurdity using a Nietzschean lens. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
Of Plagues and Nazis: Camus' Journey from Moral Nihilism
The Journal of Social Encounters Volume 4 Issue 2 Article 10 2020 Rereading Albert Camus’ The Plague During a Pandemic: Of Plagues and Nazis: Camus’ Journey from Moral Nihilism Stephen I. Wagner College of St. Benedict/St. John’s University Follow this and additional works at: https://digitalcommons.csbsju.edu/social_encounters Part of the African Languages and Societies Commons, French and Francophone Language and Literature Commons, Modern Literature Commons, Peace and Conflict Studies Commons, Philosophy Commons, Politics and Social Change Commons, Race and Ethnicity Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Wagner, Stephen I. (2020) "Rereading Albert Camus’ The Plague During a Pandemic: Of Plagues and Nazis: Camus’ Journey from Moral Nihilism," The Journal of Social Encounters: Vol. 4: Iss. 2, 103-106. Available at: https://digitalcommons.csbsju.edu/social_encounters/vol4/iss2/10 This Book Review is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in The Journal of Social Encounters by an authorized editor of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. The Journal of Social Encounters Rereading Albert Camus’ The Plague During a Pandemic: Of Plagues and Nazis: Camus’ Journey from Moral Nihilism Stephen I. Wagner College of St. Benedict/St. John’s University During our current pandemic, Albert Camus’ novel, The Plague, can serve readers well by illustrating and perhaps helping us resolve the feelings, options and decisions we are now facing. Indeed, Camus can help us learn much from our current situation. Camus’ plague takes place in Oran, an Algerian city under the control of France. -
THE ROCK IS STILL ROLLING FINAL.Pdf
‘THE ROCK IS STILL ROLLING’: CAMUS’ ABSURDITY AND THE MUSIC OF SATIE NIMISHI ILANGO MA by Research University of York Music December 2016 It is nigh on impossible to find examples of musicological scholarship that have correlated Western art music to the philosophical concept of absurdity as theorised by Albert Camus. Erik Satie’s music has characteristics that can be related to aspects of absurdity, despite pre- dating Camus’ theory. Much of the theory of absurdity will come from Camus’ extended essay entitled The Myth of Sisyphus (1942), which delineates his thinking on absurdity as part of the human condition: essentially that life is rendered meaningless by its unceasing, repetitive cycles. My thesis will focus on two of Satie’s works in relation to absurdity, Socrate and Vexations. Their characteristic features, such as repetition and immobility, bear a striking resemblance to the corresponding plays of the Theatre of the Absurd. The term for this category of plays and their grouping was coined by Martin Esslin, whose comparison of absurdity to another art form has been invaluable in the formulation of my own methodology. Whilst Satie may not have written in a consciously absurd way, ultimately I aim to reveal that a new and illuminating reading of Satie’s music can be generated through the lens of absurdity. LIST OF CONTENTS Abstract 2 List of Contents 3 List of Musical Examples 4 Acknowledgements 6 Declaration 7 Chapter 1: Introduction 8 Chapter 2: Absurdity 18 Chapter 3: Socrate 38 Chapter 4: Vexations 82 Chapter 5: Conclusion -
A Cry of the Suppressed Psyche: a Camusian Perspective
www.ijcrt.org © 2020 IJCRT | Volume 8, Issue 5 May 2020 | ISSN: 2320-2882 A Cry of the Suppressed Psyche: A Camusian Perspective Mr. Yahya Ali Mutaher Al-qadhi Ph.D Researcher, Dr. Babasaheb Ambedkar Marathwada University, Aurangabad-MS Abstract: During the period preceding and ensuing the World War II, most of the common people felt oppressed either by the entire absence for all the human facets or by the strict ideologies included as principles to be practiced by the people. So, a lot of atrocious acts had been noted in Europe, USA, Japan, and Russia. A Suicide, undeniably, was spreading more especially in the poor communities. Therefore, there was a need to modify both the way of human conditions and the tyranny of the established organization. So, Albert Camus, the famous French philosophical essayist, novelist, and playwright exquisitely wrote his The Myth of Sisyphus, his splendid essay in which he apparently refused the concept of suicide to get an individual rid of his dilemmas insisting meanwhile on the absurd reasoning to deal with the possible ways of life. Thus, the human psyche suffered from a lot of plights as losing of its’ identity, isolation, and the caged dream. Keywords: Absurdity, The Myth of Sisyphus, Suicide, Absurd Reasoning, Suppression, Society and an individual. Introduction: Albert Camus (1913-1960) spoke about the necessity to overcoming of the absurd in his splendid essay The Myth of Sisyphus (1943). He wrote it under the influence of committing suicide among a large number of people in Europe. Moreover, he highly was preoccupied with the nihilistic perspective of Nietzsche and his followers who declared that God doesn’t exist and in case of his existence, he is ignoring the systemized domination over His universe. -
Albert Camus: Resume for Today Barnabas Davis, O.P
Albert Camus: Resume for Today Barnabas Davis, O.P. It has been four years now since a car crash outside Paris took the life of Nobel Prize winner Albert Camus, years which have witnessed conscien tious reappraisals of this unique personality's thought. Last year saw the publication of the first of a trio of his private journals under the title Note books 1935-1942; when the other two volumes appear, we wiU have the complete writings of this young French Algerian and then some .final as sessments may be possible. If this .first volume with its diary-like entries dating from his years at the University of Algiers and including his early writing efforts and war time concern for peace, has done anything for stu dents of his thought, it has directed attention back to his Algerian experi ence. For those who have become acquainted with Camus through his last "I •. 272 DOMINICANA major essay The Rebel (1951), these reflections have the special value of emphasizing the importance of Camus' earlier philosophical position. It would seem appropriate at this time to review the youthful thought of Albert Camus and indicate the general tenor of his writing at the time of his tragic death, along with the areas of discussion current among his com mentators. Camus, who has been called-perhaps too simply-a "Pascal without Christ," rightly ranks with the more controversial of contemporary thinkers. His work, taking the form of both fiction and philosophical essay, utters a pagan message which many observers feel may in time be set beside the great paeans of antiquity. -
Camus' Absurdity
1 Editor’s Desk This issue is a part of our project, Exile and Kingdom, commemorating the birth centennial of the great French philosopher and author, Albert Camus, while presenting a wide array of articles in the hope of bridging his philosophy with theatre and its various facets. The project Exile and Kingdom includes two plays, Na Hanyate (inspired from Camus’ The Just Assassins) and Mritashaucha (inspired by Camus The Misunderstanding), both plays written and directed by Sir (Sh. Torit Mitra). Both the plays are the result of collective and individual researches, workshops, talk shows and study group discussions. Why Camus? What is so important about a French writer? What does he have to do with us? This must be some mere pseudo- cultural indulgence! These are few of the probable reactions to one of the greatest 20th century minds, especially, when he is introduced to our artistic ambiance; if they have heard his name. Well, not knowing cannot be a crime. But criticizing with parochial biasness or blinded practices of a discipline, without an open global learning portal (not I.T.!), is, certainly, pitiful. The aim of our group has always been to uphold theatre as a learning tool to think out of the box; beyond all boundaries and prejudices. As avant-gardes, we have no nation, that’s why we belong to every nation. We have no language, so we have the right to all languages. We have no religion; we are not dogmatic with fanatic beliefs. The group’s theatre newsletter, ‘Yavanpat’, is one such voice that connects to the contemporary cultural practitioners and aesthetes with thought provoking ideas. -
Camus' Feeling of the Absurd
J Value Inquiry https://doi.org/10.1007/s10790-018-9633-1 Camus’ Feeling of the Absurd Thomas Po¨lzler1 Ó The Author(s) 2018 In recent years an increasing number of analytic philosophers have become interested in the issue of the meaning of life (e.g., Cottingham 2003; Metz 2014; Wolf 2010; for an overview see Metz 2013). The majority of these philosophers have assumed that some lives are in fact meaningful. One among many conditions that have been claimed to be necessary and sometimes even sufficient for achieving meaning are certain affective mental states, such as emotions or feelings. Harry Frankfurt, for example, has argued that our lives are meaningful to the extent to which we care for or love things (1982a, b, 2004). And according to Susan Wolf, meaning requires both that we pursue objectively worthwhile projects and that we emotionally identify with or take pride in these projects (2010). In contrast to such non-nihilistic approaches, a number of contemporary analytic philosophers have also denied that meaning can be or at least actually is ever achieved at all (e.g., Martin 1993; Murphy 1982; Nagel 1986; Smith 2003). In the context of these views affective mental states have received far less attention. For example, nihilists have failed to investigate in detail which of these states (if any) promote recognizing the fact of life’s meaninglessness or which of these states result from this recognition. In advancing our understanding of these issues it therefore seems helpful to consider corresponding (typically more detailed and elaborated) debates in continental philosophy (e.g., Heidegger 1962; Sartre 1969, 2000). -
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9781405159302_4_001.qxd 04/07/2008 10:27 AM Page 10 chapter 1 camus’s life ne of Camus’s most fascinating protagonists, Jean-Baptiste Clamence, the self-styled “judge-penitent” of The Fall, proclaims Othat “charm is a way of getting the answer yes without having asked any clear question” (F, p. 56). Camus himself possessed such charm. A handsome man, who might be described as a better-looking version of Humphrey Bogart, Camus looked and lived the part of “the existentialist,” and in many respects he was the very embodiment of the cultural reputation that the intellectual came to have in France following World War II. Unlike most great thinkers, whose personal lives can be easily relegated to a long (or, perhaps, not so long) footnote, Camus lived a fascinating, complicated, and, ultimately, conflicted life. As with all highly accomplished human beings, Camus not only had an interesting mixture of qualities, but the strengths and weaknesses that constituted these qualities were often intertwined. Rightly depicted shortly after his death as “the present heir of that long line of French moralists whose works perhaps constitute what is most original in French letters,”1 he could be insufferably self-righteous. Rightly depicted as a sensualist try- ing to redeem the moment of happiness in a world all too devoid of it, he was a womanizer who could cause unhappiness in those around him, not the least of whom was his wife. And, rightly depicted as someone who was both personally and politically committed, he could be aloof and indifferent. On the whole, however, Camus was an admirable and decent man who, more often than not, evidenced warmth, humor, and a concern for the plight of his fellow human beings, especially the least fortunate. -
The Myth of Sisyphus and Other Essays
The Myth Of Sisyphus And Other Essays Albert Camus Translated from the French by Justin O’Brien 1955 Contents Preface The Myth Of Sisyphus An Absurd Reasoning Absurdity and Suicide Absurd Walk Philosophical Suicide Absurd Freedom The Absurd Man Don Juanism Drama Conquest Absurd Creation Philosophy and Fiction Kirilov Ephemeral Creation The Myth Of Sisyphus Appendix: Hope and the Absurd in the Work of Franz Kafka Summer In Algiers The Minotaur or The Stop In Oran The Street The Desert in Oran Sports Monuments Ariadne’s Stone Helen’s Exile Return To Tipasa The Artist And His Time Preface For me “The Myth of Sisyphus” marks the beginning of an idea which I was to pursue in The Rebel. It attempts to resolve the problem of suicide, as The Rebel attempts to resolve that of murder, in both cases without the aid of eternal values which, temporarily perhaps, are absent or distorted in contemporary Europe. The fundamental subject of “The Myth of Sisyphus” is this: it is legitimate and necessary to wonder whether life has a meaning; therefore it is legitimate to meet the problem of suicide face to face. The answer, underlying and appearing through the paradoxes which cover it, is this: even if one does not believe in God, suicide is not legitimate. Written fifteen years ago, in 1940, amid the French and European disaster, this book declares that even within the limits of nihilism it is possible to find the means to proceed beyond nihilism. In all the books I have written since, I have attempted to pursue this direction. -
An Existential Reading of Camus and Dostoevsky
AN EXISTENTIAL READING OF CAMUS AND DOSTOEVSKY FOCUSING ON CAMUS’S NOTION OF THE ABSURD AND SARTREAN AUTHENTICITY A Thesis by JI HYUN PARK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2005 Major Subject: Comparative Literature and Culture AN EXISTENTIAL READING OF CAMUS AND DOSTOEVSKY FOCUSING ON CAMUS’S NOTION OF THE ABSURD AND SARTREAN AUTHENTICITY A Thesis by JI HYUN PARK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Ralph Schoolcraft Committee Members, Patricia Phillippy Olga M. Cooke Richard J. Golsan Head of Department, Melanie C. Hawthorne December 2005 Major Subject: Comparative Literature and Culture iii ABSTRACT An Existential Reading of Camus and Dostoevsky Focusing on Camus’s Notion of the Absurd and Sartrean Authenticity. (December 2005) Ji Hyun Park, B.A., Chung Ang University Chair of Advisory Committee: Dr. Ralph Schoolcraft Albert Camus (1913-1960) describes morally corrupted society in his later fiction, The Fall (1956), yet, seeks to find authenticity to share the suffering of others to establish communal bonds and responsibility, specifically revealed in “The Growing Stone” (1957). Camus frequently denies his alignment with existentialism; yet, in his major novels, he frequent portrays a dark side of human existence: a sense of weariness with the habitual aspects of daily life and a keen awareness of the absurd lead Camusian heroes to complete nihilism and utter despair, which shows Camus’s strong affinity with existentialist ideas.