46 Pola Negri in 1927
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The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Corridor Analysis for the Potomac Heritage National Scenic Trail in Northern Virginia
Corridor Analysis For The Potomac Heritage National Scenic Trail In Northern Virginia June 2011 Acknowledgements The Northern Virginia Regional Commission (NVRC) wishes to acknowledge the following individuals for their contributions to this report: Don Briggs, Superintendent of the Potomac Heritage National Scenic Trail for the National Park Service; Liz Cronauer, Fairfax County Park Authority; Mike DePue, Prince William Park Authority; Bill Ference, City of Leesburg Park Director; Yon Lambert, City of Alexandria Department of Transportation; Ursula Lemanski, Rivers, Trails and Conservation Assistance Program for the National Park Service; Mark Novak, Loudoun County Park Authority; Patti Pakkala, Prince William County Park Authority; Kate Rudacille, Northern Virginia Regional Park Authority; Jennifer Wampler, Virginia Department of Conservation and Recreation; and Greg Weiler, U.S. Fish and Wildlife Service. The report is an NVRC staff product, supported with funds provided through a cooperative agreement with the National Capital Region National Park Service. Any assessments, conclusions, or recommendations contained in this report represent the results of the NVRC staff’s technical investigation and do not represent policy positions of the Northern Virginia Regional Commission unless so stated in an adopted resolution of said Commission. The views expressed in this document are those of the authors and do not necessarily reflect the views of the jurisdictions, the National Park Service, or any of its sub agencies. Funding for this report was through a cooperative agreement with The National Park Service Report prepared by: Debbie Spiliotopoulos, Senior Environmental Planner Northern Virginia Regional Commission with assistance from Samantha Kinzer, Environmental Planner The Northern Virginia Regional Commission 3060 Williams Drive, Suite 510 Fairfax, VA 22031 703.642.0700 www.novaregion.org Page 2 Northern Virginia Regional Commission As of May 2011 Chairman Hon. -
Arlington County, Virginia (All Jurisdictions)
VOLUME 1 OF 1 ARLINGTON COUNTY, VIRGINIA (ALL JURISDICTIONS) COMMUNITY NAME COMMUNITY NUMBER ARLINGTON COUNTY, 515520 UNINCORPORATED AREAS PRELIMINARY 9/18/2020 REVISED: TBD FLOOD INSURANCE STUDY NUMBER 51013CV000B Version Number 2.6.4.6 TABLE OF CONTENTS Volume 1 Page SECTION 1.0 – INTRODUCTION 1 1.1 The National Flood Insurance Program 1 1.2 Purpose of this Flood Insurance Study Report 2 1.3 Jurisdictions Included in the Flood Insurance Study Project 2 1.4 Considerations for using this Flood Insurance Study Report 2 SECTION 2.0 – FLOODPLAIN MANAGEMENT APPLICATIONS 13 2.1 Floodplain Boundaries 13 2.2 Floodways 17 2.3 Base Flood Elevations 18 2.4 Non-Encroachment Zones 19 2.5 Coastal Flood Hazard Areas 19 2.5.1 Water Elevations and the Effects of Waves 19 2.5.2 Floodplain Boundaries and BFEs for Coastal Areas 21 2.5.3 Coastal High Hazard Areas 21 2.5.4 Limit of Moderate Wave Action 22 SECTION 3.0 – INSURANCE APPLICATIONS 22 3.1 National Flood Insurance Program Insurance Zones 22 SECTION 4.0 – AREA STUDIED 22 4.1 Basin Description 22 4.2 Principal Flood Problems 23 4.3 Non-Levee Flood Protection Measures 24 4.4 Levees 24 SECTION 5.0 – ENGINEERING METHODS 27 5.1 Hydrologic Analyses 27 5.2 Hydraulic Analyses 32 5.3 Coastal Analyses 37 5.3.1 Total Stillwater Elevations 38 5.3.2 Waves 38 5.3.3 Coastal Erosion 38 5.3.4 Wave Hazard Analyses 38 5.4 Alluvial Fan Analyses 39 SECTION 6.0 – MAPPING METHODS 39 6.1 Vertical and Horizontal Control 39 6.2 Base Map 40 6.3 Floodplain and Floodway Delineation 41 6.4 Coastal Flood Hazard Mapping 51 6.5 FIRM -
Discover the Potomac Gorge
Discover the Potomac Gorge: A National Treasure n the outskirts of Washington, D.C., O the Potomac River passes through a landscape of surprising beauty and ecological significance. Here, over many millennia, an unusual combination of natural forces has produced a unique corridor known as the Potomac Gorge. This 15-mile river stretch is one of the country’s most biologically diverse areas, home to more than 1,400 plant species. Scientists have identified at least 30 distinct natural vegetation communities, several of which are globally rare and imperiled. The Gorge also supports a rich array of animal life, from rare invertebrates to the bald eagle and fish like the American shad. g g n n In total, the Potomac Gorge provides habitat to i i m m e e l l F F more than 200 rare plant species and natural . P P y y r r communities, making it one of the most important a a G G © © natural areas in the eastern United States. The heart of the Potomac Gorge is also known as Mather Gorge, named This riverside prairie at Great Falls, Virginia, results from periodic river flooding, after Stephen T. Mather, first director of the National Park Service. a natural disturbance that creates and sustains rare habitats. g g g n n n i i i e n m m m e r y e e e l l l a e l F F F P C . y e P P P e L y y y v f r r r r f a a a a e G G H G J © © © © © Flowering dogwood, a native forest understory species in our Specially adapted to withstand river The Potomac Gorge is home to Clinging precariously to the cliff’s edge, Brightly colored in its immature form, a reptile known as the region, is being decimated by an introduced fungal disease. -
1 Call for Papers FINA International Conference: Pola Negri and the Vicissitudes of Stardom Filmoteka Narodowa-Instytut Audiowi
Call for Papers FINA International Conference: Pola Negri and the Vicissitudes of Stardom Filmoteka Narodowa-Instytut Audiowizualny, Warsaw, Wałbrzyska 3/5, 19-20 April 2018 Special Event of Silent Movie Festival (Święto Niemego Kina) Languages: Polish, English Deadline for submissions: 15 February 2018 We can say that 2017 was the year of Pola Negri: she was born 120 years earlier, it’s the 30th anniversary of her death, and the 100th anniversary of the premiere of Bestia, the only surviving film from the early Polish period of her career. On this occasion the National Film Archive-Audiovisual Institute, in pursuit of its mission to protect national cultural heritage, has carried out a restoration project of the film. The Polish re-premiere will take place in April 2018 at the annual Silent Movie Festival (Święto Niemego Kina). Pola Negri will be the main theme of both the festival and an International Conference, organized by FINA, with additional support by film scholars from leading Polish universities, in conjunction with the Giornate del Cinema Muto and in collaboration with EYE Filmmuseum. The conference will serve as a platform for exchanging information on the latest findings and offers a forum for exploring various aspects of Pola’s Negri career, including her legacy today, as well as the people of her epoch who shaped her artistic education, and those she in turn influenced. Topics of interest: The Polish beginnings of her career in ballet and theatre Aspects we hope to cover include the Polish theatrical and dance scene in the 1910s (The Warsaw Imperial Ballet School and its teachers at the beginning of the 20th century; the Imperial Academy of Dramatic Arts; Warszawskie Teatry Rządowe; Teatr Mały). -
Natural Resources Management Plan Background…
ARLINGTON COUNTY NATURAL HERITAGE RESOURCE INVENTORY AND NATURAL RESOURCES MANAGEMENT PLAN BACKGROUND… PUBLIC SPACES MASTER PLAN (2005) “CREATE A NATURAL RESOURCE INVENTORY AND TO DEVELOP A MANAGEMENT STRATEGY FOR NATURAL RESOURCE PROTECTION” • Bring together various plans & practices to protect the County’s natural resources. • Develop a classification system of the various types of natural resources. • Define lines of authority & responsibilities among various agencies. • Create an additional GIS Layer to identify significant natural resources. NATURAL HERITAGE RESOURCE INVENTORY: LAYING THE GROUNDWORK…2005-2008 ARLINGTON’S FIRST COMPREHENSIVE NATURAL RESOURCE INVENTORY…. Partnership development… PROJECT ELEMENTS: WATER RESOURCES GEOLOGY NATIVE FLORA TREE RESOURCES INVASIVE PLANTS URBAN WILDLIFE GIS WATER RESOURCES… SPRINGS AND SEEPS STREAM MAPPING WETLANDS CONSTRUCTED WETLANDS GEOLOGICAL FEATURES… SCENIC WATERFALLS OUTCROPS HIGH VALUE EXPOSURES HISTORIC QUARRIES NATIVE FLORA… LOCALLY-RARE PLANTS NATIVE FLORA STATE-RARE PLANTS SPECIMEN PREPARATION NATIVE PLANT COMMUNITIES & TREE RESOURCES… CHAMPION TREES SIGNIFICANT TREES FOREST TYPES PLANT COMMUNITIES INVASIVE PLANTS… 500 acres of parkland mapped… GOOSEBERRY FIVE-LEAVED AKEBIA ENGLISH IVY “Invasive plants represent the greatest current threat to the natural succession of local native forests in Arlington County” URBAN WILDLIFE: LEPIDOPTERA AVIFAUNA AMPHIBIANS ODONATA REPTILES MAMMALS GEOGRAPHIC INFORMATION SYSTEM (GIS) … Mapping Examples: Native Plant Communities Donaldson Run Park -
Pola Negri's Star Persona in America of the 1920S Agata Frymus
Pola Negri’s Star Persona in America of the 1920s Agata Frymus Abstract This chapter looks at the construction of Pola Negri’s persona by discussing her films, as well as her off-screen antics. Negri’s figure was emblematic of a representation of an exotic and threatening foreign woman, the association which inevitably incapacitated her career in the American movie industry. Firstly, I position the iconography of the vamp in the cultural context of the era. The figure of a pagan, earthy female sexuality had been popularised at the end of the nineteenth century by symbolist painters and consequently re-invented in the America of the 1920s to mobilise fears surrounding the growing economic independence of women and to reflect concerns linked to the new wave of immigration. I will analyse the ways in which Negri’s movies re-enacted those anxieties through their gender portrayal. The femme fatale crosses the boundaries of patriarchal norms, class and ethnicity, and produces a threat. In films such as Spanish Dancer,1 Negri not only personified a threat to the status quo, questioning rigid limitations of sexuality, but above all represented an ethnic hazard. Her exotic otherness threatened to undermine the existing cultural order, making Negri a unique symbol of the possibility of foreign invasion. From the outset of the star’s relationship with American media, the press insisted on seeing her mainly through the prism of her European otherness. Many articles contained deliberate misspelling to convey Negri’s Eastern European accent. By the late twenties the representational scheme Negri was widely associated with fell out of fashion, marking a turning point in her career. -
Forbidden Paradise
HOLLYWOOD Programming Thanks to Henri Langlois FORBIDDEN PARADISE American cinema seemed to achieve perfection at that time: perfection of the cut, perfection of the stitching, perfection of the fabric. There is not haute couture only in Paris, just as there is not 'haute production' only in Hollywood. The perfection of taste and technique, absolute mastery, discretion in daring. Ernst Lubitsch was, in our memory, the man whose oeuvre will someday symbolize this perfection, this flawless style that was the distinctive feature of this art1. Henri Langlois In celebrating Henri Langlois, it is impossible to forget the prince of American comedy. It was François Truffaut who came up with the 'prince' expression, in February 1968, in an article in Cahiers du Cinéma that has since become famous, written just after the major (re)discovery retrospective organized by Henri Langlois at La Cinémathèque française. Truffaut insisted on the place that Lubitsch gave the public: 'No Lubitsch without a public but mind, the public is not in addition, it is with. It is part of the film.' It was in Max Reinhardt's German stage production of Sumurun that Pola Negri met Ernst Lubitsch, who was working as a director of short films at UFA. Lubitsch managed to convince UFA to make a film adaptation in costumes, starring Pola Negri. Sumurun (1920) was a huge success, so much so that their collaboration would continue on different films, culminating in the production of Madame Du Barry (1919), a worldwide success that brought Lubitsch and Negri international fame. He left for Hollywood in 1922 and made some ambitious films as well as, and above all, daring, sophisticated comedies such as The Marriage Circle, Three Women, Lady’s Windermere’s Fan and the least seen, Forbidden Paradise. -
Phone 1*4 THEATRE J
SDAY TORRANCE HERALD AUGUST 19,1926 r. and Mrs. Lewis Ripple and Mrs. L. C. Milter at Pola Negri In ny, of Carson street, were Sun- avenue attended tt*> Eastern Stars Rooney Family da^' vis|t°r« In Santa Ann. Sundn sHlonary service at Uw I Lutho rhurct at Ingl«j»»*« ORRANCE] New Fflm Here Observe Fifth Heads Orpheum ORRANCE Mlsrf .folly Mayhcw Hai ilevftrrt", I-°» Angrles, IB a Mr. and Mm. Charles T NEWSLETS guest of MK .and Mrs. D. W. RliOejr * Phone 1*4 THEATRE j For Two Days Birthday Here Bill Next Week I.fw Angeles were RuestH of Mr. -Subject to Change Without Notice of Wostenf avenue. nntl Mrs. George Proctor ^ PROGRAM Good and Naughty' at the Proctor cottage To Be Famous Group Heads An Landing. August 18 to 27, Jnc. Two Shows Every Night Shown at Torrance other Attractive Menu D. F. Doyh Ml as Vivian Mrs. F. Lewis Peters and daugh At 8:80 and 8:30 anil dhestei Charles and ters. Misses Katherlne and Maxine lioyle left Sunday for their Matinee* Saturday and Sunday at 2:30 Theatre of Vaudeville Young, left Saturday for a month's Mr Harry Bales .and Mm. W. 3 In Sacramento, after a pleas- C. Andi-uS were recent Price* Alway* 2*of Children 10c visit at the Tomklns home on trip to San Francisco and Reno, >la Nogrl plays her first out Lilting tunes, LOB Angeles. program Iwi't delivered regularly give u* your name for o«ir Orange-shaded lights cast a soft lavish settings, and Grameroy avenue. -
Corridor Analysis for the Potomac Heritage National Scenic Trail in Northern Virginia
Corridor Analysis For The Potomac Heritage National Scenic Trail In Northern Virginia June 2011 Acknowledgements The Northern Virginia Regional Commission (NVRC) wishes to acknowledge the following individuals for their contributions to this report: Don Briggs, Superintendent of the Potomac Heritage National Scenic Trail for the National Park Service; Liz Cronauer, Fairfax County Park Authority; Mike DePue, Prince William Park Authority; Bill Ference, City of Leesburg Park Director; Yon Lambert, City of Alexandria Department of Transportation; Ursula Lemanski, Rivers, Trails and Conservation Assistance Program for the National Park Service; Mark Novak, Loudoun County Park Authority; Patti Pakkala, Prince William County Park Authority; Kate Rudacille, Northern Virginia Regional Park Authority; Jennifer Wampler, Virginia Department of Conservation and Recreation; and Greg Weiler, U.S. Fish and Wildlife Service. The report is an NVRC staff product, supported with funds provided through a cooperative agreement with the National Capital Region National Park Service. Any assessments, conclusions, or recommendations contained in this report represent the results of the NVRC staff’s technical investigation and do not represent policy positions of the Northern Virginia Regional Commission unless so stated in an adopted resolution of said Commission. The views expressed in this document are those of the authors and do not necessarily reflect the views of the jurisdictions, the National Park Service, or any of its sub agencies. Funding for this report was through a cooperative agreement with The National Park Service Report prepared by: Debbie Spiliotopoulos, Senior Environmental Planner Northern Virginia Regional Commission with assistance from Samantha Kinzer, Environmental Planner The Northern Virginia Regional Commission 3060 Williams Drive, Suite 510 Fairfax, VA 22031 703.642.0700 www.novaregion.org Page 2 Northern Virginia Regional Commission As of May 2011 Chairman Hon. -
Under the Ice Frogs and Turtles Sometimes Become Active Under the Ice and Can Be Seen Moving Slowly About
WINTER 2015-2016 CHECK OUT OUR GREAT NATURE PROGRAMS! REGISTRATION BEGINS November 16, 2015 WHAT’S HAPPENING Sign up to receive THE SNAG and to find other information about our nature and conservation programs at http://parks.arlingtonva.us GULF BRANCH NATURE CENTER LONG BRANCH NATURE CENTER FORT C.F. SMITH PARK 3608 Military Road 625 S. Carlin Springs Road 2411 N. 24th St. Arlington, VA 22207 Arlington, VA 22204 Arlington, VA 22207 [email protected] [email protected] [email protected] 703-228-3403 703-228-6535 703-228-7033 Some frogs hibernate at the bottom of ponds, breathing through their skin. Frogs usually lie on the bottom rather than dig into the oxygen-poor mud because they require more oxygen than the mud can supply. Painted, snapping, and other native aquatic turtles also breathe through their skin during hibernation, but maintain a much lower metabolism than frogs. Consequently, they need less oxygen and can afford to bury themselves in the mud. In more northern latitudes, where ice can cover ponds and lakes for months and oxygen can become depleted, turtles have another trick up their shell. They can switch to anaerobic respiration, meaning respiration without oxygen. They can keep this up for weeks or even months! Under the Ice Frogs and turtles sometimes become active under the ice and can be seen moving slowly about. You might also see fish and aquatic insects such as water boatmen and predacious diving beetles. Check it out — under the ice! n the summer ponds are obviously lively places. Frogs sit along the edge or float in the water while turtles bask on logs and rocks. -
CO 48.01 Intro.Cs
Grace Cunard as criminal gang leader Patsy Montez on the set of The Purple Mask (1917). Cunard, who wrote and codirected this film with Francis Ford, is one of many “highly significant early female figures who have received only cursory attention in the histories of cinema.” Photo courtesy Museum of Modern Art Film Stills Archive Downloaded from http://read.dukeupress.edu/camera-obscura/article-pdf/16/3 (48)/1/400296/CO4801Introcs.pdf by guest on 27 September 2021 Introduction: Female Stardom and Early Film History Diane Negra Designed to explore specific cases of early female stars and the social, industrial, and ideological economies that underwrite the production of the star system, this issue of Camera Obscura takes a fresh look at early film history and the creative ventures of women performers. No single concept of stardom animates the essays gathered here; rather the stars discussed operate as figures through which the authors reconceptualize feminist film history and his- toriography. The inquiries made invite enlargement and reassess- ment of the subjects film studies deems significant for analysis; the assembled essays present the results of tracking alternative patterns, pathways, and modes of film history. Cumulatively contributing to what we hope will be a more panoramic view of the period between the early 1910s and the early 1930s, a twenty-year span in which narrative cinema first emerged, flourished, and moved to dominate cinematic produc- tion, the essays of this volume reflect a new energy in recent star scholarship even while they explore new modalities for exca- vating film history. The coextensive emergence of stardom in the period in which narrative film practices were consolidated Copyright © 2001 by Camera Obscura Camera Obscura 48, Volume 16, Number 3 Published by Duke University Press 1 Downloaded from http://read.dukeupress.edu/camera-obscura/article-pdf/16/3 (48)/1/400296/CO4801Introcs.pdf by guest on 27 September 2021 2 • Camera Obscura demands careful critical scrutiny.