Proceedings of the Hawaiian Academy of Science
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Festschrift:Experimenting with Research: Kenneth Mees, Eastman
Science Museum Group Journal Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Journal ISSN number: 2054-5770 This article was written by Jeffrey Sturchio 04-08-2020 Cite as 10.15180; 201311 Research Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Published in Spring 2020, Issue 13 Article DOI: http://dx.doi.org/10.15180/201311 Abstract Early industrial research laboratories were closely tied to the needs of business, a point that emerges strikingly in the case of Eastman Kodak, where the principles laid down by George Eastman and Kenneth Mees before the First World War continued to govern research until well after the Second World War. But industrial research is also a gamble involving decisions over which projects should be pursued and which should be dropped. Ultimately Kodak evolved a conservative management culture, one that responded sluggishly to new opportunities and failed to adapt rapidly enough to market realities. In a classic case of the ‘innovator’s dilemma’, Kodak continued to bet on its dominance in an increasingly outmoded technology, with disastrous consequences. Component DOI: http://dx.doi.org/10.15180/201311/001 Keywords Industrial R&D, Eastman Kodak Research Laboratories, Eastman Kodak Company, George Eastman, Charles Edward Kenneth Mees, Carl Duisberg, silver halide photography, digital photography, Xerox, Polaroid, Robert Bud Author's note This paper is based on a study undertaken in 1985 for the R&D Pioneers Conference at the Hagley Museum and Library in Wilmington, Delaware (see footnote 1), which has remained unpublished until now. I thank David Hounshell for the invitation to contribute to the conference and my fellow conferees and colleagues at the University of Pennsylvania for many informative and stimulating conversations about the history of industrial research. -
The Development and Growth of British Photographic Manufacturing and Retailing 1839-1914
The development and growth of British photographic manufacturing and retailing 1839-1914 Michael Pritchard Submitted for the degree of Doctor of Philosophy Department of Imaging and Communication Design Faculty of Art and Design De Montfort University Leicester, UK March 2010 Abstract This study presents a new perspective on British photography through an examination of the manufacturing and retailing of photographic equipment and sensitised materials between 1839 and 1914. This is contextualised around the demand for photography from studio photographers, amateurs and the snapshotter. It notes that an understanding of the photographic image cannot be achieved without this as it directly affected how, why and by whom photographs were made. Individual chapters examine how the manufacturing and retailing of photographic goods was initiated by philosophical instrument makers, opticians and chemists from 1839 to the early 1850s; the growth of specialised photographic manufacturers and retailers; and the dramatic expansion in their number in response to the demands of a mass market for photography from the late1870s. The research discusses the role of technological change within photography and the size of the market. It identifies the late 1880s to early 1900s as the key period when new methods of marketing and retailing photographic goods were introduced to target growing numbers of snapshotters. Particular attention is paid to the role of Kodak in Britain from 1885 as a manufacturer and retailer. A substantial body of newly discovered data is presented in a chronological narrative. In the absence of any substantive prior work this thesis adopts an empirical approach firmly rooted in the photographic periodicals and primary sources of the period. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
HBN Spring 2005
VOLUME 6 SPRING 2005 NUMBER 2 COME CELEBRATE AT BRIGHTON TOWN HALL, APRIL 12, 7:15 PM THE BICENTENNIAL OF EAST A VENUE, 1805-2005 Corinthian capital, George Eastman House. Clara Drescher Baird alights from a Cunningham limousine in front of the Drescher house at 2615 East Ave. in Brighton,1920s. When the road that became East Ave. was named in 1847) west of Culver Rd. had been blazed in 1805, it was called River Road and annexed by the city. The final bite came a cen- 1 located entirely in the township of Northfield. tury ago as residents of Brighton Village, the By 1814, Northfield was divided into Brighton town center at East Ave. and Winton Rd., voted and Pittsford, and the road, now called Pittsford to become part of the city sewer district. Ac- Street, was entirely in Brighton. With the build- cording to former city historian Joseph W. Barnes, ing of the Erie Canal aqueduct and the canal “the Brighton cesspools had grown more obnox- reaching Rochester in 1823, the village crossed ious in direct proportion to the increase in popu- the Genesee River and annexed 157 acres of lation and threatened the quality of well water.” Brighton to Chestnut Street. In 1826, Rochester After a bitter political battle, and a 85 to 84 pressed deeper into Brighton to Union St. and in vote, Cobbs Hill and Brighton Village became 1834, to Goodman St. By 1874, East Ave. (so the 21st Ward of Rochester in 1905. Brighton Hall on East Ave., Brighton Village in 1936,and Brighton Presbyterian Church backs up to the Erie Canal. -
River Campus Colleges Teaching
mation officer at Rochester included not only the prepar ation of news and feature material for local and national press, radio, and television media, but also the writing and editing of a vast array of publications, ranging from the perennial catalogues to special brochures on the Un iversity's rapidly expanding activities. During that period Charlie brought to his demanding post the skill and ver satility of a seasoned newspaperman (he had served on the old Rochester Herald, the Rochester Democrat and Chronicle, and the Rochester Times-Union). He brought as well a ready wit, a genuine interest in students and in their teachers, and a rare devotion to his university. Despite his heavy professional burdens he found time for numerous campus activities. Oldtimers will remem his issue of Rochester Review is dedicated to the late ber his performance as Androcles in Shaw's Androcle'S TCharles F. Cole, '25, director of public information and the Lion; alumni of more recent vintage will recall at the University since 1943, editor of the Review from his work in the Co-Kast production of Guys and Dolls. 1946 to 1959, and, since that time, the Review's con Through the years he and his wife, the former Jean sulting editor. He died August 12, 1964 in Strong Mem Masters, '25, were familiar figures at major UR functions. orial Hospital. Their son, Michael, was graduated from Rochester in Charlie Cole was known to thousands of UR people 1959; in that year also Charlie was awarded an Alumni -as a prime interpreter of his university and its activ Citation to Faculty for "outstanding contributions to ities .. -
Dr. C. E. Kenneth Mees: an Address to the Senior Staff of the Kodak
Dr. C. E. Kenneth .Mees AN ADDRESS TO THE SENIOR STAFF OF THE Kodak Research Laboratories NOVEMBER 9, 1955 PRINTED BY PHOTOLITHOGRAPHY IN THE KODAK RESEAR C H LABORATORIES ROCHESTER, N.Y. Copyright 1956 by C. E. Kenneth Mees. All rights reserved. No part of this book may be reproduced in any form u·ithout the written permission of Doctor Mee .~. PRINTED IN THE UNITED STATES OF AMERICA ea.' MYSE~F AND MY JOURNEY DOWN THE RIVER OF TIME 44 Years Spent with the Kodak Company and 54 Years Spent on the Study of Photography HEN you come to the turning point in a road, it Wis natural to look back to observe the path by which you've come and, if you're asked to talk at that time, to talk about the experiences you have had in getting there. And so when Dr. Staud told me that he would like to have a meeting of the Scientific Committee of the Laboratories at which I could talk to them for a little time, it seemed to me that the best subject I could choose would be myself and the history of the Laboratory in relation to the work that I have done. So I'm going today to try and tell you about my journey to the point which I have now reached, where it is time for me to go, and the time that I have spent in the Eastman Kodak Company forty-four years of it-and the time that I have spent on the study of photography-fifty-four years of it. -
Contribution of the European Kodak Research Laboratories to Innovation Strategy at Eastman Kodak
Contribution of the European Kodak Research Laboratories to Innovation Strategy at Eastman Kodak Nicolas Le Guern Submitted for the degree of Doctor of Philosophy Photographic History Research Centre Faculty of Art, Design and Humanities De Montfort University Leicester, UK January 2017 1 In memory of Professors Bernard Leblanc and Jacques Desautels 2 Abstract This study provides a new understanding of the nature of Eastman Kodak Research. The thesis considers the European context between 1891 and 1912, before the creation of the first Kodak Research Laboratory in 1912 at Rochester, New York, and between 1928 and 1950 with the opening of two additional Research Laboratories in the United Kingdom and in France. It sheds light on the technological and organisational relationship between the main Kodak Research Laboratory in Rochester and the later, related, Kodak Research Laboratories in Europe. Analysis of publications from numerous independent photochemists demonstrates that industrial secrecy during the interwar years limited the sharing of scientific knowledge and delayed developments in photographic science. The first Kodak Research Laboratory was created in Rochester in 1912 to address this issue internally. Its first director, Kenneth Mees, developed an innovative organisational model which combined fundamental and applied research in order to protect scientific facts about the photographic process that were discovered in-house and to create the appropriate preconditions for the development of new and marketable products. Qualitative analysis of unpublished research reports stresses the multi-faceted nature of the photographic research undertaken at the Harrow Research Laboratory from 1929 onwards. It shows that the British Laboratory was open to external sources of scientific knowledge and innovative technologies. -
CHARLES EDWARD KENNETH MEES May 26,1882-August 15,1960
NATIONAL ACADEMY OF SCIENCES C H A R L E S E D W ARD KENNETH M EES 1882—1960 A Biographical Memoir by HA N S T . C LARKE Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1971 NATIONAL ACADEMY OF SCIENCES WASHINGTON D.C. CHARLES EDWARD KENNETH MEES May 26,1882-August 15,1960 BY HANS T. CLARKE RIOR TO THE INTRODUCTION of commercial photographic dry Pplates in 1877, and for many years thereafter, little attention was devoted to the nature of the photographic process. Abney had in 1874 studied the quantitative relationships between ex- posure to light, development, and the deposition of metallic silver from its bromide, but scant notice was taken of his find- ings. The significant contributions to the theory of photography made by Hurter and Driffield in 1890 were likewise long ne- glected. It was well into the present century when C. E. K. Mees and his school friend S. E. Sheppard revived the subject in a fruitful association, ended only by death, dedicated to re- search and development in the whole field. Kenneth Mees was born in England on May 26, 1882, at Wellingborough, Northamptonshire. His father was a Wes- leyan minister descended from a long line of clergymen of that denomination. As clerics of that church were customarily transferred to other pastorates every three years, the child's early development lacked firm roots outside his immediate family. By the time he was ten he had lived successively in Ipswich, Colchester, Hythe, and Barnet. -
Kodak Historical Collection #003
Kodak Historical Collection #003 This finding aid was produced using ArchivesSpace on September 28, 2021. English Describing Archives: A Content Standard Rare Books, Special Collections, and Preservation, River Campus Libraries, University of Rochester Rush Rhees Library Second Floor, Room 225 Rochester, NY 14627-0055 [email protected] URL: https://www.library.rochester.edu/spaces/rbscp Kodak Historical Collection #003 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Contents note ............................................................................................................................... 3 Arrangement note ........................................................................................................................................... 4 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 7 Series 1. Speeches -
Fifty Years of Photographic Research C. E. Kenneth Mees
IMAGE Journal of Photography of the George Eastman House Vol. III, No. 8 NOVEMBER, 1954 FIFTY YEARS OF PHOTOGRAPHIC RESEARCH C. E. KENNETH MEES This is a copy of the talk given by Dr. Mees at the dinner given in his honor at the Franklin Institute in Philadelphia on the occasion of his being presented with the Franklin Medal, October 20th, 1954. The citation which accompanies the presentation of the Franklin Medal this evening states that the medal is awarded for contributions to the scientific knowledge of the photographic process and for the development of a labora tory resulting in new photographic products. It seems to me that you might be interested in knowing how I came to devote myself to the study of the science of photography and to the direction of a laboratory of industrial research in the field of photography. In 1900 I went to University College, London, as a student of chemistry under that great teacher and discoverer, Sir William Ramsay. I had come from a technical school, St. Dunstan's College, Catford, and another St. Dunstan's student and friend, S. E. Sheppard, had come with me. As Sheppard and I traveled together to University College, we discussed the work that was going on around us in the Copyright 1954 by The George Eastman House, Inc. laboratory and the advances being made in physical chem could achieve. Professor Ramsay was enthusiastic about istry. For some time I had been interested in photography. such a program, and he arranged for Sheppard and me to I had started to take photographs because I was unable to start work on the subject and to present the work to the draw, and I wanted to illustrate in my notebooks the chem University of London in the form of theses as part of the ical apparatus that I was using. -
Built Great Industry from Pastime; Made Wealth Serve World
Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Id listen to the popular anisic Better Made es Paper rancy of the Here, therefore, was day. While, through Mr. Eastman's Mr. Eastman's instructions in a for show place already provided efforts, tremendous advances had later years, in what a the new motion wealth specifying ing novelty, pic been made in the simplification and Great Made from World trade word must on a Serve were not but Built that it tures screen, in what be, Pastime; betterment of making Industry negative has three His mother's became the 1 as necessary qualifications: was known as the Kinetoscope. The negatives were made on kitchen he would failure met him at material, there had been no ad greatest enterprises, acquired an first Kodak Research New Product Succeeds "It must be short, euphonious, and One dropped a nickel into the slot what are known as wet plates. Laboratory. every turn. He was baffled at every vancement (except for the bromide enormous personal fortune, dls and looked a In It he delved deeper into move. To man meaningless." through peep-hole, These had to be freshly sensitized, the| the young whose The next step was the stripping enlarging paper) in that end of tributed the greater part of that his contribu and there were the wonderful mo and the ex of experi outlook had been so "Kodak," personal in the dark of course, mysteries photography, bright but a film. This was a big move for the business which involved the fortune In a way to make It per and all this at tion to the world of trade-marks, tion pictures, made while the were mented, planned; few weeks before, it was a near ward so far as was con enlarged slightly of the The MADE same posure plates quality making prints. -
Eastman-Butterfield Collection
eastman-butterfield_collection This finding aid was produced using ArchivesSpace on October 01, 2021. English. Describing Archives: A Content Standard Rare Books, Special Collections, and Preservation, River Campus Libraries, University of Rochester Rush Rhees Library Second Floor, Room 225 Rochester, NY 14627-0055 [email protected] URL: https://www.library.rochester.edu/spaces/rbscp eastman-butterfield_collection Table of Contents Summary Information .................................................................................................................................... 3 Scope and Contents note ............................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Series I: Notebooks ..................................................................................................................................... 6 Series II: Interview notes