2012 Hong Kong Filmart Line up Booth: 1C-A16
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Problematizing the Stereotype of the Prostitutes As Seen in Geling Yan's the Flowers of War
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PROBLEMATIZING THE STEREOTYPE OF THE PROSTITUTES AS SEEN IN GELING YAN'S THE FLOWERS OF WAR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By Florina Leonora Tyana Student Number: 114214009 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PROBLEMATIZING THE STEREOTYPE OF THE PROSTITUTES AS SEEN IN GELING YAN'S THE FLOWERS OF WAR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By Florina Leonora Tyana Student Number: 114214009 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TIME IS PRECIOUS vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Dedicated to My beloved parents, My little Brother, And ‘you know who’ viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGMENTS In this part, I would like to send my love and thank them for this part of journey in my life. First and foremost, I would love to thank Jesus Christ, because HE listen to all my prayer and my parent prayer‟s. To my thesis advisor, Elisa Wardhani S.S, M.Hum whose is always be patience to correct my thesis and for her big help in guiding me during the process of finishing this thesis. I also would like to thank Drs. Hirmawan Wijanarka, M.Hum for his guidance and support. -
IFFAM 2943 – East & West Masterpieces on the Big Screen
SUPPLEMENT THU 07.12.2017 SHOWING INSIDE Crossfire Special Presentation Flying Daggers FAQs II Int’l Film Festival EAST & WEST MASTERPIECES ON THE BIG SCREEN he Crossfire feature of the IFFAM, described by organizers as a “retrospective” element of the festival, will showcase six master films selected by renowned filmmakers. From the black and white motion pictures of the 1940s to Kubrick’s sci-fi masterpiece “2001: Space Odyssey” of the 60s and the psychological thriller “Silence of the Lambs”, the genre films hail from THollywood and Asia, the latter represented with seminal works from Kurosawa, Johnnie To and Derek Yee. International Film Festival & Awards Macao CROSSFIRE: A RETROSPECTIVE OF CINEMA FROM KUBRICK TO KUROSAWA The Crossfire feature of the IFFAM will showcase six master films selected by renowned filmmakers. The pictures will be shown on the big screen at The Cinematheque Passion, from December 8 to 12 ONE NITE IN MONGKOK Mongkok, Hong Kong: a densely populated hot- KIND HEARTS AND CORONETS MAD DETECTIVE bed of criminal activity. Mainland Chinese farm Hotshot Inspector Ho seeks out his former boss Bun boy Lai Fu is a hired killer who enters the neon-lit English actors Dennis Price and Sir Alec Guinness underbelly of this infamous district. When he res- star in this 1949 black comedy. Price plays the for help in cracking a serial murder case. Bun, a gifted criminal profiler, went mad years ago and now lives cues a call girl from gangsters, the two must go lead role of Louis d’Ascoyne Mazzini, ninth in line on the run from policemen and triads alike. -
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Politeness in Subtitling: to Retain Or Not To
DOI: 10.23817/strans.8-9 Yilei Yuan Zhejiang International Studies University / PR China Politeness in subtitling: To retain or not to Abstract Politeness in subtitling: To retain or not to1 This paper explores how politeness-related terms in Chinese films are translated into English with a case study that consists of four of Zhang Yimou’s films. Zhang Yimou is allegedly the most internationally acclaimed Chinese director. The selected films are set in different time periods of China, and thus politeness is manifested with different focuses. Politeness in the films follows two maxims: Address Maxim and Self-denigration Maxim. Hence, this paper will examine how those politeness-related terms fall into address and self-denigration divisions and how they have been translated by subtitlers. As visual politeness is prevalent in audiovisual productions, this paper will also brieflyanalyse how Chinese politeness is demonstrated non-verbally. Keywords: politeness, address, self-denigration, non-verbal politeness. For thousands of years, China has maintained a tradition of politeness. Over 100 idioms about polite concepts and traditions exist in Chinese vocabulary, while relevant anecdotes and proverbs are numerous (Wang et al. 2007). Politeness is shown in practically every Chinese film. Zhang Yimou is allegedly the most in- ternationally acclaimed Chinese filmmaker whose films have won international success. Four of his films will be introduced and analysed here, which areTo Live (1994), Hero (2002), Curse of the Golden Flower (2006) and The Flowers of War (2011). To Live is a film featuring an ordinary Chinese family’s difficult life over 30 years in the midst of historical tumult and instability from the 1940s to the 1970s. -
Download from the Globethics.Net Library
The Meaning of Christianity in the Film and Novel “The Flowers of War” This page was generated automatically upon download from the Globethics.net Library. More information on Globethics.net see https://www.globethics.net. Data and content policy of Globethics.net Library repository see https:// repository.globethics.net/pages/policy Item Type Article Authors Hwang, Youngmee Publisher Nordic Forum of Sino- Western Studies Rights All rights reserved Download date 02/10/2021 14:04:09 Link to Item http://hdl.handle.net/20.500. -
Literary Production and Popular Culture Film Adaptations in China Since 1990
Cambridge Journal of China Studies 43 Literary Production and Popular Culture Film Adaptations in China since 1990 Yimiao ZHU Nanjing Normal University, China Email: [email protected] Abstract: Since their invention, films have developed hand-in-hand with literature and film adaptations of literature have constituted the most important means of exchange between the two mediums. Since 1990, Chinese society has been undergoing a period of complete political, economic and cultural transformation. Chinese literature and art have, similarly, experienced unavoidable changes. The market economy has brought with it popular culture and stipulated a popularisation trend in film adaptations. The pursuit of entertainment and the expression of people’s anxiety have become two important dimensions of this trend. Meanwhile, the tendency towards popularisation in film adaptations has become a hidden factor influencing the characteristic features of literature and art. While “visualization narration” has promoted innovation in literary style, it has also, at the same time, damaged it. Throughout this period, the interplay between film adaptation and literary works has had a significant guiding influence on their respective development. Key Words: Since 1990; Popular culture; Film adaptation; Literary works; Interplay Volume 12, No. 1 44 Since its invention, cinema has used “adaptation” to cooperate closely with literature, draw on the rich, accumulated literary tradition and make up for its own artistic deficiencies during early development. As films became increasingly dependent on their connection with the novel, and as this connection deepened, accelerating the maturity of cinematic art, by the time cinema had the strength to assert its independence from literature, the vibrant phase of booming popular culture and rampant consumerism had already begun. -
Wu Xia 720P English Subtitles
1 / 4 Wu Xia 720p English Subtitles 70191 English subtitle movie erotic chinese FREE videos found on XVIDEOS for this search.. I hope you will love the movie. Thank You. Press Question: For director Peter Chan. It was great to see a classical martial arts film. I thought it .... Official theatrical movie poster of for dragon aka wu xia directed by peter chan. Subtitles shadowless sword subtitles english 2cd srt eng a wuxia. Swordsmen .... Various formats from 240p to 720p HD (or even 1080p). ... Wuxia Chinese Drama 2019 : The Untamed playlist eng sub episode 1,2. ly/34Px70E Starring: Joe as .... How to add Dragon YIFY Subtitles to your movie. Before you can add any subtitle file to any movie, you must make sure the exact SRT file for the particular .... Watch Dragon Ball Heroes Episode 5 Eng Sub: In May a promotional anime for ... Watch anime online free in high quality 720p, 1080p english subbed and .... Wu xia full movie with english subtitles, donnie yen wu xia full movie, wu xia full movie free, dragon swordsmen aka wu xia full movie, wu xia full .... Grandmaster of Demonic Cultivation 720p Eng Sub. ... episodes of Bleach, Naruto, Dragon Ball Super, Attack on Titan, Hunter x Hunter, Fairy Tail, and more.. yen swordsmen aka dragon wu xia ( ) bluray 480p 720p mp4 english subtitle ... like a television or projector,. in some translated works of wuxia, the pugilist is .. The Forbidden Kingdom (Full Movie) 24 subtitles Amara Bot edited English ... The J & J Project) is a 2008 wuxia film written by John Fusco, and directed by Rob .. -
How China's Censorship and Influence Affect Films Worldwide
October 28, 2015 Directed by Hollywood, Edited by China: How China’s Censorship and Influence Affect Films Worldwide Sean O’Connor, Research Fellow, Economics and Trade and Nicholas Armstrong, Esq., Research Fellow Disclaimer: This paper is the product of professional research performed by staff of the U.S.-China Economic and Security Review Commission, and was prepared at the request of the Commission to support its deliberations. Posting of the report to the Commission’s website is intended to promote greater public understanding of the issues addressed by the Commission in its ongoing assessment of U.S.- China economic relations and their implications for U.S. security, as mandated by Public Law 106-398 and Public Law 108-7. However, the public release of this document does not necessarily imply an endorsement by the Commission, any individual Commissioner, or the Commission’s other professional staff, of the views or conclusions expressed in this staff research report. Table of Contents Abstract ......................................................................................................................................................................3 Background ................................................................................................................................................................4 China’s Growing Film Market ...................................................................................................................................5 China’s Film Industry Development ......................................................................................................................6 -
Day 1 001 Ad Cover.Indd
MONDAY, MARCH 24 2014 DAY 1 AT FILMART www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 fatal_encounter-ad_245x266_fin_전달용 1 2014.3.14 5:41:12 PM MONDAY, MARCH 24 2014 TODAY DAY 1 AT FILMART Hot titles: Korea, page 16 www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 NEWS Pan-Asia Academy expands Hong Kong, Busan and Toyko outline Academy plans » Page 4 Desen teams with Weta REVIEWS The Midnight After Fruit Chan’s opening night film proves a quirky apocalyptic horror on 3D epic Zhong Kui » Page 10 Jamie Marks Is Dead BY LIZ SHACKLETON Weta Workshop is providing FEATURE China’s Desen International Media character and scenery design for Hot titles Celluloid Dreams has brought on board top VFX the fi lm, while its sister company Screen profiles Korean cinema houses including Peter Jackson’s Park Road Post works on compos- highlights acquires Jamie Weta Workshop for $27m 3D fan- iting. The film is one of the first » Page 16 tasy adventure Zhong Kui: Snow Chinese films to use full perfor- Marks Is Dead Girl And The Dark Crystal. mance capture, which will be han- SCREENINGS Acclaimed Hong Kong DoP dled by leading Korean VFX house » Page 19 BY JEAN NOH Peter Pau is serving as producer, Li Bingbing Macrograph (Journey To The West: France’s Celluloid Dreams has DoP and VFX director on the fi lm, Conquering The Demons). picked up international rights on which is currently shooting in stereographer Vincent E Toto Other behind-the-scenes talent Sundance competitor Jamie Marks China with Chen Kun, Li Bingbing, (Dredd). -
20 Movies 20 Years Ebook.Cdr
20 MUST SEE MARTIAL ARTS MOVIES FROM THE LAST 20 YEARS THANK YOU FOR SUBSCRIBING AND DOWNLOADING THIS FREE E-BOOK! EVERY SINGLE PERSON INVOLVED MAKES THE MARTIAL ARTS ACTION MOVIE WEBSITE POSSIBLE... ...AND LOTS OF FUN! BEFORE WE GET STUCK INTO IT. In the last 4 years, I have watched and reviewed close to 500 Martial Arts films. I’ve got to say it’s a bit of an addiction but a fun one, and it’s been shared with a lot of people through Social Media channels like Facebook and Twitter, and I’ve noticed a strong pattern in the movies people love to see these days. On top of that, we’re seeing movies being released that seem to be climbing the ladder in terms of quality. For a while, martial arts movies were heading in a different direction and focusing less on the pure abilities of the actor and relying heavily on wire work. While there’s nothing wrong with that, I can safely say that most people I’ve networked with over the last few years don’t enjoy the weightless “floating” look that most of these movies produced. So most of what I write about these days focuses on the power of the individual martial artist, relying on themselves more than wires. Combined with the totality of the film making process, I’ve done my best to find the absolute most entertaining, action packed and well balanced martial arts films of recent times. So I produced this little Ebook for anyone whose looking to become immersed in the most action packed, adrenaline charged fight films from the last 20 years. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver