Оñ‚о Ðÿñ€Ðµð¼ð¸Ð½ð´Ð¶Ñšñ€ Филм Ñ​пиÑ

Total Page:16

File Type:pdf, Size:1020Kb

Оñ‚о Ðÿñ€Ðµð¼ð¸Ð½ð´Ð¶Ñšñ€ Филм Ñ​Ð¿Ð¸Ñ ÐžÑ‚Ð¾ Преминджър Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Bunny Lake Is https://bg.listvote.com/lists/film/movies/bunny-lake-is-missing-1009708/actors Missing Carmen Jones https://bg.listvote.com/lists/film/movies/carmen-jones-1043659/actors The 13th Letter https://bg.listvote.com/lists/film/movies/the-13th-letter-1157113/actors Margin for Error https://bg.listvote.com/lists/film/movies/margin-for-error-1157114/actors Daisy Kenyon https://bg.listvote.com/lists/film/movies/daisy-kenyon-1157695/actors The Man with the https://bg.listvote.com/lists/film/movies/the-man-with-the-golden-arm-1195631/actors Golden Arm The Human Factor https://bg.listvote.com/lists/film/movies/the-human-factor-1199453/actors That Lady in Ermine https://bg.listvote.com/lists/film/movies/that-lady-in-ermine-1212630/actors Exodus https://bg.listvote.com/lists/film/movies/exodus-1355901/actors In Harm's Way https://bg.listvote.com/lists/film/movies/in-harm%27s-way-1362240/actors Where the Sidewalk https://bg.listvote.com/lists/film/movies/where-the-sidewalk-ends-1398816/actors Ends Rosebud https://bg.listvote.com/lists/film/movies/rosebud-1432500/actors River of No Return https://bg.listvote.com/lists/film/movies/river-of-no-return-1470997/actors Advise & Consent https://bg.listvote.com/lists/film/movies/advise-%26-consent-1631150/actors Such Good Friends https://bg.listvote.com/lists/film/movies/such-good-friends-1648111/actors A Royal Scandal https://bg.listvote.com/lists/film/movies/a-royal-scandal-1841091/actors In the Meantime, https://bg.listvote.com/lists/film/movies/in-the-meantime%2C-darling-1984979/actors Darling Danger – Love at https://bg.listvote.com/lists/film/movies/danger-%E2%80%93-love-at-work-2064708/actors Work Angel Face https://bg.listvote.com/lists/film/movies/angel-face-210590/actors Centennial Summer https://bg.listvote.com/lists/film/movies/centennial-summer-2469737/actors Tell Me That You Love Me, Junie https://bg.listvote.com/lists/film/movies/tell-me-that-you-love-me%2C-junie-moon-2478641/actors Moon Die große Liebe https://bg.listvote.com/lists/film/movies/die-gro%C3%9Fe-liebe-2800501/actors Fallen Angel https://bg.listvote.com/lists/film/movies/fallen-angel-301132/actors Hurry Sundown https://bg.listvote.com/lists/film/movies/hurry-sundown-3027830/actors Skidoo https://bg.listvote.com/lists/film/movies/skidoo-303456/actors Kidnapped https://bg.listvote.com/lists/film/movies/kidnapped-3226031/actors Whirlpool https://bg.listvote.com/lists/film/movies/whirlpool-3752169/actors Under Your Spell https://bg.listvote.com/lists/film/movies/under-your-spell-3952042/actors The Court-Martial of https://bg.listvote.com/lists/film/movies/the-court-martial-of-billy-mitchell-427534/actors Billy Mitchell Forever Amber https://bg.listvote.com/lists/film/movies/forever-amber-456822/actors Bonjour tristesse https://bg.listvote.com/lists/film/movies/bonjour-tristesse-511332/actors Die Jungfrau auf https://bg.listvote.com/lists/film/movies/die-jungfrau-auf-dem-dach-5274383/actors dem Dach Saint Joan https://bg.listvote.com/lists/film/movies/saint-joan-589555/actors The Fan https://bg.listvote.com/lists/film/movies/the-fan-729246/actors The Cardinal https://bg.listvote.com/lists/film/movies/the-cardinal-737065/actors Moonfleet https://bg.listvote.com/lists/film/movies/moonfleet-741686/actors The Moon Is Blue https://bg.listvote.com/lists/film/movies/the-moon-is-blue-939614/actors Порги и https://bg.listvote.com/lists/film/movies/%D0%BF%D0%BE%D1%80%D0%B3%D0%B8-%D0%B8- БеÑ​ %D0%B1%D0%B5%D1%81-374526/actors ÐÐ​ ½Ð°Ñ‚омиÑ​ https://bg.listvote.com/lists/film/movies/%D0%B0%D0%BD%D0%B0%D1%82%D0%BE%D0%BC%D0%B8%D1%8F- на едно %D0%BD%D0%B0-%D0%B5%D0%B4%D0%BD%D0%BE- убийÑÑ​ ‚во %D1%83%D0%B1%D0%B8%D0%B9%D1%81%D1%82%D0%B2%D0%BE-488376/actors Лора https://bg.listvote.com/lists/film/movies/%D0%BB%D0%BE%D1%80%D0%B0-976149/actors.
Recommended publications
  • Hoy En Soria Semanal Del 14 Al 20 De Enero
    Agenda de actividades en Soria Capital HOY EN SORIA SEMANAL DEL 14 AL 20 DE ENERO 2019 EVENTOS LUNES 14 DE ENERO DE 2019 CLUB DE LECTURA DE LOS LUNES Lugar: sección Local (2ª planta Biblioteca Pública de Soria) Hora: 19:30 horas Precio: gratuito Datos del evento: El club de lectura de los Lunes es un club de narrativa que se reúne quincenalmente en horario de tarde (19:30 h.) en la Sección Local (2ª Planta) de la Biblioteca de Soria. Un Club de Lectura es un grupo de personas que leen el mismo libro en casa y posteriormente se reúnen en la Biblioteca para comentarlo. La Biblioteca es la encargada de proponer los libros de lectura y facilitar un ejemplar a cada componente del club. Cada club tiene un máximo de 18 personas. CINE CLUB UNED-MIRADAS DE CINE- OTTO PREMINGER: “MARGEN DE ERROR” Lugar: Casa de la Tierra Hora: 20:00 horas Precio: gratuito Datos del evento: Moe Finkelstein es un policía judío de Brooklyn asignado para proteger el cónsul nazi Karl Baumer en Nueva York, antes de la Segunda Guerra Mundial. Baumer no es sólo un violento antisemita, pero es también un sinvergüenza, que desvía fondos del consulado alemán para un uso propio. Su perfidia es conocida por su mujer Sophie, que se casó con Baumer sólo para salvar a su familia de los campos de concentración, y por el asistente de Baumer, el Barón de Alvenstor. Por lo tanto, cuando Baumer es encontrado muerto, Sophie y el Barón son los primeros sospechosos del crimen. (FILMAFFINITY) MARTES 15 DE ENERO DE 2019 CICLO “ENERO ES PURO TEATRO”- RECITAL “PALABRA DE CORSARIO” Lugar: Hemeroteca de la Biblioteca Pública de Soria Hora: 19:00 horas Precio: gratuito, hasta completar aforo Datos del evento: Ciclo de teatro durante el mes de enero en la Biblioteca Pública.
    [Show full text]
  • Anatomia De Um Crime – 1959
    Anatomia de um crime – 1959 Título original: Anatomy of a Murder Realizador/Produtor: Otto Preminger Argumento: Adaptação do livro de Robert Traver - pseudónimo de J. D. Voelker, juiz do Supremo Tribunal do Michigan Actores principais: James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden; George C. Scott Música: Duke Ellington Local das filmagens: Michigan's Upper Peninsula Resumo P. Bigler, advogado de uma pequena cidade, solteirão e na fase descendente da carreira aceita defender Manion, official do exército, acusado do ter assassinado o proprietário de um bar local. Manion admite ter cometido o crime mas levado por um “impulso irresistível” logo após ter ouvido a confissão/juramento da mulher que fora vitima de violação pelo proprietário do bar. O argumento do “impulso irresistível” constituirá a peça principal da estratégica de defesa de P. Biegler, mas depara com a feroz oposição tanto do representante do Ministério Público local (prosecutor) como de um famoso colega de profissão junto do tribunal superior do respectivo círculo. O escândalo da linguagem relativa ao acto de violação e a música de Duke Ellington ajudaram à celebrização do filme que se tornou um clássico dos filmes habitualmente classificados como filmes de tribunal (trial films). Aliás, o filme ainda hoje é utilizado no apoio didáctico à cadeira de direito penal das faculdades de direito de quase todo o mundo. A crítica Intercourse. Contraceptive. Spermatogenesis. Sexual climax. Panties. These were not the sort of words movie theatre audiences were used to hearing on the screen in 1959 but director Otto Preminger changed all that with his controversial courtroom drama, Anatomy of a Murder.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Jack Oakie & Victoria Horne-Oakie Films
    JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives.
    [Show full text]
  • Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema
    Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema Asher Benjamin Guthertz Film and Digital Media March 23, 2018 Thesis Advisor: Dr. Shelley Stamp This thesis has been completed according to the Film and Digital Media department's standards for undergraduate theses. It is submitted in partial fulfillment of the degree of Bachelor of Arts in Film and Digital Media. Introduction: Performing Resistance In the sunny California town of Santa Lisa, amidst a round of applause, veteran Frank Enley (Van Heflin) hands his toddler to his wife and struts onto a makeshift stage. In front of a crowd gathered to celebrate the opening of a new housing complex, he declares: “It was you fellas, you and your families, that really put this thing over. You stuck together and you fought for what you wanted, and if I gave you any help at all, well believe me, I am very happy.” His wife, holding their young son, beams. Frank musters all the spirit of war time camaraderie, and expresses that American belief that with hard work and a communal effort, anything is possible. But as Act of Violence (1949) unfolds, Frank’s opening speech becomes sickeningly hypocritical. A former army comrade sets out to murder Frank, and halfway through the film, Frank tells his wife Edith (Janet Leigh) why. The revelation takes place on an outdoors stairway at night. The railing and fences draw deep angular shadows on the white walls, and the canted angles sharpen the lines of the stairs and floor. A sense of enclosure looms; Frank mutters that he betrayed his troop.
    [Show full text]
  • Preminger at Fox
    PREMINGER AT FOX tto Ludwig Preminger was born on Dec- stance, all five films have the look and feel of his name kind of gets lost in the shuffle, which ember 5, 1905. In his late teens, he was noir, they’re all very much of a piece and they’re is a shame, since he was a very talented com - Omentored by the legendary theatre direc - all brilliantly directed. poser. tor, Max Reinhardt, and then began his young life in the theater. In 1935 fate came calling in First up on CD 1 is Fallen Angel (1945), based No Preminger at Fox collection would be com - the person of producer Joseph Schenk, who, on the novel by Marty Holland (who turned out plete without the film that started it all – Laura , with his partner Daryl F. Zanuck, were looking to be Mary Holland). The film starred Dana An - Preminger’s 1944 classic. There’s really no need for new talent to bring to Twentieth Century-Fox. drews, Alice Faye, Linda Darnell and Charles to write about that film or score – its place in the The meeting obviously went well, since Pre - Bickford. Fallen Angel has all the classic noir in - pantheon of classic noir is no secret and the bril - minger was immediately signed to work for Fox. gredients – a down-at-the-heels drifter, a sultry liance of its David Raksin score has been written siren that men will do anything for, an innocent about many times – in fact, we refer you to Julie Thus began his tenure at the studio, where he nice girl, a tough cop, and various other arche - Kirgo’s excellent liner notes for our release of the directed some low budget features.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • Coronet 1956-1962
    AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA
    [Show full text]
  • British Film Institute Report & Financial Statements 2006
    British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.
    [Show full text]
  • Mayo Enlace Externo, Se Abre En Ventana Nueva
    F I L M O T E C A E S P A Ñ O L A Sede: C/ Magdalena nº 10 28012 Madrid Cine Doré Telf.: 91 4672600 c/ Santa Isabel, 3 Fax: 91 4672611 28012 Madrid [email protected] Telf.: 91 3691125 http://www.mcu.es/cine/MC/FE/index.html (taquilla) 91 369 2118 NIPO (publicación electrónica): 554-10-002-X (gerencia) Fax: 91 3691250 MINISTERIO DE CULTURA Precio: Normal: 2,50€ por sesión y sala 20,00€ abono de 10 PROGRAMACIÓN sesiones. Estudiante: 2,00€ por sesión y sala mayo 15,00€ abono de 10 sesiones. 2010 Horario de taquilla: 16.15 h. hasta 15 minutos después del comienzo de la última sesión. Venta anticipada: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. Horario de cafetería: 16.45 - 00.00 h. Tel.: 91 369 49 23 Horario de librería: 17.00 - 22.00 h. Tel.: 91 369 46 73 Lunes cerrado (*) Subtitulaje electrónico MAYO 2010 Otto Preminger Documenta Madrid 10: Hanns Eisler / Ben Russell / Alanis Obomsawin IX ImagineIndia Film Festival Homenaje a Cruz Delgado Cine para todos Henri Cartier-Bresson y la Guerra Civil Buzón de sugerencias Muestra de cortometrajes de la PNR Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las co pias que se e xhiben son l as de m ejor cal idad disponibles. Las d uraciones q ue figuran e n el programa son aproximadas. Los títu los originales d e las películas y lo s d e su distribución en Esp aña fig uran en neg rita.
    [Show full text]
  • Program JK Maj 2021.Indd
    програм Југословенска кинотека МАЈ 2021 Косовска 11, Сала Динко Туцаковић КЊИЖЕВНОСТ НА ФИЛМУ 2 – РЕПРИЗА СРЕДА 5. пројекција у 17.30 пројекција у 20.00 МАЈ ДР УБИТИ ПТИЦУ (ЈУГ, 1962) РУГАЛИЦУ .................................................................................... (САД, 1962) Улоге: Миливоје Живановић, To Kill a Mockingbird Мија Алексић .................................................................................... Режија: Софија Соја Јовановић Улоге: Грегори Пек (Gregory Peck), Џон Мења (John Megna) Режија: Роберт Малиган (Robert Mulligan) ЧЕТВРТАК 6. пројекција у 17.30 пројекција у 20.00 МАЈ РЕБЕКА ТРЕЈНСПОТИНГ (САД, 1940) (ВБ, 1996) Rebecca Trainspotting .................................................................................... .................................................................................... Улоге: Лоренс Оливије Улоге: Јуан Макгрегор (Laurence Olivier), (Ewan McGregor), Џоан Фонтејн (Joan Fontaine) Џони Ли Милер (Jonny Lee Miller) Режија: Алфред Хичкок Режија: Дени Бојл (Alfred Hitchcock) (Danny Boyle) ПЕТАК 7. пројекција у 17.30 пројекција у 20.00 МАЈ ОРКАНСКИ ВИСОВИ ЛОЛИТА (САД, 1939) (ВБ/САД, 1962) Wuthering Heights Lolita .................................................................................... .................................................................................... Улоге: Мерл Оберон Улоге: Џејмс Мејсон (Merle Oberon), Лоренс (James Mason), Шели Оливије (Laurence Olivier) Винтерс (Shelley Winters) Режија: Вилијам Вајлер Режија: Стенли Кјубрик (William Wyler)
    [Show full text]
  • Kenyon Collegian College Archives
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 9-16-1982 Kenyon Collegian - September 16, 1982 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - September 16, 1982" (1982). The Kenyon Collegian. 832. https://digital.kenyon.edu/collegian/832 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The CoilefiiainL Established &56 College, Gambier, Ohio 43022 Thursday, September 16, 1982 Volume CX, Number 1 Kenyon Assoc. Provost: Small Frosh Class Poses Little Problem of By Lynn Travers As these students found students do leave for all sorts of Architect only to afford A strong student retention rate, themselves able reasons." coupled with a healthy number of attending state universities, The majority of those who A Era Ivy-Leag- ue new transfer and returning students, Kushan feels, the changed their minds about coming went down waiting By Julia Marlowe has largely offset the smaller than schools their to Kenyon were women, a slight Joan Straumanis liked my analogy average size of the Freshman lists to fill out their Freshman reversal of the recent trend might about the architecture of Rouen, " class. While the class of 1986 is classes. These students towards an equal distribution of have attended colleges, France. In that ancient city, one 3 approximately 65 students smaller otherwise the sexes among the student body.
    [Show full text]