The Renaissance in Florence & Tuscany
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The Master of the Unruly Children and His Artistic and Creative Identities
The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works. -
Elenco Manoscritti
Elenco Manoscritti Bibl. Nazionale 1 FRONTINI.= De Re Militari in cambio del 259 2 Ricordanze di Neri di Bicci dipintore, da Biblioteca 1453-1475 Strozzi 3 ADRIANO Marcello Juniore = De Categoria 4 S.S. PATRUM = Opuscolo D. Augusti et Bibl. Nazionale Hyaronimi. Come sopra 5 VACCA FLAMINIO = Antichità di Roma da Biblioteca Strozzi 6 Epitaffio et elogia (Cod. Cartaceo del sec. XVI) 7 Inscriptiones Romanae (2 voll.) da Biblioteca Strozzi 8 Trattato sopra i nomi dalle Tribù da Biblioteca Strozzi 9 BOCCHI = Sulle opere di Andrea del Sarto da Biblioteca Strozzi (Borghini invenzione della cupola) 10 VASARI = Alcuni disegni di macchine, da Biblioteca Statuti della Accademia del Strozzi Disegno...(1584) 11 Ragionamento con Francesco de' Medici da Biblioteca Strozzi sopra le pitture di Palazzo Vecchio.... (Del Vasari) 12 STROZZI = Iscrizioni antiche da Biblioteca Strozzi ? 13 NORIS = Epistolae e studi diversi (Cod. del XVII sec.) 14 Medaglie d'oro della serie Imperiale. 15 Tavole di pittura e sculture egregio. 16 PANETALIO, P. = Trattato della pittura del Lomazzo. da Biblioteca Strozzi 17 MIRABELLA = Medaglie consolari. da Biblioteca 18 Erudizione orientale di numismatica. Strozzi 19 BACINI lasciati per legato alla Casa Medici.... 20 BIANCHI = Descrizione dalla R. Galleria 21 BIANCHI = Catalogo della Imperial Galleria di Firenze. 22 COCCHI = Studi diversi di antiquaria. 23 " = Notizie sopra alcune medaglie 24 " = Indice di Medaglie per classi (5 filze) 25 PELLI BENCIVENNI = Notizie della R. Galleria 26 Studi degli antiquari Bassetti, Querci e Pelli. 27 LANZI = Miscellanea (4 volumi) 28 LANZI = Repertorivm earum ..Inscriptiones pert.. 29 LANZI = Repertorio di Medaglie consolari... 30 LANZI = Repertorium de caracteribus 31 LANZI = Repertorio di antichità figurate. -
The Best of Renaissance Florence April 28 – May 6, 2019
Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies. -
Gardens of Genoa, the Italian Riviera & Florence
American Horticultural Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS American Horticultural Society Announcing an 7931 East Boulevard Drive Alexandria, VA 22308 American Horticultural www.ahsgardening.org/travel Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS Designed with the connoisseur of garden travel in mind, GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE the American Horticultural Society Travel Study Program Join us for unforgettable experiences including: offers exceptional itineraries that include many exclusive • Boboli Gardens, created by Cosimo I de’ Medici experiences and unique insights. Your participation benefits the work of the American Horticultural Society • Museum of the Park – the International Centre and furthers our vision of “Making America a Nation of of Open-Air Sculpture, an open air “botanical art Gardeners, a Land of Gardens.” gallery” • Uffizi Gallery, with work by masters including Botticelli, Michelangelo, da Vinci and Raphael • Villa Gamberaia and many other villas and palaces with wonderfully designed and tended gardens • The Italian city of Genoa, with its restored waterfront; Santa Margherita and Portofino, with their colorful charm; and Florence, the beloved Renaissance city Look inside for more details about this remarkable program… Please refer to the enclosed reservation form for pricing and instructions to reserve your place on this AHS Travel Study Program tour. For more information about AHS Travel Study Program tours, please contact development@ahsgardening. -
Florence Florence Can Boast Many Histories – Artistic, Financial, Religious, the Central Point of the City’S Political and Cultural Development
AGENZIA PER IL TURISMO FIRENZE florence Florence can boast many histories – artistic, financial, religious, the central point of the city’s political and cultural development. cultural, political. These are so rich that it is impossible to sum By virtue of its geographic position and social climate, Florence them up in a few short lines. One word, however, has always dis- exercised a function of equilibrium in the history and art of the pe- tinguished the city in the eyes of the world: the Renaissance. riod known as the Renaissance. After various vicissitudes involving the Florentine Republic and history Medici restorations, another historic era started for Florence in a brief 1530 with the establishment of the Grand Duchy of Tuscany. The The early Etruscan settlements sprang up on the hill of Fiesole, power of the city grew, reaching a peak with the defeat of arch-ri- while the Romans established themselves (in 59 BC) on the plain val Siena in 1555. The House of the Medici died out in the 18th around the Arno. The Forum of Roman Florentia was situated where century, giving way to the rule of the Habsburg-Lorraine, under Piazza della Republica stands today, and the inner circle of walls whom Florence also conquered Lucca (1847). Finally, the Duchy ran along today’s Via Tornabuoni, Via Cerretani and Via del Pro- entered the Kingdom of Italy in 1859 following a plebiscite. consolo. Florence was the capital of unified Italy from 1865 to 1870, dur- Miniato and Reparata were the first patron saints of Florence, ing which time Giuseppe Poggi produced an urban planning proj- which became an episcopal see in the 4th century. -
Welcome Pitcher & Flaccomio Picks for August
WELCOME During July the streets of Florence have been scorching and August promises more of the same. So stay inside the museums and churches, drink lots of water, and in the evening head out for dinner under the stars. With best summer wishes from SUZANNE, CORSO, BEI, LESLIE, VANNI, ANNA PIA, RAFFAELLA, AND MARISA. PITCHER & FLACCOMIO PICKS FOR AUGUST BEST EVENT FOR AUGUST: SUMMER SEASON OF PERFORMANCES AT THE BARGELLO Text by Mary Gray from The Florentine Magazine “Estate al Bargello returns: Plays, dance performances and concerts in museum courtyard. Estate al Bargello is the umbrella title for 21 shows staged by the theatre group Compagnia Lombardi- Tiezzi, the Florence Dance Festival and the Orchestra da Camera Fiorentina. Festival organizers are the Ministero dei beni e delle attività, the Bargello Museum, the Tuscan Region, and the City of Florence's Estate Fiorentina committee, with sponsorship by the Fondazione Cassa di Risparmio di Firenze and additional support from the Banca CR Firenze. Start times and ticket prices vary, and both the Orchestra da Camera Fiorentina (tel. 055.783374; [email protected]) and Florence Dance Festival (tel. 055.289276; [email protected]) have special offers available for those interested in attending multiple shows. View additional information and showtimes on the Compagnia Lombardi-Tiezzi, Florence Dance Festival, and Orchestra da Camera Fiorentina websites.” P&F RENTAL PICK FOR AUGUST: A HILLSIDE HOME WITH A POOL SURROUNDED BY OLIVE TREES The hillside home is surrounded by olive trees, 4 km from the town of Bagno a Ripoli and 6 km to Viale Europa in Florence, where supermarkets, banking, general shopping, dry cleaners, post office, etc. -
Insider's Florence
Insider’s Florence Explore the birthplace of the Renaissance November 8 - 15, 2014 Book Today! SmithsonianJourneys.org • 1.877.338.8687 Insider’s Florence Overview Florence is a wealth of Renaissance treasures, yet many of its riches elude all but the most experienced travelers. During this exclusive tour, Smithsonian Journey’s Resident Expert and popular art historian Elaine Ruffolo takes you behind the scenes to discover the city’s hidden gems. You’ll enjoy special access at some of Florence’s most celebrated sites during private after-hours visits and gain insight from local experts, curators, and museum directors. Learn about restoration issues with a conservator in the Uffizi’s lab, take tea with a principessa after a private viewing of her art collection, and meet with artisans practicing their ages-old art forms. During a special day in the countryside, you’ll also go behind the scenes to explore lovely villas and gardens once owned by members of the Medici family. Plus, enjoy time on your own to explore the city’s remarkable piazzas, restaurants, and other museums. This distinctive journey offers first time and returning visitors a chance to delve deeper into the arts and treasures of Florence. Smithsonian Expert Elaine Ruffolo November 8 - 15, 2014 For popular leader Elaine Ruffolo, Florence offers boundless opportunities to study and share the finest artistic achievements of the Renaissance. Having made her home in this splendid city, she serves as Resident Director for the Smithsonian’s popular Florence programs. She holds a Master’s degree in art history from Syracuse University and serves as a lecturer and field trip coordinator for the Syracuse University’s program in Italy. -
Museo Di Palazzo Davanzati
Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze collana diretta da Antonio Paolucci 29 Museo di Palazzo Davanzati Guida alla visita del museo a cura di Rosanna Caterina Proto Pisani e Maria Grazia Vaccari Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze Musei del Collezionismo storico Museums of Historical Collecting Museo di Palazzo Davanzati Sotto l’Alto Patronato del Presidente della Repubblica / Under the High Patronage of the President of the Italian Republic Con il patrocinio di / Under the sponsorship of Ministero per i Beni e le Attività Culturali Enti promotori / Promoted by Ente Cassa di Risparmio di Firenze Regione Toscana Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze In collaborazione con / In collaboration with Direzione Regionale per i Beni Culturali e Paesaggistici della Toscana Comune di Firenze Realizzazione / Production Ente Cassa di Risparmio di Firenze – Ufficio Progetti Culturali motu proprio Supervisione generale / General supervision Antonio Gherdovich Coordinamento generale e di progetto / General and project coordination Marcella Antonini e Barbara Tosti Segreteria scientifica / Secretary Paola Petrosino Comitato Scientifico / Committee of Experts Presidente / President Antonio Paolucci Cristina Acidini Luchinat, Kirsten Aschengreen Piacenti, Rosanna Caterina Proto Pisani, Cristina -
Rome Festive Welcome Dinner with Drinks and Music!
FRA NOI’S TREASURE HUNT OF ROME AND FLORENCE October 16-25, 2015 OCTOBER 16 (depart from US) OCTOBER 17 – ROME FESTIVE WELCOME DINNER WITH DRINKS AND MUSIC! OCTOBER 18 – ROME Morning: Our adventure starts at the foot of the Capitoline Hill, the site of major temples in ancient Roman times. From the back of the Capitoline we have a great overview of the Roman Forum, the political heart of ancient Rome. Then it’s on to the Colosseum, where our reserved tickets allow us to bypass lines. Afternoon: We begin our afternoon at the Pantheon, the best preserved of all imperial Roman buildings. From there, we walk to the Trevi Fountain, and on our way back we can stop to admire the spectacular ceiling paintings in the churches of San’t Ignazio and Il Gesù. OCTOBER 19 - ROME Morning: The bus leaves us near the entrance to the piazza in front of St. Peter’s Basilica. We walk across the piazza, enter the world’s largest church, and take a turn around the enormous interior, viewing Michelangelo’s Pietà and the two great Bernini altars: the Baldachino and the Chair of Peter. From there we walk past Castel Sant’ Angelo, originally the tomb of the emperor Hadrian, and across the Ponte Sant’ Angelo, lined with Bernini statues nicknamed “Bernini’s Breezy Maniacs,” due to their wind-blown appearance. Afternoon: We explore the Catacombs of Priscilla, among the oldest of Rome’s underground cemeteries used by the city’s early Christians. OCTOBER 20 – ROME/SORRENTO Morning: We start our day at Villa Borghese. -
Art As Power: the Medici Family As Magi in The
ART AS POWER The Medici Family as Magi in the Fifteenth Century The Medici family of the Italian Renaissance were portrayed in works by Benozzo Gozzoli and Sandro Botticelli as Magi, the venerated figures from the new testament who were the first gentiles to recognize Jesus’ divinity. In doing so, the family transformed their desire for power into the physical realm and blurred the boundary between politics and religion. By Janna Adelstein Vanderbilt University n the middle of fifteenth-century Florence, the Medici it the Virgin Mary after the birth of her son, Jesus Christ. were at the height of their power and influence. Lead Often, the Medici would commission the artist to present by the great Cosimo, this family of bankers resided in various family members as the Magi themselves, melding Ithe heart of the city. Their unparalleled financial and soci- religious history and their contemporary world. This bib- etal status was measured in part by a consistent devotion to lical trio was held in high esteem by the family due to the the arts. This patronage is appraised through the Medicis’ family’s involvement in the confraternity the Compagnia close relationships with their favorite artists, such as Ben- de’ Magi, which was dedicated to the group. I will argue in ozzo Gozzoli and Sandro Botticelli, who often lived in the this paper that through an analysis of paintings in which Palazzo de Medici and enjoyed personal relationships with the family is depicted as these biblical figures and the Medi- members of the family. As was customary for art of the time, cis’ involvement in the Compagnia de’ Magi, we can begin many of the works commissioned by the family featured the to uncover why Cosimo desired to align himself with the biblical trio of the Magi, who were the first people to vis- Magi, and the political consequences of such a parallel. -
Benozzo Gozzoli, Florentine School
THE J. PAUL GETTY MUSEUM LIBRARY Digitized by the Internet Archive in 2016 https://archive.org/details/benozzogozzoliflOOunse : MASTERS IN ART BRAUN’S ^m^jffllu9tratEd-iIipnojarapl)3 CARBON PRINTS Among the artists to be considered during the current, 1905, Volume may be mentioned Fra Filippo Lippi, Sir Henry Rae- burn, Claude Lorrain, Memlinc, and Verrocchio. The num- FINEST AND MOST DURABLE 1 bers of 4 Masters in Art which have already appeared in 1905 are IMPORTED WORKS OF ART Part 61, JANUARY WATTS Part 62, FEBRUARY . PALMA VECCHIO Part 63, MARCH MADAME VIGEE LE BRUN NE HUNDRED THOUSAND direct Part 64, APRIL MANTEGNA Part 65, MAY . CHARDIN ^^reproductions from the original paintings Part 66, JUNE . BENOZZO GOZZOLI and drawings by old and modern masters in the PART 67 , THE ISSUE FOR galleries of Amsterdam, Antwerp, Berlin, Dres- fuly den, Florence, Haarlem, Hague, London, Ma- WILL TREAT OF drid, Milan, Paris, St. Petersburg, Rome, g>tcrn Venice, Vienna, Windsor, and others. 3lan Special Terms to Schools. NUMBERS ISSUED IN PREVIOUS VOLUMES OF ‘MASTERS IN ART’ BRAUN, CLEMENT & CO. VOL. 1. VOL. 2. 249 Fifth Avenue, corner 28th Street Part 1 —VAN DYCK Part 13. —RUBENS Part 2 —TITIAN Part 14- —DA VINCI NEW YORK CITY Part 3 — VELASQUEZ Part I 5- — DURER Part 4 — HOLBEIN Part 16. — MICHELANGELO* Part 5 — BOTTICELLI Part 17. — MI CHELANGELOf Part 6 —REMBRANDT Part 18. —COROT Part 7 —REYNOLDS Part 19- —BURNE-JONES Part 8 — MILLET Part 20. —TER BORCH Part 9 — GIO. BELLINI Part 21. —DELLA ROBBIA Part 10 —MURILLO Part 22. —DEL SARTO Part 11 —HALS Part 21- —GAINSBOROUGH Part 12 —RAPHAEL Part 24. -
Inter Cultural Studies of Architecture (ICSA) in Rome 2019
Intercultural Understanding, 2019, volume 9, pages 30-38 Inter Cultural Studies of Architecture (ICSA) in Rome 2019 A general exchange agreement between Mukogawa Women’s University (MWU) and Bahçeúehir㻌 University (BAU) was signed㻌 on December 8, 2008. According to this agreement, 11 Japanese second-year master’s degree students majoring in architecture visited Italy from February 19, 2019, to March 2, 2019. The purpose of “Intercultural Studies of Architecture (ICSA) in Rome” program is to gain a deeper understanding of western architecture and art. Italy is a country well known for its extensive cultural heritage and architecture. Many of the western world’s construction techniques are based, on Italy’s heritage and architecture. Therefore, Italy was selected as the most appropriate destination for this program. Based on Italy’s historic background, the students were able to investigate the structure, construction methods, spatial composition, architectural style, artistic desires based on social conditions, and design intentions of architects and artists for various buildings. This year’s program focused on “ancient Roman architecture and sculpture,” “early Christian architecture,” “Renaissance architecture, sculpture, and garden,” and “Baroque architecture and sculpture. ” Before the ICSA trip to Rome, the students attended seminars on studying historic places during their visit abroad and were asked to make a presentation about the stuff that they learned during these seminars. During their trip to Rome, the students had the opportunity to deepen their understanding of architecture and art, measure the height and span of architecture, and draw sketches and make presentations related to some sites that they have visited. A report describing the details of this program is given below.