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Somebody Told Me You Died
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Somebody Told Me You Died Barry E. Maxwell Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Nonfiction Commons Let us know how access to this document benefits ou.y Recommended Citation Maxwell, Barry E., "Somebody Told Me You Died" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11606. https://scholarworks.umt.edu/etd/11606 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. SOMEBODY TOLD ME YOU DIED By BARRY EUGENE MAXWELL Associate of Arts in Creative Writing, Austin Community College, Austin, TX, 2015 Bachelor of Arts with Honors, The University of Texas at Austin, Austin, TX, 2017 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Nonfiction The University of Montana Missoula, MT May 2020 Approved by: Scott Whittenburg Dean of The Graduate School Judy Blunt Director, Creative Writing Department of English Kathleen Kane Department of English Mary-Ann Bowman Department of Social Work Maxwell, Barry, Master of Fine Arts, Spring 2020 Creative Writing, Nonfiction Somebody Told Me You Died Chairperson: Judy Blunt Somebody Told Me You Died is a sampling of works exploring the author’s transition from “normal” life to homelessness, his adaptations to that world and its ways, and his eventual efforts to return from it. -
Jovanotti È Un Personaggio Colorato, Vitale, Prezioso Di Spunti E Sollecitazioni Anche Per Chi Non Dovesse Immedesimarsi Del Tutto Nel Suo Linguaggio
5 Prefazione L’idea della Zanichelli di affidare un robusto Dizionario del Pop-Rock a due dei no- stri più appassionati e colti critici musicali, Enzo Gentile e Alberto Tonti, ripercor- rendo decenni e decenni di storia della musica leggera nelle sue varie forme ed evo- luzioni, è un segnale importante per diversi motivi. Primo fra tutti quello di ferma- re una memoria storica che ci aiuta a comprendere l’evoluzione della società dal do- poguerra ad oggi. Sì, perché la Musica è la colonna sonora del tempo, degli umori degli anni, degli ideali di un periodo, della malinconia, degli entusiasmi o della rab- bia della società nel suo procedere. Voglio dire che si può perfettamente compren- dere lo stato d’animo di un popolo attraverso la colonna sonora che lo sta accom- pagnando in quel preciso momento storico. La Musica, dalla metà degli anni ’50 in poi, attraverso straordinari artisti ha suggerito mode, ha capovolto comportamen- ti. È stata la bandiera, grazie a molti brani, di lotte politiche, di battaglie civili, di poesie di protesta, di confessioni dolenti ma anche di esaltazione collettiva. Blues, Soul, Pop, Rock, Techno e tanti altri stili, fino ad arrivare alle più interessanti ricer- che sonore che partono da Brian Eno fino a Sylvian, Fripp e Scott Walker, sono le spericolate mutazioni di un’arte in perenne trasformazione che ascolta le pulsazio- ni della vita che corre. Per questo credo che un dizionario serio del Pop-Rock sia stato non solo un atto culturale indispensabile, ma un risarcimento, grazie alla cul- tura dei due autori e dei loro sensibili collaboratori, per tanti artisti a torto consi- derati minori e qui finalmente rivalutati e segnalati per il loro talento non ricono- sciuto tempestivamente. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 1-22-1981 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1981). The George-Anne. 924. https://digitalcommons.georgiasouthern.edu/george-anne/924 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Hostages move out. Reagan settles in The GEORGE-ANNE Volume 61, No. 9 Georgia Southern College Statesboro, Georgia January 22, 1981 University status formula approved By SALLY SCHERER "It would take us five years future," said Charles because 18 and 19 year olds and I'm sure enrollment is to develop high quality The state Board of to reach 7,500 full-time Austin, vice president for aren't available and we're not the absolute criteria." programs, good students Regents approved a students and I'm probably academic affairs, "there are riding out the baby boom." Austin feels that the will be attracted." formula in their December being optimistic." too many things working The new regulation funding of GSC is the most Cook, who was on the meeting that will allow Throughout the entire against it." Austin cited takes nothing into con- critical factor in terms of task force that approved the senior colleges to reach university system, the total population decrease and sideration except en- the future and reaching requirement, said, "I didn't university status only if growth records for fall inflation as. -
April 19, 1974
Hope College Hope College Digital Commons The Anchor: 1974 The Anchor: 1970-1979 4-19-1974 The Anchor, Volume 86.22: April 19, 1974 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1974 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 86.22: April 19, 1974" (1974). The Anchor: 1974. Paper 10. https://digitalcommons.hope.edu/anchor_1974/10 Published in: The Anchor, Volume 86, Issue 22, April 19, 1974. Copyright © 1974 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1970-1979 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1974 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. DeYoung discusses self-governance by Robert Ei kert DeYoung commented that Hope structure as allowing a large de- will contribute to the "quality of tion by stating, "All things con- has been moving in the direction gree of self-governance, but ac- life." sidered, how many people will Vice-President for Student Af- of self-governance, but that "there ceded that "maybe it is time to WHEN ASKED to comment on care enough to take in their own fairs Robert DeYoung expressed is evidence that people living in try something more elaborate." the notion that dorm rights and hands the need to govern the hall support for the concept of self- residence halls aren't willing to THE PROPOSAL for self- privileges should match those in in such a way that it will provide governance, but disapproval for spend the time necessary to regu- governance as passed CLB was an apartment or house, DeYoung the best thing for you and for the Campus Life Board's version late their own affairs." met with disfavor by DeYoung said, "A dorm is not the same as Hope College?" in an interview Wednesday. -
Steve Smith Biography 2020 Steve Smith's Drumming, While Always
Steve Smith Biography 2020 Steve Smith's drumming, while always decidedly modern, can best be described as a style that embodies the history of U.S. music. Originally drawn to the drums by hearing marching bands in parades as a child in his native Massachusetts, Smith began studying the drums at age nine, in 1963. After high school, Smith studied in Boston at the Berklee College of Music from 1972-76, where he had private lessons with both Gary Chaffee and Alan Dawson. His original love of rudimental parade band drumming is evident in his intricate solos. Likewise, his command of jazz, from New Orleans music, swing, big band, bebop, avant-garde to fusion, plus his rock drumming sensibilities and knowledge of rhythms from India allow him to push the boundaries of all styles to new heights. In 1976, Smith began his association with jazz-fusion by joining violinist Jean-Luc Ponty's group and recording the 1977 landmark fusion album Enigmatic Ocean. It was while touring with rocker Ronnie Montrose a year later that Smith was asked to join the popular rock band Journey which brought his playing to the attention of a rock audience. With Journey, Smith toured the world and recorded numerous successful albums including the immensely popular Escape (which includes the ubiquitous hit song “Don’t Stop Believin’”) and Frontiers, both of which garnered the band many Top 40 hits. Journey’s albums have sold in excess of 75 million copies worldwide to date. In 1985 Smith left Journey to pursue his original passion, jazz, and to continue his developing career as a session player, bandleader and educator. -
'Echoes in the Night' • Convention Merchandise
‘Echoes in the Night’ • convention merchandise Prices in Euros • cash only, please ‘Echoes in the Night’ convention tee-shirt by Schwebebahn artist, Holger 18 Weber: ‘Sixteen Vestal Virgins’ (designed and made in Wuppertal) Procol Harum tour tee-shirt: ‘Perpetual Motion’ 10 Procol Harum tour tee-shirt: ‘Grand Hotel’ top hat design 10 5 Euros each Brooker / Reid: ‘Procol Rarum’ tee-shirt when bought Tee-shirts Tee-shirts with full-price Procol Harum tee-shirt: cartoon of the band by ‘Cookie’ tee-shirt The Ghosts of A Whiter Shade of Pale : 5-star hardback Procol Harum biography 20 by Henry Scott-Irvine The Waiter Brought a Tray – popular Procol concert memoir Books 10 by George Lovell I’m Coming Home DVD: The Paramounts live in Southend, 2005 (NTSC) 10 I’m Coming Home DVD: The Paramounts live in Southend, 2005 (PAL) 10 All This and More : Procol Harum Box Set: 3 CDS, 1 DVD, many rarities and live 20 tracks, 15,000-word book inside The Secrets of the Hive – Procol Harum ‘best of’ 2 CD set on Salvo Records 10 Shine on Brightly re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 A Salty Dog re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Home reissued, re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Broken Barricades re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Live in Edmonton re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Grand Hotel re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Exotic Birds and Fruit re-mastered, lavish artwork, bonus tracks (Salvo Records) -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland -
Smash Hits Volume 50
OCTOBER 30 NOVEMBER 12 1980 tstti: TErrar5 HAZEL O'CONNOR AQAM & THE ANTS ORCHESTRAL MANOEUVRES & STATUS QUO IN COLOUR - ^gW^**^Oct. 30-Nov. 121980 Vol. 2 No. 22 THE TIDE IS HIGH Blondie 2 TOWERS OF LONDON XTC 5 DANCING WITH MYSELF Generation X S GENTLEMEN TAKE POLAROIDS Japan 8 ONE MAN WOMAN Sheena Easton 11 GIVE ME AN INCH Hazel O'Connor 18 LA-DI-DA Sad Cafe 21 IN MY STREET The Chords 24/25 LET ME TALK Earth Wind & Fire 27 I NEED YOUR LOVIN' Teena Marie 30 ALL OUT OF LOVE Air Supply 30 PASSING STRANGERS Ultravox 35 The Tide Is High HEROES The Stranglers 39 WHOSE PROBLEM Motels 42 Blondie FASHION David Bowie 51 on Chrysalis Records JAPAN: Feature 6/7/8 HAZEL O'CONNOR: Feature 16/17/18 STATUS QUO: Colour Poster 28/29 &KS2ES3S—-— ADAM & THE ANTS: Feature 40/41 O.M.I.T.D.: Colour Poster 52 BITZ 13/14/15 BIRO BUDDIES 22&34 CARTOON 22 MADNESS COMPETITION 24 DISCO 27 Repeat chorus CROSSWORD 31 REVIEWS 32/33 WHITESNAKE COMPETITION 34 rl antSVO,Jtob STAR TEASER 36 IutHf'' t «herrnan FACT IS 43 INDEPENDENT BITZ 44 LETTERS 47/48 BADGE OFFER 48 GIGZ 50 chorus Repeat Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr 9" 1 nts you to be Fred Dellar hw •"" STKiBut I II artT Advertisement w my deaf David Hepworlh Manager Mike Stand m V Rod Sopp m the kinda Kelly Pike ' ^ •* who aive" u ju« J Hk. th.t. (Tel: 01-439 8801) Jill Furmanovsky oh no Design Editor Assistant Steve Bush Steve Taylor Adie Hegarty 'roduction Editor Editorial Consultant Publisher Kasperde Graaf Nick Logan Peter Strong to fade Repeat chorus Editorial and Advertising address: Smash Hits, 52-55 Carnaby Street, London W1V 1PF. -
Chansons Francaises
CHANSONS FRANCAISES 1 A La Campagne Benabar 70 Cette année là Claude Francois 2 A la queue leu leu Bézu 71 Chanson pour l'Auvergnat Georges Brassens 3 à ma place (duo) Zazie / Bauer 72 Chante Michel Fugain 4 à nos actes manqués JJ Goldman-Fredericks-Jones 73 Charlie t'iras pas au paradis Gilbert Bécaud 5 A nous Robin des Bois 74 Coeur De Loup Philippe Lafontaine 6 A Paris Yves Montand 75 Color Gitano Kendji Girac 7 A toi Joe Dassin 76 Comme des enfants Coeur de pirate 8 a toutes les filles (avec chant) didier barbelivien 77 Comme d'habitude Michel Sardou 9 Adieu Coeur de pirate 78 Comme ils disent Charles Aznavour 10 Adieu Jolie Candy C Jerome 79 Comme un garçon Sylvie Vartan 11 Africa Rose Laurens 80 Comme un roc Nediya 12 Aimer a perdre la raison Jean Ferrat 81 Confidence pour confidence Jean Schulteiss 13 Aimer jusqu'à l'impossible Tina Arena 82 Couleur menthe à l'eau Eddy Mitchell 14 Alexandrie, Alexandra Claude Francois 83 Count Basie (Lil' Darlin') Henri Salvador 15 Aline Christophe 84 Coup de boule La Plage 16 Allo Maman Bobo Alain Souchon 85 Cupidon s'en fout Georges Brassens 17 Allumer le feu (chanté) Johnny Hallyday 86 Dallas Générique TV 18 Alors regarde (Live) Patrick Bruel 87 D'amour et d'amitié Céline Dion 19 Amants de St Jean Patrick Bruel 88 Dans I'eau de fa Claire fontaine Georges Brassens 20 Amsterdam Jacques Brel 89 Dans les yeux d'Emilie Joe Dassin 21 Andalouse Kenjdi Girac 90 Dans un vieux rock'n roll William Sheller 22 Antisocial TRUST 91 Debout Les Gars Hugues Aufray 23 Armstrong Claude Nougaro 92 délivrée, Libérée