1825-EQ Summer 14 MAG.Indd
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BOARD of GOVERNORS March 30, 2021 2:00 Pm to 4:00 Pm Video And
BOARD OF GOVERNORS March 30, 2021 2:00 p.m. to 4:00 p.m. Video and Teleconference Time Item Presenter(s) Action 2:00 1. IN-CAMERA DISCUSSION (Board Members Only) Tony Staffieri Information 2:05 2. IN-CAMERA DISCUSSION (Executive Group Invited) END OF IN-CAMERA SESSION 2:35 3. INTRODUCTION 3.1 Chair’s Remarks Tony Staffieri Information 3.2 Approval of the March 30, 2021 Agenda Tony Staffieri Approval 2:40 4. REPORT FROM THE PRESIDENT Mohamed Lachemi Information 2:50 4.1 Opportunities Working Group: Agile Workforce Jenny O’Donnell Information 3:10 5. REPORT FROM THE SECRETARY Julia Shin Doi Information 5.1 2021 Board Elections Report Julia Shin Doi Information 3:15 6. REPORT FROM THE INTERIM-PROVOST AND VICE Saeed Zolfaghari Information PRESIDENT ACADEMIC 3:30 7. DISCUSSION ITEMS 7.1 REPORT FROM THE CHAIR OF THE EXECUTIVE Jack Cockwell Information COMMITTEE 7.2 REPORT FROM THE CHAIR OF THE FINANCE David Porter Information COMMITTEE 7.2.1 Fiera Capital Report – December 31, 2020 Joanne McKee Information 7.2.2 2021-22 Budget: Government Funding Update and Mohamed Lachemi Information Budget Strategy Saeed Zolfaghari Glenn Craney 3:35 7.3 REPORT FROM THE VICE-PRESIDENT RESEARCH Steven Liss Information AND INNOVATION 7.3.1 Scholarly, Research and Creative (SRC) Activities at Steven Liss Information Ryerson: Scaling SRC Through Partnership and Collaboration 8. CONSENT AGENDA 8.1 Approval of the January 29, 2021 Minutes Tony Staffieri Approval 8.2 Authorization to Conduct Business with the Joanne McKee Approval Canadian Revenue Agency Jennifer MacInnis 9. -
The Last Comedy
v*? - at \ The Banff Centre for Continuing Education T h e B a n f f C e n t r e As The Banff Centre embarks on its seventh decade, it carries with it a new image as an internationally renowned centre of creativity. presents The Centre continues to stress the imagina tion's role in a vibrant and prosperous soci ety. It champions artists, business leaders and their gift of creativity. It brings profes The Last sionals face to face with new ideas, catalyses achievement, experiments with disciplinary boundaries. It takes Canadians and others to the cutting edge - and beyond. Comedy The Banff Centre operates under the authority of The Banff Centre Act, Revised by Michael Mackenzie Statutes of Alberta. For more information call: Arts Programs 762-6180 Gallery Information 762-6281 Management Programs 762-6129 Directed by - Jean Asselin Conference Services 762-6204 Set and Costume Design by - Patrick Clark Lighting Design by - Harry Frehner Set and Costume Design Assistant - Julie Fox* Lighting Design Assistant - Susann Hudson* Arts Focus Stage Manager - Winston Morgan+ Our Centre is a place for artists. The Assistant Stage Manager - Jeanne LeSage*+ Banff Centre is dedicated to lifelong Production Assistant - David Fuller * learning and professional career develop ment for artists in all their diversity. * A resident in training in the Theatre Production, We are committed to being a place that Design and Stage Management programs. really works as a catalyst for creative +Appearing through the courtesy of the Canadian activity — a place where artistic practices Actors' Equity Association are broadened and invigorated. There will be one fifteen minute intermission Interaction with a live audience is an important part of many artists’ profession al development. -
1850-EQ Spring 15 MAG.Indd
EQUITY QUARTERLY SPRING 2015 PERSPECTIVES ON DIVERSITY STAGING THE FUTURE EQ ENDING HARASSMENT NOW The Equity Census THE EQUITYCENSUS STAGING THE FUTURE CULTURE & ETHNICITY | DIVERSE ABILITY | GENDER & SEXUAL IDENTITY Be a part of the biggest and boldest project ever undertaken by Equity – and all you need to do is tell us about yourself. The Equity Census is a ground-breaking demographic survey designed to better understand and serve all Equity members. It will examine the diverse composition of Equity’s The Equity Census opens membership specifically focusing on diversity of culture and ethnicity, diverse ability and Friday, April 24. gender and sexual identity. The survey seeks to identify potential barriers to employment within the Association’s jurisdiction. Data gathered will be a powerful tool in collective bargaining for equitable representation of diversity onstage and in related hiring. The Equity Census Members will be given the option of providing their member number at the conclusion of the closes Friday, May 22. survey so that, for the first time, Equity will be able to analyze how diversity impacts members’ work opportunities and income-earned. The Equity Census is completely confidential A report on the survey and will be conducted by an independent research firm. Its findings will strengthen Equity’s advocacy efforts promoting live performance and inform recommendations for legislative will be published in the change promoting the vibrancy and continued relevance of the performing arts in Canada. Summer EQ. What else do I need to know? + Check and update Regular and Life Your privacy is Eligible members Any member your contact info at members in good important to us. -
Table of Contents
TABLE OF CONTENTS Introduction ........................................................................................................................................ 1 Overview Strategic Funding .................................................................................................................. 2 Arts Discipline Funding ......................................................................................................... 3 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 6 2013 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2013 ........................ 8 Strategic Funding 2013 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations .............................................................................................................. 11 Recipient Details .................................................................................................................. -
2020 Visitors Guide a Storied Past, a Glorious Future: a Season to Celebrate the Elixir of Power
2020 VISITORS GUIDE A STORIED PAST, A GLORIOUS FUTURE: A SEASON TO CELEBRATE THE ELIXIR OF POWER Irresistible – that’s the only way to describe the variety, quality and excitement that make up the Stratford Festival’s 2020 season. First, there is our stunning new Tom Patterson Theatre, with ravishingly beautiful public spaces and gardens. Its halls, bars and café will be filled throughout the season with music, comedy nights, panel discussions and outstanding speakers to make our Festival even more festive. In the wake of an election in Canada, and in anticipation of one in the U.S., our season explores the theme of Power. Recent years have seen a growing acceptance of the naked use of power. Brute force is in vogue on the world stage, from international trade to immigration and the arms race – and, closer to home, in elections, in the workplace and even in social media engagements. Through comedy, tragedy, song, dance and farce, the plays and musicals of our 2020 season explore the dynamics of power in society, politics, art, gender and family life. In our new Tom Patterson Theatre, we present the two plays that launched the Stratford adventure in 1953: All’s Well That Ends Well and Richard III. The new venue is also home to a new musical, Here’s What It Takes; a new movement-based creation, Frankenstein Revived; and a series of improvisational performances – each one unique and unrepeatable – called An Undiscovered Shakespeare. But the fun isn’t all confined to one theatre. Our historic Festival Theatre showcases two of Shakespeare’s greatest plays, Much Ado About Nothing and Hamlet, as well as Molière’s brilliant satire The Miser and the first major new production in decades of the mischievous musical Chicago. -
Media Release Soulpepper’S 2019 Summer-Fall Season – Classics Re-Imagined Through New Lenses
MEDIA RELEASE SOULPEPPER’S 2019 SUMMER-FALL SEASON – CLASSICS RE-IMAGINED THROUGH NEW LENSES Toronto, ON – February 20, 2019: Soulpepper Theatre Company today announced the Summer-Fall season, with new artistic programming from July to November 2019. The full line-up of the season, programmed under the leadership of former Acting Artistic Director Alan Dilworth, includes a collection of five exceptional plays about identity, friendship, love, and belonging, as well as two Soulpepper Concerts. The season welcomes three directors making their Soulpepper debuts. All programming and casting details can be found at Soulpepper.ca. “What makes a classic? What is a modern classic? In our hyper-connected, hyper-speed moment how does a work from another time and place speak to us now? These are the questions our season is built on. Our concerts celebrate and re-invent classics. I feel that every play in our season is a modern classic. And in celebration of the multiplicity of truths explored in our modern classical offerings we have brought together a remarkable group of artists to breathe life into these extraordinary works,” said Alan Dilworth. “In my outgoing role as Soulpepper’s Acting Artistic Director, I am thrilled to welcome directors Philip Akin, Jani Lauzon, Andrea Donaldson in their Soulpepper debuts, and I welcome back the multi-talented, multi-disciplinary Frank Cox- O’Connell, and Soulpepper’s celebrated and beloved powerhouse Artistic Director Weyni Mengesha.” “This season offers familiar stories that resonate with our times, but told through new lenses and by new voices. Welcoming artists into our company always opens up new opportunities for collaboration and creative growth, and I’m excited to see what we create together” said Weyni Mengesha, Artistic Director. -
Canadian Publica Tions Mail Agreement #40787580
CANADIAN PUBLICATIONS MAIL AGREEMENT #40787580 Baker & Taylor Is Your Total Solution! With over 175 years dedicated to serving libraries, our commitment to you has never been stronger. Baker & Taylor offers Canadian libraries unsurpassed access to the widest range of published titles. What makes our service so convenient? • Our database contains information on over • On-line ordering and customer service and 3.8 million print and non-print titles from electronic invoicing. around the world. • CATS—our Children’s And Teen Services • Over 15 million units in inventory. (including audio/video titles). • Books ship from our four regional distribution • Book leasing, automatic-release, and centers twice weekly (Canadian customs continuations plans for any size library. clearance and collection of GST are provided). • Value-added services for both print and • Experienced Canadian-based sales and non-print materials including Customized support representation. Library Services. For more information on any of these services, please visit us at www.btol.com or contact your Canadian sales manager, Edward Devine, by e-mail at [email protected]. Overjoyed at finding more than 500 rare historical photos, Michelle momentarily forgot there were 6,487 images to sift through, that they couldn’t leave the building, and that the library closed in 2 hours. How could she get what she needs in time? CONTENTdm. CONTENTdm from OCLC Canada makes it easy for your library to “go digital,” and still stay focused on serving the users in front of you. It’s an easy way to manage your growing digital collection—for photos, newspapers, manuscripts and more. -
Tamara Marie Kucheran
Tamara Marie Kucheran Set and Costume Designer | 1995-to present Continuous work as a set and costume designer for a variety of professional theatres and universities across Canada including: The Shaw Festival, Belfry Theatre, Royal Manitoba Theatre Centre, the Stratford Festival, Prairie Theatre Exchange, The Citadel Theatre, Obsidian Theatre Company, Young People’s Theatre, The University of Victoria, and Ryerson University. Awards 2017 Virginia and Myrtle Cooper Award in Costume Design, Dora Mavor Moore Award for Outstanding Costume Design, multiple Dora nominations for Outstanding Set and Costume Design, Tyrone Guthrie Award (Stratford Festival), and the 2006 Ian and Molly Lindsay Young Design Fellow (Stratford Festival). YEAR POSITION PLAY | AUTHOR THEATRE / COMPANY DIRECTOR 2019 Set & Costume Design The Color Purple | A. Walker, Neptune Theatre Kimberley Norman, Russell, Willis, Bray Rampersad 2018 Costume Design How He Lied to Her Husband Shaw Festival Philip Akin Man of Destiny | J.B. Shaw Set & Costume Design Salt Baby | Falen Johnson Belfry Theatre Falen Johnson 2017 Set & Costume Design She Stoops to Conquer | Goldsmith Guild Festival Theatre Jamie Robinson 2016 Set, Costume & Puppet Design Le Devil’s Canoe| Roger Shank DOT Theatre Jamie Robinson 2015 Set & Costume Design Macbeth | Shakespeare Blue Bridge Repertory Co. Brian Richmond Set & Costume Design Cabaret | John Kander and Fred Ebb Royal Manitoba Theatre Centre Tracey Flye 2013 Set & Costume Design Penelopiad | Margaret Atwood Royal Manitoba Theatre Centre Tracey Flye -
Backgroundfile-83687.Pdf
Attachment TABLE OF CONTENTS Introduction and Grants Impact Analysis ........................................................................................... 1 Overview Strategic Funding .................................................................................................................. 3 Arts Discipline Funding ......................................................................................................... 3 Assessment and Allocations Process ................................................................................... 4 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 4 Preliminary Results of Increased Grants Funding ............................................................................. 6 2014 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2014 ........................ 8 Strategic Funding 2014 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations ............................................................................................................. -
Where to Eat a Sweet Drink Winter Activities
ISSUE 2 NOTL NIAGARA-ON-THE-LAKE A GUIDE FOR DISTINGUISHED EXPLORERS WINTER 2019/2020 WHERE WINTER A SWEET TO EAT ACTIVITIES DRINK Explore a menu of The Christmas parade Across the globe people NOTL’s restaurants and to New Year’s Eve at the regard icewine as a check out our 2019/2020 clock tower, find the best delicacy. Find out about winter picks. things to do and see. that sweet drink. PAGE 7 PAGE 24 PAGE 52 The Lake Report NOTL: A GUIDE FOR DISTINGUISHED EXPLORERS BRINGING OUT THE SWEETNESS FOR THE HOLIDAY SEASON Niagara-on-the-Lake is a special place in the winter season. The streets are filled with lights, bouquets, wreaths and cheer. A wide variety of winter events offer places for the distinguished explorer to settle in and warm up, or to walk around and enjoy the season. There’s the Candlelight Stroll, which brings out thousands of people to watch live caroling groups and choirs. There’s the Icewine Festival, which showcases a mix of Niagara’s “sweet drink” and gourmet food from area chefs. There’s the Shaw Festival winter film series, offering a cozy batch of films to help liven the holiday spirit. There’s no shortage of musical shows around, and an all-year Christmas store that will bring you right into the festive season. Whatever you’re looking for, you’ll surely find it in the quaint, quiet back-country of NOTL. It’s a traveller’s dream to walk down main street while Christmas carols are playing. The music is synced up so no matter where you walk, the song continues. -
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
Download My Artist Educator Resume
Kelly Wolf – Artist Educator 28 Main St. Dundas, ON L9H 2P6 home: 905 628 9187 cell: 416 356 4956 [email protected] Education and Professional Development University of Toronto, Graduate Centre for the Study of Drama. Toronto, Canada MA. Drama 2009 Central Saint Martin's College of Art and Design. London, England International Scenography Course 1992-93, Advanced Diploma in Scenography. Course Director: Robin Don York University. Toronto, Canada B.F.A. Theatre Design 1985-89 Additional courses: Royal College of Music, Artist Educator Level II, Toronto 2013 Instructors: Nicole Fougère, Michael O’Connell Ontario Arts Council, Artist Educator Skills Development Course 2009, Hamilton Instructors: Cathy Miyata, Laurie Pye History of Architecture (Ryerson) AutoCAD (York) Portrait painting (Dundas Valley School of Art) Art History through Colour (Dundas Valley School of Art) Life drawing (various) Children’s Book Illustration (City Lit, UK) Cartooning (George Brown) Textiles Arts and Embroidery (various workshops) University & College Teaching Experience Brock University Theatre Department. St. Catherines, Canada Instructor – Introduction to Production and Design, Theatrical Design 2011-14 Instructor – Drafting, Costume Design 2011-2012 Instructor – Costume Design, Fall 2009 Instructor – Theatre Design, Stagecraft, Spring 2008 Instructor - Theatre Design, Spring 1999 Sheridan College, Oakville ON Instructor – Set Design for Visual Merchandizing, Winter 2014 Instructor – 1st year Drafting, Fall 2012 Humber College Theatre Department, Toronto,