DOCSLIB.ORG

There Will Be No Intermission 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
There Will Be No Intermission 2018 There will be no intermission 2018 GMC CANADA PHONE 780.486.3333 Visit us online at westerngmcbuick.com 184 Street & Stony Plain Road, Edmonton, AB Western GMC_5.25x8.25f.indd 1 2018-03-19 3:00 PM A Crow’s Theatre and Segal Centre for Performing Arts Production In partnership with 2b Theatre Company WE ARE NOT ALONE Written & Performed by Damien Atkins Featuring: Damien Atkins Directors: Chris Abraham & Christian Barry Design Consultant: Julie Fox Lighting Designer: Kimberley Purtell Sound Design: Thomas Ryder Payne in association with Dylan Green, Peter Balov, and Christian Barry Stage Manager: Kate Porter Production Manager: Daniel Oulton Apprentice Production Manager: Jenna Harris Theatre Network Production Manager: Scott Peters Technical Director: Tyler Ferguson THEATRE NETWORK • 3 THREE LITTLE PIGS PUBLISHING LTD would like to acknowledge 32nd Anniversary Live at the Roxy programme is published by Three Little Pigs Publishing Ltd. The Publisher Doug Miron for their assistance with the production Assistant to the Publisher Maggie Miron of this program. Program Coordinator Carol Houghton Three Little Pigs Publishing Ltd. Advertising Sales Doug Miron Three Little Pigs Publishing Ltd. Program and Advertising Design Tiina Andreakos Program Director Jeff Pesaruk Printed by Ion Print Solutions Celebrating 32 years of playbill publishing. Three Little Pigs Publishing produces programs for the Edmonton Arts Community as well as a variety of other programs in the Edmonton area. Edmonton’s longest serving playbill publisher. All rights reserved. Any reproduction in whole or in part is strictly prohibited without the permission of Theatre Network and Three Little Pigs Publishing Ltd. The Audience is Reading. Playbill Advertising 780-443-3444 4 • WE ARE NOT ALONE THIS IS THEATRE NETWORK WELCOME TO THE ROXY ON GATEWAY WHAT A YOUNG WIFE OUGHT TO KNOW GORDON INFINITY We believe that live theatre should be unexpected and surprising. We want you to be safe and comfortable here but we also want to provide you with an unpredictable and exciting experience. Any of the productions you may see here could contain: − Coarse language − Blame it on the playwright − Violence − The actors are always safe − Loud or abrupt noise − Plays can have “jump scares” just like the movies − Flashing or bright lights − The actors can’t see you but they look great − Fog or haze − Produced from mineral oils – safe for actors & audience − Difficult or challenging subject matter − Cause we gotta talk about the tough stuff THEATRE NETWORK • 5 We are deeply rooted in the communities we serve. At Servus we are proud to support the Shadow Theatre, the Theatre Network and the Roxy Performance Series. This is part of our commitment to supporting arts and culture which we believe brings life, growth and vibrancy to our communities. servus.ca Save | Spend | Borrow | Plan Feel good about your money.™ ®/™ Trademark(s) of Servus Credit Union. Syncrude-SeanAd-TLP.indd 1 10/30/18 1:56 PM TALK-BACK NIGHT Supported by CBC Friday March 1, 2019 Following the performance 9:35pm FREE OF CHARGE Join CBC Radio Active host Adrienne Pan as she sits down with Damien Atkins to discuss UFOs, truth seeking, skeptics, and his experience as an actor working across Canada. Even if you’ve seen the show – we invite you back for talk-back night! HELP US RAISE THE NEW ROXY THEATRE The Capital Campaign has begun! Visit theatrenetwork.ca to donate & learn more 8 • WE ARE NOT ALONE A NOTE FROM THE CO-DIRECTOR CHRISTIAN BARRY When I was invited to co-direct WE ARE NOT ALONE, it was a no-brainer — the project had a dream team and a central question that invites deep thought, investigation, and debate: Are we alone in the universe? As I began to wade into the unknown, the discoveries were rich and varied. And it turns out, it wasn’t just the brilliant people on the team that I already knew that made it a rich and satisfying pursuit, but even more so it was the people that I didn’t know; the strangers I encountered. As we researched and went to conferences, it was the strange, crazy, unbelievable people and ideas were the most interesting and the most challenging. This search for the truth took us far beyond the theatre walls: Into the Arizona desert, walking and talking with abductees, psychics, and human-alien hybrids. Does that sound strange? Crazy? Unbelievable? Welcome to the theatre. We look forward to sharing our story with you, and introducing you to the extraordinary people we met. Enjoy the Experience. “Somewhere in the cosmos, perhaps intelligent life might be watching these lights of ours, aware of what they mean. Or do our lights wander a lifeless cosmos, unseen beacons announcing that, here on one rock, the universe discovered its existence? Either way, there is no better question. We are alive. We are intelligent. We must know.” -Stephen Hawking (1924 – 2018) THEATRE NETWORK • 9 Adrienne Pan on RadioRadio ActiveActive Weekdays 3 – 6PM BOLD SMART ADVENTUROUS @CBCEdmonton @CBCRadioActive cbc.ca/radioactive 10 • WE ARE NOT ALONE ABOUT 2b THEATRE COMPANY 2b is a Halifax-based, internationally-acclaimed theatre company Adrienne Pan on creating works for the regional, national, and international stages. Artistic co-directors Christian Barry and Anthony Black share a commitment to create, develop, and produce new work that is distinguished by innovation in staging, polish in design, RadioRadio ActiveActive and virtuosity in performance. 2btheatre.com Weekdays 3 – 6PM THANK YOU FROM THE PLAYWRIGHT DAMIEN ATKINS Many people very generously agreed to share their opinions and experiences on this subject with me. It took a lot of courage for some of them to speak with me. Most of their names have been changed in order to preserve their privacy. I was moved by their trust and I am forever in their debt. I also owe a great debt of thanks to the following people for support and help: Laurie Rosen- eld, Yvonne Smith, Leslie Kean, Nick Pope, Paul Hellyer, David Gotlib, Bruce Hunter, Kristen Thomson, Shelley Simester, Andrew Kushnir, Tanja Jacobs, Allegra Fulton, Liisa BOLD Repo-Martell, Kewaunee Lapseritis, Anita SMART Owens, James Day, Bradley Moss. ADVENTUROUS @CBCEdmonton @CBCRadioActive cbc.ca/radioactive THEATRE NETWORK • 11 UFOS IN ALBERTA? Reports of UFO sightings, mysterious aircraft, and unexplained experiences come from all around the world but a significant number of them come from North America. Some come even closer than you may expect… There are over 1000 sightings within Canada alone each year with just over 100 of them happening in Alberta. Alberta ranks third in number of sightings per province.* A UFO Near Calgary - 1970 The Cold Lake Canadian Forces base is a common place for sightings. This is quite common – think Area 51 in New Mexico – as a lot of UFO sightings are related to military testing of new flight technology. Sightings also occur near the mountains in areas like Hinton and Edson. Southern Alberta also sees its fair share of sightings near the American border (Medicine Hat, Cardston, and Lethbridge). A significant number of sightings also occur within and around the city of Edmonton. Edmonton ranks 5th in the country for sightings in larger cities.* One of the first ever documented cases of a crop circle occurred in Duhamel, Alberta in 1967. The circles were officially investigated and taken seriously be the military – something that Duhamel Crop Circle, 1967 become very uncommon for modern crop circle investigations. In 1967, coinciding with many unexplained occurrences in western Canada, the world’s first UFO Landing Pad located in the town of St. Paul, Alberta was built as part of Canada’s centennial celebrations. A UFO has yet to land on this very welcoming site. To learn more about the many UFO sightings in Alberta and Canada visit the ufology research blog moderated by Chris Rutkowski at UFO Landing Pad in St Paul, AB uforum.blogspot.com You can also view an interactive map of sightings across North America by visit ufostalker.com If you have seen a UFO or unexplained event here in Alberta please feel free to contact ufology researcher Chris Rutkowski at Chris Rutkowski - Courtesy International [email protected] UFO Congress *credit 25 Years of Canadian UFO Reports 12 • WE ARE NOT ALONE BELIEVING THEIR STORY It’s clear that sharing a UFO sighting experience often comes with some stigma attached. In 2014 a mother and daughter in southern Alberta were convinced they saw a UFO above their ranch property but were met with backlash from fellow residents and had their account dismissed by local news coverage. Why are we so quick to disbelieve these stories? It’s known in some circles that pilots have seen UFOs or unexplainable events in the skies but it can be potentially dangerous to share those stories. Pilots in China have been fired and lost pilot licenses for reporting mysterious sightings. No one wants to be labeled as “crazy” for reporting something unseen. This occurs in many professions including police, military, and state UFO Sighting - Southern Alberta 2014 troopers in the United States – who may be patrolling secluded roads late at night. There is a common rule that you don’t report about unexplainable occurrences for fear that your “This (coming forward reputation may suffer. Who knows how many with a UFO sighting) is more sightings could be added to the list of more not career enhancing. professionals came forward. Quite the opposite, it Many people have stories of UFOs, strange can kill careers.” objects in the sky, and unexplained phenomena. -Nick Pope, former UK Ministry Our belief in these stories is what keeps the search for truth alive. of Defence THEATRE NETWORK • 13 VISIT TO WIN $10 000 GIFT CARD NEW WINNER EVERY MONTH!* 2 1 2 S E 0 D 8 S K B S H M R UILDER OWHO GIFT CA *CONTEST DETAILS: Enter for a chance to win.
Load more

Recommended publications
  • Saving the World How Dal Researchers Are Tackling the Halifax
    NIGHTLY RATES STARTING AT ONLY $36 Low room rates at WINTER 2019 Dalhousie University this summer means more savings for the things you love in Saving the world How Dal researchers are tackling the Halifax. planet’s biggest problems dal.ca/stay Dr. Stefanie Colombo and her team CANADA POST PUBLI CANADA POST are developing innovative approaches to aquaculture nutrition C ATIONS: MAIL ATIONS: Stay at Dal Mag Back page ad-3.indd 1 2019-01-07 1:15 PM P M41901013 | LOOKING AHEAD | UNDER THE SEA | SEEKING JUSTICE | Visit our website at dal.ca/dalmag CONTENTS WINTER 2019 features KNOWLEDGE SURGE Dal’s latest innovation sandbox focuses on science- based research and innovation. By Niecole Comeau page 10 12 DEEP DIVE Dalhousie and the National Film Board team up on Ocean School, an innovative online educational destination that takes kids out to sea—virtually. By Michele Charlton page 12 gloBAL IMPACT Dalhousie researchers are tackling some of the planet’s most complex and urgent challenges. By Ryan McNutt page 16 NEXT Though the events and activities of Dalhousie’s 200th anniversary are now packed away in our memories, we can enjoy knowing that there’s still quite a bit to look forward to. By Stefanie Wilson page 24 16 regulars on the cover 3 Dal News 16 Saving the world 29 Dal Alumni 24 Looking ahead 30 Philanthropy 12 Under the sea 7 Seeking justice 32 Donor Profile 34, 35, 36, 37, 44 Spotlight 38 Events 40 Class Notes 41 In Memoriam 24 COVER BY AARON MCKENZIE FRASER Contact us at [email protected] masthead contributors editorial ASSIST NT VICE-PRESIDENT, DAWN MORRISON has held several COMMUNICATIONS AND MARKETING communications roles in higher Catherine Bagnell Styles education, including at Dalhousie A BRIGHTER EDITORIAL COMMITTEE University.
    [Show full text]
  • 2020 Visitors Guide a Storied Past, a Glorious Future: a Season to Celebrate the Elixir of Power
    2020 VISITORS GUIDE A STORIED PAST, A GLORIOUS FUTURE: A SEASON TO CELEBRATE THE ELIXIR OF POWER Irresistible – that’s the only way to describe the variety, quality and excitement that make up the Stratford Festival’s 2020 season. First, there is our stunning new Tom Patterson Theatre, with ravishingly beautiful public spaces and gardens. Its halls, bars and café will be filled throughout the season with music, comedy nights, panel discussions and outstanding speakers to make our Festival even more festive. In the wake of an election in Canada, and in anticipation of one in the U.S., our season explores the theme of Power. Recent years have seen a growing acceptance of the naked use of power. Brute force is in vogue on the world stage, from international trade to immigration and the arms race – and, closer to home, in elections, in the workplace and even in social media engagements. Through comedy, tragedy, song, dance and farce, the plays and musicals of our 2020 season explore the dynamics of power in society, politics, art, gender and family life. In our new Tom Patterson Theatre, we present the two plays that launched the Stratford adventure in 1953: All’s Well That Ends Well and Richard III. The new venue is also home to a new musical, Here’s What It Takes; a new movement-based creation, Frankenstein Revived; and a series of improvisational performances – each one unique and unrepeatable – called An Undiscovered Shakespeare. But the fun isn’t all confined to one theatre. Our historic Festival Theatre showcases two of Shakespeare’s greatest plays, Much Ado About Nothing and Hamlet, as well as Molière’s brilliant satire The Miser and the first major new production in decades of the mischievous musical Chicago.
    [Show full text]
  • A Refugee Love Story, in Collaboration with Indie / Folk Music Sensation Ben Caplan
    PRESS RELEASE – Thursday 20 June 2019 IMAGES CAN BE DOWNLOADED HERE FOOTAGE CAN BE DOWNLOADED HERE OldStockWiltons.com T: @OldStockLove | I: @oldstocklove | F: /OldStockLove 2b theatre company presents OLD STOCK: A REFUGEE LOVE STORY ● CASTING ANNOUNCED FOR INTERNATIONALLY ACCLAIMED 2b theatre company’s OLD STOCK: A REFUGEE LOVE STORY, IN COLLABORATION WITH INDIE / FOLK MUSIC SENSATION BEN CAPLAN ● ON WORLD REFUGEE DAY, AWARD-WINNING WRITER HANNAH MOSCOVITCH REFLECTS ON HER OWN FAMILY’S PERILOUS HISTORY AS REFUGEES ● CRITICALLY ACCLAIMED THROUGHOUT CANADA, IN NEW YORK, EDINBURGH, ACROSS THE UK, IN AUSTRALIA AND HOLLAND FOR ITS INNOVATIVE, GENRE-BENDING STYLE, OLD STOCK MAKES ITS LONDON DEBUT AT WILTON’S MUSIC HALL FROM SEPTEMBER 18TH – 28TH Full casting is announced today for OLD STOCK: A REFUGEE LOVE STORY, a dizzying 80 minute, genre bending, darkly funny gig-meets-live theatre experience based on a true story of two Jewish Romanian refugees fleeing Romania for Canada in 1908. Covering sex, religion, tragedy and triumph, the show follows Chaim and Chaya as they make a fresh start in the New World. Joining previously announced Ben Caplan and Mary Fay Coady are Eric Da Costa, Jeff Kingsbury and Kelsey McNulty. This ingenious Klezmer / folk music theatrical hybrid received rave reviews at its premiere in Halifax, Canada and has since been performed to great critical acclaim throughout Canada, in New York (where it garnered six Drama Desk Award Nominations) and Edinburgh, across the UK, in Australia and Holland. 2b theatre company bring Old Stock: A Refugee Love Story to Wilton’s Music Hall from September 18th – 28th, for its London premiere.
    [Show full text]
  • Season Sponsor Supporting the Arts, Locally
    THE BOY IN THE MOON season sponsor Supporting the arts, locally. WELCOME This production comes to us from Crow’s admiring the courage to tell a story truth- Theatre in Toronto. I am always fascinated fully. This play is a fine example of sharing by how stories can take many forms and be the ultimate paradox of life — joy through told in many ways. When I first heard about pain and pain through joy, one moment tears this play, I wondered how the writings of and the next moment laughter. While the The Globe and Mail journalist and author Ian story of the Brown family is unique, its heart Brown would move into the words of a play remains familiar in our inexplicable power by playwright Emil Sher, and then float into to love these people with whom we have been the hands of one of our most admired direc- fated to share our lives. tors, Chris Abraham. To take this curiosity As this play spread into my heart it affirmed further, Crow’s Theatre attracted a sublime so many things to me — be honest and dare acting company and creative team to tell the to let the power of love overtake you, no story on an intimate stage. matter how painful. I am beyond thrilled that Each year, through various donations When I first saw this production last year, Crow’s Theatre has brought its production to and sponsorships, we are committed I was overwhelmed. I remember a feeling I the Grand. to helping our local communities. don’t often have in the theatre — the feeling that I was holding my breath throughout — Welcome.
    [Show full text]
  • Queer Women and Non-Binary Artists Resisting an Emptied Stage
    Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage by Laine Yale Zisman Newman A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre and Performance Studies Centre for Sexual Diversity Studies (collaborative program) Women & Gender Studies Institute (collaborative program) University of Toronto © Copyright by Laine Zisman Newman 2018 Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage Laine Zisman Newman Doctor pf Philosophy Centre for Drama, Theatre, & Performance Studies University of Toronto 2018 Abstract For marginalized queer artists, inequitable distribution of and access to performance space impact both the development process and production of artistic works. While a lack of ongoing or resident performance space for women’s productions in Canada has been documented (see, for example, Rina Fraticelli; Rebecca Burton; and Michelle MacArthur), less research has been conducted on queer women’s and non-binary artists’ experience of space in the industry. Theatre and performance scholars (see, for example, Gay McAuley, Una Chaudhuri, Jill Dolan, and Laura Levin) have provided the groundwork for exploring the relationship among theatre sites, identities, and productions; and queer geographers such as Natalie Oswin, Julie Podmore, Catherine Nash, and Kath Browne have developed invaluable theories and methodologies to unsettle the assumed neutrality of space. However, few scholars have brought these fields together, particularly in the context of performance in Canada. This doctoral project applies queer and feminist theories of geography to queer women’s and non-binary artists’ performance to explore how insecure and inequitable access to physical space affects both experiences of finding one’s place in the theatre industry and articulations of an imagined place on stage.
    [Show full text]
  • What a Young Wife Ought to Know Supporting the Arts, Locally
    what a young wife ought to know Supporting the arts, locally. Each year, through various donations and sponsorships, we are committed to helping our local communities. We’re proud to be the 2017/2018 season sponsor of The Grand Theatre. 17-1670 Grand Theatre ad-Ev1b.indd 1 2017-08-17 10:01 AM Welcome. The McManus Stage offers such a unique opportunity: up close encounters with plays that were meant to be experienced in close proximity. Now more than ever we need to hear the voices of Canadian women: this insightful play from Hannah Moscovitch explores behaviours and attitudes of days gone by, which have an unset- tling resonance today. The play is a stunning articulation of her ability to combine dark subject matter with biting humour. This production comes to us from 2b theatre — a theatre company from the east coast known for its crisp, stylized productions. One of the joys of this intimate space is to invite guests from afar to bring their stories to us. Welcome to Hannah and 2b’s wonderful imaginations. dennis garnhum artistic director mcmanus stage, february 6 to 10, 2018 A 2b theatre company production what a young wife ought to know By Hannah Moscovitch Directed by Christian Barry Sophie LIISA REPO-MARTELL Alma REBECCA PARENT Johnny DAVID PATRICK FLEMMING Lighting Designer LEIGH ANN VARDY Costume Designer LEESA HAMILTON Set Designer ANDREW CULL Stage Manager FIONA JONES Production Manager DANIEL OULTON Director of Production LOUISA ADAMSON Fight Director CASEY HUDECKI For 2b: Anthony Black and Christian Barry, Artistic Co-Directors;
    [Show full text]
  • PRIVET HOUSE • RESTAURANT • Join Us for Live Jazz Sunday Brunch
    The Grapevine April 18th - May 2nd, 2013 1 Jeremy & Jocelyn's April 18th - May 2, 2013 COMMUNITY • AWARENESS • INVOLVEMENT This is one of 1500 copies! TWO-WEEK TWEETS 4 Index: Runaway Horses – P3 grapevinepublishing.ca EAT TO THE BEAT 5 Whose EVENTS CALENDAR 8,9 Colin Bernhardt – P7 pearly CROSSWORD 11 FREE CLASSIFIEDS 12 whites? STARDROP 14 New Star Drop Book! – P14 Furry Feature brought to you by Lee-Ann Cudmore Acupuncture & Traditional Chinese Medicine CD release Concert 189 Dykeland St Wolfville • Visit us online: Eye to Eye 902-300-5100 | valleyacu.ca n April 20th 2013, Andy lyrics run the gamut from Direct billing for some Blue Cross Plans and Ariana will release sweet odes to house and Day and evening appts available Otheir latest album “Eye home to political rap to Eye” at the Al Whittle and anything in between Banjo is a Theatre in their hometown (including arguments be- two year old of Wolfville NS. Subsequent tween insects and making Beagle. He release concerts will be held music using unconven- is neutered, at The Company House in tional instruments). shots are up to Halifax on Tuesday April date, and has 23 at 8:30pm (with Callum Additional personnel on a micro-chip Isaac) and The Union St. the CD includes the most implant. Cafe in Berwick on April excellent Mark Bezanson Banjo is a very [email protected] 27th at 8pm (with Mark who contributes bass lovable, and Bezanson). parts for several of the playful fella ine: songs, as well as guest ap- “Eye to Eye” is a collec- pearances from François looking for his "Furever Home"! He tion of 12 songs written, Côté, Julia Feltham, Lars loves long walks, loves to play in the performed and recorded by Kampe, Angela Forbes and woods and plays catch like a pro.
    [Show full text]
  • Keynote Speakers
    Keynote Speakers We are excited to announce our keynote speakers for The Quest: Indigenous Education and Equity. Check back as we continue to update our keynote speaker lineup. Click on each image to learn more. Gabrielle Scrimshaw Indigenous Leadership & Education Expert Gabrielle Scrimshaw Indigenous Leadership & Education Expert Gabrielle Scrimshaw Gabrielle Scrimshaw is an inspiring and engaging speaker, who regularly presents and provides input to large North American corporations, professional associations, academic institutions, and non-profit organizations. Born and raised in Northern Saskatchewan, Gabrielle is a proud member of the Hatchet Lake First Nation. She has studied international business and policy in Australasia, Asia, the Americas and Europe. In addition, Gabrielle became the youngest Associate accepted into one of Canada’s most competitive post-graduate finance programs. That same year Gabrielle co-founded the Aboriginal Professional Association of Canada. The organization is of its kind in the Greater Toronto Area and offers services and programming to First Nations, Métis and Inuit professionals. Gabrielle is the first First Nations representative to be selected for the honour in Canada’s history. Gabrielle is passionate about diversity, leadership and innovation. As the first in her family to pursue post-secondary education and travel the globe, she is a believer in what hard work and a positive attitude can accomplish. Renu Mandhane Chief Commissioner, Ontario Human Rights Commission Renu Mandhane Chief Commissioner, Ontario Human Rights Commission Renu Mandhane Renu Mandhane was appointed Chief Commissioner of the Ontario Human Rights Commission in October 2015. She is the former Executive Director of the award-winning International Human Rights Program at the University of Toronto, Faculty of Law.
    [Show full text]
  • Off-Broadway Hit, Old Stock, Closes out This Season's
    9828 – 101 A Avenue NW Artistic Director DARYL CLORAN Edmonton, Alberta Canada T5J 3C6 Executive Director CHANTELL GHOSH Tel: 780.426.4811 Fax: 780.428.7194 Box Office: 780. 425.1820 www.citadeltheatre.com MEDIA RELEASE OFF-BROADWAY HIT, OLD STOCK, CLOSES OUT THIS SEASON’S BTS SERIES AT THE CITADEL THEATRE May 1, 2018 (EDMONTON) Old Stock: A Refugee Love Story is a humorously dark folktale woven together with a high-energy concert. This music-theatre hybrid starring genre-bending sensation Ben Caplan is inspired by the true stories of two Jewish Romanian refugees coming to Canada in 1908. Playwright Hannah Moscovitch wrote the piece about her great-grandparents’ journey to Canada, resulting in both a tale about refugees and a love story. It's about how to love after being broken by the horrors of war. It's about refugees who get out before it's too late, and those who get out after it's too late. 2b theatre company, in co-production with the National Arts Centre, workshopped Old Stock at the Citadel Theatre in November 2016. The show had its local premiere in Halifax at The Waiting Room in May 2017; its national premiere in Ottawa at the Canada Scene Festival, presented at the National Arts Centre, in July 2017; and its international premiere in Edinburgh at Canada Hub @ King’s Hall in Association with Summerhall, Edinburgh Fringe in August 2017. It received the Scotsman Fringe First Award, as well as the Herald Angel Award. Recently, Old Stock had an Off-Broadway run in New York, where the New York Times declared it a critic’s pick.
    [Show full text]
  • David Gagnon Walker. Dramaturgy by Andrea Romaldi
    Walker CV – pg. 1 DAVID GAGNON WALKER Playwright, Performer, Dramaturg, Translator | English & French (fluently bilingual) www.davidgagnonwalker.com | [email protected] | +15145137518 EDUCATION 2016-19 National Theatre School of Canada (Montréal) – Playwriting Program. Training in playwriting, dramaturgy, translation, TV writing, acting, and producing. Selected mentors: Andrea Romaldi, Brian Drader, Jonathan Garfinkel, Maureen Labonté, Anthony Black, Rose Plotek, Nadia Ross. 2015-16 University of Toronto – MA in Performance Studies. Thesis project on playwriting and contemporary performance theory. Research Assistant for Dr. T. Nikki Cesare Schotzko. 2011-15 Concordia University (Montréal) – BA (Hons) in English & Creative Writing. PLAYWRITING Premium Content. A video artist makes work based on their friends' romantic lives and shares it online without their consent. Major Matt Mason Collective's production features rotating casting: each actor learns 3 roles, for a different casting & gender combination every performance. 65 minutes, 5 or 6 actors. • November 17-28, 2020: Upcoming presentation at Fringe Theatre Adventures in Edmonton, AB. • January 21-25, 2020: Presentation at High Performance Rodeo in Calgary, AB. Sold-out run. • June 21-30, 2018: Premiere production by Major Matt Mason Collective at Joyce Doolittle Theatre (Pumphouse Theatres). Directed by Geoffrey Simon Brown. Calgary, AB. Sold-out run. • July 2016: 4-week development residency at the Citadel Theatre Playwrights' Forum. Directed by Brian Dooley. Dramaturgy by Colleen Murphy. Edmonton, AB. This Is the Story of the Child Ruled by Fear. A Strange Victory Performance. Writer/performer. Text read aloud by myself and a participating audience. The rise and fall of an imaginary civilization, told through the perspective of a child who sees it all.
    [Show full text]
  • Canadian Women Director's Catalogue
    The Canadian Women Director’s Catalogue A COMPREHENSIVE LIST OF WOMEN DIRECTING IN CANADA Copyright © 2011 Nightwood Theatre and the Professional Association of Canadian Theatres. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, without written permission from the publishers. ISBN – 10: 0-921129-46-7 ISBN – 13: 978-0-921129-46-2 Nightwood Theatre 55 Mill Street, Suite 301 Case Goods Warehouse, Bldg. No. 74 Toronto ON Canada M5A 3C4 Professional Association of Canadian Theatres (PACT) 215 Spadina Ave, Suite 555 Toronto, ON M5T 2C7 Photo of Maggie Huculak, Gemma James-Smith, Dylan Smith, Sarah Dodd and Clare Coulter by Guntar Kravis Welcome I am so pleased to present to you with The Canadian Women Director’s Catalogue. In 2002, I co-spearheaded Equity in Canadian Theatre: the Women’s Initiative to examine the status of women in Canadian theatre. Over the last ten years Nightwood Theatre has partnered with the Playwrights Guild of Canada and the Professional Association of Canadian Theatres to continue research and advocacy for our country’s female practitioners. One of a number of disconcerting fi ndings, revealed the lack of female Artistic Directors at the country’s larger theatres. Yet another fi nding showed that those women who were Artistic Directors had better track records of hiring female playwrights and directors in their theatres. The solution seemed obvious: promote more women into AD positions across the country. But the monkey wrench, as I saw it, was that unless women had the opportunity to direct on the bigger stages they would never be considered “eligible” when those jobs came up.
    [Show full text]
  • Program Is Available in Larger Print
    2003/2004 The Libation Bearers Aeschylus / Tony Harrison Heinar Piller The Golden Ass Apuleius / Company Cameron-Lewis & Frid The Vic Leanna Brodie Rebecca Brown Pride and Prejudice Jane Austen / Christina Calvit Patrick Young Jane Eyre Charlotte Brontë / Johanson Ralph Small 2004/2005 The Play’s the Thing Skinner, Durang, Frayn Paul Brown Alarum Within: theatre poems Kimmy Beach / Company Ralph Small Unity (1918) Kevin Kerr Patrick Young Women Beware Women Thomas Middleton Sue Miner Love’s Labour’s Lost William Shakespeare Heinar Piller 2005/2006 Picnic at Hanging Rock Lady Lindsay / Shamas Laurence Follows The Immigrant Years Barry Broadfoot / Company Alex Fallis Thirteen Hands Carol Shields / Chris Dawes Ron Cameron-Lewis Constant Players & The Dispute Marivaux / Watson & Lester Mimi Mekler The Country Wife William Wycherley Patrick Young 2006/2007 Radium Girls D. W. Gregory Ralph Small Canadian Kings of Repertoire Michael V.Taylor / Company Ron Cameron-Lewis Waiting for the Parade John Murrell Lezlie Wade The Maid’s Tragedy Beaumont & Fletcher Patrick Young A Chaste Maid in Cheapside Thomas Middleton Rod Ceballos 2007/2008 David Copperfield Dickens / Thomas Hischak Mimi Mekler Women of the Klondike Frances Backhouse / Company Marc Richard That Summer David French Patrick Young Pillars of Society Henrik Ibsen Heinar Piller The Trojan Women & Lysistrata Ellen McLaughlin versions Catherine McNally 2008/2009 A New Life Elmer Rice Scot Denton Murderous Women Frank Jones / Company Marc Richard Bonjour, Là, Bonjour Michel Tremblay Terry
    [Show full text]