DOCSLIB.ORG

Nbr 154 1968 Nov 27 to Dec 10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nbr 154 1968 Nov 27 to Dec 10 PROGRAM GUIDE NUMBER 154 DEAR SUBSCR I BERS AND THOSE OF KRAB IS SEATTLE'S NON-COMME RCIAL YOU WHO ARE RECEI VING THIS GUIDE LISTENER SUPPORTED STATION, Ir~ FOR THE FIRST TIME: PORTLAND YOU CAN LISTEN TO KBOO, IN THE PAST 5 MON THS KRAB HAS WHICH IS ALSO LISTENER SUPPORTED, CHANGED A GREAT DEAL. RIGHT NOW DONATIONS TO EITHER STATION ARE KRAB IS IN A PERIOD OF TRANSITION, TAX DEDUCTABLE, AS WE ARE NON­ THE OUTCOME OF WHICH WILL DETER­ PROF I T AS WELL, I N EXCHANGE FOR MINE IF IT WIL L SURVIVE AS A A CONTRIBUTION OF $20,00 WE WILL RAD IO STATION OR AS TOADSTOOL NET­ SEND YOU A PROGRAM GUIDE EVERY WORK. FOR MOST OF SEATTLE KRAB TWO WEEKS FOR AN ENTIRE YEAR! IF DOES NOT EXIST; THROUGH IGNORANCE, YOU CAN'T AFFORD 2U, $12, WILL POOR RECEPTION OR ANY NUMBER OF DO, OR IF YOU'RE A STUDENT YOU OTHER IMPROBABLE CAUSES, NOBODY CAN RECEIVE THE GUIDE FOR ~ MONTH BUT YOU AND YOU R BEST FRIEND KNOW FOR $6,OU, NICE, THE ADDRESS OF A80UT THE STA TION. YOU'VE SUPPOR­ THE SEATTLE STATION (KRAB) IS TED US. MONE TARIALLY WE CAN'T 9029 ROOSEVELT WAY N,E" SEATTLE REA SONABLY ASK FOR ANY MORE FROM WASHINGTON 98115, (PHONE IS LA2 YOU. BUT MORE IS REQUIRED THAN 511) IN PORTLAND THE PLACE TO MON EY. WHICH IS WHY, AS OF THIS WRITE IS KBOO, P,Q,BOX 300S, GU IDE, AN IMMEDIATE CHANGE IS PORTLAND, OREGON ~720 8 (PHONE TAKING PLACE: WE ARE CUTTING OUR 227-1294, FREQUENCY IS AIR TI ME I N HALF. AS OF THE 27th KRAa's WE SIGN ON AT 5 :30pm AND SIGN OFF 107 ~7 l'iH KbOO' S FREQUENCY IS 90, / ~!I H AT 11: 30pm. THAT HEANS NO MORN­ ING PROGRAM, NO AFTERNOON PROGRAM, NO AFTERHOURS RROGRAMS. THIS ISN'T SOME KIND OF THREA T, IT'S NO WARN­ ING , IT's A PRAC TICAL NECESS ITY. THE VOLUNTEER STAFF, (MOST OF THE WORK HERE IS DON E BY VOLUNTEERS), HAS NEVER BEEN PROPERLY AC TIV A~ ED, IT'S TIME THEY WERE. IT'S TIME THAT THE STA TION BECAME A LIVING FUNCTIONING ORGAN IS M, NOT REMAIN Notes: AN EXISTENIAL MADHOU SE WHER E I) If you dre (or if you kn ow of THINGS ARE DONE (WHEN DONE) BY someone)e x periencing receptio~ ACCIDENT. WE HAVE TO BE ALIVE. uifFiculties, Please re,3d: IN THE NEXT FEW WEEKS WE WIL L BE KRA8 offers this service, For the RESTRUCTURING THE STAF F, 8ECOM· IJ r i C e 0 f a 5 U b s c rip t i 0 i1 ( i f yo J ' ING AWARE OF WHAT HAS TO BE DONt. r e a 5ubscriber---free), WE wil I THE NEW CONTRO L ROOM WILL BE COM­ setid an el ec troi1ic freak to yOU\~ PLETED! WE'LL START DOING MORE house to tune up yo ~r receiver PRODUCTION WORK . LOCAL PROGRAMS I -ike new, That nl edns no t only WILL MEAN GREA TER INVOLVEMENT BY wi 11 K RA [) c OGle i i1 be t t e t', but S 0 THE COMMUNITY,ETC. MORE IS HAP­ win ail -che other Sea ttle stat- PENING AROUND THE STATION NOW i ons. Call the statio!l. THAN HAS HAPP ENED FOR A LONG LONG 2) ,-jow about a Chr -j strnas g-i Ft sub TIME. KRA8 12 ALIVE, IT IS NOT for your grea -c ii unbt in Bothell?' DEAD OR DYING. 3) ~rjte us a letter. 1 WE DliE S lJ AY 27. NOV E~1 BE R 5: 30pm corl CE RT 9:50 FOR 1 I 2 OR 3 PEOPLE J . S. Bac h: Sonata No.4 in Cm, A composition for any instru­ BWV 1017 a.nd Sonata No.5 in F ment, by Christian Wolf. In Mi nor, BWV 1018 this case David Tudor has taken Ed u a r d, t'1u 1 1 e r, h a r psi c h 0 r d ; a' baroque organ and prepared it Hanshe i nz Schneeberger, viol in by removing some pipes, partial opening and closing of vents, Raga nalkauns-Bilampat in leen­ percussive playing on pipes and tal (16 beats-matras). using contact microphones for Pan d it Yeshwantrai Purohit amplification. The final record­ ing is the result of 1 overdub; Locatelli: LIArte Del .Violino combini~g sounds from the inter­ Opus 3, Concerto No.3 in F M. ior as well as the exterior of Susanne Lautenbacher, viol in; the organ, The Mainz , Chamber Orchestra 10:00 EAR TO THE GROUND Lowell con d u c ted by Gun t e r . Ke h r Richard's thing again on early. 7 : 1 5 liEW BOOKS A weekly program of ( ? ) comm ents and readings of books new to t he . Publ ic Library. With P. J. Do y le. 7: 30 COMM ENTAR Y: Ayn Rand ( WK CR) 8:00 LETT ER FROM ENGLA ND A tape s e nt to us every two weeks by ~1 i c h a e 1 S car b (H 0 ugh. 8 : 1 5 CO~' I NG EV Eins Announcements of THURSDAY 28 eve nts i n Seattle and Portla,nd. 8 : 30 KO T O~1US I C Kog ou No Kyoku, tells the story 5:30prd IYJt:t::TINGS WITH REMARKABLE MEN sto r y of how Nakakuni was sent The book by G. Gurdjieff, read to fi nd Kogou, a koto player of by Lee Trousdale. Number 10 . gre a t s ki ll livingg a seculed 6:00 BLUES WEST Bob West with blues life in t he suburbs of Kyoto. mostly from the East. 9:00 TECHNO LOGY : THE EMPTY CORNUCOP- 7:30 COMMENTARY: I A. "rio t a single optimistic 8:00 'THE TAlL TIMBER BOYS bring live ut opi a has been written about sounds unto the rado. by anyon e of any importance for 8:30 TECHNOLOGY AND VALUE t he la s t 35 yea r s." Can a soc­ Discussion on "needs", real and ie ty witho ut visio n beyond imaginary, or both; generati on tec hnique truely pr osper? More gaps, and cultural values. f rom the 5-day symposium held From the 5-day symposiu m at the a t t he Center for the Study of CSDl. Participants include iiar­ Democr atic Institutions. Some shall McLuhan, author of The of the par ti c ipants are: Fred­ Gutenberg Galaxy and Understand­ erick Po l ak , Senator in the ing Media; and 6ther 1 isted in Nether l an ds Parliament; Herbert the progra m 11-27, 9pm. Marcuse , Pr of. of Philosophy; 9:30 CLASSIC JAZZ Pierre Auger, Director of Com­ Wh i c h k e e psg e t tin g pus he tJa 1 1 a­ bined Eu r opean Space Research; round, and even, once, cancelled . Ren e Dubos, Microbiologist; So r r y • ill ike 0 u f f y and Ray S k j e 1 - Jeni s Gabor , I mperial College bred .pick the records and keep of Space an d Technology at the the program going. Uni vers ity of London. (CSD!), 10:45 WEIRD OLD JEAN SHEPHER D and others . Fa s te r tIl a n a j itt e r bug. OJ0 F~ ) 2 FRIDAY 29 6:00 ADOLESCENT MISH-MASH I can't decide how to describe this. A1 5: 30pm LOR ENZO MILAM READS A BOOK. Benditt should t r y. 6: 00 JUST J AZZ Herb Hannum (I hope) 6:30 THREE SY MPHO NIES BY WILLIAN BOU pl ays j a zz in the just evening. BOYCE 7 :30 COMMEN TARY: FB Exner No.3 in C Maj; No.5 in 0 Maj.; 8:00 MUSI C OF THE PAWNEE A folkways and No.7 in B Flat Maj. rec ording. : Doctor's and Performed by the Simb1er Sin­ Society Songs; Sacred Songs. fonietta. 8 : 15 PROPH ECIES OF THE HOPI 7 : 1 5 SCIENCE AND ENGINEERING Report number 10786544287 fro m Radio Tho mas Banyacya describes the Moscow. hi story a nd bel iefs of the Hopi, 7:30 COMMENTARY: or Peacef u1 1 Peop le (Also: can ue translated as Humble, Leve, 8:00 J.S. BACH CONCERT BRANDENBURG CO NCERTO i ~o. 3 in etc. ) S G If,2 0 I' t he ~. Y' 0 tJ h e c i 25 i nclude information about WW2; G Major (BWV 1048) as played a nd t alk about a man "in a red by Phi10musica of Lonjon. dir­ c loa k or cap" who will come and ected by Thurston Dart (harpsi­ th r eaten t he world. The Hopi chord), as scores for 11 solo ha ve been told to stay out of players. whi t e ma n's business, this is followed by BRA NDENBURG CO~CER­ how th ey 've tried. (recorded TO No.3 in G Maj as " realised" 14 Nove mber by KRAB) by Walter Carlos with the assis­ 9: 20 THE BUREAU OF INDIAN AFFAIRS tance of Benjami n Folkman on an d th e messed up life of an Electronic Synthesizer. Fro m a I nd i an. A continuation of the columbia reco r di ng ent i tled II Swi tc he d - 0 n Ba c h ". A1 so h ear d a bove pro~ram. Comments by Banyacya (interpreter for rel­ will be Chorale Prelude "Wachet Auf II and Pre 1 u d e and Fu g u e jl 0 2 igious l eaders), Janet McCloud.
Load more

Recommended publications
  • 2016 Annual Report
    MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections.
    [Show full text]
  • Northwest Fine Art & Antique Auction
    Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S.
    [Show full text]
  • 2316-001 Wesley Wehr Papers Inventory Accession
    UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2350 Wesley Wehr papers Inventory Accession No: 2316-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Wesley Wehr Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/WehrWesley2316/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search WESLEY C. WEHR PAPERS ACCESSION No, 2316 - 2316-36 INVENTORY 1987 UNIVERSITY OF WASHINGTON LIBRARIES MANUSCRIPTS AND UNIVERSITY ARCHIVES DIVISION WESLEY WEHR Accession No. 2316 to 2316-1 TABLE OF CONTENTS PART I Personal Papers of Wesley Wehr 1 PART II Personal Papers of Wesley Wehr (Restricted) 8 PART III Papers of Others, Collected by Wehr 8 PART IV Papers of Others, Collected by Wehr (Restricted) 11 PART V Paleobotanical Material of Wesley Wehr 12 PART VI Paleobotanical Material of Others, Collected by Wehr 13 Name Index 15 .- WESLEY C. WEHR Accession No. 2316 to 2316-36 GUIDE Wesley Wehr is a painter, paleobotanist, correspondent, autograph collector, friend and champion of Northwest artists. He was born in 1929 in Everett, Washington, and grew up in Seattle. He attended Queen Anne High School and the University of Washington, where he studied musical composition and earned a bachelor's (1951) and a master's (1953) degree. While a student at the University, Wehr became acquainted with Mark Tobey when, for a short period, he instructed Tobey in musical composition.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Ychbv (Pdf Free) the Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West Online
    ychbv (Pdf free) The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West Online [ychbv.ebook] The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West Pdf Free Wesley Wehr ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #4976205 in Books Ingramcontent 2017-05-12Original language:EnglishPDF # 1 8.50 x .81 x 5.51l, .0 #File Name: 0295996366302 pagesThe Eighth Lively Art Conversations with Painters Poets Musicians and the Wicked Witch of the West | File size: 50.Mb Wesley Wehr : The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West before purchasing it in order to gage whether or not it would be worth my time, and all praised The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West: 9 of 9 people found the following review helpful. Wonderful book on Art, Seattle, FriendshipBy Mr. DemetreNot only is it one of the more delightful books I have read recently, it could very well be the best autobiography ever written by a lifetime resident of my hometown. "The Eighth Lively Art" is at once a colorful history of Seattle in the 1950s, a thoughtful exploration of the artistic process, and a celebration of the connections that exist between people.Wesley Wehr recounts his life as a young man in Seattle in the 1950s where, as a student of music composition at the University of Washington, he was befriended by such luminaries as painter Mark Tobey, poet Elizabeth Bishop, and actress Margaret Hamilton.
    [Show full text]
  • Helmi: Letters from Elma, by Wesley Wehr
    WashingtonHistory.org HELMI Letters from Elma By Wesley Wehr The Magazine of Northwest History, Summer 2000: Vol. 14, No. 2 Nellie Cornish said to me, "Whoever becomes an artist dedicates himself to a lifetime of hard work." Someone also said, "Artists and saints are akin"—both possess infinite patience. —Helmi Juvonen Among the major artists of the "Northwest School"—Mark Tobey, Morris Graves, Guy Anderson, Kenneth Callahan, George Tsutakawa, and about a dozen others—painter Helmi Juvonen has emerged as an important figure. Her work is imaginative, often playful, and bountifully original. No other non-Indian artist in the early history of Northwest Art has had such firsthand knowledge of Native American art of the Pacific Northwest. The only comparable figure would be British Columbia painter Emily Carr. Both Juvonen and Carr sketched the totemic art and rituals of the region, transforming their on-the-spot sketches into strong, distinctive artistic statements. Helmi Dagmar Juvonen (1903-1985) was born in Butte, Montana. When she was 15, she and her family moved to Seattle. Her Finnish parents encouraged her artistic expression as a child. By the time Helmi entered Queen Anne High School, she was already an accomplished artist. She continued to develop her talent at the Cornish School (now Cornish College of the Arts) and appears to have been a highly motivated, talented, and hard-working student. Boxes of notebooks from these early days attest to her passion for drawing. Helmi made a respectable living by selling prints to clients like Frederick & Nelson and making sketches for the Seattle Times.
    [Show full text]
  • Fine Northwest Art & Objects Thursday
    Fine Northwest Art & Objects Thursday March 28th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS impressive transparent oval cabochon cut medium dark very slightly bluish green Lots 1,000’s End @ 8:00PM emerald beryl measuring 14.7x10.2x9.4mm. It is surrounded by (24) tapered baguette and Lot Description (16) round brilliant cut diamonds of approx. 1.2ctw average clarity VS-2, color G. It 1 Patek Philippe for Tiffany & Co. 18k Split weighs 17 grams and is unmarked. Current Second Chronograph Pocket Watch. Serial 2018 appraisal included from Northwest No.198112 with matching case number. 28 Gemological Laboratory. jewel movement with 5 adjusted positions 3 Lady's Citrine & Diamond 14k Ring Size 5. and 3 hot, cold, isochronism. Up down split Contains a large oval modified cut citrine second chronograph function. White quartz measuring 24.7x16.6x11.3mm. It is porcelain dial with black numerals and flanked by (15) round brilliant cut pave markers. 46mm case with monogram diamonds of .9 to 1.2mm diameter each. "WRC" on verso. This watch was presented Illegibly marked. It weighs 15 grams. Estate to Walter R. Cox (1868-1941), famed jewelry with no appraisal included. Harness Racing driver. Known as 4 2pc Lady's Natural Emerald Crystal & "Longshot" or "King of the Half Milers", Diamond 14k Floral Jewelry Set. Includes a Cox won the Hambletonian in 1929 with floral vine ring size 6. It has a natural Walter Dear and is in the Harness Racing emerald crystal specimen measuring Hall of Fame.
    [Show full text]
  • Permanent Collection Artwork
    Berenice Abbott Berenice Abbott Gunsmith and Police Departmment, 6 Center Market Place, Manhatt Oldest Apartment House in New York City, 142 East 18th Street Man gelatin silver print 1937 gelatin silver print 1935 Donated By Harry Blumenthal and Scott Mitchell Donated By Harry Blumenthal and Scott Mitchell Berenice Abbott Fermin Aguayo Repair Shop, Christopher St. New York City A Walk in The Mountains gelatin silver print printed 1969 Oil on Canvas 1957 Donated By Harry Blumenthal and Scott Mitchell Donated By Morris Graves and Robert Yarber Page 1 of 109 Fermin Aguayo Fermin Aguayo Beautiful Painting of Violet Sweet Pure Air Oil on Canvas 1956 Oil on Canvas 1957 Donated By Morris Graves and Robert Yarber Donated By Morris Graves and Robert Yarber Guy Anderson Guy Anderson Christmas Card (The Stillness of the Seed Falling) Untitled Woodblock and Script 1964 mixed media; oil on plywood and rusted metal Undated Donated By David and Sharon Cammarano Collection Donated By David and Sharon Cammarano Collection Page 2 of 109 William Anderson William Anderson Beyond the 95th Meridian Geronimo and Family Silkscreen on Plexiglass 1980 Silkscreen Donated By unknown Donated By John and Lyn Pauley William Anderson Laura Adams Armer Ship The Forest Pool Mixed Media Book 1963 Donated By John and Lyn Pauley Donated By Helen Everett Page 3 of 109 Laura Adams Armer Laura Adams Armer Untitled (#1 from The Forest Pool) Untitled (#3 from The Forest Pool) Tempera 1938 Color Print (Not Original) 1938 Donated By Helen Everett Donated By Helen Everett Laura Adams
    [Show full text]
  • Oral History Interview with Johsel Namkung, 1989 Oct. 5-1991 Feb. 25
    Oral history interview with Johsel Namkung, 1989 Oct. 5-1991 Feb. 25 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Johsel Namkung on October 5, 1989. The interview took place in Seattle, Washignton, and was conducted by Alan Chong Lau for the Archives of American Art, Smithsonian Institution. [Note: This interview is more informal than some oral histories. Alan Lau and Kazuko Nakane visited Johsel Namkung while they were conducting a survey of artists for the Northwest Asian American Project. Their conversation with Namkung was so productive that they returned a second time, this time bringing a tape- recorder and recording the conversation. AL’s reference on page one, “I think the last part. .” pertains to the first, unrecorded conversation. To complete JN’s history, David Takami conducted an interview on February 25, 1991, that covered JN’s family and early years.—Ed.] [Note: Because there were four people present at this interview, and because they sometimes all spoke at once, I have not always followed the exact chronological sequencing of speakers but have attempted instead to sort out the utterances into a conceptual sequence. The reader should also be aware that the Namkungs often speak as a team, with one starting a thought and the other completing it.—Trans.] Interview [Tape 1, side A] KAZUKO NAKANE: October third, ‘89, at Mr.
    [Show full text]
  • Otto Seligman Gallery Photographs File://///Files/Shareddocs/Librarycollections/Manuscriptsarchives/Findaidsi
    Otto Seligman Gallery photographs file://///files/shareddocs/librarycollections/manuscriptsarchives/findaidsi... UNIVERSITY UBRARIES w UNIVERSITY of WASH INCTON Spe, ial Colle tions. Otto Seligman Gallery photographs Inventory Accession No: 1901-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Otto Seligman Gallery Photographs. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/OttoSeligmanGallery1901_2431/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search 1 of 1 8/20/2015 10:46 AM /t/0 I I -IF /fo/-• SELIGMAN (OTTO D.) GALLERY RECORDS GUIDE Otto D. Seligman, born in 1890 at Vienna, emigrated to America in 1946. Settling in Seattle, Seligman opened an art gallery in the University District in December 1953. By the time of Seligman's death in 1966 his gallery had attained wide recognition for its sponsorship of such Northwest artists as Guy Anderson, Paul Bonifas, Jacob Elshin, Morris Graves, Pehr Hallsten, Paul Horiuchi, Lise! Salzer, Herbert Siebner, Arthur Hall Smith, Mark Tobey and Wesley Wehr. This accession includes Seligman's correspondence with these and other artists, sales records (grouped both by artist and by customer) and an extensive series of financial records documenting virtually all sales made by the Seligman Gallery between 1954 and 1966. For documentation concerning the gallery after Seligman's death, see the records of the Francine Seders Gallery.
    [Show full text]
  • Tacoma Art Museum Receives Gift of Key Works by Northwest Artists in the Vasiliki and William Dwyer Collection
    MEDIA RELEASE June 30, 2016 Media Contact: Julianna Verboort, 253-272-4258 x3011 or [email protected] TACOMA ART MUSEUM RECEIVES GIFT OF KEY WORKS BY NORTHWEST ARTISTS IN THE VASILIKI AND WILLIAM DWYER COLLECTION Tacoma, WA — Tacoma Art Museum (TAM) has received a major promised gift from Seattle art collector Vasiliki Dwyer on behalf of her family and late husband William Dwyer, whose work as a federal judge had broad impact in the Pacific Northwest. The gift includes 22 works by important Northwest artists, and significant funding for the care and interpretation of the collection. The museum’s board of trustees accepted the promised gift on June 28, 2016. ―We are exceedingly grateful for the extraordinary gift of the Dwyer collection,‖ said Stephanie Stebich, Executive Director of Tacoma Art Museum. Stebich praised the gift as a beneficial contribution to TAM, the City of Tacoma, and the broader arts community. ―TAM’s remarkable collection has been built largely through transformative gifts like this one. The Dwyer’s gift joins major recent contributions from the Benaroya family, the Haub family, Dale Chihuly, Paul Marioni, and Anne Gould Hauberg.‖ The Vasiliki and William Dwyer Collection is the second large-scale bequest of Northwestern art and funds from prominent Seattle art collectors to TAM since January. Among the works are paintings by notable artists such as William Acheff, Kenneth Callahan, Richard Gilkey, William Ivey, Leo Kenney, Frank Okada, and Ambrose Patterson; sculptures by Julie Speidel and Margaret Ford; a key collage by Paul Horiuchi; mixed media by John Franklin Koenig and Wesley Wehr; encaustic by Joseph Goldberg; and photography by Johsel Namkung.
    [Show full text]
  • Index 1 “A. B. Chamberlin: the Illustration of Seattle Architecture
    107 “The Aberdeen, Washington, Free Speech A Abbott, Kathryn A., rev. of A Fateful Time: Fight of 1911-1912,” by Charles Pierce The Background and Legislative History LeWarne, 66(1):1-12 “A. B. Chamberlin: The Illustration of Seattle of the Indian Reorganization Act, “The Aberdeen Convention of 1912,” by Keith Architecture, 1890-1896,” by Jeffrey 93(4):200 A. Murray, 38(2):99-108 Karl Ochsner, 81(4):130-44 Abbott, Lawrence F., “New York and Astoria,” Aberdeen Packing Company, 47(1):10 A. B. Rabbeson and Company, 36(3):261-63, 18(1):21-24 Aberdeen Pioneer Association, 6(1):22-23, 267 Abbott, Margery Post, Planning a New West: 7(1):48, 8(1):9, 9(1):19, 10(1):48, A. F. Kashevarov’s Coastal Explorations in The Columbia River Gorge National 11(1):39 Northwest Alaska, 1838, ed. James W. Scenic Area, review, 89(3):151-52 Aberdeen Timber Worker, 100(3):139 VanStone, review, 70(4):182 Abbott, Newton Carl, Montana in the Making, Aberdeen World, 35(3):228, 66(1):3, 5, 7, 9, 11 A. H. Reynolds Bank (Walla Walla), 25(4):245 22(3):230, 24(1):66 Abernethy, Alexander S., 13(2):132, 20(2):129, A. L. Brown Farm (Nisqually Flats, Wash.), Abbott, Rachel Gianni, rev. of From America 131 71(4):162-71 to Norway: Norwegian-American correspondence of, 11(1):79, 48(3):87 “A. L. White, Champion of Urban Beauty,” by Immigrant Letters, 1838-1914, Vol. 1: as gubernatorial candidate, 42(1):10-13, John Fahey, 72(4):170-79 1838-1870, 104(4):190-91 28, 43(2):118 A.
    [Show full text]