DOCSLIB.ORG

Dragon Magazine #232

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dragon Magazine #232 Sticks & Stones hat is a weapon? The Oxford English Dictionary defines a The sword figures strongly in fantasy fiction and legend. weapon as “an instrument of any kind used in warfare Arthur would never have ruled Britain had he not drawn or in combat to attack and overcome an enemy.” In this Excalibur from the stone. Without Durandal, Roland may never sense, almost all animals are armed. Most vertebrates have have held off the infidels long enough for Charlemagne to teeth, and many have claws. Venom is a highly effective defeat them. weapon that appears throughout the animal kingdom. Long Apart from the sword, there are even more subtle, elegant, before humans first appeared, stabbing weapons appeared and seemingly magical weapons. The pen can defeat the right on the animals. Consider the head of the triceratops or sword. The written word has caused nations to rise up and the tail of the stegosaurus. Even today an elephant has tusks overthrow dictators. Words from beyond the grave, preserved and the rhinoceros a horn. in print, have rallied people to great and noble causes. The original human weapons differed from those of other Only humans can injure or slay with a word or a gesture, a animals only in degree, not kind: they had teeth and nails. The wink or a nod. A word can wound more grievously than any first external weapons probably began with sticks, stones, and mere knife or sword. To be struck by a sword is a kindness bones. Consider the famous scene in 2001: A Space Odyssey in compared to the injury inflicted by a word. The spoken word which the proto-human uses the thigh bone of an animal to is also a mighty defensive weapon. A witty comeback, parry- kill a rival for territory. ing a verbal thrust, has defeated many attacks. A gesture Then rock struck rock, edges were formed, and rocks works as well as a weapon. To “finger” someone is to point him became tools. Sticks were sharpened with the rocks. Rock out for arrest. A nod of feigned complicity to another, indicat- struck rock again, fire was created, and the pointed sticks ing to watchers that a conspiracy exists where there is none, is could be hardened. Fire and iron produced spear heads, then genuinely Machiavellian. the knife and the sword. Weapons are limited only by the imagination. The grossest The sword is a truly magnificent weapon. It is actually a are the fist, the foot, the elbow, the knee, and the head. Some very sophisticated combination of a stick and a stone: a point of the finest are invisible. Warriors should be prepared, for they for stabbing, an edge for cutting, and the flat of the blade for never know what weapons they might face. striking. Part of the beauty of the sword is its simple utility. It is compact, easy to carry, and useful for both attack and defense. Publisher Associate Publisher Editor-in-Chief Editor Art director TSR, Inc. Brian Thomsen Pierce Watters Dave Gross Larry Smith Associate editor Associate editor Subscriptions U.S. advertising U.K. correspondent/advertising Anthony J. Bryant Michelle Vuckovich Janet L. Winters Cindy Rick Carolyn Wildman Printed in the USA DRAGON #232 3 August 1996 Volume XXI, No. 3 Issue #232 Weapons of the Waves Rich Baker Seapower can be the key to conquest in any nautical campaign. Page 8 En Garde! Cindi Rice Shh! Here are the secrets of the deadliest swordsmen in the SAVAGE COAST™ campaign. Page 18 And the Walls Came Down Steve Berman The most famous of siege engines, by way of legerdemain and legend. Page 25 A Flurry of Swords Gregory W. Detwiler A sword is a sword is a sword. Right? Page 29 Sorcerous Sixguns Roger E. Moore What barks over here and bites over there? This ain't your father’s magic missile! Page 34 4 AUGUST 1996 Columns 3 . The Wyrm’s Turn “Sticks and stones may break my bones...” 6 . D-Mail The Ecology of We’ve been reading your mail, and here are the the Roper juicy bits. by Johnathan M. 55 . Role of Books Richards Read any good books lately? John Bunnell has, Discover the nature of these and here’s what he thinks of them. underdark horrors through the strange “visits” of a 89 . Cons & Pros most unusual guide. Where the games are this summer. Page 42 92 . Sage Advice The dos and don’ts of questioning the Sage, and his answers to this month’s questions. 96.......................................... Forum Helpful tips on avoiding a visit from the TSR rules thugs. DRAGON DICE™ GAME: 98 . RPGA® Network News Magestorm! The scoop on LIVING CITY™ interactive events. David Eckelberry 106 ......... Role-playing Reviews Introducing the magical weapons of the This month Rick Swan reviews the quirky, the battle for Esfah, including new minor terrains odd, and the downright weird. and the fearsome dragonkin. Page 76 120 . The Current Clack The latest news of the role-playing industry. Wyrms of the North Other Material Ed Greenwood Elminster and Volo 49 . Floyd describe the depredations . of one of the mightiest 60 Hellbound red wyrms of Faerun. 100 .............................................. DragonMirth Page 80 102 ......................................... Gamer’s Guide 104 ............... Knights of the Dinner Table 116 ............................................. TSR Previews 62 The Gift of Fire (DRAGONLANCE: Tales of the FIFTH AGE™) William W. Connors & Sue Weinlein Cook The sundering of the ancient Swordsheath Scroll is only the start of Thorbardin’s tragedy. DRAGON #232 5 interesting articles. They are well John Rateliff replies: Since “Dragons of thought out and cover interesting topics, Legend” appeared in June, several letter not to mention well written. The artwork writers have queried my use of “Glorund” is, of course, astounding. The retooling rather than “Glaurung” as the name of the of DRAGON Magazine has definitely dragon in The Silmarillion. In fact, these renewed my interest in the AD&D® are two different names for the same char- game. Keep up the good work! acter. In the early versions of the Turin story Jeff Weinberger (The Book of Lost Tales, “The Lay of the Via e-mail Children of Hurin”) the dragon is called Glorund; in later versions, including the We loved “Orbs,” too, and many of this published Quenta Silmarillion, he is month’s letters let us know that we were by Glaurung. Working with Tolkien’s manu- no means alone. So you can bet that we’re scripts as much as I do, I'm afraid I uncon- keeping Roger as busy as we can. Tell us sciously used the earlier version of the what you think of his “Sorcerous Sixguns” in name. (By the way, I highly recommend the Tell us what you think. this issue, and keep an eye on the coming manuscript series edited by Christopher In the United States and Canada, send attractions box for more of his work later Tolkien, The History of Middle-earth, for any mail to “D-Mail,” DRAGON® Magazine, this year. anyone interested in Tolkien's writings.) 201 Sheridan Springs Road, Lake Geneva, As for other points, by “the Fellowship” I WI 53147 USA. In Europe, send mail to Dear DRAGON® Magazine, was referring to the Nine Walkers, not to the “D-Mail,” DRAGON Magazine, TSR Ltd., 120 I enjoyed reading your 20th anniver- book The Fellowship of the Ring. The Lord Church End, Cherry Hinton, Cambridge CB1 sary issue from cover to cover. The spe- of the Rings is not a “trilogy,” but simply 3LB, United Kingdom. cial focus on dragons is always appreci- one book split into three volumes. (Tolkien ated, and Roger Moore’s article on “The himself hated the term “trilogy” and refused Dear DRAGON® Magazine, Orbs of Dragonkind” was particularly to use it to describe his work.) One corre- Having just picked up issue #230 and good. I do however, have a small bone spondent argues that St. George merely sub- finding another GREYHAWK® setting article to pick with John Rateliff’s article dued his dragon rather than killing it, thus within its pages, I felt it was time to write “Dragons of Legend: Dragons in Myth anticipating Grahame’s “The Reluctant you. “The Orbs of Dragonkind” is one of and Literature.” Dragon” by several centuries. I don’t doubt the best articles I have seen in this mag- Dr. Rateliff makes several references for a minute that among the hundreds of azine in my 14 years of playing the to the work of J.R.R. Tolkien and retellings of his legends there aren’t at least a AD&D® game. Maybe I am being a bit describes Smaug as “the standard by few bowdlerized in this fashion; neverthe- biased, seeing as how the article deals which all other fantasy dragons should less, the fact remains that for centuries St. with artifacts of the GREYHAWK campaign, be judged.” I heartily agree! However, it George has been renowned as a dragon- my personal favorite. I had almost given is unfortunate that Tolkien’s work was slayer, not a juvenile probation officer for up looking for new GREYHAWK material incorrectly cited. There is no work enti- wayward lizards. after the lvid the Undying sourcebook tled “Fellowship of the Rings”; The Finally, two addendum: The Zelazny ended up spliced into two different Fellowship of the Ring is the first book of story “The George Business” appears in issues of DRAGON Magazine (#204 and The Lord of the Rings trilogy. More strik- Margaret Weis’s recent anthology of #206), and I am guessing that those ingly in an article about dragons, there dragon-tales (A Dragon-Lover’s Treasury were just the best parts.
Load more

Recommended publications
  • SILVER AGE SENTINELS (D20)
    Talking Up Our Products With the weekly influx of new roleplaying titles, it’s almost impossible to keep track of every product in every RPG line in the adventure games industry. To help you organize our titles and to aid customers in finding information about their favorite products, we’ve designed a set of point-of-purchase dividers. These hard-plastic cards are much like the category dividers often used in music stores, but they’re specially designed as a marketing tool for hobby stores. Each card features the name of one of our RPG lines printed prominently at the top, and goes on to give basic information on the mechanics and setting of the game, special features that distinguish it from other RPGs, and the most popular and useful supplements available. The dividers promote the sale of backlist items as well as new products, since they help customers identify the titles they need most and remind buyers to keep them in stock. Our dividers can be placed in many ways. These are just a few of the ideas we’ve come up with: •A divider can be placed inside the front cover or behind the newest release in a line if the book is displayed full-face on a tilted backboard or book prop. Since the cards 1 are 11 /2 inches tall, the line’s title will be visible within or in back of the book. When a customer picks the RPG up to page through it, the informational text is uncovered. The card also works as a restocking reminder when the book sells.
    [Show full text]
  • Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
    Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/Anti­Paladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double
    [Show full text]
  • WOT Enhance Credits.Qxd (Page 1)
    ™ WEB ENHANCEMENT Design: CHARLES RYAN, STEVEN S. LONG, Web Production: JULIA MARTIN CHRISTIAN MOORE, OWEN K.C. STEPHENS Web Development: MARK JINDRA Design Assistance: DAVID ECKELBERRY, JENNIFER CLARKE WILKES, Creative Directors: THOMAS M. REID, CORY J. HERNDON CHRISTOPHER PERKINS Development and Editing: CHARLES RYAN Visual Creative Director: JON SCHINDEHETTE Editing: JOHN D. RATELIFF, BRIAN CAMPBELL, Graphic Design: ROBERT RAPER, DEE BARNETT JENNIFER CLARKE WILKES, MIRANDA HORNER, CORY J. HERNDON Cartography: ELLISA MITCHELL Typesetting: SUE WEINLEIN COOK Licensing Approval: ROBERT JORDAN, WILLIAM P. MCDOUGAL, MARIA L. SIMONS This Wizards of the Coast game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System License, please visit www.wizards.com/d20. This d20 System game utilizes mechanics developed for the new DUNGEONS & DRAGONS® game by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. U.S.,CANADA, EUROPEAN HEADQUARTERS ASIA, PACIFIC & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. P.B. 2031 P.O. Box 707 2600 Berchem Renton WA 98057-0707 Belgium (Questions?) 1-800-324-6496 +32-70-23-32-77 DUNGEONS &DRAGONS, the d20 system logo, and the Wizards of the Coast logo are trademarks owned by Wizards of the Coast, Inc., a subsidiary of Hasbro, Inc. Wheel of Time is a trademark of Robert Jordan. All characters, character names, and descriptions thereof are trademarks and/or copyrights of Robert Jordan. ©2001 Game Mechanic owned by Wizards of the Coast, Inc.
    [Show full text]
  • Fudge Space Opera
    Fudge Space Opera Version 0.3.0 2006-August-11 by Omar http://www.pobox.com/~rknop/Omar/fudge/spop Coprights, Trademarks, and Licences Fudge Space Opera is licenced under the Open Gaming Licence, version 1.0a; see Appendex A. Open Game License v 1.0 Copyright 2000, Wizards of the Coast, Inc. Fudge System Reference Document Copyright 2005, Grey Ghost Press, Inc.; Authors Steffan O’Sullivan, Ann Dupuis, with additional material by other authors as indicated within the text. Available for use under the Open Game License (see Appendix I) Fudge Space Opera Copyright 2005, Robert A. Knop Jr. Open Gaming Content Designation of Product Identity: Nothing herein is designated as Product Identity as outlined in section 1(e) of the Open Gaming License. Designation of Open Gaming Content: Everything herein is designated as Open Game Content as outlined in seciton 1(d) of the Open Gaming License. Fudge Space Opera -ii- Fudge Space Opera CONTENTS Contents 1 Introduction 1 1.1 Why “Space Opera”? . ......... 1 1.2 WhatisHere ........................................ .......... 2 1.3 TheMostImportantThing .............................. ............ 2 2 Character Creation 3 2.1 GeneralNotes........................................ .......... 3 2.2 5-PointFudge....................................... ........... 3 3 Combat 7 3.1 Default Combat Options . .......... 7 3.2 Basic Armor and Weapon Mechanics . ........... 7 3.3 Cross-WeaponScaleAttacks. .............. 8 3.4 Suggested Weapon Scales . ........ 9 3.5 DamagetoPassengers ................................. ............ 9 3.6 GiantSpaceBeasts.................................... ........... 9 3.7 When To Use Fudge Scale .......................................... 10 3.8 RangedWeapons....................................... ......... 11 3.9 Explosions........................................ ............ 12 3.10 Missiles and Point Defense . .............. 12 -iii- Fudge Space Opera CONTENTS 3.11 Doing Too Many Things at Once .
    [Show full text]
  • Firearm Upgrades” Below)
    Sample file Gunslinger Adept Marksman When you choose this archetype at 3rd level, you Most warriors and combat specialists spend their learn to perform powerful trick shots to disable or years perfecting the classic arts of swordplay, damage your opponents using your firearms. archery, or polearm tactics. Whether duelist or Trick Shots. You learn two trick shots of infantry, martial weapons were seemingly perfected your choice, which are detailed under "Trick Shots" long ago, and the true challenge is to master them. below. Once per turn, when you make an attack with However, some minds couldn't stop with the a firearm as part of the Attack action, you can apply innovation of the crossbow. Experimentation with one of your trick shots to that attack. Unless alchemical components and rare metals have otherwise noted, you must declare a trick shot before unlocked the secrets of controlled explosive force. the attack roll is made. You learn an additional trick The few who survive these trials of ingenuity may shot of your choice at 7th, 10th, 15th, and 18th level. become the first to create, and deftly wield, firearms. Grit. You have 3 grit points. You gain This archetype focuses on the ability to another grit point at 7th level and one more at 15th design, craft, and utilize powerful, yet dangerous, level. You regain 1 expended grit point each time you ranged weapons. Through creative innovation and roll a 20 on the d20 roll for an attack with a firearm, immaculate aim, you become a distant force of death or reduce a creature of challenge rating ⅛ or higher on the battlefield.
    [Show full text]
  • Rules and Options
    Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.).
    [Show full text]
  • Llilililj[Illlffilil[Il] Nittn
    www.morehongzhou.com fts tfir.|.l vol 7,tssuE 5, MAY201I l-{ A N GZI{OU TH EAEgTil n Great to Springint ummer HIGHFIVE PLEASEDON'T TAKE IT TOTHE EXTREME Gymand FitnessTips for Newbies NTERVIEW By Antoniodel Sexipantalones ELL The Modern CuttingEdge of AncientChinese Arts By RuebenMarley ISSN 1005-9644 HOTSPOT NEPAL- BAGKAGAIN! llilililJ[illlffiLil[il]nittn By TanSiew Yim SC(ITTR(IDELL TheModem Cutting Edge of AncientChinese Arts BY RUEBENMARLEY 've been luckyenough to sharea Thesedays everybodywants to be a teacher. coupleof hours,talking to a world- Nobodywants to be a studentany more.Scott classkung-fu master. He's also a pausesfor the briefestof moments,to convey globallyrecognized expert who specializesin the gravityof the situation,as he expresses the study of traditionalChinese swords. He's his frustrationat the lost art of craftingpracti- the Center Directorof the Great RiverTaoist cal, historicallyaccurate, Center(GRTC), which has been providingall and effective swords in 'He mannerof martialarts training to studentsliving china.when I asked explores other related in the greaterWashington D.C. areafor nearly whythis is thecase, he forms of martial artS, like terriblyuninformed 30 years.There are five other GRTC centers aroundthe world,from San Franciscoto Rus- ff#H:'ii#"il3n[: Man'chuarchery, in his spare ::,"'iffil"."*Xil: sia. He has spenta very impressiveproportion problems in the world time. He's also in search of who is seriousabout it,the sword of hislife traveling to countriesaround the world, today is that sometimes the best manUfaCtUrer Of the learning to teach,and to be taught,by martialartists from peoplejust becomeway all walksof life.He's also got about20 yearsof toosuccessfut in tisht of Chinese jian.' fi", H:t;"#:H:: Taijiquanexperience under legendarymasters their endeavors,robbing lightly,and Scott lays Wang Yen-nien,T.T.
    [Show full text]
  • Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
    Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade.
    [Show full text]
  • An "Official" Spelljammer Guide to the Spheres [Revised 1.0]
    Guide to the Spheres An "official" Spelljammer Guide to the Spheres [revised 1.0] By Paul Westermeyer aka GMWestermeyer Table of Contents: Page Section 1 Introduction 2 Phlogiston Navigation 4 Phlogiston Transit Times 4 Where is the Rock of Bral? 6 “Official” Flow Map 7 The Spheres and other Phlogiston Locations 23 ‘Loose’ Planets/Worlds 34 Bibliography: Introduction Spelljammer is a very unique and creative setting, but it is also one of the worst organized settings TSR produced with material is scattered among many different products. This makes it very difficult to find what you are looking for, a problem exasperated by Spelljammer’s status as a ‘connection’ campaign, designed (like Planescape) to connect the ‘big’ three settings, Forgotten Realms, Greyhawk, and Dragonlance. I’ve been working to alleviate this problem by writing guides and indices for those aspects of Spelljammer that are most important for creating a coherent, rational game setting. The first of these guides was An “Official” Spelljammer Timeline, which collated Spelljammer-related historical mentions in published TSR products into a cohesive, coherent timeline that Spelljammer (or Hackjammer) gamemasters could use as the foundation of their own, personalized campaigns. This guide, An “Official” Spelljammer Guide to the Spheres, has a similar purpose. Spelljammer’s iconic center is the Rock of Bral, just as Sigil is the iconic heart of Planescape, Spelljammer’s setting cousin, but Sigil’s location is quite firmly placed at the center of the Plane of Concordant Opposition, metaphorically the heart of the entire Advanced Dungeons and Dragons multiverse. Moreover, the various inner and outer planes are all well mapped in relation to each other, and have been ever since the Advanced Dungeons and Dragons Player’s Handbook in 1978.
    [Show full text]
  • DEITIES and DOMAINS Specialty Priests of the Forgotten Realms
    DEITIES AND DOMAINS Specialty Priests of the Forgotten Realms by Mark Craddock CrossPlanes.Com Special Thanks to Ben Bach, Sylvain Boucher, Matt Rieper, and Tom Woodall Cover Art: The Baptism of Christ by Aert de Gelder Sample file ! DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, D&D Adventurers League, all other Wizards of the Coast produCt names, and their respeCtive logos are trademarks of Wizards of the Coast in the USA and other Countries. All CharaCters and their distinCtive likenesses are property of Wizards of the Coast. This material is proteCted under the Copyright laws of the United States of AmeriCa. Any reproduCtion or unauthorized use of the material or artwork Contained herein is prohibited without the express written permission of Wizards of the Coast. ©2016 Wizards of the Coast LLC, PO Box 707, Renton, WA 98057-0707, USA. ManufaCtured by Hasbro SA, Rue Emile-BoéChat 31, 2800 Delémont, CH. Represented by Hasbro Europe, 4 The Square, Stockley Park, Uxbridge, Middlesex, UB11 1ET, UK. This work Contains material that is Copyright Wizards of the Coast and/or other authors. SuCh material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this work is Copyright 2016 by Mark CraddoCk and published under the Community Content Agreement for Dungeon Masters Guild. Page !1 SPECIALTY AURIL ICEPRIEST PRIESTS Prerequisite: Cleric with the Do you fondly remember the Nature or Tempest Divine Specialty Priests from Advanced Dungeons and Dragons Second Domain Edition? This book uses feats Your worship of the goddess of to update additional abilities of winter is buried in layers of fear Specialty Priests to Dungeons and awe.
    [Show full text]
  • By Peter Dell ' O Rto and S Ean Punch
    BY P ETER D ELL’ORTO AND S EAN P UNCH Written by PETER DELL’ORTO and SEAN PUNCH Additional Material by VOLKER BACH and C.J. CARELLA Edited by SEAN PUNCH Cover Art by BOB STEVLIC Illustrated by ABRAR AJMAL and BOB STEVLIC ISBN 978-1-55634-762-7 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES Committed Attack . 99 Defensive Attack. 100 Evaluate . 100 Feint . 100 ONTENTS Ready . 101 C Who Draws First?. 103 Move . 105 Realism Level . 29 INTRODUCTION . 4 Move and Attack . 107 Beginning Students as PCs. 30 Publication History . 4 Wait . 108 About the Authors . 4 CHARACTER TEMPLATES . 31 ADDITIONAL COMBAT OPTIONS . 109 Del Duque (350 points) . 33 Melee Attack Options . 109 1. HISTORY . 5 Frauds . 35 A Matter of Inches . 110 Adrian Froste (200 points) . 37 TIMELINE . 6 Untrained Fighters . 113 Kai Lian (250 points) . 39 ASIA . 8 Close-Combat Options. 114 China . 8 ADVANTAGES, DISADVANTAGES, Teeth. 115 Xia . 8 AND SKILLS . 42 Grab and Smash! . 118 Monks and Martial Arts . 9 Advantages . 42 Ranged Attack Options . 119 India . 10 Desirable Advantages . 43 Rapid Fire with Thrown Weapons. 120 Northern vs. Southern Kung Fu . 10 Chi Powers for Martial Artists . 46 Active Defense Options . 121 Religion, Philosophy, and Fists . 11 Perks . 49 Harsh Realism for Indonesian Archipelago. 12 Disadvantages. 53 Unarmed Fighters . 124 Japan . 12 Common Disadvantages. 53 CINEMATIC COMBAT . 125 Ryu . 12 Skills . 54 Multiple Attacks . 126 Ninja: Legend vs. History . 13 Combat Skills . 55 Chambara Fighting . 128 Korea. 14 Wildcard Skills for Styles . 60 Mind Games . 130 Other Nations.
    [Show full text]
  • Influence Holdings Land Holdings
    CHAPTER 6: HOUSE & LANDS EXAMPLE Chris, who’s playing a male character, invests 20 of the house’s Influ- With a Defense of 30, the group has enough resources to invest in a ence to become the first born. Nicole, who’s playing a female character, small castle. Chris points out that they have a lot of land, and invest- invests 10 points to become the first-born daughter. The group has 5 ing all of their defenses into one small castle means they will likely point left unallocated, which they intend to use during the campaign have a hard time defending their territory if it comes under attack. So as they engage in intrigues. instead of a small castle, the group selects a hall and a tower, position- ing each in different domains. Land Holdings Influence Holdings Lands describe the terrain and extent of your actual holdings. Lands may be forests, lakes, hills, mountains, coastlines, and more, all based Influence represents your social power, your presence in your region on where your house is situated and the terrain of your realm. Each and throughout all of Westeros. The primary investment for Influence Land investment is called a domain. Each domain is roughly a league (3 is in heirs, the children of the house’s head. Heirs are valuable in that miles). Your domains reflect only those lands that are under your direct they extend the will and presence of the patriarch, but they also provide control and not under the control of your banners, sworn knights, and means to improving the house’s standing through deeds and marriage.
    [Show full text]