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Anatomia De Um Crime – 1959
Anatomia de um crime – 1959 Título original: Anatomy of a Murder Realizador/Produtor: Otto Preminger Argumento: Adaptação do livro de Robert Traver - pseudónimo de J. D. Voelker, juiz do Supremo Tribunal do Michigan Actores principais: James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden; George C. Scott Música: Duke Ellington Local das filmagens: Michigan's Upper Peninsula Resumo P. Bigler, advogado de uma pequena cidade, solteirão e na fase descendente da carreira aceita defender Manion, official do exército, acusado do ter assassinado o proprietário de um bar local. Manion admite ter cometido o crime mas levado por um “impulso irresistível” logo após ter ouvido a confissão/juramento da mulher que fora vitima de violação pelo proprietário do bar. O argumento do “impulso irresistível” constituirá a peça principal da estratégica de defesa de P. Biegler, mas depara com a feroz oposição tanto do representante do Ministério Público local (prosecutor) como de um famoso colega de profissão junto do tribunal superior do respectivo círculo. O escândalo da linguagem relativa ao acto de violação e a música de Duke Ellington ajudaram à celebrização do filme que se tornou um clássico dos filmes habitualmente classificados como filmes de tribunal (trial films). Aliás, o filme ainda hoje é utilizado no apoio didáctico à cadeira de direito penal das faculdades de direito de quase todo o mundo. A crítica Intercourse. Contraceptive. Spermatogenesis. Sexual climax. Panties. These were not the sort of words movie theatre audiences were used to hearing on the screen in 1959 but director Otto Preminger changed all that with his controversial courtroom drama, Anatomy of a Murder. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Ape Chronicles #035
For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional. -
Otto Preminger Jean-Pierre Lefebvre
Document généré le 26 sept. 2021 08:18 Séquences La revue de cinéma Réalisateur en vedette Otto Preminger Jean-Pierre Lefebvre Numéro 26, octobre 1961 URI : https://id.erudit.org/iderudit/52066ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Lefebvre, J.-P. (1961). Réalisateur en vedette : Otto Preminger. Séquences, (26), 31–31. Tous droits réservés © La revue Séquences Inc., 1961 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ réalisateur en vedette Certains vous diront qu'ils ne films, c'est-à dire par des histoires. croient pas au talent de Preminger; Et ces histoires je n'ai pas de règle d'autres, au contraire, affirmeront pour les choisir, mais je crois qu'el que ce que l'on pourrait appeler le les ont toutes, d equelque manière, fl "siyle" de Preminger, et qui est pré leur vérité." ) cisément une absence de stylisation, atteste le génie du réalisateur amé Preminger ne posera donc jamais ricain qui ne s'est pas confiné aux un problème — qu'il soit celui de Otto Prewnyer règles de grammaire mais s'est as la drogue (Man with the Golden suré — un peu à cause de ses anté Arm), celui de la justice (Anatomy cédents théâtraux — d'une maîtrise FILMOGRAPHIE DE PREMINGER of a Murder) ou celui de la race incomparable dans la mise en scè 1936 Under Your Spell juive (Exodus) — en termes de ne. -
(O Leque De Lady Windermere) / 1949 the 13TH LETTER
CINEMATECA PORTUGUESA–MUSEU DO CINEMA HISTÓRIAS DO CINEMA: CHRIS FUJIWARA / OTTO PREMINGER 22 a 26 de maio de 2017 SESSÕES-CONFERÊNCIA | APRESENTADAS E COMENTADAS POR CHRIS FUJIWARA, EM INGLÊS ALINHAMENTO DO PROGRAMA: THE FAN | THE 13TH LETTER | THE MOON IS BLUE | SKIDOO | SUCH GOOD FRIENDS segunda-feira, 22 de maio, 18h THE FAN / (O Leque de Lady Windermere) / 1949 Realização: Otto Preminger / Argumento: Walter Reisch, Dorothy Parker, Ross Evans, baSeado na peça de Oscar Wilde Lady Windermere’s Fan, adaptada para o cinema em 1925 por Ernest Lubitsch / Fotografia: JoSeph La Shelle / Direcção Artística: Lyle R. Wheeler, Leland Fuller / Montagem: Louis R. Loeffler / Música: Daniele Amfitheatrof / Figurinos: René Hubert, Charles Le Maire / Interpretação: Jeanne Crain (Lady Windermere), Madeleine Carroll (Sra. Erlynne), George Sanders (Lord Darlington), Richard Greene (Lord Windermere), Martita Hunt (Duquesa de Berwick), John Sutton (Cecil Graham), Hugh Dempser (Lord Augustus Lorton), Richard Ney (Mr. Hopper), Virginia McDowall (Lady Agatha), Hugh Murray (Dawson), Frank Elliott (o joalheiro), John Burton, Trevor Ward, Patricia Walker, etc. Produção: Otto Preminger, para a 20th Century Fox / Cópia: 35mm, preto e branco, legendada eletronicamente em portuguêS, 80 minutos / Estreia Mundial: Nova Iorque, 24 de Março de 1949 / Estreia em Portugal: Tivoli, em 10 de Abril de 1950. terça-feira, 23 de maio, 18h THE 13TH LETTER / (A Décima-Terceira Carta) / 1950 Realização: Otto Preminger / Argumento: Howard Koch, a partir de uma hiStória de LouiS Chavance, baSeada num facto real dos anos 20 e anteriormente adaptada para Le Corbeau (1943), de Henri-Georges Clouzot / Director de Fotografia: JoSeph LaShelle / Direcção Artística: Maurice Ransford, Lyle Wheeler / Cenários: Thomas Little, Walter M. -
Press Information February 2016 Partly Preminger Films by Otto
Press Information February 2016 In February, the Austrian Film Museum presents a retrospective dedicated to Otto Preminger and his contexts. At the same time, we are pleased to premiere a major archival project in a prominent framework: the Film Museum's new restoration of Robert Beavers' early masterpiece From the Notebook of… (1971) has been selected for the Forum Expanded section of the forthcoming Berlinale (February 11 to 21) – in glorious 35mm. The restoration of From the Notebook of… has been made possible thanks of the support of Markus Schleinzer within the framework of the fundraising project “50 Years of Film Preservation - 50 New Acquisitions”. Partly Preminger Films by Otto Preminger and others „Two things are magnificent here: the unique beauty of this country and the unbelievable organization of film production – the consummate silent interlocking of a thousand cogs and gears, technical perfection down to the smallest detail, and all of this without clamor or pathos. The artistic side is more dubious. Only a few here can truly make the films they want. Whether I will belong to them is still to be determined.“ (Otto Preminger, letter to Ferdinand Bruckner, April 23, 1936) Among the numerous Austrian exiles and émigrés who made film history in Hollywood, Otto Preminger (1905–1986) was one of the best-known – a trademark of sorts . Beginning with the film noir classic Laura (1944), he established himself at 20th Century Fox as a director of complex crime films (Fallen Angel, Whirlpool ) and modernist melodramas such as Daisy Kenyon , an astonishing Joan Crawford vehicle, before forming his own independent production company in 1953. -
BFI Annual Review 2007-2008 There’S More to Discover About Film and Television Through the BFI
BFI Annual Review 2007-2008 There’s more to discover about film and television through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning resources are here to inspire you. 2Front cover: BFIDracula Annual (1958) Review 2007-2008 Contents Chair’s Report 3 Director’s Report 7 About the BFI 11 Summary of the BFI’s achievements › National Archive 15 › International Focus for Exhibition 21 › Distribution to Digital 27 2007-2008 – How we did 33 Financial Review 35 Appendices 41 Front cover: Dracula (1958) BFI Annual Review 2007-2008 3 Chair’s Report From its origins in the nineteenth century, This is a significant achievement but it is not cinema became the most influential – and enough. The rapid development of digital pervasive – art-form of the twentieth century. technology means we now have the opportunity The subsequent near-universal adoption of to multiply our impact, and to provide every television in the second half of the last century British citizen, no matter where they live, with engrained the moving image in our daily lives. greater access to the national archive. This, in And today, with the spread of the internet and the turn, will enable a new generation not just to development of cheap recording equipment, the watch work from previous eras but to create new moving image is entering a new phase – one in work for themselves and the future. We have – which anyone can create moving images to record albeit in a largely opportunistic way – created a and share their understanding of the world. major digital presence through such things as the development of downloads, our Screenonline The BFI is at the centre of this world: resource, our filmographic database and our YouTube channel. -
Otto Preminger Jean-Pierre Lefebvre
Document generated on 09/28/2021 4:38 p.m. Séquences La revue de cinéma Réalisateur en vedette Otto Preminger Jean-Pierre Lefebvre Number 26, October 1961 URI: https://id.erudit.org/iderudit/52066ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Lefebvre, J.-P. (1961). Réalisateur en vedette : Otto Preminger. Séquences, (26), 31–31. Tous droits réservés © La revue Séquences Inc., 1961 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ réalisateur en vedette Certains vous diront qu'ils ne films, c'est-à dire par des histoires. croient pas au talent de Preminger; Et ces histoires je n'ai pas de règle d'autres, au contraire, affirmeront pour les choisir, mais je crois qu'el que ce que l'on pourrait appeler le les ont toutes, d equelque manière, fl "siyle" de Preminger, et qui est pré leur vérité." ) cisément une absence de stylisation, atteste le génie du réalisateur amé Preminger ne posera donc jamais ricain qui ne s'est pas confiné aux un problème — qu'il soit celui de Otto Prewnyer règles de grammaire mais s'est as la drogue (Man with the Golden suré — un peu à cause de ses anté Arm), celui de la justice (Anatomy cédents théâtraux — d'une maîtrise FILMOGRAPHIE DE PREMINGER of a Murder) ou celui de la race incomparable dans la mise en scè 1936 Under Your Spell juive (Exodus) — en termes de ne. -
Оñ‚о Ðÿñ€Ðµð¼ð¸Ð½ð´Ð¶Ñšñ€ Филм ÑпиÑ
Ото Преминджър Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Bunny Lake Is https://bg.listvote.com/lists/film/movies/bunny-lake-is-missing-1009708/actors Missing Carmen Jones https://bg.listvote.com/lists/film/movies/carmen-jones-1043659/actors The 13th Letter https://bg.listvote.com/lists/film/movies/the-13th-letter-1157113/actors Margin for Error https://bg.listvote.com/lists/film/movies/margin-for-error-1157114/actors Daisy Kenyon https://bg.listvote.com/lists/film/movies/daisy-kenyon-1157695/actors The Man with the https://bg.listvote.com/lists/film/movies/the-man-with-the-golden-arm-1195631/actors Golden Arm The Human Factor https://bg.listvote.com/lists/film/movies/the-human-factor-1199453/actors That Lady in Ermine https://bg.listvote.com/lists/film/movies/that-lady-in-ermine-1212630/actors Exodus https://bg.listvote.com/lists/film/movies/exodus-1355901/actors In Harm's Way https://bg.listvote.com/lists/film/movies/in-harm%27s-way-1362240/actors Where the Sidewalk https://bg.listvote.com/lists/film/movies/where-the-sidewalk-ends-1398816/actors Ends Rosebud https://bg.listvote.com/lists/film/movies/rosebud-1432500/actors River of No Return https://bg.listvote.com/lists/film/movies/river-of-no-return-1470997/actors Advise & Consent https://bg.listvote.com/lists/film/movies/advise-%26-consent-1631150/actors Such Good Friends https://bg.listvote.com/lists/film/movies/such-good-friends-1648111/actors A Royal Scandal https://bg.listvote.com/lists/film/movies/a-royal-scandal-1841091/actors In the Meantime, https://bg.listvote.com/lists/film/movies/in-the-meantime%2C-darling-1984979/actors -
The Film Noir Backlash in Hollywood by Paul Hantiuk
Cannibalizing The System: The Film Noir Backlash in Hollywood by Paul Hantiuk A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2012 © Paul Hantiuk 2012 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract The central goal of this thesis is to resituate the development of film noir within the context of the Hollywood studio system that created it. I argue that under the ‘factory’ conditions of the studio’s working environment, a distaste fermented from the screenwriter class that burrowed in the pulp fiction, particularly hard-boiled mystery fiction, of the era. This strain of literature was eventually coupled with the panache of Hollywood style to form a filmic style which was noteworthy for its ability to use Hollywood stylistics to screen a vision of life that was antithetical to that which the studio system wanted to offer to the mass public. I have also attempted to situate the original and most crystallized noir moment in the mid-1940s as part of the continuum of American cinema where the stylistic traces of noir were present prior to that period, and certainly after, but never more coherently than at that moment in the 1940s. I have assembled sources ranging from published interview collections, memoirs, biographies, film criticism and archival collections to develop my argument about the literary, filmic and cultural evolution of film noir in Hollywood.