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But from the Deck of the SS Cairnrona, Charles Chaplin Couldn't Spot Much Land
More than a day had gone by since the passengers had heard the cry of "Land Ho!," but from the deck of the SS Cairnrona, Charles Chaplin couldn't spot much land. Newfoundland was shrouded in thick fog. The gray rock formations that now and then jutted into view suggested a sparsely inhabited landscape, and the Canadian mainland, which came in sight some hours later, looked largely deserted. When the fog lifted, he saw only Québec's endless salt marshes stretching out ahead. Was this the New World, about which other performers in Fred Karno's vaudeville company had told such jaw-dropping stories? For months, Chaplin had hoped that the "guv'nor" of the English music hall would bring him along on the American tour, but now that he'd reached the last stage of the journey, he had to admit it was not as he'd imagined. Chaplin's thoughts strayed to Hetty Kelly, the girl with whom he'd spent a romantic afternoon in 1908. She had been on his mind ever since. He'd run into her by chance in London—how long ago was that? A few weeks, a month? They hadn't had much time. The next day she was leaving for France, she told him, to stay with her sister, who was married to an American multimillionaire. "Now tell me something about yourself," Hetty hastened to ask, embarrassed by Chaplin's disappointed look. "There's very little to tell," he replied. "I'm still doing the same old grind, trying to be funny. -
Nothing Is Impossible
Nothing is Impossible. Autobiography of William Hamilton Robertson (Known as Wullie, Scottie, Ginger, Sparks and Bill) Ballenbreich by Avonbridge, Falkirk Me my mum and Fred Explanation about Fred KARNO who I refer to in this book. Frederick John Westcott (26 March 1866 – 18 September 1941), best known by his stage name Fred Karno, was a theatre impresario of the British music hall. Karno is credited with inventing the custard-pie-in –the-face gag. During the 1890s, in order to circumvent stage censorship, Karno developed a form of sketch comedy without dialogue. Cheeky authority defying playlets such as “Jail Birds” (1896) in which prisoners play tricks on warders and “Early Birds” (1903) where a small man defeats a large ruffian in London’s East End can be seen as precursors of movie silent comedy. In fact, among the young comedians who worked for him were Charlie Chaplin and Arthur Jefferson, who later adopted the name of Stan Laurel. These were part of what was known as “Fred Karno’s Army”, a phrase still occasionally used in the U.K. to refer to a chaotic group or organisation. The phrase was also adopted by British solders into a trench song in the First World War, as a parody of, or rather to the tune of, the hymn “The Church’s One Foundation”. In the Second World War it was adapted as the anthem of “The Guinea Pig Club”, the first line becoming ”We are McIndoe’s Army”. The men, having their burnt faces etc. rebuilt, by the Famous Plastic Surgeon Mr. -
Hampton Village Consultation Material
Hampton Village INTRODUCTION TO VILLAGE PLANNING GUIDANCE FOR HAMPTON What is Village Planning Guidance? How can I get involved? London Borough of Richmond upon Thames (LBRuT) wants residents and businesses to help prepare ‘Village Planning There will be two different stages of engagement and consultation Guidance’ for the Hampton Village area. This will be a before the guidance is adopted. document that the Council considers when deciding on planning During February and March residents and businesses are being asked applications. Village Planning Guidance can: about their vision for the future of their area, thinking about: • Help to identify what the ‘local character’ of your area is and • the local character what features need to be retained. • heritage assets • Help protect and enhance the local character of your area, • improvement opportunities for specific sites or areas particularly if it is not a designated ‘Conservation Area’. • other planning policy or general village plan issues • Establish key design principles that new development should respond to. Draft guidance will be developed over the summer based on your views and a formal (statutory) consultation carried out in late The boundary has been based on the Village Plan area to reflect summer/autumn 2016 before adoption later in the year. the views of where people live, as well as practical considerations to support the local interpretation of planning policy. How does Village Planning Guidance work? How does the ‘Village Planning Guidance’ relate to Village Plans? The Village Planning Guidance will become a formal planning policy ‘Supplementary Planning Document’ (SPD) which The Planning Guidance builds on the ‘Village Plans’ which were the Council will take account of when deciding on planning developed from the 2010 ‘All in One’ survey results, and from ongoing applications, so it will influence developers and householders consultation, including through the engagement events currently in preparing plans and designs. -
Ostend and Zeebrugge, April 23
mr /. s J !!!'ii'> -;:a fit;:? i|i!|!i- mt mm::- 6 c y^c Y^ cs^ "L^t-^^i^^ ^OSTEND AND ZEEBRUGGE APRIL 23: MAY 10, 1918 Z^t 2Dtspatcl)es OF VICE-ADMIRAL SIR ROGER KEYES, K.C.B., K.C.V.O. And other Narratives of the Operations EDITED BY C. SANFORD TERRY, Litt.D. BURNETl-FLETCHER PROFESSOR OF HISTORY IN THE UNIVERSITY OF ABERDEEN OXFORD UNIVERSITY PRESS LONDON EDINBURGH GLASGOW NEW YORK TORONTO MELBOURNE CAPE TOWN BOMBAY HUMPHREY MILFORD 1919 f^ •NOTE The publication of Sir Eoger Keyes's Dispatches of May 9 and June 15, 1918, at length affords an authentic record, by its organizer and leader, of an achievement which a French Admiral has characterized as ' the finest feat ot arms in the naval history of all times and all countries '. As a story of pure gallantry, it may be, the Dispatches do not add to the information already accessible. But they correct many glaring current inaccuracies, based on irre- sponsible statements and incomplete knowledge. Above all, they present us for the first time with an authentic exposition of the purpose and tactics of the operations, and permit us to view their incidents in proper perspective. For the first time, too, we realize the magnitude of the design, its colossal intricacy, its patient weaving. Narratives of both Raids were issued through the Press Bureau on April 26 and May 15, 1918. Having regard to their medium of publication, but on that' ground alone, these articles, written by an exceedingly competent and well-informed journalist, may be described as official. -
Desk-Based Assessment Report
Asgill Lodge, Old Palace Road, Richmond, London Borough of Richmond An Archaeological Desk-Based Assessment For Mr and Mrs Reid by Steve Preston Thames Valley Archaeological Services Ltd Site Code ALR07/144 November 2007 Summary Site name: Asgill Lodge, Old Palace Road, Richmond Grid reference: TQ 1750 7490 Site activity: Desk-based assessment Project manager: Steve Ford Site supervisor: Steve Preston Site code: ALR07/144 Area of site: Summary of results: The site lies in an area of very considerable general and specific archaeological potential. The general potential springs from its location on the Thames in an area likely to have been favoured by prehistoric settlement, the specific potential relates to its location on or very near the sites of the medieval Sheen Manor House, Sheen Palace and Richmond Palace or their gardens/outbuildings. This report may be copied for bona fide research or planning purposes without the explicit permission of the copyright holder Report edited/checked by: Steve Ford9 26.11.07 i Thames Valley Archaeological Services Ltd, 47–49 De Beauvoir Road, Reading RG1 5NR Tel. (0118) 926 0552; Fax (0118) 926 0553; email [email protected]; website : www.tvas.co.uk Asgill Lodge, Old Palace Lane, Richmond, London Borough of Richmond Upon Thames An Archaeological Desk-Based Assessment by Steve Preston Report 07/144 Introduction This desk-based study is an assessment of the archaeological potential of a plot of land located at Asgill Lodge, Old Palace Lane, Richmond, London Borough of Richmond Upon Thames (Fig. 1). The project was commissioned by Mr Iain Sherman, of Walters and Cohen, 2 Wilkin Street, London, NW5 3NL on behalf of Mr and Mrs Reid and comprises the first stage of a process to determine the presence/absence, extent, character, quality and date of any archaeological remains which may be affected by redevelopment of the area. -
An In-Depth Look at Chaplin's Mutual Comedies by Jeffrey
An In-Depth Look at Chaplin’s Mutual Comedies By Jeffrey Vance, film historian The Floorwalker (Released: May 15, 1916) Embezzlement is the subject of The Floorwalker, Chaplin’s first film under his landmark contract with Lone Star-Mutual. Chaplin’s inspiration for the film came while he and his brother Sydney were in New York City negotiating his contract with Mutual. While walking up Sixth Avenue at Thirty-third Street, Chaplin saw a man fall down an escalator serving the adjacent elevated train station and at once realized the comic possibilities of a moving staircase. He asked his technical director, Ed Brewer, to design and construct an escalator in a department store set designed by art director and master of properties George “Scotty” Cleethorpe (who had worked for Chaplin at Essanay). “With a bare notion I would order sets, and during the building of them the art director would come to me for details, and I would bluff and give them particulars about where I wanted doors and archways.” Chaplin wrote in his autobiography, “In this desperate way I started many a comedy.” (18) After seeing The Floorwalker, Mack Sennett commented, “Why the hell didn’t we ever think of a running staircase?” (19) The Floorwalker has none of the pathos, romance, or irony of the best Chaplin Mutuals. The crudeness and cruelty of his earlier films is still evident in The Floorwalker, although the film contains a stronger plot than most of his previous films, and the moving-staircase chase was novel for 1916. A glimpse of Chaplin’s evolution to a more graceful type of screen comedy is evident in Charlie’s dance when he discovers the valise of stolen money and dives into the bag. -
Cl Granada, S
Preliminary Reading - Charlie Chaplin's Early Life Read the text about Charlie Chaplin's early life and answer the true/false questions below. He was believed to have been born on April 16, 1889. There is some doubt whether April 16 is actually his birthday, and it is possible he was not born in 1889. There is also uncertainty about his birthplace: London or Fontainebleau, France. There is no doubt, however, as to his parentage: he was born to Charles Chaplin, Sr. and Hannah Harriette Hill (aka Lily Harley on stage), both Music Hall entertainers. His parents separated soon after his birth, leaving him in the care of his increasingly unstable mother. In 1896, Chaplin's mother was unable to find work; Charlie and his older half-brother Sydney Chaplin had to be left in the workhouse at Lambeth, moving after several weeks to Hanwell School for Orphans and Destitute Children. His father died an alcoholic when Charlie was 12, and his mother suffered a mental breakdown, and was eventually admitted temporarily to the Cane Hill Asylum at Coulsdon (near Croydon). She died in 1928 in the United States, two years after coming to the States to live with Chaplin, by then a commercial success. Charlie first took to the stage when, aged five, he performed in Music Hall in 1894, standing in for his mother. As a child, he was confined to a bed for weeks due to a serious illness, and, at night, his mother would sit at the window and act out what was going on outside. -
Impressionism in London 1
ART HISTORY REVEALED Dr. Laurence Shafe This course is an eclectic wander through art history. It consists of twenty two-hour talks starting in September 2018 and the topics are largely taken from exhibitions held in London during 2018. The aim is not to provide a guide to the exhibition but to use it as a starting point to discuss the topics raised and to show the major art works. An exhibition often contains 100 to 200 art works but in each two-hour talk I will focus on the 20 to 30 major works and I will often add works not shown in the exhibition to illustrate a point. References and Copyright • The talks are given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • The notes are based on information found on the public websites of Wikipedia, Tate, National Gallery, Oxford Dictionary of National Biography, Khan Academy and the Art Story. • If a talk uses information from specific books, websites or articles these are referenced at the beginning of each talk and in the ‘References’ section of the relevant page. The talks that are based on an exhibition use the booklets and book associated with the exhibition. • Where possible images and information are taken from Wikipedia under 1 an Attribution-Share Alike Creative Commons License. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 ART HISTORY REVEALED 1. Impressionism in London 1. -
Newsletter 19 June 2011
Newsletter 19 June 2011 Membership Renewal to work in circuses. In between engagements he and other performers busked on the London Membership renewal forms were sent out in streets and one of his favourite spots was March, prior to the AGM. If you have not yet Molesey Lock, which was always crowded with renewed your membership, you will have boats on sunny weekends. He saw the received a note with this newsletter to say that magnificent houseboats moored across the it will lapse at the end of June. You will then water and he vowed then that when he became cease to receive newsletters and other rich he would have a houseboat on Tagg’s communications. We do hope you find Island. something of interest in our programme and decide to join us for another year. His career took off when a troupe known as The Three Carnos failed to turn up at a London ‘We are Fred Karno’s Army’ theatre, and Fred and two friends did an act in Ron Smedley their stead. This was so successful that they Meeting Report by Graham Driver were kept on, and Fred adopted the act as his own, taking the name Fred Karno. Soon he began producing his own shows, and he proved an astute judge of talent in recruiting artists for his troupe. Many famous comedians started their careers working for Fred Karno. Names such as Charlie Chaplin, Stan Laurel, Will Hay, Max Miller, Harry Lauder and the Crazy Gang evoked many memories for the AGM audience. Fred became a rich man and in 1903 was able to buy the houseboat ‘Highland Lassie’ on Tagg’s Island. -
Comprising Hurst Park, Hurst Meadows and Little Hurst Meadows) in East Molesey, Elmbridge, Surrey, on the Commons Register
Friends of Molesey Hurst C/o 25 Garrick’s Ait Hampton on Thames TW12 2EW www.friendsofmoleseyhurst.org.uk [email protected] Surrey County Council Commons Registration County Hall Kingston Surrey 7th October 2011 Application to put Molesey Hurst (comprising Hurst Park, Hurst Meadows and Little Hurst Meadows) in East Molesey, Elmbridge, Surrey, on the Commons Register For the attention of Ms Helen Gilbert and County Council members of the Planning and Regulatory Committee An American poet on the commons of England I like your name; I like the way you keep Old thorns and brambles, broom and golden furze, And little footpaths, and your villagers, And woodbine bowers that are cool and deep. I like your prams where rosy children sleep; Your sand heaps and your tangled weeds and burs, Your skylarks, and all life that in you stirs, And all the lovely clouds that o’er you sweep. I like the way men use you, lying prone Upon your turf, or at some merry game Of ball, or taking kindly in your name The right of freemen. You have ever known The joy of life; the spirit of the free, And as you are so may you ever be. Ingram Crockett Published in the Journal of the Commons, Open Spaces and Footpaths Preservation Society 1927(1) Dear sirs, Please find herewith our application for commons registration of Molesey Hurst, East Molesey, Elmbridge, Surrey, comprising: 1. This document, to accompany Form 44 2. Evidence questionnaires from local residents and users of the area (re Section 7) 3. Documentation on ownership of some of the land in question (re Section 8) 4. -
Motor Launches
Motor Launches The engine room of a motor launch Motor Launches were a product of the war, designed to meet the demand for higher numbers of vessels to sufficiently protect the UK coastline. They were high speed, hardy, simple, and effective. This article explores their origins, construction, and some of their stories. This article has been researched and written by MAT volunteer Andrew Daw. Research Report Forgotten Wrecks of the First World War During the Maritime Archaeology Trust’s Heritage Lottery funded Forgotten Wrecks of the First World War project, scores of volunteers undertook online research into vessels that were lost off the south coast of England during the First World War. Their findings were used to populate the project database and contributed to Site Reports. Both are publicly available via the Forgotten Wrecks website. This Research Report was undertaken by one of our volunteers and represents many hours of hard and diligent work. We would like to take this opportunity to thank all our amazing volunteers. Every effort has been made to trace the copyright holders and obtain permission to reproduc this material. Please do get in touch with any enquiries or any information relating to any images or the rights holder. The Story of His Majesty’s Motor Launches From http://navymuseum.co.nz/worldwar1/ The Beginning By early 1915, it was becoming clear that the naval war was not just about large fleets of capital ships and the potential for climatic battles across the waters of the North Sea, the Atlantic or the South Western Approaches. The advent of the submarine and its naturally covert deployment brought naval warfare to the coastal waters of Great Britain, threatening ports, seaways, local traffic and the economic issues of inter‐port transport and fishing. -
Newsletter 37 October 2016
Newsletter 37 October 2016 Forthcoming Events: Molesey Boat Club – 150th Anniversary Wednesday 9 November 2016, 8pm, Graburn Way Barge Walk, East Molesey KT8 9AJ Illustrated talks on the history and achievements of Molesey Boat Club - all welcome, cash bar - From working class to gentleman Boat design and construction development Early personalities - Club history and development Medal winners Regatta Magical Molesey Wednesday 7 December 2016, 5 – 7 pm Once again Tudor & Co are hosting the Society for the annual Walton Road Christmas celebration. We shall be showing displays on the 150th Anniversary of Molesey Boat Club and we hope you will pop in and see us for a chat and some Christmas cheer. AGM The Power of Beauty in Restoration England: The Windsor & Hampton Court Beauties– Talk by Laurence Shafe Wednesday 1 February, 8 pm St Lawrence School, Church Road, KT8 9DR We will keep the business of the AGM as brief as possible and it will be followed by a talk by Laurence Shafe: It is 1660, the English Civil War is over and the experiment with the Commonwealth has left the country confused. When Charles II was invited back to England as King he brought new French styles and sexual conduct with him. In particular, he introduced the French idea of the publically accepted mistress. Beautiful women who could attract the eye of the king could become his mistress and influence appointments at Court and political debate. The new freedoms introduced by the Reformation Court spread through society. Women could act for the first time, write books and one was the first British scientist.