Michael Mackay
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Albert Camus' Biography
Albert Camus’ biography (briefly) Born November 7th, 1913, in Mondovi, a small village in French Algeria where Camus’ great grandfather, originally from Bordeaux in France, had settled in the early 19th century. Camus’ father was a shipping wine clerk and military veteran who died in WW1 when Camus was less than a year old. All he knew of his father was that he had become violently ill after witnessing a public execution. Camus’ mother was illiterate, partially deaf, and poor. After her husband’s death, Camus, his mother and his older brother lived with his maternal uncle and grandmother in a cramped three-room apartment in a working-class area of Algiers where his mother worked in an ammunition factory and cleaned houses. Camus was able to afford elementary school because of his dead father’s veteran status and, although he had recurring health issues, including tuberculosis, he distinguished himself as a student and won a scholarship to the Grand Lycee. There he was an avid reader (Gide, Proust, Verlaine, etc.). In 1932, Camus received his Baccalauréat Degree; in 1933, he enrolled at the University of Algeria for an advanced degree. 1933-1937: Married Simone Hié, divorced her, briefly joined the Communist Party, became disillusioned with it, and was expelled. During this period, he began his theatrical and writing career. 1940s—Married Francine Faure, worked as a journalist in France for the French Resistance newspaper Combat, wrote The Stranger which brought him immediate literary renown, followed by the philosophic The Myth of Sisyphus and became an editor at Gallimard Publishing. -
Albert Camus and Absurd Communication: from Undecidability to Übercommunication
Albert Camus and Absurd Communication: From Undecidability to Übercommunication by Jorge Lizarzaburu B.A., USFQ, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Communication 2012 This thesis entitled: Albert Camus and Absurd Communication: From Undecidability to Übercommunication written by Jorge M. Lizarzaburu has been approved for the Department of Communication Gerard Hauser Janice Peck Robert Craig Date 5/31/2012 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline iii Lizarzaburu, Jorge M. (M.A., Communication, Department of Communication) Albert Camus and Absurd Communication: From Undecidability to Übercommunication Thesis directed by professor Gerard Hauser Communication conceived as understanding is a normative telos among scholars in the field. Absurdity, in the work of Albert Camus, can provide us with a framework to go beyond communication understood as a binary (understanding and misunderstanding) and propose a new conception of communication as absurd. That is, it is an impossible task, however necessary thus we need to embrace its absurdity and value the effort itself as much as the result. Before getting into Camus’ arguments I explain the work of Friedrich Nietzsche to understand the French philosopher in more detail. I describe eternal recurrence and Übermensch as two concepts that can be related to communication as absurd. Then I explain Camus’ notion of absurdity using a Nietzschean lens. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
Bibliography
Bibliography Amnesty International (2015) Death Sentences and Executions 2014, https://www.amnesty.org.uk/sites/ default/files/death_sentences_and_executions_2014 _ en.pdf, accessed 12 March 2015. Appiah, K. A. (2007) Cosmopolitanism: Ethics in a World of Strangers (New York: W. W. Norton). Archambault, P. (1972) Camus’ Hellenic Sources (Chapel Hill, NC: University of North Carolina Press). Arendt, H. (1994) Essays in Understandingg (New: York: Schocken Books). Aristotle (1932) Politics, trans. H. Rackham (Cambridge, MA: Harvard University Press). Aristotle (1976) The Nicomachean Ethics, trans. J. A. K Thomson (London and New York: Penguin Books). Aristotle (2013) Poetics, trans. A. Kenny (Oxford: Oxford University Press). Barthes, R. (1972) Critical Essays (Evanston, IL: Northwestern University Press). Beck, U. and Sznaider, N. (2006) ‘Unpacking Cosmopolitanism for the Social Sciences: A Research Agenda’, British Journal of Sociology, 57(1), 1–23. Benjamin, W. (1999) ‘Theses on the Philosophy of History’ in Illuminations (London: Pimlico). Brown, G. W. (2009) Grounding Cosmopolitanism: From Kant to the Idea of a Cosmopolitan Constitution (Edinburgh: Edinburgh University Press). Brown, G. W. and Held, D. (eds) (2010) The Cosmopolitanism Readerr (Cambridge: Polity). DOI: 10.1057/9781137525833.0010 Bibliography Camus, A. (1946–7) ‘The Human Crisis’, Twice a Year, 14–15, 19–33. Camus, A. (1948) The Plague (New York: Vintage Books). Camus, A. (1950) Actuelles I: Chroniques, 1944–1948 (Paris: Gallimard). Camus, A. (1956) The Rebell (New York: Vintage Books). Camus, A. (1957) ‘Nobel Banquet Speech’, 10 December, http://www. nobelprize.org/nobel_prizes/literature/laureates/1957/camus-speech. html, accessed 14 November 2014. Camus, A. (1960) Resistance, Rebellion and Death (New York: Vintage Books). -
Albert Camus and the Clandestine Press
FROM RESISTANCE TO REVOLUTION: ALBERT CAMUS AND THE CLANDESTINE PRESS IN THE FRENCH RESISTANCE HONORS THESIS Presented to the Honors Committee of Texas State University-San Marcos in Partial Fulfillment of the Requirements for Graduation in the Honors College by Christian Penichet-Paul San Marcos, Texas May 2013 FROM RESISTANCE TO REVOLUTION: ALBERT CAMUS AND THE CLANDESTINE PRESS IN THE FRENCH RESISTANCE Thesis Supervisor: ________________________________ Kenneth H. Margerison, Ph.D. Department of History Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College COPYRIGHT by Christian Penichet-Paul May 2013 ACKNOWLEDGEMENTS In the process of writing this work, I benefited greatly from the encouragement and advice of my family, professors, and friends. I recognize that, without their support, I would not have succeeded in completing the task at hand. First, I must recognize and thank my parents, Alberto Penichet and Martha Paul, for the strong love and support they have always shown me. Their journey to provide me and my siblings with a better future and education is, in my opinion, the greatest testament to the tenacity of the human heart. I also thank Alan and Stephanie, my brother and sister, for their care and support. I know they have great futures with boundless opportunities ahead of them. I would like to thank my thesis advisor, Dr. Kenneth Margerison, for his superb advice and assistance in the writing of this piece. The task of supervising a thesis is not easy, and I truly appreciate the fact he gladly accepted this challenge from the beginning, during a very busy semester. I would also like to thank Dr. -
Camus and Racism
CAMUS AND RACISM A Thesis / Presented to the Department of Foreign Languages of the Kansas State Teachers College Emporia, Kansas In Partial Fulfillment of the Re~uirements for the Degree Master of Science by Ralph Flowers August 1969 o O"V9Ir6Z i " ACKNOWLEDGEMENT The writer wishes to express his sincere appreciation to Dr. Vernon French for his inspiration, to Dr. Minnie Miller for her encouragement, and to Dr. David Travis for his advice and assistance in the preparation of this thesis. o TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION . 1 II. THE LIFE OF CAMUS 3 III. CAMUS AND RACISM . 20 1. Sympathetic Concern 21 2. Economic Concern . 25 3. Political Concern•. 31 4. Social Concern • • 37 5. Personal Concern . 43 6. Artistic Concern • 49 IV. CONCLUSIONS 56 BIBLIOGRAPHY . 59 o CHAPTER I INTRODUCTION Buried in the works of Albert Camus are a collection of news paper commentaries on the situation of the Arabs in Algeria. These are the Chroniques Algeriennes. l This is a facet of Camus seldom studied--the involvement in the race problem. Sometimes there is the feeling that Camus was not involved in one of the most basic problems of the world today. This problem lies astride the Jordan river, creates a ghetto of every American city, rents assunder the axis of one of the most monolithic political philosophies of history--the axis between China and Russia. This problem, too, tore into the very fabric of Camus' life. He was born; his formative years were spent in a festering sorespot of this problem, Algeria. Algeria! the land of the invincible summer,2 the one place where this problem should not be. -
Copyrighted Material
9781405159302_4_001.qxd 04/07/2008 10:27 AM Page 10 chapter 1 camus’s life ne of Camus’s most fascinating protagonists, Jean-Baptiste Clamence, the self-styled “judge-penitent” of The Fall, proclaims Othat “charm is a way of getting the answer yes without having asked any clear question” (F, p. 56). Camus himself possessed such charm. A handsome man, who might be described as a better-looking version of Humphrey Bogart, Camus looked and lived the part of “the existentialist,” and in many respects he was the very embodiment of the cultural reputation that the intellectual came to have in France following World War II. Unlike most great thinkers, whose personal lives can be easily relegated to a long (or, perhaps, not so long) footnote, Camus lived a fascinating, complicated, and, ultimately, conflicted life. As with all highly accomplished human beings, Camus not only had an interesting mixture of qualities, but the strengths and weaknesses that constituted these qualities were often intertwined. Rightly depicted shortly after his death as “the present heir of that long line of French moralists whose works perhaps constitute what is most original in French letters,”1 he could be insufferably self-righteous. Rightly depicted as a sensualist try- ing to redeem the moment of happiness in a world all too devoid of it, he was a womanizer who could cause unhappiness in those around him, not the least of whom was his wife. And, rightly depicted as someone who was both personally and politically committed, he could be aloof and indifferent. On the whole, however, Camus was an admirable and decent man who, more often than not, evidenced warmth, humor, and a concern for the plight of his fellow human beings, especially the least fortunate. -
Among Paris's Postwar Intellectuals, Albert Camus Stood Apart-Both for His Independence and His Compelling Lucidity
Among Paris's postwar intellectuals, Albert Camus stood apart-both for his independence and his compelling lucidity. Yet few of his admirers knew how different Albert Camus, 1956 Camus was even from the persona that came thi'ough in his early, existential writings. As our author shows, the publication of Camus's last, uncompleted novel brings US closer to the man we barely knew. BY ROBERT ROYAL What they did not like in him was the Algerian. -From The First Man (Notes and Sketches) lbert Camus died in literature's most stunning car crash on January 4, 1960; he had lived in two very different worlds. One extended into the highest reaches of French intellectual and political life and brought him fame and honors, includ- ing the 1957 Nobel Prize for literature. The other was that of the lower- class European workers in the Belcourt quarter of Algiers where Camus was reared, a world of "poverty and sunlight." Even the details of his death reflected his movement between these two worlds. Returning from a vacation in the south of France with Michel Gallimard, scion of the prestigious Parisian publishing family, CAMUS 53 Camus died instantly when Gallimard lost control of his Face1 Vega and struck a tree. (Gallimard died several days later.) Camus's body, accom- panied by only a few family members and close friends, was taken back to the cemetery at Lourmarin, a humble village in Provence where, in the last few years of his life, he liked to write. Camus's deep loyalty to the worlds of high art and simple human existence may be sensed in almost everything he wrote, but nowhere more poignantly than in The First Man, the unfinished manuscript found in his briefcase near the scene of the crash. -
Proquest Dissertations
"The Plague" in Albert Camus's fiction Item Type text; Dissertation-Reproduction (electronic) Authors Ast, Bernard Edward Jr., 1963- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 14:03:07 Link to Item http://hdl.handle.net/10150/288839 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the origmal or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized cop3^ght material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Lettres Et Manuscrits Autographes Archives
LETTRES ET MANUSCRITS AUTOGRAPHES ARCHIVES PASCAL PIA EXPERT : Thierry BODIN MERCREDI 20 NOVEMBRE 2013 - DROUOT RICHELIEU PIASA ESTIMATIONS GRATUITES ET CONFIDENTIELLES SANS RENDEZ-VOUS Henri-Pierre TEISSEDRE Delphine de COURTRY Commissaires-priseurs 5, rue Drouot 75009 Paris Tél. : +33 (0) 1 53 34 10 10 Fax : +33 (0) 1 53 34 10 11 [email protected] www.piasa.fr Piasa SA Ventes volontaires aux enchères publiques - agrément n° 2001-020 Henri-Pierre Teissèdre Delphine de Courtry LETTRES ET MANUSCRITS AUTOGRAPHES ARCHIVES PASCAL PIA (nos 224 à 355) MERCREDI 20 NOVEMBRE 2013 - 14 H 00 DROUOT RICHELIEU - SALLE 3 9 rue Drouot, 75009 Paris + 33 (0)1 48 00 20 03 EXPOSITION PRIVÉE : chez l’expert uniquement sur rendez-vous EXPOSITIONS PUBLIQUES : DROUOT RICHELIEU - salle 3 Mardi 19 novembre 2013 de 11 h à 18 h Mercredi 20 novembre 2013 de 11 h à 12 h EXPERT : Thierry BODIN, Les Autographes Syndicat Français des Experts Professionnels en Œuvres d’Art 45, rue de l’Abbé Grégoire - 75006 Paris Tél. : + 33 (0)1 45 48 25 31 - Fax : + 33 (0)1 45 48 92 67 [email protected] RENSEIGNEMENTS CHEZ PIASA : Hugues Taquet Tél. : + 33 (0)1 53 34 12 82 [email protected] 5, rue Drouot 75009 Paris – Téléphone : +33 (0)1 53 34 10 10 – Fax : +33 (0)1 53 34 10 11 www.piasa.fr - [email protected] PIASA SA - Ventes volontaires aux enchères publiques au capital de 6 901 100 € RCS Paris B 440 257 145 - agrément n° 2001-020 2 Abréviations : L.A.S. ou P.A.S. -
“The Stranger” and Camus As the Anti-Existentialist Albert Camus
Absurdity & Paradox “The Stranger” and Camus as the Anti-Existentialist Albert CAmus Born in 1913 in French Algeria Second child of Lucien Auguste Camus and Catherine Helene Camus Father was a military veteran and wine-shipping clerk, mother was housekeeper and factory worker Father died in 1914 from shrapnel wounds Camus as a child was told a story about his father becoming violently ill after witnessing a public execution Grew up in poverty Very bright student, won a scholarship to attend secondary school where he learned English and Latin In 1930 a bout of tuberculosis sent Camus away from school to live with his aunt and uncle who were butchers - his uncle was well educated, and an anarchist Earned his Baccalauréat degree in 1932 and went to work as a journalist for Sud 1933-1937 Camus attended further college, married and divorced his first wife, Simone Hié, joined the Communist Party and started his career in theatre 1937 Camus was expelled from the Communist Party 1939 Camus tries to enlist but is rejected due to health 1940 Camus moves to Paris France was invaded, and Camus’ paper began publishing anti-Semitic content 1940 Camus married Francine Faure and returned to Algeria 1942 The Stranger and The Myth of Sisyphus were published and Camus fell ill again 1943 Camus met Maria Casares, Jean-Paul Sartre, and Simone de Beauvoir Camus starts writing anti-Nazi articles for the clandestine Resistance newspaper Combat 1945 Robert Brasillach was executed and Camus cut all ties with the Communist Party 1951 The Rebel was published and Sartre and Camus split 1960 Camus died in a car accident A Man of Paradox: Camus as Anti-Existentialist “I’m not a philosopher, because I don’t believe in reason enough, to believe in a system. -
Ombre Et Lumière L'amitié Pia-Malraux
Ombre et lumière L’amitié Pia-Malraux La photo est célèbre. André Malraux est là, campé droit dans ses bottes, la ceinture haute, posant pour la postérité dans son habit de « Colonel Berger ». Les traits tirés, le visage marqué par « … la foudre » récente, le regard solennel et toute l’assurance du maître de guerre, Malraux se dresse en meneur d’hommes. Les mains dans les poches et la cigarette en coin de bouche donnent à l’homme cet air impavide propre au héros. Là, en ce jour de novembre 1944, René Saint-Paul capture une attitude, livre le modèle d’une possible statue. A cet instant précis, Malraux est sa légende. Mais la photographie est souvent tronquée, amputée de sa moitié droite lors de ses multiples éditions. Car André Malraux n’est pas seul sur la terrasse du journal Combat, établi au 100, rue Réaumur depuis le 19 août. A moins d’un mètre de lui se tient Pascal Pia dans sa gabardine couvrant un costume-cravate. Le directeur d’un journal issu de la résistance aux côtés du soldat d’une guerre inachevée. Le geste incertain, le pas hésitant et fuyant hors du cadre, le regard évasif éludant l’œil du photographe, Pia se dérobe, insaisissable. Les mains croisées, la cigarette entre les doigts, il s’écarte du véritable sujet de l’image… Malraux, bien sûr ! Le Colonel Berger… Trop tard pour esquiver, le flash se déclenche, l’âme est capturée. Peut-être un réflexe, une habitude de clandestinité. Il ne faut pas laisser de traces… Ainsi, comme un symbole, Pascal Pia disparaît de la photographie, laissant à Malraux le soleil des morts.