Prima La Musica 2021 Progra
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City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Austria As It Is
Januar, Februar 2012 Januar, Februar 2012 3.1. Dienstag, 19.00 THREE MOTIONS — THREE ELEMENTS (1): Musik der Intuition im kosmischen Spiel. KÖRPER.GEIST.SEELE. Blauer spektraler Portaltag — Distanz.Vision.Loslassen. Alte Schmiede Wien Kontakt stufenloser Zugang zur Galerie LQ Mit YEDDA CHUNYU LIN (p), SEPP MITTERBAUER (tp) und PAUL FIELDS (vl, Leitung) mit besonderer Förderung der Kulturabteilung Kunstverein Wien, Schönlaterngasse 9, (GLZ) und Schmiede-Werkstatt (AS); der Stadt Wien 1010 Wien Behinderten-WC; zu Veranstal- 4.1. Mittwoch, 19.00, LQ JAZZSZENE 2012. TRIO MUSIC(S): Free For What? Mit GINA SCHWARZ (Kontrabass), ANDY MIDDLETON (Saxophon) und WOLFGANG REISINGER (Perkussion) Telefon 0043 (1) 512 83 29 tungszeiten Behinderten-Parkplatz 5.1. Donnerstag, 19.00, LQ Circle abstractions. LUKAS THÖNI (E-Gitarre, Boden FX), MATIJA SCHELLANDER (Bass, Elektronik) und MATHIAS KOCH (Schlagzeug, Elektronik) musizieren Abstraktionen des Kreises in der Musik Fax 0043 (1) 513 19 62 9 vor dem Haus Schönlaterngasse 11 13.1. Freitag, 19.00 ensemble LUX in Residence (#1) Das ensemble LUX: BOJIDARA KOUZMANOVA und THOMAS WALLY (Violine), JULIA PURGINA (Bratsche) und MARA KRONICK (Cello) spielt Galerie der LiteraturZeitschriften: Leseraum Literarisches Quartier: 0043 (1) 512 44 46 freier Eintritt bei allen Veranstal- LQ Werke von Béla Bartók (4. Streichquartett), György Ligeti (2. Streichquartett), Erich Urbanner (4. Streichquartett) und Julia Purgina (N.N. für Streichquartett, UA) Montag bis Freitag: 14.00 bis 18.30 Internet: www.alte-schmiede.at tungen in der Alten Schmiede 14.1. Samstag, 19.00, LQ YANNICK DAUBY (Komposition, Phonographie) präsentiert Listening Anecdotes from Taiwan. Kompositionen und phonographische Arbeiten von Yannick Dauby STROMSCHIENE 17.1. -
The Museum of Modern Art Celebrates Vienna's Rich
THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films. -
Filmklassiker Bel Ami (1939)
Filmklassiker Bel Ami (1939)...........................................................................................................................2 Der blaue Engel (1930)...............................................................................................................2 Ein blonder Traum (1932)...........................................................................................................3 Bomben auf Monte Carlo (1931).................................................................................................4 Die Brücke (1960) ......................................................................................................................4 Des Teufels General (1955) ........................................................................................................5 Das doppelte Lottchen (1950) .....................................................................................................6 3 Männer im Schnee (1956) ........................................................................................................6 Die Drei von der Tankstelle (1956) .............................................................................................7 Emil und die Detektive (1931) ....................................................................................................8 Die Feuerzangenbowle (1944).....................................................................................................8 Frauenarzt Dr. Prätorius (1950)...................................................................................................9 -
New Strains of an Old Virus the Changing Face of Shylock P/2
AjR Information Volume XLVI No. 2 February 1991 £3 (to non-members) Don't miss ... i Lingering malady Es gibt mir p2 j The truth shall \ prevail p4 New strains of an old virus The changing face of Shylock p/2 ntisemitism, like the Hydra in Greek myth, has Mazowiecki; here the intellectuals were pilloried as Time of trial sprouted many heads: religious, economic, Jews. When Bishop Orszulik offered evidence to Acultural, nationalist, racist-biological. Since show that Mazowiecki's forebears had been Polish he Gulf War the last-mentioned head was cut off two new ones and Catholic for centuries the prelate was himself is a crucial have grown in its place: antisemitism without Jews, 'accused" of being a Jew. Tturning and punk antisemitism. Antisemitism without Jews Walesa claimed to fight the election as a 'true point. Having has been particularly prevalent in the country which Pole". Nor did he scruple to denounce Professor learnt the lesson of experienced greater Jewish bloodletting in recent Gcremek - who had been smuggled out of the the 1930s, the times than any other, namely Poland. During the Warsaw ghetto as a child and formally adopted by his democracies have Presidential elections phantom Jews were conjured Polish rescuers - of hiding his Jewish identity under elected to deploy out of thin air. The first round saw man-of-the-people an adopted name. force before the Walesa pitted against the intellectually inclined When history repeats itself, said Karl Marx, it accretion of power occurs first as tragedy and then as farce. After to Saddam makes Walesa's demagogic, and antisemitically tinged, anti- an even larger intellectualism which destroyed the Solidarity conflict un consensus, came the farce of his run-off with avoidable later on. -
Austrian Cinema: a History'
Habsburg Warren on Dassanowsky, 'Austrian Cinema: A History' Review published on Friday, April 23, 2010 Robert von Dassanowsky. Austrian Cinema: A History. Jefferson: Mcfarland, 2007. 328 pp. $75.00 (paper), ISBN 978-0-7864-3733-7. Reviewed by John Warren (Oxford Brookes University) Published on HABSBURG (April, 2010) Commissioned by Jonathan Kwan A Very Timely Celebration of One Hundred Years of Austrian Cinema I suppose one must start with an acceptance that Austria's place in public consciousness as a filmmaking nation is not strong, but we now have a book, Robert von Dassanowsky'sAustrian Cinema, that provides a complete picture of cinema in Austria from 1895 to the early party of the twenty-first century. This reprint in paperback of the original case bound edition (published in 2005) is a valuable and brave venture, revealing that this small state has made many important contributions to the development of film, even if most of them have been abroad, most notably in Berlin and in Hollywood. Within some 285 pages of text, Dassanowsky has covered the widest possible range of topics: films and different film genres, directors, actors, production companies, finance, international connections and cooperation, and last but by no means least much reference to the Austrian political situation at various key periods in the development of its film industry. The author has organized the telling of the story into seven chronologically based chapters, outlining over one hundred years of Austrian cinema, and it will make sense if I briefly summarize their content, the last chapter bringing us into an important and successful phase of Austrian cinema, Austrian cinema in the twenty-first century. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Representation of Forced Migration in the Feature Films of the Federal Republic of Germany, German Democratic Republic, and Polish People’s Republic (1945–1970) Permalink https://escholarship.org/uc/item/0hq1924k Author Zelechowski, Jamie Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Representation of Forced Migration in the Feature Films of the Federal Republic of Germany, German Democratic Republic, and Polish People’s Republic (1945–1970) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Germanic Languages by Jamie Leigh Zelechowski 2017 © Copyright by Jamie Leigh Zelechowski 2017 ABSTRACT OF THE DISSERTATION The Representation of Forced Migration in the Feature Films of the Federal Republic of Germany, German Democratic Republic, and Polish People’s Republic (1945–1970) by Jamie Leigh Zelechowski Doctor of Philosophy in Germanic Languages University of California, Los Angeles, 2017 Professor Todd S. Presner, Co-Chair Professor Roman Koropeckyj, Co-Chair My dissertation investigates the cinematic representation of forced migration (due to the border changes enacted by the Yalta and Potsdam conferences in 1945) in East Germany, West Germany, and Poland, from 1945–1970. My thesis is that, while the representations of these forced migrations appear infrequently in feature film during this period, they not only exist, but perform an important function in the establishment of foundational national narratives in the audiovisual sphere. Rather than declare the existence of some sort of visual taboo, I determine, firstly, why these images appear infrequently; secondly, how and to what purpose(s) existing representations are mobilized; and, thirdly, their relationship to popular and official discourses. -
July 2019 List
July 2019 Catalogue Issue 39 Prices valid until Wednesday 28 August 2019 unless stated otherwise Image taken from the cover of Linn 0115 982 7500 CKR467: Quartets and Concertos by JF Fasch performed by the Ensemble Marsyas (reissue) [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Clara Schumann has been posthumously enjoying a mini-revival of interest in her work this year, the 200th anniversary of her birth being just around the corner. We have seen around a dozen new releases this year (so far) that feature her music in some fashion - around double what we would usually see in an entire year. July is no exception, and it is especially pleasing to see a major label like Decca pick up on the celebrations, given their ability to expose their recordings to a slightly wider audience. Theirs is also one of the few discs that is devoted to her music alone, and features Isata Kanneh-Mason (sister of Sheku) playing the Piano Concerto alongside a selection of solo piano works and transcriptions. Also of note is a new disc from Avie that includes some of her songs, coupled with both of the Liederkreis cycles by her husband. We managed to get a sneak preview and can report that tenor Kyle Stegall is superb, beautifully accompanied by Eric Zivian on a period instrument. We are thoroughly looking forward to getting to know this repertoire better. Nicola Benedetti has returned to the studio for the first time in three years, having worked with Wynton Marsalis on the world premiere recording of his jazz-infused Violin Concerto. -
Austria Kultur International Jahrbuch Der Österreichischen Auslandskultur 2017
Austria Kultur International Jahrbuch der Österreichischen Auslandskultur 2017 Austria Kultur International Jahrbuch der Österreichischen Auslandskultur 2017 Austria Kultur International Jahrbuch der Österreichischen Auslandskultur 2017 Jutta Benzenberg, Junge in Adriatic City, Albanien Inhalt Die Österreichische Auslandskultur 2017 Karin Kneissl, Bundesministerin für Europa, Integration und Äußeres 11 Vorwort Teresa Indjein (BMEIA), Leiterin der Sektion für Kulturelle Auslandsbeziehungen 15 EUROPÄISCHE AUSLANDSKULTURPOLITIK: MÜHEN DER IMPLEMENTIERUNG VERSUS HERAUSFORDERUNGEN DER PRAXIS Actuatione des Comunicatione por EU internationale culturale relationes (Europanto)//Implementing the communication on culture in the external relations Diego Marani: Seniore Counsellero por culturale politica// Senior Advisor on Cultural Policy, European External Action Service 21 EUNIC-Pilotprojekt „Tfanen – Tunisie Créative“ – österreichische Auslandskultur im Rahmen einer zukunftsweisenden Partnerschaft Marion Kasten (BMEIA), Österreichische Botschaft Tunis 27 European Comics Festival 2017 in Rumänien: Konsequenzen und Chancen für die österreichisch-europäische Kulturpolitik in einer sich wandelnden Gesellschaft Elisabeth Marinkovic (BMEIA), ehem. Direktorin des Kulturforums Bukarest 33 DER AUSLANDSKULTUR-LÄNDERSCHWERPUNKT 2017 Das Kulturjahr Österreich – Kroatien 2017: Gemeinsam Kultur erleben. Eine intensive Freundschaft geprägt von Kreativität und Dialog Susanne Ranetzky (BMEIA), Direktorin des Kulturforums Zagreb 37 Das Kulturjahr Österreich-Kroatien -
Von Friedrich Schiller Zu Elfriede Jelineks Historischem Drama Burgtheater Pandaemonium Germanicum
Pandaemonium Germanicum. Revista de Estudos Germanísticos E-ISSN: 1982-8837 [email protected] Universidade de São Paulo Brasil Herzmann, Herbert Vom Theater als moralischer Anstalt zum Dichter als Gewissen der Nation oder: Von Friedrich Schiller zu Elfriede Jelineks historischem Drama Burgtheater Pandaemonium Germanicum. Revista de Estudos Germanísticos, núm. 9, 2005, pp. 155- 181 Universidade de São Paulo São Paulo, Brasil Erhältlich in: http://www.redalyc.org/articulo.oa?id=386641443009 Wie zitieren Komplette Ausgabe Wissenschaftliche Informationssystem Mehr informationen zum Artikel Netzwerk von wissenschaftliche Zeitschriften aus Lateinamerika, der Karibik, Spanien und Zeitschrift Homepage in redalyc.org Portugal Wissenschaftliche Non-Profit-Projekt, unter der Open-Access-Initiative 155 Pandaemonium germanicum 9/2005, germanicum 115-154 9/2005, 155-181 Pandaemonium Pandaemonium Vom Theater als moralischer Anstalt zum Dichter als Gewissen der Nation oder: Von Friedrich Schiller zu Elfriede Jelineks historis chem Drama Burgtheater Herbert Herzmann* Abstract: Although historic drama uses elements of reality it remains fiction. Literature ‘lies’, that is to say it creates its own truth and reality. The Vienna Burgtheater as a historic institution and as a place of dramatic fiction is the subject matter of Jelinek’s historic drama Burgtheater . Behind the highly articifial dramatis personae who speak an artificial language full of Nazi clichés one can easily recognize members of the Hörbiger family, a dynasty of Burgtheater actors. The argument that the Hörbigers have no reason to feel attacked be- cause the dramatis personae are clearly works of fiction and thus different from the real Hörbigers is not convincing. Jelinek appears to be serious when she insinuates in the play that members of the family, especially Käthe / Paula Wessely, share the responsibilty for the crimes committed by the Nazis. -
The Radical Progress of Queer Visibility in Weimar Film and the Inevitable Backlash That Followed
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 2019 A Glimpse of Casual Queerness: The Radical Progress of Queer Visibility in Weimar Film and the Inevitable Backlash That Followed Claire Colburn Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the English Language and Literature Commons Recommended Citation Colburn, Claire, "A Glimpse of Casual Queerness: The Radical Progress of Queer Visibility in Weimar Film and the Inevitable Backlash That Followed" (2019). Undergraduate Honors Thesis Collection. 469. https://digitalcommons.butler.edu/ugtheses/469 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. A Glimpse of Casual Queerness: The Radical Progress of Queer Visibility in Weimar Film and the Inevitable Backlash That Followed A Thesis Presented to the Department of English College of Liberal Arts and Sciences and The Honors Program of Butler University In Partial Fulfillment of the Requirements for Graduation Honors Claire Colburn May 10, 2019 Modern representations of Germany’s Jazz Age, such as the popular television series Babylon Berlin (dir. Tom Tykwer, 2017-2019), tend to characterize the interwar period as a chaotic expression of post-World War I anxiety. In retrospect, it can be temptingly easy to credit the changing political landscape and liberalization of German society between 1918 and 1933 as a brief but inherently doomed moment of progressivism that necessarily would give way to a strident, reactionary backlash. -
Kinderkino MUSEUMSPÄDAGOGIK | BIBLIOTHEK 2 INHALT
INSTITUT FILM MUSEUM 4 2008 goEast 8. Festival des mittel- und osteuropäischen Films AUSSTELLUNGEN | KINO Anime! | Frankfurter Positionen Nippon Connection – Retrospektive | Klassiker & Raritäten Zauber des Lebens – Jacques Demy | Dokumentarfilm & Gespräch CineLatino | Kino und Couch | Nacht der Museen | Kinderkino MUSEUMSPÄDAGOGIK | BIBLIOTHEK 2 INHALT 3 Editorial 20 Klassiker & Raritäten IMPRESSUM Dienstags, mittwochs und donners- 4 Anime! High Art – Pop Culture Programmheft April 2008 tags und in einer Sonntags-Matinee Sonderausstellung bis 3. August Deutsches Filminstitut / Deutsches Filmmuseum 23 Kino und Couch 2008 8 Nippon Connection – Retrospektive / Herausgeber: Deutsches Filminstitut – DIF e.V. Film und Gespräch am 17. April Anime! Schaumainkai 41, 60596 Frankfurt am Main zum Thema Kindheit Direktorin: Claudia Dillmann (V.i.S.d.P.) Filmreihe zur Sonderausstellung Stellvertretender Direktor: Hans-Peter Reichmann vom 4. bis 6. April 24 Zauber des Lebens – Jacques Demy Redaktion: Horst Martin Filmreihe vom 1. bis 10. April Lektorat: Katja Thorwarth 10 Paul Kemp Mitarbeit: Beate Dannhorn, Daniela Dietrich, Lisa Über den Nachlass des Komikers 26 CineLatino 9. Festival des Dressler, Natascha Gikas, Vanessa Grothaus, Winfried lateinamerikanischen Films 11 Nacht der Museen Günther, Monika Haas, Johannes Kamps, Ursula Kähler, Petra Kappler, Maja Keppler, Jürgen Kindlmann, 28 Dokumentarfilm & Gespräch 12 goEast – 8. Festival des mittel- und Susanne Neubronner, Jessica Niebel, Lena Pezzarossa, Veranstaltungsreihe startet am 29. April osteuropäischen Films, 9. bis 15. April Karin Schyle, Ulrike Stiefelmayer, Gary Vanisian Ausgewählte Filme im Deutschen 28 Angebote für Groß und Klein Grafik: conceptdesign, Offenbach Filmmuseum vom 11. bis 17. April Veranstaltungen der Museumspädagogik Druck: Central-Druck Trost GmbH & Co. KG, Heusenstamm 16 Kinderkino 30 Frankfurter Positionen: Leben erfinden Papier: Gedruckt auf Sorte Profisilk matt in 100 g freitags und sonntags Galerieausstellung und Filme ab 18.