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Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
2016 Annual Report
MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections. -
Northwest Fine Art & Antique Auction
Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S. -
Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions. -
2316-001 Wesley Wehr Papers Inventory Accession
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2350 Wesley Wehr papers Inventory Accession No: 2316-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Wesley Wehr Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/WehrWesley2316/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search WESLEY C. WEHR PAPERS ACCESSION No, 2316 - 2316-36 INVENTORY 1987 UNIVERSITY OF WASHINGTON LIBRARIES MANUSCRIPTS AND UNIVERSITY ARCHIVES DIVISION WESLEY WEHR Accession No. 2316 to 2316-1 TABLE OF CONTENTS PART I Personal Papers of Wesley Wehr 1 PART II Personal Papers of Wesley Wehr (Restricted) 8 PART III Papers of Others, Collected by Wehr 8 PART IV Papers of Others, Collected by Wehr (Restricted) 11 PART V Paleobotanical Material of Wesley Wehr 12 PART VI Paleobotanical Material of Others, Collected by Wehr 13 Name Index 15 .- WESLEY C. WEHR Accession No. 2316 to 2316-36 GUIDE Wesley Wehr is a painter, paleobotanist, correspondent, autograph collector, friend and champion of Northwest artists. He was born in 1929 in Everett, Washington, and grew up in Seattle. He attended Queen Anne High School and the University of Washington, where he studied musical composition and earned a bachelor's (1951) and a master's (1953) degree. While a student at the University, Wehr became acquainted with Mark Tobey when, for a short period, he instructed Tobey in musical composition. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
The Weyerhauser Art Collection + MORE!
The Weyerhauser Art Collection + MORE! December 11th @ 5PM - EARLY START! 16% Buyers Premium In-House 19% Online & Phone Bidding Online Bidding Through LiveAuctioneers 717 S Third St Renton, WA (425) 235-6345 SILENT AUCTION ITEMS 6 4pc Antique Chinese Pheasant Silk Rank Lot 1,000's END @ 8:00PM Badges 10.5"x11" and 11"x12" Sets. Two Mandarin square front chest plate and back Lot Description patch sets. Polychrome silk embroidery. Staining and some edge fray. Qing dynasty. 1 Antique Chinese Silk Embroidered Dragon 7 7pc Antique Chinese Silk Embroidery. Robe 40"x52". Depicts four panels of Includes a large forbidden stitch panel forward facing five-clawed dragons in gold 27"x14", a pair of blue and white forbidden thread. Forbidden stitch sleeves with stitch lotus panels 8"x9.5" each, a round blossoming lotus flowers. Some staining. shou symbol panel 8.5" diameter, a pheasant Late Qing dynasty. Mandarin square rank badge 8"x8", and a 2 3pc Antique Chinese Pheasant Rank Badges gold thread leopard Mandarin square rank 11"x12" Each Approx. Each Mandarin chest badge 11"x12". There is also half a square has gold thread with silk chest plate rank badge. All have edge fray embroidered blossoming flowers. Also a and some soiling. Qing dynasty. coral colored beaded moon at the top corner. 8 Antique Chinese Imperial Dragon Kesi Silk Scattered fray and some staining. Qing Round Rank Badge 11" Diameter. Depicts a dynasty. gold thread five-clawed dragon with 3 4pc Antique Chinese Pheasant Rank Badges flaming pearl. Light soiling. Qing dynasty. 11"x12" Each Approx. -
Ychbv (Pdf Free) the Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West Online
ychbv (Pdf free) The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West Online [ychbv.ebook] The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West Pdf Free Wesley Wehr ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #4976205 in Books Ingramcontent 2017-05-12Original language:EnglishPDF # 1 8.50 x .81 x 5.51l, .0 #File Name: 0295996366302 pagesThe Eighth Lively Art Conversations with Painters Poets Musicians and the Wicked Witch of the West | File size: 50.Mb Wesley Wehr : The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West before purchasing it in order to gage whether or not it would be worth my time, and all praised The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West: 9 of 9 people found the following review helpful. Wonderful book on Art, Seattle, FriendshipBy Mr. DemetreNot only is it one of the more delightful books I have read recently, it could very well be the best autobiography ever written by a lifetime resident of my hometown. "The Eighth Lively Art" is at once a colorful history of Seattle in the 1950s, a thoughtful exploration of the artistic process, and a celebration of the connections that exist between people.Wesley Wehr recounts his life as a young man in Seattle in the 1950s where, as a student of music composition at the University of Washington, he was befriended by such luminaries as painter Mark Tobey, poet Elizabeth Bishop, and actress Margaret Hamilton. -
Helmi: Letters from Elma, by Wesley Wehr
WashingtonHistory.org HELMI Letters from Elma By Wesley Wehr The Magazine of Northwest History, Summer 2000: Vol. 14, No. 2 Nellie Cornish said to me, "Whoever becomes an artist dedicates himself to a lifetime of hard work." Someone also said, "Artists and saints are akin"—both possess infinite patience. —Helmi Juvonen Among the major artists of the "Northwest School"—Mark Tobey, Morris Graves, Guy Anderson, Kenneth Callahan, George Tsutakawa, and about a dozen others—painter Helmi Juvonen has emerged as an important figure. Her work is imaginative, often playful, and bountifully original. No other non-Indian artist in the early history of Northwest Art has had such firsthand knowledge of Native American art of the Pacific Northwest. The only comparable figure would be British Columbia painter Emily Carr. Both Juvonen and Carr sketched the totemic art and rituals of the region, transforming their on-the-spot sketches into strong, distinctive artistic statements. Helmi Dagmar Juvonen (1903-1985) was born in Butte, Montana. When she was 15, she and her family moved to Seattle. Her Finnish parents encouraged her artistic expression as a child. By the time Helmi entered Queen Anne High School, she was already an accomplished artist. She continued to develop her talent at the Cornish School (now Cornish College of the Arts) and appears to have been a highly motivated, talented, and hard-working student. Boxes of notebooks from these early days attest to her passion for drawing. Helmi made a respectable living by selling prints to clients like Frederick & Nelson and making sketches for the Seattle Times. -
Fine Northwest Art & Objects Thursday
Fine Northwest Art & Objects Thursday March 28th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS impressive transparent oval cabochon cut medium dark very slightly bluish green Lots 1,000’s End @ 8:00PM emerald beryl measuring 14.7x10.2x9.4mm. It is surrounded by (24) tapered baguette and Lot Description (16) round brilliant cut diamonds of approx. 1.2ctw average clarity VS-2, color G. It 1 Patek Philippe for Tiffany & Co. 18k Split weighs 17 grams and is unmarked. Current Second Chronograph Pocket Watch. Serial 2018 appraisal included from Northwest No.198112 with matching case number. 28 Gemological Laboratory. jewel movement with 5 adjusted positions 3 Lady's Citrine & Diamond 14k Ring Size 5. and 3 hot, cold, isochronism. Up down split Contains a large oval modified cut citrine second chronograph function. White quartz measuring 24.7x16.6x11.3mm. It is porcelain dial with black numerals and flanked by (15) round brilliant cut pave markers. 46mm case with monogram diamonds of .9 to 1.2mm diameter each. "WRC" on verso. This watch was presented Illegibly marked. It weighs 15 grams. Estate to Walter R. Cox (1868-1941), famed jewelry with no appraisal included. Harness Racing driver. Known as 4 2pc Lady's Natural Emerald Crystal & "Longshot" or "King of the Half Milers", Diamond 14k Floral Jewelry Set. Includes a Cox won the Hambletonian in 1929 with floral vine ring size 6. It has a natural Walter Dear and is in the Harness Racing emerald crystal specimen measuring Hall of Fame. -
2019 Annual Report
2019 ANNUAL REPORT 2019 Annual Report 1 MISSION STATEMENT 3 From the Board The Museum of Northwest Art collects, preserves, interprets, and 4 From the Executive exhibits art created in the Pacific Director Northwest, supports artists, and strives to integrate art into the lives of all people. 5 Board & Staff Exhibitions COLLECTIONS & EXHIBITIONS 6 MoNA collects and exhibits contemporary art from across the 8 Education Northwest, including Alaska, British Columbia, California, Idaho, 9 Testimonials Montana, Oregon and Washington. 10 Volunteers & MoNA Store EDUCATION MoNA’s Education Department 11 Acquisitions & Financials provides an inclusive environment and stimulating programming that supports the development and 12 Supporters expression of all people. 15 Legacy Society Image — CB Bell Media, The Art Legacy of Joan Kirkman exhibition reception, June 2019 2 Museum of Northwest Art FROM THE BOARD At the time of writing, we find ourselves in a very different world. This is a trying time and we have all been affected by what has transpired in the first few months of 2020. There are a couple of changes to the 2019 Annual Report that we would like to make explicitly clear. First, the Board of Trustees chose to forego an independent audit of the Museum’s finances for 2019. Because of its operating budget, the Museum is not required by federal law to undergo an annual audit. The Board chose to realize the cost savings possible through eliminating an expense that was about 2% of the annual operating budget. Instead, we plan to conduct an audit on a triennial or quadrennial schedule. The Board believes this plan to be sustainable, given the detailed oversight that is provided by the Finance Committee.