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Studies of Authorship in the Long 18th Century, c. 1988-2007 This bibliography covers that fuzzy intellectual focus called "authorship" and also the more distinct categories of attribution, book reviews, collaboration, copyright and literary property, plagiarism, profits, patronage, and subscriptions. Even the "distinct categories" gave me some trouble, for I wished to include studies of copyright and subscriptions that had a focus on the author (composer in some cases) rather than the publisher. I have a lengthy bibliography of "publishers and publishing" that I'm preparing for BIBSITE, and I wish to place studies that are more concerned with publishers under that file. I've also excluded those studies of topics like subscription that are focused on readers (like Donald D. Eddy and J. D. Fleeman's "A Preliminary Handlist of Books to which Dr. Samuel Johnson Subscribed," Studies in Bibliography, 46 (1993), 187-221, or on the work itself or its genre, such as Elisabel Larriba's analysis of 8500 subscribers to 18 periodicals in Le Public de la presse en Espagne à la fin du XVIIIe siècle (1781-1808) (Paris, Champion, 1998). I have included a few biographical studies particularly stressing authorship as a trade, there being too many biographies to include them in general (e.g., 1991 saw publication of Paul Hammond's John Dryden: A Literary Life, Joseph McMinn's Jonathan Swift: A Literary Life and James Sambrook's James Thomson, 1700-1748: A Life). Like editions of correspondence (often the best source on authorship but also omitted here), biographies aren't likely to be overlooked. The Oxford Dictionary of National Biography (2004) is immensely valuable, as for its details on authors' finances. Also important but left out are author bibliographies and also bio-bibliographical sourcebooks for authors, more than half of which concern women authors. Some material relevant to writing as a profession I have directed to a bibliography of studies of censorship and libel. An earlier, shorter version of this bibliography appeared in The East-Central Intelligencer, n.s. 18, no. 2 (May 2004), 69-93. Like the earlier version, this revision is limited to major Western European (& American) languages, and I apologize for mistakes and orthographic errors involving foreign titles. In citing the reviews of books, I have often employed the MLA bibliography's abbreviations of common journals (but I've written those out in listing articles). In imprints, I've clipped mention of "Cranbury, NJ: Associated U. Presses" from titles from Delaware and others in the group. My list is drawn from my own library work and searching through the dozen or so major annual bibliographies, acknowledged in my former bibliographies. In checking for items overlooked, I found much I had missed in The Eighteenth-Century: A Current Bibliography (ECCB) and The Scriblerian. I also checked briefly RLIN, WorldCat, and JSTOR, but found these searches not a profitable use of my time. In a future revision I will gratefully add citations for omitted publications brought to my attention. James E. May (Revised 5 April 2007; 8 March 2008) Studies of Authorship in the Long 18th Century, c. 1988-2007 by James E. May - page 1 Abelove, Henry. "John Wesley's Plagiarism of Samuel Johnson and Its Contemporary Reception." Huntington Library Quarterly, 59 (1997), 73-79. Abrams, Howard B. "Originality and Creativity in Copyright Laws." Law and Contemporary Problems, 55 (1998), 3-44. Abreu, Márcia. Os caminhos dos livros. Campinas, São Paulo: Mercado de Letras; Associacao de Leitura do Brasil, 2003. Pp. 382. [History of reading and publishing in Rio de Janeiro, 1769- 1821, treating licensing, censorship, the booktrade and authors.] Ackroyd, Peter. The Lambs of London. London: Chatto & Windus, 2004. Pp. 216. [Novel about the Shakespeare-forger William Henry Ireland.] Adams, James Eli. "The Economies of Authorship: Imagination and Trade in Johnson's Dryden," Studies in English Literature 1500-1900, 30 (1990), 467-86. Adams, Stephen Michael. "Daniel Defoe's Review and Authorial Issues in the Early English Periodical." Diss. U. of Missouri at Columbia, 1996. DAI, 57A, no. 11 (May 1997), 4747. Agan, Cami. "Catherine Clive's Media Relations: The Stage as Media and the Page as Performance." Eighteenth-Century Women, 3 (2003), 47-76. Aldridge, A. Owen. "The Attribution to Franklin of a Letter from China." Early American Literature, 23 (1988), 313-18. Alexander, Christine, and Juliet McMaster (eds.). The Child Writer from Austen to Woolf. Cambridge: Cambridge U. Press, 2005. Pp. xv + 312; illus. [Includes Alexander's "Defining and Representing Literary Juvenilia," Nineteenth-Century Juvenilia: A Survey," and "Play and Apprenticeship: The Culture of Family Magazines," as well as Margaret Anne Doody's "Jane Austen, that disconcerting 'child.'" Rev. by Judith Plotz in Victorian Studies, 49 (2006), 118-20; by Patsy Stoneman in Review of English Studies, n.s. 57 (2006), 393-95.] Amory, Hugh. "'It Is Very Probable I am Lord B---ke': Reflections on Fielding's Canon." [Part of a forum entitled "Who Wrote What?: The Question of Attribution."] Eighteenth-Century Fiction, 8 (1996), 529-33. Amory, Hugh. "Virtual Readers: The Subscribers to Fielding's Miscellanies (1743)." Studies in Bibliography, 48 (1995), 94-112. Anderson, Emily Hodgson. "Women Writers in Eighteenth-Century Britain" (review essay). Huntington Library Quarterly, 68 (2005), 685-90. Andrew, Edward. Patrons of Enlightenment. Toronto: U. of Toronto Press, 2006. Pp. 284; index. Andrews, Corey. "The Literary Club as Imagined National Community: Allan Ramsay and the Easy Club (1712-1715)." Eighteenth-Century Scotland, no. 16 (Spring 2002), 8-12. [See also his Literary Nationalism in Eighteenth-Century Scottish Club Poetry (Lewiston: E. Mellen, 2004).] Archangeli, Melanie. "Subscribing the Enlightenment: Charlotte von Hezel Markets Das Wochenblatt für schöne Geschlecht." Book History, 2 (1999), 96-121. Arduini, Franca, Clemente Mazzotta, and Gino Tellini (eds.). Vita di Vittorio Alfieri: Manoscritto Laurenziano Alfieri 241-2: Commentario. 3 volumes. Florence: Polistampa, 2003. Pp. 295; 181; xciv + 441; facsimiles; transcription (edited by Mazzotta). [Volumes 1-2 contain a photographic facsimile of the manuscript; Volume 3 contains Tellini's essay "Sull'autobiografia alfieriana (vii-lv); Arduini's "Descrizione codicologica e bibliografica" (lvii-lxx); and Mazzota's "La tradizione della 'Vita scritta da esso' e il Laurenziano Alfieri Studies of Authorship in the Long 18th Century, c. 1988-2007 by James E. May - page 2 241-2" (lxxi-xcix) and transcription of the manuscript (1-441). Rev. by Angelo Fabrizi in Rassegna della Letteratura Italiana, ser. 9, 108 (2004), 229-30.] Armbruster, Carolyn (ed.). Publishing and Readership in Revolutionary France and America: A Symposium at the Library of Congress. Foreword by John Y. Cole. Westport, CT: Greenwood Press, 1993. Pp. xvii + 215; bibliography [205-06]; illus.; index. [Among these 12 essays is a group subheaded as "Publishing and the Law": "The Dilemmas of Republican Publishing, 1793-1799" by Carla Hesse (61-77); "Government, Law, Public Opinion, and the Printed Word in Eighteenth-Century America" by James Gilreath (79-93); and "A Tale of Two Copyrights: Literary Property in Revolutionary France and America" by Jane C. Ginsburg (95-114). Rev. (fav.) by James Smith Allen in Libraries and Culture, 30 (1995), 96-98; (with other books) by Elizabeth Armstrong in Library Quarterly, 64 (1994), 479-81; (fav.) by David McKitterick in William and Mary Quarterly, 53, no. 1 (1996), 233-35; by Jane McLeod in Canadian Journal of History, 29 (1994), 449-51; by Hermann Wellenreuther in PBSA, 88 (1994), 235-37.] Ashley, Leonard R. N., and Christi Conti. "An Anonymous Poem to Alexander Pope from South Carolina (1737)." South Carolina Review, 38 (2005), 20-32. Backscheider, Paula. Eighteenth-Century Women Poets and their Poetry: Inventing Agency, Inventing Genre. Baltimore: Johns Hopkins U. Press, 2005. Pp. xxvii + 514; bibliographies (403-14, 467-98); index. [Rev. (fav.) by Ellen Moody in Eighteenth-Century Intelligencer, n.s. 20, no. 3 (Sept. 2006), 39-42; (with another book) by Betty A. Schellenberg in Eighteenth-Century Studies, 40 (2006), 132-35; by Emily Smith in Eighteenth-Century Book Reviews Online (EBRO).] Backscheider, Paula R. "The Shadow of an Author: Eliza Haywood." Eighteenth-Century Fiction, 11 (1998), 79-102. Bailey, Anne Hall. "How Much for just the Muse? Alexander Pope's Dunciad, Book IV, and the Literary Market." The Eighteenth Century, 36 (1995), 24-37. Baillaud, Bernard, Jérôme de Grammont, and Denis Hüe (eds.). Auteurs, lecteurs, savoirs anonymes: "Je" & encyclopédies. (Cahiers Diderot, 8.) Rennes: Presses Universitaires de Rennes, in association with the Association Diderot, [1996]. Pp. 190; illus. Baillaud, Bernard, Jérôme de Grammont, and Denis Hüe (eds.). L'Autre dans les encyclopédies. (Cahiers Diderot, 11.) Rennes: Presses Universitaires de Rennes, in association with the Association Diderot, 2000. Pp. 280; illus. (some in color). [Papers of a Dec. 1998 colloque on "altérité."] Baines, Paul. "The Macaroni Parson and the Marvellous Boy: Literature and Forgery in the Eighteenth Century." Angelaki, 1 (1993/1994), 95-112. Baines, Paul. The House of Forgery in Eighteenth-Century Britain. Aldershot and Brookfield, VT: Ashgate, 1999. Pp. viii + 195; illus.; index; tables and graphs. [On criminal and literary forgeries, drawing ideological and individual links between the two, treating Budgell, Chatterton, Dodd, Macpherson, Japhet Crook and John Ayliffe. Rev. (fav.) by Nicolas Barker in Book Collector, 50 (2001), 138-41; by (fav.) Antonia Forster in Notes and Queries, n.s. 49 (247), 301-02; by Nick Groom in RES, n.s. 54 (2003), 258-60; (fav.) by T. H. Howard-Hill in PBSA, 94 (2000), 310; by Allan Ingram in Yearbook of English Studies, 31 (2001), 240-41; by Robert W. Jones in British Journal for Eighteenth-Century Studies, 23 (2000), 233-34; by Jack Lynch in Age of Johnson, 12 (2001), 491-95; by John Mullan in Studies of Authorship in the Long 18th Century, c.
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  • Labyrinth of Tanka (PDF)

    Labyrinth of Tanka (PDF)

    The Labyrinth of Tanka by M. Kei Previously appeared in Modern English Tanka 7, Spring, 2008. Copyright 2008 by M. Kei. All rights reserved. The Labyrinth of Tanka M. Kei Introduction For the last two years I have wrestled with the question of defining tanka. What is this elusive thing we call ‘the tanka spirit’ and why do we resort to such nebulous terms to explain what it is we write? What shapes our intuition so that we have a gut level reaction that tells us whether a poem is or isn’t tanka? Can something be tanka even if the poet has no idea what tanka is, or lived in a different time and culture with no exposure to Japanese literature? Most definitions of tanka begin with a reference to the Japanese form, quoting 5-7-5-7-7 syllables, onji, sound units, morae, or whatever term the author wishes to use to describe the thing that the Japanese count, but rarely is any attention given to Japanese variations from those counts. It is generally accepted that Japanese poetry and even prose ‘naturally’ falls into patterns of 5-7, but no understanding of when and why this pattern developed. Lately most Anglophone poets have come to understand that Japanese is a very different language from English and therefore tanka must be adapted to the English language. A very common rubric used to define tanka these days is “five phrases on five lines.” Yet, the Japanese wrote their tanka on one, two, and sometimes three lines. The ‘fiveness’ of tanka is well entrenched in English, so much so that little attention has been given to understanding exactly what a ‘phrase’ is, and equally little attention given to how larger structures within a tanka function.